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Loading... Count Zero (1986)by William Gibson
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Best Dystopias (115) Best Cyberpunk (4) » 12 more Favourite Books (823) Top Five Books of 2022 (473) 1980s (132) 20th Century Literature (799) Forced Exposure (34) No current Talk conversations about this book. Definitely not as engaging as Neuromancer. I never knew it was a trilogy way back when I first read Neuromancer. Thinking it shouldn't be. I probably won't read the next book. First 50% uninteresting. Somewhat cheesy. Hard to follow. Sentence fragments. I enjoyed this more than the previous book in the trilogy, Neuromancer. The first book used so many neologisms, and familiar words in unfamiliar senses, and the plot and writing style was almost impressionistic. Count Zero seems tidier. Maybe I've absorbed the neologisms and got used to the style, but I think there is more to it. I feel that the author is more in command of his writing in this volume. The story flows and grows. There's still plenty of weirdness, but the reader is better able to come along for the ride. Now looking forward to Mona Lisa Overdrive. I read Neuromancer in 2012 and it has taken me ten years to get the motivation to read Count Zero. Sure, in the years I have picked the book up and read a page or two and every time I just did not feel like this was the novel I wanted to read. Well, I had enough of this behavior and I brought it with me to the middle of Appalachia. There is nothing much around besides kudzu and deer. I read Count Zero in about a day and a half. Count Zero is a bit of a sequel to the previous novel – one would definitely want to read Neuromancer first. However, it is not much of a direct continuation of the storyline; it is more of a continuation of the environment and setting. I liked Count Zero more because the novel just seemed a bit easier to follow. Gibson novels are very compressed. As I read Gibson, I realize I have to read each and every word absolutely. There is no speed-reading these novels and there is no skipping. No skimming and no skipping – absolutely none, not one word. Not ever. Reading Gibson novels is a bit tiring because he does have his own architecture and lingo that he does not explain to the reader and the context is not a huge assist, either. Having to read every single word carefully is also tedious because it makes this 246 page novel seem much longer. no reviews | add a review
Belongs to SeriesSprawl (2) Belongs to Publisher SeriesHeyne Allgemeine Reihe (9584) Urania [Mondadori] (1179) ハヤカワ文庫 SF (735) AwardsNotable Lists
A stylish, street smart, frighteningly probable parable of the future from the visionary, New York Times bestselling author of Neuromancer and Agency. A corporate mercenary wakes in a reconstructed body, a beautiful woman by his side. Then Hosaka Corporation reactivates him, for a mission more dangerous than the one he's recovering from: to get a defecting chief of R&D--and the biochip he's perfected--out intact. But this proves to be of supreme interest to certain other parties--some of whom aren't remotely human... No library descriptions found. |
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![]() GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:![]()
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Adding insult to injury, this is the second copy i've tried of this book and they've both been rather badly edited. I'm not sure whether the original book is like that or if it's the fault of the copying it over into ebook format. Anyway, i'll judge it on the idea that the original doesn't have all the punctuation and grammar faults and judge it as a damned good book, because, for all it's faults in that area, it was well worth muddling through and making the effort for a really good story and characters.
Other thing to note: don't expect to begin where you left off with Neuromancer either, because you won't be. Instead you'll be thrown around here there and everywhere in between with general hints and a few characters from Neuromancer popping up and/or in or maybe just getting a mention in passing.
Anyways, all is good and i'm straight into Mona Lisa Overdrive. (