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Friedrich Nietzsche (1844–1900)

Author of Thus Spoke Zarathustra

1,378+ Works 78,259 Members 567 Reviews 303 Favorited

About the Author

The son of a Lutheran pastor, Friedrich Wilhelm Nietzsche was born in 1844 in Roecken, Prussia, and studied classical philology at the Universities of Bonn and Leipzig. While at Leipzig he read the works of Schopenhauer, which greatly impressed him. He also became a disciple of the composer Richard show more Wagner. At the very early age of 25, Nietzsche was appointed professor at the University of Basel in Switzerland. In 1870, during the Franco-Prussian War, Nietzsche served in the medical corps of the Prussian army. While treating soldiers he contracted diphtheria and dysentery; he was never physically healthy afterward. Nietzsche's first book, The Birth of Tragedy Out of the Spirit of Music (1872), was a radical reinterpretation of Greek art and culture from a Schopenhaurian and Wagnerian standpoint. By 1874 Nietzsche had to retire from his university post for reasons of health. He was diagnosed at this time with a serious nervous disorder. He lived the next 15 years on his small university pension, dividing his time between Italy and Switzerland and writing constantly. He is best known for the works he produced after 1880, especially The Gay Science (1882), Thus Spake Zarathustra (1883-85), Beyond Good and Evil (1886), On the Genealogy of Morals (1887), The Antichrist (1888), and Twilight of the Idols (1888). In January 1889, Nietzsche suffered a sudden mental collapse; he lived the last 10 years of his life in a condition of insanity. After his death, his sister published many of his papers under the title The Will to Power. Nietzsche was a radical questioner who often wrote polemically with deliberate obscurity, intending to perplex, shock, and offend his readers. He attacked the entire metaphysical tradition in Western philosophy, especially Christianity and Christian morality, which he thought had reached its final and most decadent form in modern scientific humanism, with its ideals of liberalism and democracy. It has become increasingly clear that his writings are among the deepest and most prescient sources we have for acquiring a philosophical understanding of the roots of 20th-century culture. (Bowker Author Biography) show less
Image credit: Wikimedia Commons. Author's portrait from Nietzsche's Werke, Naumann, 1905.

