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Zora Neale Hurston (1891–1960)

Author of Their Eyes Were Watching God

112+ Works 34,857 Members 613 Reviews 101 Favorited
There is 1 open discussion about this author. See now.

About the Author

Zora Neale Hurston was born in 1901 in Eatonville, Fla. She left home at the age of 17, finished high school in Baltimore, and went on to study at Howard University, Barnard College, and Columbia University before becoming one of the most prolific writers in the Harlem Renaissance. Her works show more included novels, essays, plays, and studies in folklore and anthropology. Her most productive years were the 1930s and early 1940s. It was during those years that she wrote her autobiography Dust Tracks on a Road, worked with the Federal Writers Project in Florida, received a Guggenheim fellowship, and wrote four novels. She is most remembered for her novel Their Eyes Were Watching God, published in 1937. In 2018, her previously unpublished work, Barracoon: The Story of the Last Black Cargo, was published. She died penniless and in obscurity in 1960 and was buried in an unmarked grave. In 1973, her grave was rediscovered and marked and her novels and autobiography have since been reprinted. (Bowker Author Biography) show less

Works by Zora Neale Hurston

Their Eyes Were Watching God (1937) 22,423 copies, 391 reviews
Barracoon: The Story of the Last "Black Cargo" (2018) 2,188 copies, 80 reviews
Dust Tracks on a Road (1942) 1,590 copies, 19 reviews
Mules and Men (1935) 1,272 copies, 11 reviews
Zora Neale Hurston: The Complete Stories (1995) 570 copies, 2 reviews
Moses, Man of the Mountain (1939) 551 copies, 3 reviews
Jonah's Gourd Vine (1934) 522 copies, 6 reviews
Zora Neale Hurston: Novels and Stories (1995) 499 copies, 5 reviews
Seraph on the Suwanee (1948) 369 copies, 4 reviews
You Don't Know Us Negroes and Other Essays (2022) 270 copies, 4 reviews
Zora Neale Hurston: A Life in Letters (2002) 175 copies, 2 reviews
The Life of Herod the Great: A Novel (2025) 147 copies, 3 reviews
The Sanctified Church (1981) 132 copies
Lies and Other Tall Tales (2005) 107 copies, 4 reviews
Magnolia Flower (2022) 85 copies, 7 reviews
Sweat [short story] (1926) 66 copies, 6 reviews
The Six Fools (2005) 52 copies, 5 reviews
The Three Witches (2006) 52 copies, 5 reviews
The Making of Butterflies (2023) 30 copies, 1 review
How it feels to be colored me (2015) 28 copies, 3 reviews
Poker! (2011) 13 copies
De Turkey and De Law (2007) 12 copies
The "Pet Negro" system (2019) 7 copies
Color Struck (2022) 5 copies
Mule Bone [play] (1930) 3 copies
Polk County 3 copies
The Eatonville Anthology (1926) 3 copies, 1 review
Spunk [short story] (1925) 3 copies
Baraka 2 copies
Spunk [play] (1935) 2 copies
Harlem Slanguage (1995) 1 copy
Spears 1 copy
Bahamas 1 copy
Mr. Frog 1 copy
Jook 1 copy
Fast and Furious (1931) 1 copy
Woofing 1 copy
Forty Yards 1 copy
Lenox Avenue 1 copy
Heaven 1 copy
Cock Robin 1 copy
Cold Keener (1930) 1 copy
Muttsy [short story] (1926) 1 copy

