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A novel of duty and destiny from the pioneering fantasy author, the "inventor of a new mythology and weaver of surprising folklore" (H. P. Lovecraft). In Spain, Gonsalvo, the Lord of the Tower, is in a bind. His daughter is nearing her fifteenth year and should marry soon, yet she has no dowry. To cure the ills of his impoverished family, Gonsalvo turns to his son, Ramon Alonzo. He tells Ramon Alonzo the story of his grandfather, who is owed a favor by a magician. Now that the family show more is in dire need of money, Gonsalvo sends Ramon Alonzo to the forests beyond Aragona to meet the sorcerer and learn the secrets of the Black Art, in particular, the act of transmuting base metals into gold. Ramon Alonzo does as he is told. But he is warned by the magician's charwoman that the wizard's fees are too high to pay. After gifting her with immortality, the magician took her shadow, making her an outcast among the villagers. Heeding her words yet unwilling to give up on his mission, Ramon Alonzo will have to decide just what he is willing to sacrifice--for money, for his family, and for love . . . "Dunsany's best stories remain unique: nobody else has ever been able to capture his visions." --Ursula K. Le Guin, Los Angeles Times Book Review "Perhaps the strongest single influence in the development of fantasy fiction in the present century." --L. Sprague de Camp "Lord Dunsany is the great grandfather of us all." --Jane Yolen, winner of the National Book Award, Nebula Award, and World Fantasy Award show lessTags
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Ramon Alonzo is a young man who has been sent to live with, and learn from, a famous wizard. He is only interested in how to turn base metals into gold. His sister is engaged to be married, and the family hopes that a small chest full of gold will suffice as a dowry.
While studying with the wizard, Ramon meets an elderly charwoman who has no shadow. The wizard took it many years ago, and refuses to give it back, keeping it in a locked box. She is basically trapped at the castle; she was chased out of the nearby village years before as some sort of demon, because of her lack of shadow. In a moment of chivalry, Ramon vows to retrieve her shadow. The charwoman urges Ramon to never, ever give up his shadow.
As part of his teaching fee, the show more wizard demands Ramon’s shadow, but replaces it with a fake shadow that looks, and acts, like the real thing. Ramon figures that he has gotten a great deal; the ability to create gold for nothing. That is, until the day that Ramon is also chased out of the local village as some sort of monster. The problem with his fake shadow is that it does not shrink or grow depending on the time of day; it is the same size, all the time.
Ramon receives a letter from home, and is told to forget the gold; make a love potion, instead. He creates one on his own, and during a visit home, it is given to a visiting Duke. The potion nearly kills the Duke, and causes great embarrassment to the family. He is bedridden for several days, during which time Ramon’s sister is the only one who can get near him. In the meantime, back at the castle, with much patience and diligence, Ramon finds the combination to the box of shadows. He releases several shadows, including his own, and that of a young woman. He brings it to the charwoman, not knowing if it is the right one; it is. Ramon figures that the shadow of the young woman will turn into an elderly crone. To his delight, the transformation goes the other way, and the charwoman turns into a young woman. After they escape from the wizard, the next problem concerns Ramon’s family. Since she is not of noble blood, will they accept her as Ramon’s bride?
From the first few paragraphs, the reader will know that they are in the hands of a master. Dunsany is generally considered the most influential author in the entire fantasy field. Stories like this will justify such a claim. It is very well done from beginning to end, and will get the reader looking at their shadow in a whole new way. show less
While studying with the wizard, Ramon meets an elderly charwoman who has no shadow. The wizard took it many years ago, and refuses to give it back, keeping it in a locked box. She is basically trapped at the castle; she was chased out of the nearby village years before as some sort of demon, because of her lack of shadow. In a moment of chivalry, Ramon vows to retrieve her shadow. The charwoman urges Ramon to never, ever give up his shadow.
As part of his teaching fee, the show more wizard demands Ramon’s shadow, but replaces it with a fake shadow that looks, and acts, like the real thing. Ramon figures that he has gotten a great deal; the ability to create gold for nothing. That is, until the day that Ramon is also chased out of the local village as some sort of monster. The problem with his fake shadow is that it does not shrink or grow depending on the time of day; it is the same size, all the time.
