Pushing Ice

I'm most familiar with Reynolds 'Revelation Space' series, so I was afraid that I'd be in for more war-criminals war-criming against a cosmos so dark that black holes could be used as light sources. I was pleasantly surprised when Pushing Ice magnified Reynolds' better qualities.

The comet miner Rockhopper is the only ship in position to intercept Janus, a moon of Saturn, when it begins to accelerate out of the solar system. A mission that is at first a simple scientific flyby turns into the adventure of a lifetime. This is still Reynolds, and it isn't cheerful, but the agressively competent crew of the Rockhopper having to make difficult decisions to survive, and living with the consequences of command against a very strange universe.

A book club pick :)

This is not the Reynolds I was looking for

Alastair Reynolds is an author from whom I expect nice things. There have been some exceptions over the years. Unfortunately, Pushing Ice turned out to be one of them.

I was very optimistic in the beginning. Reynolds writes space exploration very well. The year is 2057, a mission is mining a comet. Then something strange happens to one of Saturn’s moons. It’s taking off, ladies and gentlemen! It’s flying away! Our comet people are the only ones with a ship that is close enough to give chase. Do you think they will find something interesting? ;)

The writing and the plotting felt like old school classic sci-fi, improved by women in leadership positions. I settled in for a show more nice ride. Then the characters happened. I know that Reynolds is not a character writer, this is not why I read his books. But friends forever to enemies forever dynamic was exhausting here. It’s not exactly unrealistic for a human to hold a grudge for years and years and years and… It’s just that the stupid feud that dominated the book was not written well enough. It wasn’t even juvenile or YA level. It was telenovela level. I wanted to scream.

Oh, and the second half of the book happened to me too. Things were slow. We jumped many years ahead in jarring ways. Aliens from a bad TV show appeared. The plot kept getting more and more ridiculous, nonsensical and artificial. Out of sheer self-preservation I wondered whether I was reading a parody. Nope.

Such a shame! A great sci-fi plot and interesting concepts are there, they are just buried deep. This is an outlier review, since Pushing Ice has pretty high ratings. I am fine with it. Outlier Island is a wonderful place, I’ll just sit on the beach and sip my drink. Thank you.

One good quote:

”She loved sarcasm, especially from engineers.”

P. S. Starfleet would never! show less

A gripping and crunchy (yet character-centric) story about competent technicians doing a difficult job which blossoms into something unpredictably bizarre and hauntingly otherworldly. Listening to the first part while I did chores had me volunteering for more chores. I read the second part in ebook format in one captivated sitting that kept me up until 4am. So: caveat lector.

Reynolds has a problem with his books lingering too long. While Pushing Ice does serve adequately as an entertainment-focused airport novel, it doesn't do anything else particularly well.

The plot, which begins with a group of asteroid miners being tasked with investigating an alien spacecraft leaving the solar system, mostly revolves around two women on the ship developing a blood feud against each other. Bella Lind, the captain of the ship, doesn't take the advice from her best friend on the ship, Svetlana Barseghian, that they may indeed not have enough fuel to return to Earth after their frantic chase of the ship. From here, the crew turns to tribalism as their competing visions for the future clash with one another. The middle show more third of the novel has a lot of time skips as the crew explore the spaceship (formerly one of Saturn's moons, Janus) and attempts to make a life for themselves. Think Rendezvous with Rama with more emphasis placed on the social aspect between the crew members.

Reynolds attempts to cram a lot of space opera/aliens/big ideas into the last third of book, but really doesn't have enough bandwidth to pull it all together. Not that the ideas aren't neat, I suppose, but he really didn't give them space to breath/enough analysis to make them really much other than an afterthought. I also just can't believe that the grudge between Bella and Svetlana would last so god dang long. Years and years and years of refusing to even talk to one another. To put such focus on such a childish issue broke my suspension of disbelief on several occasions.

I can't tell whether my cold-derived brain fog or the book itself is to fault for me not having much to say about it. It's okay. I really haven't been blown away by Reynolds despite his notoriety, and it's unfortunate that a lot of the problems that I had with The Prefect transferred to this work as well. Systemic issues like that are never a great sign. show less

No one does big-concept far-future hard SF quite like Reynolds, and I love him more with every book I read by him. This one has the flavor of court intrigue thrown in, which I greatly enjoyed. Plus there's big alien artifacts, actual aliens, mysterious purposes - how can you go wrong?