Associated Works

Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,017 copies, 7 reviews
The Best American Essays of the Century (2000) — Contributor — 872 copies, 6 reviews
The Oxford Book of American Short Stories (1992) — Contributor — 842 copies, 3 reviews
The New Negro: Voices of the Harlem Renaissance (1925) — Contributor — 513 copies, 5 reviews
The Portable Harlem Renaissance Reader (1994) — Contributor — 469 copies, 2 reviews
Great Short Stories by American Women (1996) — Contributor — 457 copies, 5 reviews
Written by Herself, Volume I: Autobiographies of American Women (1992) — Contributor — 453 copies, 6 reviews
Sisters of the Earth: Women's Prose and Poetry About Nature (1991) — Contributor — 443 copies, 5 reviews
The Norton Book of Women's Lives (1993) — Contributor — 443 copies, 1 review
Writing New York: A Literary Anthology (1998) — Contributor — 302 copies, 4 reviews
The Norton Anthology of African American Literature {2nd edition} (2003) — Contributor, some editions — 283 copies, 2 reviews
Russell Baker's Book of American Humor (1993) — Contributor — 228 copies
The Big Book of Classic Fantasy (2019) — Contributor — 224 copies, 3 reviews
Modern American Memoirs (1995) — Contributor — 204 copies, 3 reviews
The Best Short Stories by Black Writers, 1899-1967: The Classic Anthology (1967) — Contributor — 201 copies, 1 review
The Norton Book of Personal Essays (1997) — Contributor — 151 copies, 1 review
The Signet Classic Book of Southern Short Stories (1991) — Contributor — 140 copies, 1 review
Downhome: An Anthology of Southern Women Writers (1995) — Contributor — 129 copies
Black on White: Black Writers on What It Means to Be White (1998) — Contributor — 129 copies, 2 reviews
Voices from the Harlem Renaissance (1976) — Contributor — 126 copies
The Penguin Book of Women's Humour (1996) — Contributor — 125 copies
Invented Lives: Narratives of Black Women 1860-1960 (1987) — Contributor — 113 copies
The Literature of the American South: A Norton Anthology (1997) — Contributor — 110 copies
American Short Stories [Pearson Longman] (1976) — Contributor, some editions — 106 copies
The Sweet Breathing of Plants: Women Writing on the Green World (2001) — Contributor — 101 copies, 1 review
The American Mercury Reader (1979) — Contributor — 86 copies, 1 review
On Girlhood: 15 Stories from the Well-Read Black Girl Library (2021) — Contributor — 84 copies, 1 review
Rotten English: A Literary Anthology (2007) — Contributor — 83 copies, 1 review
200 Years of Great American Short Stories (1975) — Contributor — 79 copies, 1 review
Women and Fiction 2: Short Stories by and about Women (1978) — Contributor — 77 copies
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 74 copies, 1 review
Hokum: An Anthology of African-American Humor (2006) — Contributor — 72 copies
American Negro Short Stories (1966) — Contributor — 70 copies
The Gender of Modernism: A Critical Anthology (1990) — Contributor — 70 copies, 1 review
The Vintage Book of American Women Writers (2011) — Contributor — 67 copies
Dark: Stories of Madness, Murder and the Supernatural (2000) — Contributor — 67 copies, 3 reviews
Spunk: Three Tales by Zora Neale Hurston (1991) — Original author — 51 copies, 1 review
Harlem's Glory: Black Women Writing, 1900-1950 (1996) — Contributor — 48 copies
The Sleeper Wakes: Harlem Renaissance Stories by Women (1993) — Contributor — 47 copies
Classic Fiction of the Harlem Renaissance (1994) — Contributor — 44 copies, 1 review
Southern Dogs and Their People (2000) — Contributor — 43 copies
The Virago Book of Wanderlust and Dreams (1998) — Contributor — 37 copies, 1 review
Graphic Classics: African-American Classics (2011) — Contributor — 37 copies, 2 reviews
Miami Noir: The Classics (2020) — Contributor — 33 copies, 14 reviews
Almost Touching the Skies: Women's Coming of Age Stories (2000) — Contributor — 23 copies
Encounters: Essays for Exploration and Inquiry (1999) — Contributor — 19 copies
The Story Pocket Book (1944) — Contributor — 14 copies
Pioneers: First Women Filmmakers (2018) — Director — 11 copies
The Soul of a Woman (1996) — Contributor — 5 copies
The Saturday Evening Post Stories: 1950 (1950) — Contributor — 4 copies
The Word Lives On: A Treasury of Spiritual Fiction (1951) — Contributor — 3 copies
American Short Stories (Oxford Literature Resources) (1992) — Contributor — 2 copies
The Yellow Wallpaper and Other Stories of Liberation (2021) — Contributor — 2 copies
New World Journal, Vol. 1, No.4 (1979) — Contributor — 2 copies
New World Journal #5 — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Hurston, Zora Neale
Legal name
Hurston, Zora Neale Lee
Other names
HURSTON, Zora NEALE
HURSTON, Zora NEALE Lee
NEALE HURSTON, Zora
HURSTON, Zora
Birthdate
1891-01-07
Date of death
1960-01-28
Gender
female
Education
Morgan Academy (1918)
Howard University (1920)
Barnard College (BA|Anthropology|1927)
Columbia University
Occupations
novelist
short story writer
playwright
essayist
folklorist
teacher (show all 9)
anthropologist
freelance writer
maid
Organizations
American Folklore Society
American Anthropological Society
American Ethnological Society
Zeta Phi Beta
Bethune-Cookman University
Paramount Studios (writer) (show all 12)
Patrick Air Force Base (librarian)
Fort Pierce Chronicle
Lincoln Park Academy (teacher)
Library of Congress (librarian)
North Carolina Central University (professor)
WPA
Awards and honors
Zeta Phi Beta
Guggenheim Fellowship (1937)
Bethune-Cookman College Award for Education and Human Relations (1956)
Zora Neale Hurston Festival of the Arts and Humanities
Agent
Ann Watkins
Jean Parker Waterbury
Relationships
Hurston, Lucy (niece)
Boas, Franz (teacher)
Rawlings, Marjorie Kinnan (friend)
Short biography
Cause of death
hypertensive heart disease
Nationality
USA
Birthplace
Notasulga, Alabama, USA
Places of residence
Notasulga, Alabama, USA
Eatonville, Florida, USA
Westfield, New Jersey, USA
Fort Pierce, Florida, USA
New York, New York, USA
Eau Gallie, Florida, USA (show all 8)
Jamaica
Haiti
Place of death
Fort Pierce, Florida, USA
Burial location
Garden of Heavenly Rest Cemetery, Fort Pierce, Florida, USA
Associated Place (for map)
Florida, USA

