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Arthur Schopenhauer (1788–1860)

Author of Essays and Aphorisms

729+ Works 14,914 Members 150 Reviews 72 Favorited

About the Author

Arthur Schopenhauer traveled in childhood throughout Europe and lived for a time in Goethe's Weimar, where his mother had established a salon that attracted many of Europe's leading intellectuals. As a young man, Schopenhauer studied at the University of Gottingen and in Berlin, where he attended show more the lectures of Fichte and Schleiermacher. Schopenhauer's first work was The Fourfold Root of the Principle of Sufficient Reason (1813), followed by a treatise on the physiology of perception, On Vision and Colors (1816). When Schopenhauer wrote his principal work, The World as Will and Idea (1819), he was confident that it was a work of great importance that would soon win him fame, but in this he was badly disappointed. In 1819 he arranged to hold a series of philosophical lectures at the same time as those of the newly arrived professor Hegel, whom Schopenhauer despised (calling him, among other creative epithets, an "intellectual Caliban"). This move resulted only in further humiliation for Schopenhauer, since no one showed up to hear him. Schopenhauer continued to be frustrated in repeated attempts to achieve recognition. In 1839 and 1840 he submitted essays on freedom of the will and the foundation of morality to competitions sponsored by the Royal Danish Academy but he won no prize, even when his essay was the only entry in the competition. In 1844 he published a second volume of The World as Will and Idea, containing developments and commentaries on the first. Around 1850, toward the end of his life, Schopenhauer's philosophy began to receive belated recognition, and he died in the confidence that his long-awaited and deserved fame had finally come. Schopenhauer's philosophy exercised considerable influence in the late nineteenth and early twentieth centuries, not only among academic philosophers but even more among artists and literati. This may be in part because, unlike his German idealist contemporaries, Schopenhauer is a lucid and even witty writer, whose style consciously owes more to Hume than to Kant. Schopenhauer's philosophy is founded on the idea that reality is Will--a single, insatiable, objectless striving that manifests itself in the world of appearance as a vast multiplicity of phenomena, engaged in an endless and painful struggle with one another. He saw the same vision in the texts of Indian religions---Vedanta and Buddhism---which he regarded as vastly superior to Western monotheism. Schopenhauer's theory of the empirical world is an idealism, in which the doctrines of Kant are identified with those of Berkeley. In aesthetic enjoyment Schopenhauer saw a form of knowledge that is higher than ordinary empirical knowledge because it is a disinterested contemplation of the forms or essences of things, rather than a cognition of causal connections between particulars driven by the will's interest in control and domination. True salvation, however, lies in an intuitive insight into the evil of willing, which in its highest manifestations is capable of completely extinguishing the will in a state of nirvana. In his perceptive development of the psychological consequences of his theory, Schopenhauer gives particular emphasis to the way in which our knowledge and behavior are insidiously manipulated by our unconscious volition; this stress, plus the central role he gives to sexuality in his theory of the will, contains much that is found later in Freud (who acknowledged that Schopenhauer had anticipated his theory of repression). Schopenhauer's main influence on twentieth-century philosophy, however, was mediated by Nietzsche, whose theory of the will to power added a poignant twist by committing itself to the affirmation of the will while still conceiving it in essentially the same way---insatiable, painful, predatory, deceptive, and subversive of rational thought---which it had been in Schopenhauer's metaphysical pessimism. (Bowker Author Biography) show less
Image credit: From Wikimedia Commons