Ramon receives a letter from home, and is told to forget the gold; make a love potion, instead. He creates one on his own, and during a visit home, it is given to a visiting Duke. The potion nearly kills the Duke, and causes great embarrassment to the family. He is bedridden for several days, during which time Ramon’s sister is the only one who can get near him. In the meantime, back at the castle, with much patience and diligence, Ramon finds the combination to the box of shadows. He releases several shadows, including his own, and that of a young woman. He brings it to the charwoman, not knowing if it is the right one; it is. Ramon figures that the shadow of the young woman will turn into an elderly crone. To his delight, the transformation goes the other way, and the charwoman turns into a young woman. After they escape from the wizard, the next problem concerns Ramon’s family. Since she is not of noble blood, will they accept her as Ramon’s bride?
From the first few paragraphs, the reader will know that they are in the hands of a master. Dunsany is generally considered the most influential author in the entire fantasy field. Stories like this will justify such a claim. It is very well done from beginning to end, and will get the reader looking at their shadow in a whole new way. show less
This is one of those books that it’s a little bit embarrassing to admit that I hadn’t already read. I’ve read who knows how many tales that were influenced to some degree by Dunsany… but not a lot actually by him.
The Charwoman’s Shadow is a lovely, original fairy tale. In order to gain money for his daughter’s dowry, a father sends his son to apprentice to a magician, with the goal of discovering the method of turning lead into gold. But the magician asks high prices for his secrets. An old servant warns the young man not to give up his shadow to the wizard, as she did, long ago – but a shadow seems a relatively small price to pay. And when the young man’s sister begs him for a love potion, instead of a dowry, he wishes show more only to be able to give her what she wants… show less
The Charwoman’s Shadow is a lovely, original fairy tale. In order to gain money for his daughter’s dowry, a father sends his son to apprentice to a magician, with the goal of discovering the method of turning lead into gold. But the magician asks high prices for his secrets. An old servant warns the young man not to give up his shadow to the wizard, as she did, long ago – but a shadow seems a relatively small price to pay. And when the young man’s sister begs him for a love potion, instead of a dowry, he wishes show more only to be able to give her what she wants… show less
One of my Dunsany favorite fantasies about an old woman who scrubs floors. She is in thrawl to a master. And needs saving.
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Author Information

391+ Works 10,045 Members
Though during his lifetime the Irish nobleman Lord Edward John Moreton Drax Plunkett, the 18th Baron Dunsany, was perhaps regarded as a minor talent, his somber short fantasies and novels had a significant impact on the development of fantasy and horror fiction. In real life, Dunsany was as interesting and versatile as anyone about whom he wrote. show more He was an African big-game hunter, a soldier in both the Boer War and World War I, and was wounded in the 1916 Irish Easter Rebellion. He was also the national chess champion of Ireland. Dunsany's first short story collection, The Gods of Pegana, was published in 1905 and was soon followed by other fantasy anthologies, including Time and the Gods (1906) and The Sword of Welleran and Other Stories (1908), among others. These stories are distinguished by their elegant, fairy tale settings and Dunsany's unique, macabre sense of humor. Dunsany's novels, such as The King of Elfland's Daughter (1924) and The Charwoman's Shadow (1926), are considered fantasy classics. Although Dunsany wrote prodigiously and with great versatility throughout his life, many regard his early, highly stylized short fiction to be his best work, and his most important. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title
- The Charwoman's Shadow
- Original title
- The Charwoman's Shadow
- Alternate titles*
- Mahotsukai no deshi
- Original publication date
- 1926
- People/Characters
- Ramon Alonzo; Anemone; Mirandola
- First words
- Picture a summer evening sombre and sweet over Spain, the glittering sheen of leaves fading to soberer colours, the sky in the west all soft, and mysterious as low music, and in the east like a frown.
- Last words
- (Click to show. Warning: May contain spoilers.)He went therein, and the Golden Age was over.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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- 3
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- 5 — Dutch, English, German, Japanese, Spanish
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- Paper, Ebook
- ISBNs
- 15
- ASINs
- 14
































