Series

Works by Friedrich Nietzsche

Thus Spoke Zarathustra (1883) 15,546 copies, 122 reviews
Beyond Good and Evil (1886) 11,739 copies, 84 reviews
On the Genealogy of Morality (1887) 3,779 copies, 31 reviews
The Portable Nietzsche (1954) 3,715 copies, 10 reviews
The Gay Science (1882) 3,601 copies, 27 reviews
The Birth of Tragedy (1872) 2,903 copies, 29 reviews
The Antichrist (1888) 2,777 copies, 35 reviews
Basic Writings of Nietzsche (1872) 2,652 copies, 9 reviews
On the Genealogy of Morals / Ecce Homo (1887) 2,644 copies, 8 reviews
Ecce Homo: How One Becomes What One Is (1888) 2,488 copies, 23 reviews
Twilight of the Idols / The Anti-Christ (1888) 2,354 copies, 12 reviews
Human, All Too Human: A Book for Free Spirits (1878) 2,274 copies, 15 reviews
The Will to Power (1901) 2,233 copies, 12 reviews
The Birth of Tragedy / The Genealogy of Morals (1872) 1,264 copies, 8 reviews
The Birth of Tragedy and The Case of Wagner (1888) 1,125 copies, 1 review
Daybreak: Thoughts on the Prejudices of Morality (1881) 1,070 copies, 10 reviews
Untimely Meditations (1981) 930 copies, 2 reviews
Why I Am So Wise (2004) 904 copies, 3 reviews
A Nietzsche Reader (1977) 843 copies, 2 reviews
The Birth of Tragedy and Other Writings (1999) 422 copies, 1 review
Aphorisms On Love and Hate (2015) 395 copies, 8 reviews
Philosophy in the Tragic Age of the Greeks (1873) 375 copies, 2 reviews
On the Future of Our Educational Institutions (1975) 235 copies, 3 reviews
On Truth and Lies in a Nonmoral Sense (1997) 176 copies, 5 reviews
Man Alone with Himself (2008) 147 copies, 2 reviews
The Wanderer and His Shadow (1985) 143 copies, 1 review
Twilight of the Idols / The Antichrist / Ecce Homo (2007) — Author — 128 copies, 1 review
Humain, trop humain, tome 1 (1878) 121 copies
Schopenhauer As Educator (1874) 117 copies, 2 reviews
Zarathustra's Discourses (1996) 116 copies
The Pre-Platonic Philosophers (1872) 112 copies, 2 reviews
My Sister and I (1951) 107 copies, 5 reviews
Dionysos-Dithyramben (1888) 105 copies, 3 reviews
Gedichte (1964) 95 copies
The Case of Wagner (1973) 84 copies, 1 review
Aforismos (1985) 72 copies, 1 review
Oeuvres (1993) 65 copies, 1 review
Ecce Homo / Antichrist (1990) — Author — 64 copies
Friedrich Nietzsche (2003) 63 copies, 1 review
Nietzsche contra Wagner (1994) 62 copies
Hammer of the Gods (1996) 61 copies
The Case of Wagner / Nietzsche Contra Wagner (1888) — Author — 61 copies, 1 review
The Nietzsche-Wagner Correspondence (1970) 52 copies, 1 review
Umano, troppo umano vol. 1 (1979) 37 copies
Le livre du philosophe (1993) — Author — 36 copies, 1 review
Thus Spoke Zarathustra / Beyond Good and Evil (2013) — Author — 33 copies
Scritti su Wagner (1979) 29 copies, 1 review
Nietzsche Unpublished Letters (1959) — Author — 29 copies
Umano, troppo umano: 2 (1981) 29 copies
Obras inmortales (1985) 28 copies, 4 reviews
Waarheid en cultuur (1983) 27 copies
El anticristo--Cómo se filosofa a martillazos (1983) — Author — 27 copies
Obras completas de Federico Nietzche (2011) 25 copies, 1 review
Gesammelte Werke (1994) 24 copies
We Philologists (2006) 24 copies
Obras incompletas (1996) 23 copies, 1 review
The Living Thoughts of Nietzsche (1981) — Author — 23 copies
The Essential Nietzsche (2006) 19 copies
Werke, 3 Bde. (1967) 18 copies
Insanca, Pek Insanca - 1 (2012) 17 copies
Oeuvres de Friedrich Nietzsche, tome 2 (1993) 17 copies, 1 review
Nietzsche-Brevier (1987) 17 copies, 1 review
Lettere da Torino (2008) 16 copies
Uit mijn leven (1982) 16 copies
Prefaces To Unwritten Works (2005) 16 copies
Das Hauptwerk: 4 Bände (1999) 15 copies
Opiniones y sentencias diversas (2012) 15 copies, 1 review
Ecce Homo / The Birth of Tragedy (1927) — Author — 15 copies
Nietzsche's Werke (2022) 15 copies
Le Gai Savoir (2020) 13 copies
Nietzsche (1967) 13 copies
El libro del filósofo (2013) 13 copies, 1 review
Werke, Vol. 3 (1972) 12 copies
Opere 1870-1881 (1996) 12 copies
Nagelaten fragmenten (2001) 11 copies
De mi vida (1997) 11 copies, 1 review
Lettres choisies (2008) 11 copies
Escritos Sobre História (1900) 11 copies
Uber Die Frauen (1992) 10 copies
Nagelaten fragmenten (2007) 10 copies
Werke II (1976) 10 copies
Opere 1882/1895 (1996) 10 copies
Greek Music Drama (2013) 10 copies
Nagelaten fragmenten (2003) 10 copies
AURORA - EL ANTICRISTO (2000) 9 copies
The Gist of Nietzche. (1910) 9 copies
Fragments et aphorismes (2003) 9 copies, 1 review
La lucha de Homero (2004) 9 copies
Il libro del filosofo (2007) 8 copies
Nietzsche für Boshafte (2007) 8 copies
Ideas fuertes (1999) 8 copies
Gedichte (2010) 8 copies
Duševní aristokratismus (1993) 7 copies
