Pascal Garnier (1949–2010)

Collection of three of Garnier's short novels, all impressive.

The A26: I started reading Garnier after devouring a couple of books by Jean-Patrick Manchette. Garnier is even darker. This story presents violent death as just another part of a dreary succession of days we struggle through with little motivation or satisfaction. At least that's about the best I can sum it up. But the writing is so good, and the humor and satire so sly, that it is quite engrossing. Not quite like watching a car show more wreck, but also the sort of pleasure you don't think you should be having. It is well-written, doesn't drag on, and as dark as it gets, which is appropriate for the dark times we're living in. The French settings and the little details about French life are also quite interesting.

How's the Pain?: This story about an aging and very sick killer's final days is neatly plotted and darkly funny in so many ways as the killer engages the services of a man with three fingers on one hand to act as his driver while he finishes his last job. The series of incidents that ensue are definitely something out of a farce. This book has violent death, a peculiar mother (as did Garnier's The A26), romance, and trips to the beach. It's about as weird a combination as you can get, but Garnier pulls it all off and makes it almost believable. The three-fingered man's choices even seem to make sense given the situation he is living in. A wonderful story--highly recommended.

The Panda Theory: Strange and compelling story of a man who, apparently by chance, stops in a small town and becomes involved in the lives of several people, including a restaurant owner with a sick wife, a down-and-out couple looking to cash in, and a hotel clerk who is attracted to him. Interspersed with the present day narrative, we have glimpses of the man's prior life with his wife and daughter, who we know have died, but not how. The ending here may not sit well with a lot of readers. My own feelings are ambivalent, but the writing from start to finish is superb, and Garnier opens up the lives of his characters in very revealing and believable ways. Recommended. show less

I have read quite a few of Pascal Garnier’s short (novella sized) crime stories. Gallic Noir tales full of gallows humor, unsavory characters, and shocking plot twists. The problem is there are only about 10 or so translated out of his 60 plus works. I have been savoring them. After Moon in a Dead Eye I only have one left and am constantly hoping that a new set of translations will arrive at some time.

Garnier, to provide a reference, has a style that can be likened to a cross between show more James Elroy and James M. Cain. Obviously he is an original in his own right, but that gives a new reader an idea. In my opinion he is required reading for anyone who enjoys mystery/crime fiction and is a master level noir writer.

Garnier is so dark and twisted (at least his stories are!) that he can take a concept like a retirement community and turn it into something sinister and foreboding. As with most of his stories the characters (fully realized and completely believable characters) are damaged with secrets and hidden agendas that eat away at their peace of mind and color their actions. You can also be sure that no matter how idyllic the situation, very soon (these are novellas so the action comes on fast) the crap is going to hit the fan and the whole thing will wind up getting darker by the minute.

I only have one Garnier book left and am desperately waiting more translations. He is as good as it gets when it comes to noir/crime novelists, in my opinion. show less

This first volume of Pascal Garnier's collected noir novellas (maybe called novels in France - they tend to call shorter works novels often) contains 3 of them: "The A26", "How's the Pain?" and "The Panda Theory". While the 3 were very different from each other, they are all bleak and almost hopeless - which seems to be the usual mode for Garnier's noir tales (with some weird humor here and there, made even funnier by where it is and what happens at the time when it is used).

"The A26" show more (original title L'A26, 1999, translated by Melanie Florence) introduces us to two loners - a brother and a sister who live in a house where nothing had changed for decades. Some time during WWII, the sister, Yolande, had been hurt (more mentally than physically) and she reacted by closing herself in her house and never leaving it again - becoming a hoarder in the process and forcing her brother Bernard to take care of her while working for the railroads. And that's not their lives went on - up to the current times, sometime in the 90s, when a new motorway is getting built close by. Garnier takes that change and uses it to show the lives of the two siblings - making you wonder in places who is the crazier one. The seemingly sane Bernard ends up being a murderer (and worse); the sister who is always there seems to be sinking more and more into her seclusion. But somewhere there are also the Roland and Jacqueline - the old flame of Bernard and her current husband and while the siblings' minds dissolve, that old human connection becomes the trigger for the worst in them - from Yolande's memories of the past (when we learn what did happen to her) to Bernard's final delusions - it almost feels like his present and Yolande's past feed each other. The end is as expected as it is devastating. And you are only left wondering if things could have ended differently if someone somewhere had been a bit more human.