Members

Discussions

Happy Birthday, Zora Neale Hurston in Book talk (January 7)
February Group Read: Their Eyes Were Watching God in 2015 Category Challenge (March 2015)

Reviews

647 reviews
First sentence: Ships at a distance have every man’s wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.
Now women forget all those things they don’t want to remember, and remember everything they don’t want to forget. The dream is the truth. Then they act and do things accordingly.

ETA: I've show more read this one so many times. I just absolutely love this one. I believe this is my third time to review it for the blog???? I will say that the more times I read it, the more complex I find it. Teacake and Janie's relationship is *SO* complex. On the one hand, as a reader, I see the abusive nature of it at times. He even takes pride in his ability to "beat" his wife, his woman, Janie. The fact that he's proud that she's publicly seen with bruises visible all over her--is disgusting and revolting. The narration--the narrative--takes this so matter-of-factly. It wasn't DANGER, DANGER, DANGER. No, it was that's just facts. Men beat women they love, end of story. In particular, the narrative points out that while white men oppress black men, black men oppress black women. Almost like a coping mechanism. It is heartbreaking as a reader to see. On the other hand, this is the only relationship [romantic, sexual] relationship in the novel where Janie has agency, has voice. Her first two relationships she had no agency, no voice, no choice. Teacake and Janie were more equals. Janie absolutely loved him heart-soul-body. She didn't really "love" or even like or respect her first two husbands. So contemporary readers have to contemplate was this relationship good? healthy? abusive? bad? Hurston's characters are so human, so flawed. There are no simple answers.

Original review:

I've read Their Eyes Were Watching God a handful of times now. (I first read it in college.) This book by Zora Neale Hurston is just beautiful and compelling. Every time I reread it I'm reminded just how beautiful and how compelling. I never quite forget, mind you. But every time I pick the book up, I'm swept into the story and experience it all over again. (The best kind of book to reread!)

