Hannah Crafts

The Bondwoman's Narrative is a work of fiction assumed to be autobiographical, written by a woman who escaped from slavery in the 1850s. The story follows the enslaved woman as she is moved from household to household and provides a really moving insight into the life of a domestic slave. Hannah's life revolves around those who own her and those who provide moments of kindness. She is very light-skinned and there are complex situations where both the enslavers and the enslaved are found to show more cross the supposedly definitive color lines that were enforced in this time period. Hannah doesn't really have many deep relationships because she's not allowed to. Instead, the book revolves around plot and her interactions with her enslavers. There are amusing moments and lots of inventive writing, including gothic elements, symbolism, and over arching themes. Crafts provides deep commentary on the institution of slavery without becoming preachy or having the book devolve into a pure polemic.

I found this book highly readable and enjoyable in its own right. And then there is the history and scholarship behind it. I skipped most of what is included in this edition, because I am reading the newly released nonfiction, [The Life and Times of Hannah Crafts]. As a bit of background, though, this manuscript was discovered in the 1950s but not researched until it was purchased at an auction in 2000. The scholarship since then has revealed the presumed author (Hannah Bond) and her enslavers (The Wheelers), has tracked the author's life and escape, and showed that Bond wrote the novel partially while she was enslaved and partially after/during her escape.

Highly recommended reading show less

Fascinating this is both clearly based on autobiographical details and equally clearly contains embellished storylines. First novel written by an African American fugitive 'slave'. I quite enjoyed this. I read Gates research in uncovering and researching this amazing novel. Hannah is observant and her characterization of the Wheelers is well done. I found the beginning and end of the story somewhat silly, as was the style the novel was in. Otherwise I thoroughly enjoyed the story and was show more surprised how invested in became. Well done Hannah. show less

historically, this is 5 stars. it's super interesting - both the context that gates puts this into and all of the research that goes into determining when this was written and who the author was (like dating the ink and paper) - and hugely important if this truly is not just the "first novel written by a female fugitive slave, [but] perhaps the first novel written by any black woman at all." i also thought it was really interesting the way he kept her edits and strikeouts in the text, so we show more could see how she composed as she went along.

the narration i give 2.5 stars as the story (while so important and moving) is choppy and sometimes oddly focused on tangential stories rather than the main one. (some of these things gates helps me understand is from the author's reading of romantic or gothic stories of the time, which is helpful information.) i'm glad i read this and what a major find it was for gates, and i'm glad that an autobiographical novel written by a woman can be added to the slave narratives that actually detail what slave life was like. and i'm glad that it wasn't edited by a contemporary (white) person, to make it something different. (although had it been, i might have liked the reading experience better.)

"We thought our master must be a very great man to have so much wealth at his command, but it never occurred to us to inquire whose sweat and blood and unpaid labor had contributed to produce it." show less

If I can be an English Grad student for a moment, let me say that this text is salubrious by way of its inhering sense of the deleterious. The latter aspect, of course, comes from the fact that this is a novel written against and because of slavery in the United States. The former comes from the fact that bucking against its own origins (much like the author herself) this text makes itself known as the impassioned plea of a mixed race woman's humanity under the auspices of one of the more show more dehumanizing epochs of our civilization's history. Though lacking a bit in the urgency of Frederick Douglass' "Narrative of the Life" this is only due to Crafts, unfortunate, hitching her authorial self to Charles Dickens' star (mostly by way of Bleak House which despite my views of Dickens I want to read) in the manner of sentimentalist tropes and just too damn contrived seeming plot twists. This fact is ameliorated more than slightly by the presence of many Gothic storytelling tropes that buoy the proceedings above the standard of sentimentalist fiction.

The only other aspect I can add at this juncture is the book, powerful as it is, is a bit spoiled by its own history and context. By that I mean that Henry Louis Gates Jr's quest to find the text, authenticate it, and then go to war (of words) with other African-American literary critics about his glaring omission of the text's inhering 'intertextuality' . Granted, he was more than a little essentialist and even absolutist to the point of naievete in his initial assessment of the text....but honestly it all felt like academic pettifogging (on both sides) after a while.

All in all it's a more than worthwhile text and should you want the full (at times onerous) history behind it regarding is search, authentication, debate, and even the case notes of the investigator brought out to help verify the work...well, it's there for you. But as a novel it's a powerful and singular work of one woman standing against a system, a culture and a nation that would strip of her everything and more for the sake of keeping things 'just fine the way they are,'. show less