Werke: 6 Bde. (1983) 7 copies
Premiers écrits (1994) 7 copies
Selected Writings (2005) 7 copies
Werke IV (1991) 7 copies
La muerte de Dios (2004) 7 copies
Werke (2015) 7 copies
Escritos sobre Wagner (2003) 6 copies
Intorno a Leopardi (1999) 6 copies
Fragmentos póstumos : una selección (2004) 6 copies, 1 review
Werke in zwei Bänden (1967) 6 copies
Guc Istenci (2010) 5 copies
Fragmentos Finais (2007) 5 copies
Correspondencia (1989) 5 copies, 1 review
Formel meines Glücks (2001) 5 copies
Nietzsche (1987) 5 copies
Dernières lettres (1992) 5 copies
Ensayos sobre los griegos (2013) 5 copies, 1 review
Escritos sobre direito (2014) 4 copies
Cosi parlò Zarathustra I 4 copies, 1 review
Escritos Sobre Psicologia (2010) 4 copies
oeuvres (2020) 4 copies
Studienausgabe. Bd. 4 (1956) 4 copies
Nietzsche für Freunde (2000) 4 copies
Insanca Pek Insanca (2015) 4 copies
Poemas De Nietzsche (2022) 3 copies
Briefe (German Edition) (1976) 3 copies
Genalogia da moral, A (2014) 3 copies
Poesie (Italian Edition) (2019) 3 copies
Thoughts out of season (2015) 3 copies
Insanca,Pek Insanca 2 (2014) 3 copies
Antología (1981) 3 copies
Maximes et Pensées (1998) 3 copies
Notatki z lat 1882-1884 (2019) 3 copies
Alemania (1984) — Contributor — 3 copies
Niewczesne rozważania (1996) 3 copies
Listy (2008) 3 copies
5: 1885-1889 (2011) 3 copies
Heiterkeit, güldene. (2003) 3 copies
CREPÚSCULO DOS ÍDOLOS (2021) 3 copies
Ecrits posthumes (1975) 3 copies
Carteggio (2003) 3 copies, 1 review
Hybride Kulturen. (2006) 3 copies
Dionyssos dithyramboslar (2010) 2 copies
The Nietzsche Collection (2018) 2 copies
La mujer griega (2004) 2 copies
Rhétorique et langage (2008) 2 copies
Poèmes complets (2019) 2 copies
Das Hauptwerk I 2 copies
Andkristur 2 copies
Antychryst w.2020 (2020) 2 copies
Nietzsche Obras Eternas (2022) 2 copies
Breviár (1995) 2 copies
Œuvres complètes (2024) 2 copies
O Anticristo | Ecce Homo (2020) 2 copies
Arbeitsheft W I 8 (2012) 2 copies
Tarih Üzerine 2 copies
Nietzsche's Werke Band X (1906) 2 copies
Boyle Dedi Zerdust (2012) 2 copies
Aforismos y otros escritos filosóficos (1878) 2 copies, 1 review
Nietzsche - a nőkről (2006) 2 copies
Deccal - Butun Yapitlari (2008) 2 copies
Notatki z lat 1887-1889 (2012) 2 copies
Werke in vier Bänden (1985) 2 copies
Epistolario 1875-1879 (1995) 2 copies
Nietzsche für Gestreßte (1997) 2 copies
Studienausgabe. Bd. 3 (1956) 2 copies
Pisma pozostale (2009) 2 copies
Noi, filologii 2 copies
El estado griego (2004) 2 copies
Teognide di Megara (1985) 2 copies
Vie et verite (1992) 2 copies
Intempestive 2 copies
Opere: 1870-1895 (1993) 2 copies
Gedichte und Sprüche. (1921) 2 copies
Hundert Gedichte (2006) 2 copies
Langsame Curen (2002) 2 copies
Notatki z lat 1885-1887 (2012) 2 copies
Da Retórica 2 copies
Werke. Bd. 1 2 copies
L'amore egoista (2010) 2 copies
Freundesbriefe 2 copies
Opere complete (1964) 2 copies
Correspondencia (2005) 1 copy
رسائل نيتشه (2020) 1 copy
Mort parce que bête (2000) 1 copy
Die Unschuld Des Werdens — Author — 1 copy
poesias 1871-1888 — Author — 1 copy
Heraklit 1 copy
Aforyzmy 1 copy
La mia vita 1 copy, 1 review
MIA VITA 1 copy
Aforisme 1 copy, 1 review
Tragedya'nin Dogusu (2012) 1 copy
GEDICHTE 1 copy
Nietzsche - Lesebuch. (1994) 1 copy
הרצון לעצמה (1986) 1 copy
Estudios sobre Grecia (1968) 1 copy
Werke Band 2 1 copy
Songs (CD) 1 copy
Werke Band 1 1 copy
of morals 1 copy
Opere 1 copy, 1 review
Werke. Bd. 2 1 copy
El Anticristo (2012) 1 copy
Secilmis Mektuplar (2012) 1 copy
尼采生存哲学 (2012) 1 copy
Antologia (1996) 1 copy
Inventario 1 copy
Rinktiniai raštai (1991) 1 copy
Nietzsche: Thus Spoke Zarathustra — Author — 1 copy
Penseur intempestif (2008) 1 copy
Werke Band 3 1 copy
Padenie kumirov (2023) 1 copy
26 Gedichte 1 copy
Lettres (1995) 1 copy
Visdom 1 copy
Menselijk,al te menselijk 1 copy, 1 review
Dizionario delle idee (1999) 1 copy
Epigrammes 1 copy
Domande radicali (1995) 1 copy
Máximas (1996) 1 copy
Nietzschiana 1 copy
Obras completas, tomo III 1 copy, 1 review
Obras completas, tomo II 1 copy, 1 review
Hymne à l'amitié (2019) 1 copy
니체의 말 (2010) 1 copy
L'Anticristo 1 copy
Cartas: relatos reales (2023) 1 copy
Filozofun Kitabi (2016) 1 copy
Αγών Ομήρου (2015) 1 copy
Ποιήματα (2007) 1 copy
Contra la educación (2023) 1 copy
Nesmrtelné myšlenky (1999) 1 copy
Nietzsche (1954) 1 copy
Poemas 1 copy
La stella danzante 1 copy, 1 review
Poesie (2005) 1 copy
Le grandi opere (2011) 1 copy
O životě a umění (1995) 1 copy
Poesie e lettere (2014) 1 copy
De kaken van mijn tijd (1997) 1 copy
HLo Istato dei greci (2006) 1 copy
Poésies (1984) 1 copy
Sammelsurium 1 copy
[No title] (1993) 1 copy
Pisma Salome 1 copy