Series

Works by Arthur Schopenhauer

Essays and Aphorisms (1970) — Author — 1,653 copies, 10 reviews
The Art of Always Being Right (1864) — Author — 1,550 copies, 22 reviews
Arthur Schopenhauer: v. 1: The World as Will and Presentation (1819) — Author — 1,366 copies, 6 reviews
The world as will and representation (1818) — Author — 939 copies, 13 reviews
The Wisdom of Life (1851) — Author — 743 copies, 7 reviews
On The Suffering of the World (2004) 583 copies, 3 reviews
L'arte di essere felici esposta in 50 massime (1997) 318 copies, 7 reviews
Essay on the Freedom of the Will (1989) 314 copies, 3 reviews
On the Basis of Morality (1903) 267 copies, 3 reviews
World as Will & Idea (1995) 264 copies, 1 review
The Philosophy of Schopenhauer (1928) 198 copies, 1 review
The Wisdom of Life and Counsels and Maxims (1995) 195 copies, 3 reviews
The Essential Schopenhauer (1962) 195 copies, 1 review
L'arte di insultare (1999) 176 copies, 2 reviews
Studies in Pessimism (2005) 149 copies, 2 reviews
On Women (1993) 108 copies, 2 reviews
Essays of Schopenhauer (1932) 107 copies, 4 reviews
The art of knowing yourself (1992) 100 copies, 1 review
On the Will in Nature (1836) 95 copies, 1 review
The Art of Literature (1994) 88 copies, 2 reviews
Er is geen vrouw die deugt (1974) 81 copies
De wereld een hel (1981) 69 copies
Complete Essays of Schopenhauer (1942) 62 copies, 1 review
Métaphysique de l'amour (1901) 62 copies, 2 reviews
El amor, las mujeres y la muerte (1901) 61 copies, 2 reviews
Saggio sulla visione degli spiriti (1993) 53 copies, 1 review
Aşkın Metafiziği (2006) 47 copies, 3 reviews
On Vision and Colors (1994) 46 copies
De wereld deugt niet (1992) 37 copies, 1 review
Kleinere Schriften (1986) 36 copies
Il giudizio degli altri (2004) 31 copies
Hayatin Anlami (2007) 23 copies
Kuolema ja kuolematon (1991) 22 copies, 1 review
Über das Mitleid (2005) 22 copies
Selections (1928) 20 copies
Über Lesen und Bücher (2008) 19 copies
Religion: a dialogue, and other essays (1972) 18 copies, 1 review
Journal de voyage (1988) 17 copies
Du néant de la vie (2004) 17 copies
Het nut van vrome leugens over godsdienst (2010) 15 copies, 1 review
Esthétique et métaphysique (1999) 14 copies, 1 review
Gesammelte Werke (2007) 14 copies
Schopenhauer (1956) 14 copies
Metaphysik der Sitten (1985) 13 copies
Consigli sulla felicità (2007) 13 copies
Parábolas, aforismos y comparaciones (1995) 13 copies, 1 review
Os Pensadores: Schopenhauer (2020) 12 copies
Il mio Oriente (2007) 12 copies
Schopenhauer (2019) 12 copies
ARTE DE PENSAR, EL (2019) 11 copies
Essays from the Parerga and Paralipomena (1951) 11 copies, 1 review
Colloqui (1995) 11 copies
La Libertad (1978) 10 copies
Metaphysik der Natur (1984) 10 copies
L'arte di capire le donne (2014) 10 copies, 1 review
Sämmtliche Werke (1900) 9 copies
[Schopenhauer] (2010) 8 copies
Bilmek ve Istemek (2012) 8 copies
Aforismi (2008) 8 copies
Parábolas y aforismos (2018) 8 copies
Memoria sulle scienze occulte (1992) 8 copies, 1 review
Din Uzerine (2009) 7 copies
Haklı Çıkma Sanatı (2023) 7 copies
Ethique et politique (1996) 7 copies
O religii (2013) 7 copies
Escritos literarios (1986) 6 copies
O livre-arbítrio (2012) 6 copies
Bilim ve Bilgelik (2014) 6 copies
Come pensare da sé (1995) 6 copies
Ölümün anlamı (2013) 5 copies
Varolmanýn Acýsý (2016) 5 copies
Schopenhauer om musikken (1988) 5 copies
Schopenhauer (1956) 5 copies
Notas sobre Oriente (2011) 4 copies
Morale e religione (1990) 4 copies
Akil Zayifligi (2017) 4 copies
La lectura y los libros (2013) 4 copies
El amor y otras pasiones (1997) 4 copies
L'art de vieillir (2023) 4 copies
Werke in zwei Bänden (1977) 3 copies
Lettres (Tome 2) (2017) 3 copies
Philosophie et Science (2001) 3 copies
[Little blue book] (1923) 3 copies
Levenswijsheid 3 copies
Du génie (2010) 3 copies
L'amore (1993) 3 copies
Arta De A Fi Fericit (2020) 3 copies
Szerelem, élet, halál (1989) 3 copies
Hakli Cikma Sanati (2016) 3 copies
Bastar a si mesmo (2012) 3 copies
Aforismer i levnadsvisdom (2024) 3 copies
Pensieri e Frammenti (1897) 3 copies
Eudemonologia 2 copies
A Liberdade da Vontade — Author — 2 copies
Keshilla per jeten (2003) 2 copies, 1 review
A sabedoria da vida (2011) 2 copies
Die Wahrheit kann warten (2013) 2 copies
Insan Dogasi Uzerine (2013) 2 copies
Eudemonologia 2 copies
SOBRE A PSICOLOGIA - SCHOPENHAUER (2023) — Author — 2 copies
Kunstidest (2002) 2 copies
Correspondance complète (1996) 2 copies
Le Sens du destin (1988) 2 copies
Taccuino italiano (2000) 2 copies
Schopenhauer-Brevier (1955) 2 copies
Religion: A Dialogue (2019) 2 copies
The Vanity of Existence (2011) 2 copies
Metafysika lásky a hudby (1995) 2 copies
On Thinking for Oneself 1 copy, 1 review
Shopenhauer 1 copy
Ahlak ve Karakter (2023) 1 copy
O ženách 1 copy
Naturako nahimena (1994) 1 copy
El Ocultismo 1 copy
A VONTADE NA NATUREZA (2024) 1 copy
Fundamentele Moralei 1 copy, 1 review
Aforismos Livro 1 (1998) 1 copy
Estetica e morale (1997) 1 copy
Intelletto e volontà (1959) 1 copy
Breviario (1996) 1 copy
Entretiens (1993) 1 copy
Sex, Death and Genius (1995) 1 copy
Un abécédaire (2004) 1 copy
Selected Essays (1891) 1 copy
Lettres (Tome 1) (2017) 1 copy
O geniju 1 copy
Philosophie in Briefen (1989) 1 copy
Sul genio (2013) 1 copy
Ceļinieks : aforismi (2006) 1 copy
Religion (2009) 1 copy
SCHOPENHAUER 1 copy
Livsvisdom (2023) 1 copy
O kráse a umení (2007) 1 copy
L'art de ne pas lire (1992) 1 copy
101 truths about life (2014) 1 copy
Livsførelse 1 copy
O smrti i postojanju (2017) 1 copy
Om viljan i naturen (2024) 1 copy
Att tänka själv (2006) 1 copy
Az alap tételéről (2013) 1 copy
Works 1 copy
Merhamet (2007) 1 copy
Maximes et pensées (1998) 1 copy
ARTI I TE JETUARIT (2002) — Author — 1 copy
Etica 1 copy, 1 review
Ljubov' 1 copy
Brevijar 1 copy
O ženama 1 copy