"How's the Pain?" ("Comment va la douleur ?", 2006, translated by Emily Boyce) is the lightest of the 3 novellas, even if it is dealing with a man's decision to die. Simon Marechall is about to get his last job before retirement when he ends up in a small town, too sick to continue his travel. No, it is not the kind of story where a man meets someone else and is happily ever after with them. He does meet someone, a local youth called Bernard, but their connections is closer to mentor and student (or an owner and a pet maybe). Simon needs help - he needs to drive to the seaside to finish that last job so Bernard comes at the best time - becoming his driver and in the process almost becoming Simon's son, pet and nurse (rolled into one). The older man claims to be a vermin exterminator - and that is partially true - except that the vermin he hunts can walk and talk (and that is very clear from very early in the novella if one is paying attention). What follows is almost black comedy although the style keeps is serious enough to never slide into it - the last job ends up being a bit of a mess, there is a woman with a child (and our very naive Bernard falls for both of them) and somewhere in there, Simon lives out the last days of his live. But as with most of his previous actions, his exit will be on his terms - even if it leaves other people in a bit of precarious position (the novella ends with the death - it technically also starts with it even if the act waits to the end.

"The Panda Theory" ("La théorie du panda", 2008, translation credited only to Gallic Books) starts just like the previous novella - a stranger arrives in a small town. Gabriel is a disturbed man - we learn why as the novella progresses but at the start he seems like a normal man who just has nowhere to go so he comes to a town he knows noone in and makes connections - with the receptionist, with a bistro owner (who then ends up with his worst nightmare on his hands and it is Gabriel who helps him and becomes the strong shoulder Jose needs), with a couple down on their luck. He spends his money liberally, helps people and becomes a friend (and almost a patron) to anyone he meets. Except that there is darkness underneath all that - even when he is at his best, his thoughts can be a bit disturbing. Once we know what had driven him to where he is now, we at least can understand why. But even that does not make the end less cruel. You know something must be coming but even with all the backstory the final act is shocking. And somewhere in there, there is a panda teddy-bear and if one wants to understand the story, they may want to think about the meaning of Gabriel's name.

All 3 stories are good in different ways but I liked "How's the Pain?" the most. It is the most streamlined of the 3 in some ways (all 3 use flashbacks and play with the time and sequences) but it was also the one which did not seem to try to get to worse and worse depravities as the story went along. All of them are worth reading though if you like the style and I plan to read more of these noir tales by Garnier - even when they don't entirely work for me, there is something in there that makes me want to read more. show less

I received an advance copy of this novel from the publisher through NetGalley in exchange for an honest review.

This is my first book by Pascal Garnier and I must confess that going into this novel I knew practically nothing about him as a writer or his works. I must say that I have been missing out. I quickly put several other of his works recently published by Gallic Books on my wish list and will be working my way through them for the next year or so. I always love encountering a new (to show more me) writer that has a back list of books to enjoy. Ignorance may be bliss, but then again sometimes so is discovery.

Any fan of noir will love this novel. It begins introducing us to our main protagonists with a wit and snarkiness that drew me in right away. I could tell right away that I was going to enjoy Garnier’s style and as the plot developed and we descended into the twists and turns (and slow reveals) of this dark, dark story, I found that he was as good a storyteller as he was a writer.

I don’t want to give away much of the novel but I will say that it is masterfully plotted and will appeal to fans of noir, psychological thrillers, or literary dark fiction.

5 stars. Sign me up for the rest of his books.

Garnier is a French Hitchcock. A master. show less