Associated Works

When Nietzsche Wept (1992) — Contributor — 2,670 copies, 60 reviews
Existentialism from Dostoevsky to Sartre (1956) — Contributor — 2,322 copies, 21 reviews
Literary Theory: An Anthology (1998) — Contributor, some editions — 745 copies, 1 review
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 499 copies, 2 reviews
The European Philosophers from Descartes to Nietzsche (1960) — Contributor — 494 copies, 3 reviews
Critical Theory Since Plato (1971) — Contributor, some editions — 434 copies, 1 review
Dracula (Case Studies in Contemporary Criticism) (2002) — Contributor — 251 copies, 1 review
The Philosopher's Handbook: Essential Readings from Plato to Kant (2000) — Contributor — 235 copies, 1 review
Criticism: Major Statements (1964) — Contributor — 234 copies
Western Philosophy: An Anthology (1996) — Author, some editions — 218 copies, 1 review
The Moral Life: An Introductory Reader in Ethics and Literature (1999) — Contributor — 202 copies, 2 reviews
Man and Spirit: The Speculative Philosophers (1954) — Contributor — 195 copies, 1 review
Atheism: A Reader (2000) — Contributor — 195 copies, 3 reviews
The Mark Twain Anthology: Great Writers on His Life and Work (2010) — Contributor — 160 copies, 1 review
Deutsche Gedichte (1966) — Contributor, some editions — 137 copies
God (Hackett Readings in Philosophy) (1996) — Contributor, some editions — 69 copies
Sophocles: A Collection of Critical Essays (1966) — Contributor — 44 copies
Vice: An Anthology (1993) — Contributor — 40 copies
Philosophy Now: An Introductory Reader (1972) — Contributor — 26 copies
German Essays on Music (1994) — Contributor — 20 copies, 1 review
Son of Man: Great Writing About Jesus Christ (2002) — Contributor — 19 copies
Von Raben und Krähen (2021) — Contributor — 9 copies, 1 review
Makers of the twentieth century: Marx, Nietzsche, Freud (1968) — some editions — 4 copies
Natale raccontato da ... — Contributor — 1 copy
Am Borne deutscher Dichtung (1927) — Contributor — 1 copy
Carmen (Opera di Roma 25-VI-2014) — Contributor — 1 copy

