The Expendable Man

by Dorothy B. Hughes

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"It was surprising what old experiences remembered could do to a presumably educated, civilized man." And Hugh Denismore, a young doctor driving his mother's Cadillac from Los Angeles to Phoenix, is eminently educated and civilized. He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police show more suspect when she is found dead in Arizona a few days later?

Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

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sturlington The conceit of these two books is similar, although the Hughes novel is a better read.

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34 reviews
Hugh Densmore is driving from L.A. to Phoenix for his niece's wedding when he picks up a hitchhiker. The girl is on her way to Phoenix to meet her aunt. Hugh suspects she is a runaway. Then the Phoenix papers report that a girl has been found dead in a canal, and it sounds a lot like the hitchhiker. And it seems as though Hugh is being stitched up for a role in her death.

This was one of those highly suspenseful books where you can't put it down, because you want to find out what happens, but at the same time you have to put it down in order to breathe. Both the plot and the setting contribute to the sense of breathlessness; Phoenix in the summer is captured vividly, with the intense, seething heat that builds early in the morning and show more doesn't let up until well after sundown.

There were a few moments where Hugh makes plans to do some investigating on his own to clear his name, and you want to shout at the book "Don't do it!" as if it were a horror movie with a character planning to go down to the basement.

Although this book was written in the early 1960s, it talks about issues that are still highly relevant today (sadly). The afterword in the Persephone Books edition is worth reading in that regard. Dorothy B. Hughes is an excellent suspense writer and deserves to be (re)discovered and appreciated.
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½
An outstanding example of how a good writer can make literature out of crime fiction/noir/psychological suspense: a mysterious murder, a lone figure beset by malevolent forces, ratcheting tension and palpable dread accentuated by the physical setting, and a trenchant critique of early 1960s American social fissures. Bravo
"Venner departed with the hate still ugly in his eyes, with more hate for an innocent Hugh than for a guilty. The Venners would not be changed in their generation."

I’m not going to provide many plot details for this book as I found it hugely beneficial to know next to nothing about this book.

Every reveal, every additional detail that Hughes affords the reader changed the context of the story and how I read this. She did this masterfully.

It is very much a story of telling you the facts, then changing one little thing, and suddenly the same facts appear different, more complex, more … prone to consequence.

Suddenly we get to understand why Hugh, our MC, is eager to keep his head down, does not want to engage, does not want to stand up show more for himself. It’s because he can’t. The Expendable Man tells a story of oppression (in more ways than one as we learn throughout the story) taking place in broad daylight.

I was angry for Hugh, for his helplessness. And, yet, there are glimpses of hope in this book, too. These glimpses might just be individual characters but they were there and if we have learned anything it is that it only takes a few good people to inspire others.
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If you could change one decision you made in your life, what would it be? I suspect we all could come up with an instance of "Oh, if I only knew then what I know now!" Well, Dorothy B. Hughes 1962 noir crime novel The Expendable Man features one Dr. Hugh Densmore who knows exactly what decision he would change. Driving from the UCLA Medical Center in Los Angeles where he is a resident physician across the desert to Phoenix for a family wedding, Dr. Hugh, playing the part of mister nice guy, takes pity on a young girl hitchhiking way out in the desert, fifteen miles away from the nearest small town.

In spite of knowing he shouldn’t risk it, aware of all the potential dangers, in his own mind at the time, Hugh did the right thing. We show more read, “He realized that this was a young girl. From the glimpse, a teen-age girl. Even as he slowed his car, he was against doing it. But her possible peril if left here alone forced his hand. He simply could not in conscience go on, leaving her abandoned, with twilight fallen and night quick to come. He had sisters as young as this. It chilled him to think what might happen if one of them were abandoned on the lonesome highway, the type of man with whom, in desperation, she might accept a lift.” Oh, Hugh, if you only knew then what was to follow.

However, The Expendable Man is much more than a crime story. The early 1960s, when this novel was published, was a time of great change and transition in the United States, particularly in three areas: race, class and gender, especially race. Dorothy B. Hughes writes with exceptional skill in setting the scene, drawing her characters and orchestrating the action, and all with keen insight into the prevailing racial, social, cultural tensions and prejudices of the time. I wouldn’t want to say anything further about the actual story so as to spoil. But I will say that, for me, reading this novel sets my all-time personal reading record: 245 pages in one day. "I couldn’t put the book down until I finished" sounds like a cliché, but with The Expendable Man this is precisely what happened.

This New York Review Book (NYRB) classic includes a most insightful Afterward by Walter Mosely. Mr. Mosley not only speaks to the novel’s themes but also his own and his family’s experience dealing with issues of race in the United States. A novel and an essay not to be missed.
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A young doctor driving from California to a family wedding in Phoenix, Arizona, sees a teenage girl hitchhiking on a desert road and stops to pick her up, setting in motion a chain of events that will have him suspected of murder when her body turns up a few days later.