Another space opera from Alastair Reynolds. this time not set in his 'Revelation Space' universe. I was expecting a novel mainly about cometary mining, and whilst we get some of that just to set the scene, fairly quickly there is a change of gear as the protagonists are diverted to investigate a Big, (not so) Dumb Object - the Saturnian moon, Janus - that is behaving not as moons are supposed to behave. Very quickly, the characters find themselves in a situation going rapidly out of control.

It is the characterisation that drives this book rather than the events. Opinions have differed over how good the characterisation is in this book; I found it better than expected, and also I was suprised to find the characterisation being, for me at show more least, the key part of the book. The conflict between two powerful women for control of the ship, and their convincing turn and turn abouts as to just who is in the ascendant at ony one time I found very convincing and political.

I was also very taken with the way that Reynolds deals with a spaceship with a crew of 150 or so. Most writers, given this premise, focus on a handful of major characters and leave it at that, leaving the rest as mere spear-carriers. Not so Reynolds. Characters keep turning up and then disappearing, either through death or - more commonly - through just not being involved in that part of the story. They are named, they play parts, and the overall impression is just the same as working in any medium to large organisation; there are people you know well, there are people you deal with from time to time, and there are people you hardly ever speak to or hardly recognise in a corridor. This is one of the few novels to put that idea over in any context; and in a way it also underlined the Way of this particular future, where working on a spaceship mining comets in the outer reaches of the Solar System would be a job like any other.

The intervention of aliens, when it occurs about two-thirds of the way through the book, is interesting and the aliens themselves are well-drawn. They come bearing gifts, and like most gifts come with a price. The Musk Dogs in particular are very well realised.

The denouement was, for me, signalled a few pages in advance with respect to the fates of the two major characters, but that didn't spoil the book for me. Sequels are possible, but none have emerged as yet; perhaps Reynolds is too busy spinning off new ideas for his current multi-book deal with his publisher to draw breath and revisit earlier works? show less

Forty years from now, we have stepped out into the solar system, mining the asteroids and salvaging ice from comets to provide resources for humanity's expansion. Then, in a moment, the moon Janus, one of Saturn's ice moons, begins to leave first the orbit of the gas giant and then to chart a course out of the solar system...all without showing any sign of the machinery it has hidden carefully for millennia. The Rockhopper, an ice miner captained by Bella Lind, is the closest spacecraft to the rapidly accelerating moon, and it is sent in hot pursuit as Janus aims for a giant structure, light minutes long and centuries away. Then, before Rockhopper can veer away, it is sucked into the vortex created by Janus' subterranean space drive and show more its crew is shanghaied for an interstellar journey.

I picked up Pushing Ice on the heels of finishing Reynolds' Hugo Nominated short story Slow Bullets. I'm not sure why I chose Pushing Ice, except that perhaps it was what I could find quickly from the library. Regardless, it immediately gripped me, and I read it quickly. Reynolds seems to have a thing for alien artifacts and their impact on unwitting humans. Slow Bullets deals with a mysterious alien prism that crosses all of human space, minutely changing space to send humanity into a dark age. Revelation Space is about an archeological investigation into the destruction of an entire civilization 9000 years ago and why it might happen again. And in Pushing Ice, we find the crew of the Rockhopper transported by near magical means (See "Clarke's Third Law") to a megastructure so large that entire alien civilizations exist within it...and not always peacefully.

As the members of the crew of the Rockhopper become the denizens of Janus, they face conflict and tragedy and must develop the means of surviving with scarce resources and a limited gene pool. Months become years and then decades. Personalities clash, and the impact of grudges carry over into the tiny society the develops megastructure where Janus has taken them. Reynolds has a eye for creating intriguing conflicts, posing questions that are not easily answered. The result is wonder filled.

And yet, there are problems. In such a small society, Reynolds sees humanity as rigid and inflexible, vengeful and impulsive. Grudges are held for years, even when keeping them is cruel and inhuman. Politics in such a small group are unlikely to remain static, and yet only two powers ever rise, and they manage to hold on to control without any real challenge over a period of decades. I just didn't see how society--especially one that is necessarily insular due to its isolated nature--could be so myopically narrow. Could it be, though? Sure, and maybe that's why I could suspend disbelief, even when deus ex machine swooped in to maintain the narrow set of powers Reynolds had set as primary in his story.

Pushing Ice is a fantastic story, a hard science fiction propped up in decidedly non-science struts like resurrection, physical regeneration, near light speed travel, and a machine that can make anything from scratch. Pretty cool stuff, and when combined with the interesting conflicts Reynolds creates, it makes for a cool story. show less