Janie is the heroine of Their Eyes Were Watching God. There is a framework to the story that allows the reader to come full circle with Janie. Readers first see Janie through an outsider perspective, a gossiping group.

So the beginning of this was a woman and she had come back from burying the dead... The people all saw her come because it was sundown. The sun was gone, but he had left his footprints in the sky. It was the time for sitting on porches beside the road. It was time to hear things and talk. These sitters had been tongueless, earless, eyeless conveniences all day long. Mules and other brutes had occupied their skins. But now, the sun and the bossman were gone, so the skins felt powerful and human. They became lords of sounds and lesser things. They passed nations through their mouths. They sat in judgment. (1)

One from the group is Janie's best friend, Pheoby, she leaves the group after a few pages, and goes to her friend bringing a much welcomed plate of food. Then, together, they talk. Janie tells her friend her story--her whole story--framing things just so, explaining and justifying as need arises. It's honest and emotional.

Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches. (8)

To keep it short: Janie was raised by her grandmother; when she came of age (16 or so), her grandma arranged a marriage for Janie to an older man; when that marriage failed to bloom in love and happiness, Janie is swept off her feet by a traveler passing by; she leaves her first husband and is married to a second; the two settle in Florida and are influential founders of the black community; after the third husband dies, Janie finally, finally, finally falls in love, but, is Tea Cake the love of her life perfectly perfect?! Of course not! Pheoby knew her when she was married to the second husband, when she was Janie Stark. Now, she's come back to that community without Tea Cake, and everyone wants to know EVERYTHING that has happened in the past two years.

Favorite quotes:

'Dat's you, Alphabet, don't you know yo' ownself?' (9)

Oh to be a pear tree--any tree in bloom! With kissing bees singing of the beginning of the world! She was sixteen. She had glossy leaves and bursting buds and she wanted to struggle with life but it seemed to elude her. Where were the singing bees for her? Nothing on the place nor in her grandma's house answered her. She searched as much of the world as she could from the top of the front steps and then went on down to the front gate and leaned over to gaze up and down the road. Looking, waiting, breathing short with impatience. Waiting for the world to be made. (11)

Janie's first dream was dead, so she became a woman. (25)

Her old thoughts were going to come in handy now, but new words would have to be made and said to fit them. (32)

It must have been the way Joe spoke out without giving her a chance to say anything one way or another that took the bloom off of things. (43)

Every morning the world flung itself over and exposed the twon to the sun. (51)

Janie stood where he left her for unmeasured time and thought. She stood there until something fell off the shelf inside her. Then she went inside there to see what it was. It was her image of Jody tumbled down and shattered. But looking at it she saw that it never was the flesh and blood figure of her dreams. Just something she had grabbed up to drape her dreams over. In a way she turned her back upon the image where it lay and looked further. She had no more blossomy openings dusting pollen over her man, neither any glistening young fruit where the petals used to be. She found that she had a host of thoughts she had never expressed to him, and numerous emotions she had never let Jody know about. Things packed up and put away in parts of her heart where he could never fidn them. She was saving up feelings for some man she had never seen. She had an inside and an outside now and suddenly she knew how not to mix them. (72)

All next day in the house and store she thought resisting thoughts about Tea Cake. She even ridiculed him in her mind and was a little ashamed of the association. But every hour or two the battle had to be fought all over again. She couldn't make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom--a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God. (106)

The wind came back with triple fury, and put out the light for the last time. They sat in company with the other in other shanties, their eyes straining against crude walls and their souls asking if He meant to measure their puny might against His. They seemed to be staring at the dark, but their eyes were watching God. (160)

No hour is ever eternity, but it has its right to weep. (184)

Have you read Their Eyes Were Watching God? What did you think?
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Scholar Kendi adapts a short story published by Hurston in the Spokesman in 1925.