The "expendable man" of the title refers of course to the protagonist, who becomes the wrong man conveniently accused of murder for reasons that the reader is not let in on until about 50 pages into the book. The suspense comes in following the doctor as he tries desperately to clear his name before he is arrested, which would ruin his burgeoning career even if he did avoid prison. This is a taut, cleanly written thriller that moves relentlessly forward and allows readers show more a glimpse into a world that is usually not explored in crime noir. I suspect it would have been even more exotic and galvanizing for readers in Hughes' day than it is now. Hughes also creates a wonderful sense of place with her Phoenix setting, a desert town on the verge of becoming urban. This was an interesting read, if a little dated, although I felt it could have been a bit more subtle and multilayered, not quite so straightforward in terms of good guys and bad. I expect for its time, though, it needed to be. show less

If you could change one decision you made in your life, what would it be? I suspect we all could come up with a ‘Oh, if I only knew then what I know now!’ Well, Dorothy B. Hughes 1962 noir/crime novel ‘The Expendable Man' features one Dr. Hugh Densmore who knows exactly what decision he would change. Driving from the UCLA Medical Center in Los Angeles where he is a resident physician across the desert to Phoenix for a family wedding, Dr. Hugh, playing the part of mister nice guy, takes pity on a young girl hitchhiking way out in the desert, 15 miles away from the nearest small town.

In spite of knowing he shouldn’t risk it, aware of all the potential dangers, in his own mind at the time, Hugh did the right thing. We read, “He show more realized that this was a young girl. From the glimpse, a teen-age girl. Even as he slowed his car, he was against doing it. But her possible peril if left here alone forced his hand. He simply could not in conscience go on, leaving her abandoned, with twilight fallen and night quick to come. He had sisters as young as this. It chilled him to think what might happen if one of them were abandoned on the lonesome highway, the type of man with whom, in desperation, she might accept a lift.” Oh, Hugh, if you only knew then what was to follow.

However, ‘The Expendable Man’ is much more than a crime story. The early 1960s, when this novel was published, was a time of great change and transition in the United States, particularly in three areas: race, class and gender, especially race. Dorothy B. Hughes writes with exceptional skill in setting the scene, drawing her characters and orchestrating the action, and all with keen insight into the prevailing racial, social, cultural tensions and prejudices of the time. I wouldn’t want to say anything further about the actual story so as to spoil. But I will say that, for me, reading this novel sets my all-time personal reading record: 245 pages in one day. ‘I couldn’t put the book down until I finished’, sounds like a cliché, but with ‘The Expendable Man’, this is exactly what happened.

This New York Review Book (NYRB) classic includes a most insightful Afterward by Walter Mosely. Mr. Mosley not only speaks to the novel’s themes but also his own and his family’s experience dealing with issues of race in the United States. A novel and an essay not to be missed.
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While driving from L.A. to Phoenix for a family wedding, young Dr. Hugh Densmore stops when he sees a young girl sitting alone on the road. Because she's a teen and alone, he offers her a ride, which he soon regrets. Iris is filthy, rude and demanding, so Hugh stops along the way, gets himself a room and buys her a bus ticket, thinking that this is the only way to get rid of her. But Iris is someone who won't let the doctor and his white Cadillac get away. She, and whoever she was coming to Phoenix to meet, search the town until they find Hugh, but he refuses to have anything further to do with Iris. When the newspaper carries stories about the young blonde found in the canal, Hugh knows he's in trouble.
Published in 1963, this is a show more story of race, with the reveal 50-something pages in (spoiler) that Hugh is black and may be charged with the murder, even with all his education and well-connected family. It's also a mystery, as Hugh decides the only way to clear himself, as he's the prime suspect, is to find the real killer himself. show less
½

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Author Information

Picture of author.
33+ Works 2,942 Members

Some Editions

Moseley, Walter (Afterword)

Awards and Honors

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Common Knowledge

Canonical title
The Expendable Man
Original title
The Expendable Man
Original publication date
1963
People/Characters
Hugh Denismore
Important places
Phoenix, Arizona, USA
Dedication
For my friend, Charlesetta
First words
Across the tracks there was a different world.
Last words
(Click to show. Warning: May contain spoilers.)Not at him, but at the certainty of the coming-true of the plans they both were making.
Blurbers
H.R.F. Keating; Sarah Weinman

Classifications

Genres
Fiction and Literature, General Fiction, Mystery
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PS3515 .U268 .E96Language and LiteratureAmerican literatureAmerican literatureIndividual authors1900-1960
BISAC

Statistics

Members
630
Popularity
46,006
Reviews
30
Rating
(4.10)
Languages
English, Finnish
Media
Paper, Ebook
ISBNs
8
ASINs
11