Tagged

19th century (969) aesthetics (164) classic (212) classics (390) ebook (212) ethics (692) existentialism (979) fiction (224) Friedrich Nietzsche (286) German (1,048) German literature (518) German philosophy (479) Germany (424) history (183) Kindle (209) literature (300) Modern Philosophy (194) morality (141) Nietzsche (2,223) nihilism (267) non-fiction (2,126) own (153) owned (140) philosophy (14,715) psychology (142) read (277) religion (352) to-read (2,928) translation (240) unread (244)

Common Knowledge

Legal name
Nietzsche, Friedrich Wilhelm
Birthdate
1844-10-15
Date of death
1900-08-25
Gender
male
Education
Rheinische Friedrich-Wilhelms-Universität, Bonn, Germany (Theology)
University of Leipzig (Philology)
Occupations
philosopher
teacher
writer
classical scholar
critic
philologist (show all 7)
poet
Organizations
University of Basel
Relationships
Forster, Elizabeth (sister)
Wagner, Richard (friend)
Andreas-Salomé, Lou (friend)
Deussen, Paul (friend)
Zimmern, Helen (friend)
Overbeck, Franz (friend) (show all 8)
Köselitz, Heinrich ("Gast, Peter", "Gasti, Pietro") (friend)
Rée, Paul (friend)
Short biography
Friedrich Nietzsche (1844–1900) was a German philosopher, philologist and cultural critic who published intensively in the 1870s and 1880s. He is famous for uncompromising criticisms of traditional European morality and religion, as well as of conventional philosophical ideas and social and political pieties associated with modernity. Many of these criticisms rely on psychological diagnoses that expose false consciousness infecting people's received ideas; for that reason, he is often associated with a group of late modern thinkers (including Marx and Freud) who advanced a “hermeneutics of suspicion” against traditional values (see Foucault [1964] 1990, Ricoeur [1965] 1970, Leiter 2004). Nietzsche also used his psychological analyses to support original theories about the nature of the self and provocative proposals suggesting new values that he thought would promote cultural renewal and improve social and psychological life by comparison to life under the traditional values he criticized.
Nationality
Prussia (birth)
Germany
Birthplace
Röcken, Saxony, Prussia
Places of residence
Basel, Switzerland
Weimar, Germany
Röcken, Saxony, Prussia
Turin, Italy
Sils-Maria, Switzerland
Place of death
Weimar, Germany
Burial location
Röcken Churchyard, Röcken, Saxony-Anhalt, Germany
Map Location
Germany

Members

Discussions

Nietzsche in Non-Fiction Readers (April 2021)
Friedrich Nietzsche in Legacy Libraries (April 2019)

Reviews

646 reviews
Dionysos-Dithyramben is a set of nine poems revised, written, and collected by Nietzsche during and after the composition of Thus Spake Zarathustra, and they are thus one of the "Werke des Zusammenbruchs" from the close of his writing career. They were dismissed by Aaron Ridley from his edition of all the other "Werke des Zusammenbruchs" (i.e. The Anti-Christ, Ecce Homo, Twilight of the Idols, The Case of Wagner, and Nietzsche contra Wagner) as "a collection of poems whose absence is not to show more be regretted." It's just as well that snotty editor forced me to acquire the Dithyrambs in a separate volume, since the bilingual presentation here -- while at odds with the larger project of the Cambridge University Press series of Nietzsche's works in English translation, in which Ridley's edition stands -- is essential for full appreciation of the poetry.

In the role of translator, R.J. Hollingdale is impressively accurate, but he is more intent on the semantic content of the verse than its poetic form. For example, he sacrifices meter, line emphasis, and some end-rhyme in this penultimate stanza of "Die Wüste wächst: weh dem, der Wüsten birgt . . .":

Die Wüste wächst: weh dem, der Wüsten birgt!
Stein knirscht an Stein, die Wüste schlingt und würgt.
Der ungeheure Tod blickt glühend braun
und
kaut --, sein Leben ist sein Kaun . . . (38)

It is rendered thus by Hollingdale:

"The desert grows: woe to him who harbours deserts!
Stone grates on stone, the desert swallows down.
And death that chews, whose life is chewing,
gazes upon it, monstrous, glowing brown . . ." (39)

Hollingdale was one of the great 20th-century anglophone champions of Nietzsche, and I take his notes to reflect a conservative, establishment strain in Nietzsche scholarship. The introduction is a helpful, if brief, overview of Nietzsche's work as a poet and its relationship to his philosophical output.