The Mighty River tells the whimsical, mischievous Brook the story of Bentley, who flees slavery for a Florida forest where Black and Native people live free together as Maroons. Bentley marries Swift Deer, a Cherokee woman who escaped the Trail of Tears, and they have a daughter named Magnolia Flower, who “came at the time of the flowers opening.” When the Civil War ends, Magnolia falls in love with John, a show more Black man whom Bentley dislikes because he is poor. Bentley locks John up in their house to keep him away from Magnolia, but one night, Magnolia frees John and escapes with him by boat, making the Mighty River a part of their story. The tale comes full circle when Magnolia and John return 47 years later to reflect on and affirm their love. Deeply committed to sharing Hurston’s writing with young readers, Kendi writes in his author’s note about the elements of Black folklore in the story, such as making nature a speaking character. And, as he stresses in a historical note, the tale is a powerful example of Black and Native resistance—an aspect of history that far too often goes undiscussed. Wise’s earth-toned, opalescent illustrations make the trees, water, and flowers feel just as key to the tale as the humans. The excellent marriage between lyrical text and stunning visuals makes for a moving, memorable story. (This book was reviewed digitally.)

An artfully rendered tale of life and love that also conveys an essential but often overlooked chapter in U.S. history. (Picture book. 5-10)
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After reading just one paragraph, just one sentence of Their Eyes Were Watching God, I was immediately under the spell of Hurston's gorgeous and skillful writing. Reading just those few sentences made me wonder why I ever waste my time reading anything less majestic. Here it is:

"Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in show more resignation, his dreams mocked to death by Time. That is the life of men.
"Now, women forget all those things they don't want to remember, and remember everything they don't want to forget. The dream is the truth. Then they act and do things accordingly" (pg. 1).

Their Eyes Were Watching God is about an African American woman named Janie living in Florida in the early 20th century. As a teenager, Janie lives with her grandmother and dreams of beauty, love, and nature:

"Janie had spent most of the day under a blossoming pear tree in the back-yard. She had been spending every minute that she could steal from her chores under that tree for the last three days. That was to say, every since the first tiny bloom had opened. It had called her to come and gaze on a mystery. From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom. It stirred her tremendously. How? Why? It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing she heard that had nothing to do with her ears. The rose of the world was breathing out smell. It followed her through all her waking moments and caressed her in her sleep. It connected itself with other vaguely felt matters that had struck her outside observation and buried themselves in her flesh. Now they emerged and quested about her consciousness." (pg. 10-11).

Janie must grow up quickly, however, when her grandmother finds her a husband. Janie has opinions, oh yes she does, and good ideas, but her new husband doesn't care to hear them. She doesn't love him: "She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman" (pg. 25).

The first chance she gets, Janie runs away with another man - a sharp-dressed stranger who promises adventure and new experiences in a "town all outa colored folks" (pg. 28) called Eatonville farther south in Florida. Joe Starks catches Janie's interest because "he spoke for far horizon. He spoke for change and chance" (pg. 29).

Janie becomes the wife of the mayor and richest man in town, but in exchange she has to learn to keep quiet and do as she's told. It's no life for the smart and spirited Janie, but she lives it for years until her husband dies.

When Janie finally insists on living the life she's always wanted, she learns everything she's been missing about love, freedom, happiness, and even grief. Her adventures take her from Jacksonville, FL, down to the Everglades.

One fascinating and significant aspect of the novel is it's emphasis on oral history. Janie, having returned to Eatonville, tells her friend Pheoby her life story:

"'If they wants to see and know, why they don't come kiss and be kissed? Ah could then sit down and tell 'em things. Ah been a delegate to de big 'ssociation of life. Yessuh! De Grand Lodge, de big convention of livin' is just where Ah been dis year and a half y'all ain't seen me.'
"They sat there in the fresh young darkness close together. Phoeby eager to feel and do through Janie, but hating to show her zest for fear it might be thought mere curiosity. Janie full of that oldest human longing - self revelation" (pg. 6-7).