Associated Works

The Art of Worldly Wisdom (Oraculo manual y arte de prudentia) (1647) — Translator, some editions — 2,212 copies, 29 reviews
The European Philosophers from Descartes to Nietzsche (1960) — Contributor — 494 copies, 3 reviews
Critical Theory Since Plato (1971) — Contributor, some editions — 435 copies, 1 review
Western Philosophy: An Anthology (1996) — Author, some editions — 220 copies, 1 review
Man and Spirit: The Speculative Philosophers (1954) — Contributor — 194 copies, 1 review
German Essays on Music (1994) — Contributor — 20 copies, 1 review
The Romantic Tradition in Germany : An anthology (1970) — Contributor — 6 copies

Tagged

Common Knowledge

Canonical name
Schopenhauer, Arthur
Birthdate
1788-02-22
Date of death
1860-09-21
Gender
male
Education
Runge Institute
Gothaer Gymnasium illustre
University of Göttingen
Berlin University
University of Jena (Ph.D | 1813)
Occupations
philosopher
Organizations
Senckenbergische Naturforschende Gesellschaft (Senckenberg Nature Research Society)
Relationships
Schopenhauer, Johanna (mother)
Short biography
At Schopenhauer har hatt mye å si for vitenskapen eller fagfilosofien er derimot en overdrivelse. Tre store filosofer har mottatt avgjørende impulser av ham : Friedrich Nietzsche, Henri Bergson og Ludwig Wittgenstein, ellers har fagfilosofer stort sett ignorert ham. Men forfattere og kunstnere (og en psykolog) har hele tiden funnet veien til hans verker. Samuel Beckett, Jorge Luis Borges, August Strindberg, Richard Wagner, Thomas Mann, Italo Svevo, Leo Tolstoj, Marcel Proust, Sigmund Freud: alle disse og mange andre kunstnere har lest Schopenhauer og blitt fengslet av hans pessimisme, hans opphøyning av kunst (og særlig musikk) i sitt filosofiske system, hans misogyni, hans prosa som mange har betegnet som noe av den tyske kulturhistoriens fineste. "Talent hits a target no one else can hit; genius hits a target no one else can see." -- Arthur Schopenhauer
Cause of death
respiratory failure
Nationality
Germany
Birthplace
Danzig, Kingdom of Poland
Places of residence
Danzig (Free City of the Hanseatic League; present-day Gdańsk, Poland)
Hamburg, Germany
Le Havre, France
Wimbledon, England, UK
Weimar, Germany
Gotha, Thuringia, Germany (show all 12)
Göttingen, Germany
Berlin, Germany
Rudolstadt, Thuringia, Germany
Dresden, Germany
Mannheim, Germany
Frankfurt, Germany
Place of death
Frankfurt am Main, German Confederation
Burial location
Hauptfriedhof, Frankfurt am Main, Germany
Associated Place (for map)
Germany