Hollingdale's remarks on the individual poems emphasize the autobiographical dimensions of the poems, somewhat to the exclusion (I thought) of their literary value to readers. On the biographical front, he insists (in 1984) that the syphilitic genesis of Nietzsche's madness is a fully established fact (87-8), although I have read persuasive arguments by Siegfried Mandel (1988) and Geoff Waite (1996) questioning that allegation, and in the case of the latter challenging its supporting narrative assumption of Nietzsche's heterosexuality.

The nine poems are really gorgeous. Although three of them, with slight alterations, also appear in Thus Spake Zarathustra, I found them more powerful here, and thus I was inclined to agree with Hollingdale that "they were inserted [in Thus Spake Zarathustra] capriciously and by force" (85). The significance of "Klage der Ariadne," for example is almost inverted in the context of the Dithyrambs, and it was so affecting for me, that it may serve as the touchstone of a new ceremony in my private canon of ritual. This slender volume is a treasure.
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For whom am I writing this review? If Nietzsche were by my side I suspect he would want me to start with the following quote from Ecce Homo: "To you, the bold venturers and adventurers, and whoever has embarked with cunning sails upon dreadful seas, to you who are intoxicated with riddles, who take pleasure in twilight, whose soul is lured with flutes to every treacherous abyss." If you are, in fact, intoxicated with riddles, take pleasure in twilight, and your soul is lured with flutes to show more every treacherous abyss (note - Nietzsche says `every' treacherous abyss not `some' or `most'), then this book is for you.

We all know there is a time of transition hovering about age nineteen when the emotions of sensitive souls are heightened and experience is intensified, intensified to such a point that even thoughts and concepts have a highly-charged emotional tone; one's life deepens, exaggerates, strengthens, amplifies, ignites and one borders on becoming an inflamed madman, even if the madness is only known internally. This time of disequilibrium and hormonal topsy-turvy ordinarily settles down into the next phase of life: early adulthood, where the soul pursues a more specialized field of study and then earnestly begins a profession or career.

But for Nietzsche this transitional phase didn't stop; quite the contrary, rather than settling into any conventional groove, the gap of spiritual and artistic disequilibrium grew progressively wider over the years and was eons away from any semblance of `civilized' balance. Additionally, to add fuel to the emotional and philosophical fire, Nietzsche was not only sensitive but hyper-sensitive to music and the arts and had extraordinary linguistic and literary abilities. Thus, we are well to remember all of this when we read in Ecce Homo: "Philosophy as I have hitherto understood and lived it, is a voluntary living in ice and high mountains - a seeking after everything strange and questionable in existence, all that has hitherto been excommunicated by morality."

After an impassioned forward and two intoxicatingly stunning chapters, Why I Am So Wise' and Why I Am So Clever, (each line of these chapters deserve an underline and is worthy of committing to memory) we come to the chapter, Why I Write Such Good Books, and read: "Ultimately, no one can extract from things, books included, more than he already knows. What one has no access to through experience one has no ear for." So, how can one `understand' Nietzsche when living a conventional life, since living according to convention is itself a life of compromise, that is, not living with full, passion-soaked intensity but life as humdrum routine? This is a question any aspiring reader of Nietzsche must ask.

A self-portrait of Egon Schiele appears on the cover of this Penguin edition, which is most appropriate since this artist courageously and without compromise created a deeply personal expressive style of art causing much controversy in his brief life (he died at 28). Here are a few of the artist's quotes: "I am so rich I must give myself away." -- "To restrict the artist is a crime. It is to restrict germinating life." -- "Art is not modern. Art is primordially eternal."

By his commitment to living with intense zeal in his art and his life, Egon Schiele climbed the Nietzschean high mountains cleanly and fully. This is what it takes. What commitment are you making to live with passion and intensity in your life? If you have not been deeply moved by art and music and have not transformed yourself again and again, what chance do you think you stand in understanding Nietzsche? Perhaps it would be better for you to go on the academic head trip: read Kant and Quine and Rorty and then write papers with all the properly formatted footnotes.

Nietzsche devotes a short chapter to each of his books and then ends with a chapter entitled Why I Am A Destiny. Since this review is of Nietzsche's autobiography, Nietzsche gets the last word, but being Nietzsche, the last word is three quotes. Here they are::

--From the chapter The Birth of Tragedy: "`Rationality' at any price as dangerous, as a force undermining life!"