Her initial aim is to explain to Pheoby where she's been and what she's been doing, but she soon realizes that "'tain't no use in me telling you somethin' unless Ah give you de understandin' to go 'long wit it. Unless you see de fur, a mink skin ain't no different from a coon hide" (pg. 7). So she starts the story from the beginning. Oral histories are, of course, very important culturally for the African American community. As slaves, most didn't know how to read or write, so they told stories and sang songs. Janie's story becomes part of that tradition.

Their Eyes Were Watching God is a masterpiece on many levels. It is a masterpiece of African American literature. It's a masterpiece of women's literature. It's a mixture of poetry and dialect. It's a novel about marriage and independence. It's a novel about love and money. It's a novel about self-sacrifice and self-fulfillment. Above all, it's a novel about men and women making their way through life.

I can't recommend Zora Neale Hurston's Their Eyes Were Watching God enough. Novels don't get much better than this.
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[I listened to the audiobook version narrated by Ruby Dee]

Phenomenal.

I'm not sure if it was the fact that I listened instead of reading it, but Ruby Dee's touch to the characterization of each person in this story made it. Without it, I doubt I would have enjoyed it as much. It is a period piece come to life, with all of its colors. Listening to this book was like listening to a grandmother tell her story on a small porch while sipping lemonade or iced tea. There are rough parts, there are show more happy parts, and in the end, she is (somehow) right there in front of you, and you now know how she, your magnificent grandmother, got there.

I can't say if this is a must read, but I can promise that it is a must-listen.
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Awards

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Associated Authors

Cudjoe Lewis Interviewee
Langston Hughes Contributor
Ibram X. Kendi Adapted by
Dorothy Waring Contributor
Mary Helen Washington Foreword, Introduction
Alice Walker Contributor, Foreword
Genevieve West Introduction
Tayari Jones Foreword
Christopher Myers Illustrator
Christian Clayton Cover artist
Loveis Wise Illustrator
Faith Ringgold Illustrator
Leonard Jenkins Illustrator
Kah Yangni Illustrator
T. Charles Erickson Cover photographer
Ann Weinstock Cover designer
Henry Louis Jr Gates Afterword, Editor, Introduction
David Diaz Cover artist
Valerie Boyd Contributor
Ruby Dee Reader, Narrator
Suzanne Noli Cover designer
Holly Eley Introduction, Afterword
Scott McKowan Cover artist
Mary Schuck Cover designer
Milan Bozic Illustrator
Adriana Bottini Translator
Zadie Smith Introduction
-HarperAudio- Publisher
Sika Fakambi Traduction
Jerry Pinkney Illustrator
David Kipen Narrator
Patrick Dougher Cover artist
Diana Ejaita Illustrator
Robin Miles Narrator
Robert E. Hemenway Contributor
Gregg Kulick Cover designer
Arnold Rampersad Foreword, Contributor
Dellita L. Martin Introduction
Beatrice Sherman Contributor
Phil Strong Contributor
Bahni Turpin Narrator
ferraralidia Cover designer
Franz Boas Preface
Darwin T. Turner Introduction
Louis Henry Gates, Jr. Series editor, afterword, bibliography, & chronology
Miguel Covarrubias Illustrator
Sieglinde Lemke Introduction
Blyden Jackson Introduction
Jeff Manning Cover artist
Rita Dove Foreword
Charles White Cover artist
trowbridgesusan Book & cover designer
Herb Thornby Cover designer
navarodayna Cover designer
Drew Stevens Designer
Ossie Davis Narrator
Eric Fuentecilla Cover designer
taylorprentiss Author photo
Clementine Hunter Cover artist
Elliott Beard Designer
Jessica Coppet Cover artist
Stephen Brayda Cover designer
Lou Thompson Contributor
Arthur B. Spingarn Contributor
Timothy Hsu Cover designer

Statistics

Works
112
Also by
81
Members
34,857
Popularity
#543
Rating
4.0
Reviews
613
ISBNs
373
Languages
13
Favorited
101

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