Members

Reviews

186 reviews
Reading this collection of essays by Schopenhauer has been very enlightening, as many of the topics covered are easily relevant during the global pandemic and growing American unrest these days. Much of this collection is about how to live one's life - intellectually, for the most part - as both an individual and a member of society, two positions that are almost always diametrically opposed. Schopenhauer's advice is geared towards a happiness derived from avoidance of pain rather than the show more pursuit of pleasure, and so much of it involves recommendations on how to avoid conflict - or indeed, interaction - through accepting the world and it's people for what they are, and then keep them at a manageable distance. It's deeper than that, of course, so take my thumbnail sketch for what it's worth.

As with any philosophical study, the trappings are there for those who want to avoid introspection and instead seek to twist all answers to fit their own unasked questions. However, those who reject the unexamined self will find plenty to think about.

One of my favorite quotes: "And on passing his fortieth year, any man of the slightest power of mind--any man, that is, who has more than the sorry share of intellect with which nature has endowed five-sixths of mankind--will hardly fail to show some trace of misanthropy."
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Where he's good, Schopenhauer is very good (On the Suffering of the World, On Thinking for Yourself, On Philosophy and the Intellect), but where he's bad he's execrable (On Women).

Dour and pessimistic, he's the Morrissey of philosophy. All is vanity, life is short and joy is fleeting. I have to wonder if today he would be diagnosed with clinical depression, rather than the romantic melancholia of genius. So, that said, I found much in common with him, in a mordantly humourous way, as I'm show more inclined to a glass-half-empty view of life (much as I seek to amend that). Where I think he goes wrong, particularly so in his views upon women, is in not challenging the assumptions and cultural perspectives of his time and place. He takes these views as given and does not seem to be conscious of the possibility that the qualities he berates in woman may be roles forced upon them by society, nor that his own perspective may be skewed by the privileged position he holds in that society as a man.

Worth reading, though I'm sure he would not have said the same about this review, laden as it is with plebian affectations to style, parentheses and deviod of original thought, relying instead upon a disection of the thoughts of another.
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½
Шопенхауер е бил най-вероятно аутист и безспорен мизантроп, поради което прозренията му за обществото са ценни и на места поразяващо точни, без следа от политическа коректност дори за времето си (а днес някои от тях биха звучали на голяма част от публиката направо show more сквернословни).

Шопенхауер има склонността да използва доста тежък и тромав език - може би такъв е бил стилът на говорене на немски през ония години, като в тоя случай преводът на английски просто е смотан.

Друга склонност на автора е да пише нещата далеч по-дълги, отколкото е нужно, като след основната си идея, която описва добре в началото на всяко есе, добавя безбройни свързвани с нея мисли, които явно са му дошли в последствие и които, честно казано, рядко имах нервите да чета.

Прозренията му за жените биха накарали съвременните феминистки да пищят в праведен гняв и със запенена уста. Ама от друга страна те толкова много неща ги карат да правят така... ;)
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This is as near as heavyweight German philosophers come to letting their hair down and having a good laugh (ok, Schopenhauer's hair naturally tended upwards, but you know what I mean). What in our time would have been a highly profitable little "How-to" book, this was actually written with satirical intent, in mock-defence of the proposition that in academic life it is more important to win the argument than to have the truth on your side.

Schopenhauer gives us a short introduction, heavily show more laced with references to Aristotle and other authorities, on the history of arguments as objects of philosophical enquiry, and then offers thirty-eight infallible strategies for winning one. The choice of thirty-eight is a masterful touch, of course. Had he taken ten, or fifty, or 1001, we would say "this is just another of those list books". But thirty-eight is a number that doesn't fit into any pattern: we feel that he must have picked it simply because he knew of precisely thirty-eight strategies worth documenting. Perhaps that should have been point 39: "If you use a list of heads of argument, never pick a predictable number..."

This sort of book works because it documents what we already know in an amusing way, not because it teaches us something new (cf. Scott Adams's Dilbert character). If you have ever lost an argument when you knew you were right, you will have seen at least some of the thirty-eight deployed against you: you have probably also used most of them against other people at one time or another. Schopenhauer somehow doesn't sound like the sort of person to have lost many arguments, but presumably he had some personal experience to fall back on too. And more than likely some of the examples he cites were not just random, but digs at specific people. Fun, anyway.
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½

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Works
729
Also by
13
Members
14,914
Popularity
#1,537
Rating
3.9
Reviews
150
ISBNs
1,536
Languages
29
Favorited
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