-- From the chapter Twilight of the Idols: "If you want to get a quick idea of how everything was upsidedown before me, make a start with this writing. That which is called idol on the titlepage is quite simply that which has hitherto been called truth."

--From the chapter Why I am a Destiny: "The concept `sin' invented together with the instrument of torture which goes with it, the concept of `free will', so as to confuse the instincts, so as to make mistrust of the instincts into second nature."
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This is the third time I have read this anthology. That last time was around 1990. It is worth reading again. But now the cover is gone, and the first pages have drifted away. Over the years I have, of course, I have read other Nietzsche in other editions, but nothing has ever risen to the level of translator and editor Kaufmann’s insights, notes, and arrangement. Even this could be improved by me. I would like more help as I read and Nietzsche refers to contemporary events and personages show more like David Strauss, etc. Also, this particular collection is Thus Spoke Zarathustra with assorted other works. I think that 1883 could have been trimmed down in the excerpt and a few more letters and aphorisms thrown in and that would be better. Speaking of the “aphoristic” (learned that adjective from Kaufmann) over the years I have been moving away from the radical provocations of Thus Spoke Zarathustra and The Antichrist to these insightful, witty aphorisms that I see as a middle period. Those two works I see in the third act with the curtain opening on the Wagner love and the Greek scholar’s dichotomy of the Apollonian and Dionysian.

They are a bit more clearly aimed, while the latter works are not exactly Nostradamus in perplexing obscurity. All that hallucinogenic metaphor probably explains how Nazi theorists and other anti-Semite thinkers believe there is some basis for their worldview here. Kaufmann points out some spots that are quicksand for the deluded despite Nietzsche being overtly anti-anti-Semite (he actually respects Jews for Spinoza and more), anti-party, and anti-nationalistic as in this note:

Being nationalistic in the sense in which it is now demanded by public opinion would, it seems to me, be for us who are more spiritual not mere insipidity but dishonesty, a deliberate deadening of our better will and conscience.

Of course, if his sister had predeceased him, maybe none of that association would have come about:

LETTER TO HIS SISTER
Christmas 1887

…You have committed one of the greatest stupidities- for yourself and for me! Your association with an anti-Semitic chief expresses a foreignness to my whole way of life which fills me again and again with ire or melancholy… It is a matter of honor with me to be absolutely clean and unequivocal in relation to AntiSemitism, namely, opposed to it, as I am in my writings. I have recently been persecuted with letters and AntiSemitic Correspondence Sheets. My disgust with this party (which would like the benefit of my name only too well!) is as pronounced as possible…

I am unable to do anything against it, that the name of Zarathustra is used in every Anti-Semitic Correspondence Sheet, has almost made me sick several times…


Essentially, Nietzsche is furiously individual with warnings for all that fear the individual:

The eulogists of work. Behind the glorification of "work" and the tireless talk of the "blessings of work" I find the same thought as behind the praise of impersonal activity for the public benefit: the fear of everything individual. At bottom, one now feels when confronted with work-and what is invariably meant is relentless industry from early till late-that such work is the best police, that it keeps everybody in harness and powerfully obstructs the development of reason, of covetousness, of the desire for independence. For it uses up a tremendous amount of nervous energy and takes it away from reflection, brooding, dreaming, worry, love, and hatred; it always sets a small goal before one's eyes and permits easy and regular satisfactions. In that way a society in which the members continually work hard will have more security: and security is now adored as the supreme goddess. And now horrors! it is precisely the "worker" who has become dangerous. "Dangerous individuals are swarming all around. And behind them, the danger of dangers: the individual.

- The Dawn (1881)


Or, put more succinctly:

The surest way to corrupt a youth is to instruct him to hold in higher esteem those who think alike than those who think differently.

- The Dawn (1881)


Really eternal recurrence and even ressentiment I find more interesting than profound. The whole beyond good and evil idea I find more worth mulling on, as is alluded to here:

Of all evil I deem you capable: therefore I want the good from you. Verily, I have often laughed at the weaklings who thought themselves good because they had no claws.

- Thus Spoke Zarathustra (1883)


and

What is done out of love always occurs beyond good and evil.

