Julia

This is a very sensitive story. Christiaan Dudok is old and decides to put an end to his life. In the few hours before his suicide he makes his life review. Most important to him is the time with Julia, when he was to learn a year of practice in Lübeck with a competitor company of his father, where he met Julia. But everything is different. Julia's brother is a theater-maker and a communist, so he and Julia are constantly on the run at the time of WWII. In the Kristallnacht Christiaan sees Juliet the last time. She urges him to go home to the Netherlands. There he has to take over the company of his father, who dies soon after Christiaan's return. Christaan ​​marries a woman in the Netherlands. He is never really happy with her show more because his thoughts are often with Julia. In his last hours Christiaan thinks back to his life without bitterness.
De Kats's writing style is pregnant and without embellishment. He lets the reader immerse himself in the thought-world of the protagonist and thus follow his life. show less

The first chapter of this novella was utterly brilliant – I loved the chauffeur, Van Dijk, and his discovery of and reaction to his dead boss. I thought he was a wonderful character and was instantly gripped by his voice and story.

It’s a shame then that from the second chapter onwards and for almost the rest of the book, we are given instead the story of Chris, the dead boss, and the events both in the war and leading up to his death. I’m sorry to say that Chris was a very irritating character and one of the most indecisive and weak literary men I’ve ever had the displeasure of meeting. This may be in part due to the fact that a large portion of his story is told to us rather than being shown to us, so I felt very disengaged show more indeed from what is happening to him. How I longed to return to that first chapter.

I also didn’t believe in Chris’s deep and abiding love for Julia, the woman he loses in the war. Indeed, Julia, like Chris, also tells us a great deal of things and becomes very quickly wearisome as a character. Really, the two of them deserved each other, but were of little interest to me as a reader. That said, the prose is very nice, but this factor is nowhere near enough to make a book sing. And Chris takes far too long in getting (at last!) to the moment of death, alas …

So it was with great relief that the final chapter brings us back to that wonderful chauffeur once more, and the ending is very powerful indeed. Van Dijk very much deserves his own book and is wasted in this one.

3 stars: a missed opportunity for a great character who is forced to remain on the sidelines show less

'Death by his own hand. "Painless." Still, there must have been a fair amount of pain before getting this far.', June 29, 2014

This review is from: Julia (Kindle Edition)
The novel opens with a chauffeur finding the body of his elderly boss next to a bottle of pills and a 1942 newspaper. The succeeding chapters move between Dudok as a young man,working in Lubeck in the late thirties, and his last day on earth now. As Germany teeters on the brink of war, Dudok meets the love of his life, Julia, a spirited young woman who refuses to be swept along with the herd mentality that embraces Nazism.
Their ultimatel destinies leave Dudok with a 'perennially supressed, deeply buried sense of yearning.'...
I found this rather a forgettable novel, show more despite the subject matter. show less

Fascinating refections on a life that the main character,Chris Dudok, chooses to end his life because he feels he has lost everything, beginning with his love after fleeing from her and the Nazi's out off Lübeck. Vaguely connected with Thomas Mann and family history of the Mann's Buddenbrooks because Dudok 'chooses' to stay in family-bussiness and marries the obvious candidate although he almost escaped to Lübeck and meets his love of his life Julia, who is persecuted by the Nazi's and she asks him to flee to Holland. She's not killed by the Nazi's like her brother but dies in the Allied air raid in 1942, which destroys nearly the whole historic city.
You never really feel sympathy with the main character, who lost the ability to feel show more strong emotions. The chapter's with his butler/chauffeur seen from his perspective are the most moving. show less

Superifically written, reads almost like an outline at times, not enough fleshing out of details, for instance the German part does not feel German in any way, the main character comes across as weak, why does Julia love him? Why does he decide to kill himself when he does, in August? 9 November might have been a better date...I liked the chapter from the caretaker's point of view best, but it didn't go anywhere muich. Read it quickly and shall forget it, I think. The design for the cover is excellent (photo from the Christabel Bielenberg estate) and the book generally a pleasure to hold in one's hand. Pity about the writing...I'll try something else by this author though, he can write.

Nadat ik de eerste cd van dit 6 cd's tellende luisterboek had gehoord, eigenlijk al na de eerste 10 minuten, dacht ik "Waarom verdoe ik mijn tijd met bijna altijd tegenvallende krimi's als dit bestaat?".
'Dit' is zo mooi van taal en rijk aan gevoel; het raakt daardoor zowel je hart als je verstand.
Ik vraag me wel af of ditzelfde boek in de gedrukte vorm óók zo'n diepe indruk zou maken en dat kan ik nooit meer te weten komen.

Otto de Kat , pseudoniem van Jan Geurt Gaarlandt, was van 1973 tot 1977 literair criticus voor de Volkskrant en Vrij Nederland. en is thans directeur van Uitgeverij Balans, evenals Van Oorschot dus weer ‘een schrijvende uitgever’.

De kern van het boek wordt tegen het einde (pag 148) door de schrijver zelf verwoord:
“Hoe je te bevrijden van de gelukkigste maanden van je leven ? Hoe je te ontworstelen aan herinneringen die je levensloop verlegden, aan een afscheid die je je ziel benomen had ? Hoe ?”

De hoofdpersoon, Chris Dudok, ontmoet tijdens een werkstage in het Duitsland van 1938 een liefde die hij, ondanks de kortstondigheid ervan, zijn gehele leven niet meer zal verliezen. Kort voordat de oorlog ook in Nederland uitbreekt show more vlucht hij terug naar huis om daar uiteindelijk de leiding van het bedrijf van zijn vader over te nemen. Het leven gaat door maar zonder de liefde die hij in Duitsland achterliet.
De roman doet sterk denken aan het werk van Bordewijk; Dudok is een wat vormelijke man met hoofse manieren die meer houdt van Hegel en Nietsche dan van bedrijfsstatistieken, doch het leven zoals het zich aandient als een opdracht beschouwt en daar gedurende zijn werkzame bestaan niet voor zal vluchten.

Het verhaal is verrassend gecomponeerd en boeit vanaf de eerste zin en behoort tot de beste boeken die ik de afgelopen jaren heb gelezen. show less