- Beyond Good and Evil (1886)


Then we go onto this meat to chew on:

My demand upon the philosopher is known, that he take his stand beyond good and evil and leave the illusion of moral judgment beneath himself. This demand follows from an insight which I was the first to formulate: that there are altogether no moral facts. Moral judgments agree with religious ones in believing in realities which are no realities. Morality is merely an interpretation of certain phenomena-more precisely, a misinterpretation. Moral judgments, like religious ones, belong to a stage of ignorance at which the very concept of the real and the distinction between what is real and imaginary, are still lacking; thus "truth," at this stage, designates all sorts of things which we today call "imaginings." Moral judgments are therefore never to be taken literally: so understood, they always contain mere absurdity. Semeiotically, however, they remain invaluable: they reveal, at least for those who know, the most valuable realities of cultures and inwardnesses which did not know enough to "understand" themselves. Morality is mere sign language, mere symptomatology: one must know what it is all about to be able to profit from it.

- Twilight of the Idols (1888)


And then this which intrigues me as Buddhism has since I was a teen:

That the strong races of northern Europe did not reject the Christian God certainly does no credit to their religious genius-not to speak of their taste. There is no excuse whatever for their failure to dispose of such a sickly and senile product of decadence. But a curse lies upon them for this failure: they have absorbed sickness, old age, and contradiction into all their instincts and since then they have not created another god. Almost two thousand years-and not a single new god! But still, as if his existence were justified, as if he represented the ultimate and the maximum of the god-creating power, of the creator spiritus in man, this pitiful god of Christian monotono-theism! …

I hope that my condemnation of Christianity has not involved me in any injustice to a related religion with an even larger number of adherents: Buddhism. Both belong together as nihilistic religions-they are religions of decadence-but they differ most remarkably. For being in a position now to compare them, the critic of Christianity is profoundly grateful to the students of India.

Buddhism is a hundred times more realistic than Christianity: posing problems objectively and coolly is part of its inheritance, for Buddhism comes after a philosophic movement which spanned centuries. The concept of "God" had long been disposed of when it arrived. Buddhism is the only genuinely positivistic religion in history. This applies even to its theory of knowledge (a strict phenomenalism): it no longer says "struggle against sin" but, duly respectful of reality. "struggle against suffering." Buddhism is profoundly distinguished from Christianity by the fact that the self-deception of the moral concepts lies far behind it. In my terms, it stands beyond good and evil.

- The Antichrist (1888)


The miscellany of Notes and Letters are intriguing insights into Nietzsche the individual. For one thing, while he did eventually go instance, he comes across “off stage” much more collected than his later zany published works. I would like more of this type of insight, as his reading habits:

LETIER TO OVERBECK
Nizza, February 23, 1887

…I did not even know the name of Dostoevsky just a few weeks ago-uneducated person that I am, not reading any journals. An accidental reach of the arm in a bookstore brought to my attention L' esprit souterrain, a work just translated into French. (It was a similar accident with Schopenhauer in my 21st year and with Stendhal in my 35th.) The instinct of kinship (or how should I name it?) spoke up immediately; my joy was extraordinary…


In a lot of this, I couldn’t help but think of Nietzsche alive today as a cable news pundit and with a Twitter account (first three from Twilight of the Idols, 1888):

The sick man is a parasite of society. In a certain state it is indecent to live longer. To go on vegetating in cowardly dependence on physicians and machinations, after the meaning of life, the right to life, has been lost, that ought to prompt a profound contempt in society. The physicians, in turn, would have to be the mediators of this contempt-not prescriptions, but every day a new dose of nausea with their patients. To create a new responsibility, that of the physician, for all cases in which the highest interest of life, of ascending life, demands the most inconsiderate pushing down and aside of degenerating life-for example, for the right of procreation, for the right to be born, for the right to live. To die proudly when it is no longer possible to live proudly. Death freely chosen, death at the right time, brightly and cheerfully accomplished…


and

The value of a thing sometimes does not lie in that which one attains by it, but in what one pays for it-what it costs us. I shall give an example. Liberal institutions cease to be liberal as soon as they are attained: later on, there are no worse and no more thorough injurers of freedom than liberal institutions. Their effects are known well enough: they undermine the will to power; they level mountain and valley, and call that morality; they make men small, cowardly, and hedonistic-every time it is the herd animal that triumphs with them. Liberalism: in other words, herd-animalization.


and

Our institutions are no good any more: on that there is universal agreement. However, it is not their fault but ours. Once we have lost all the instincts out of which institutions grow, we lose institutions altogether because we are no longer good for them. Democracy has ever been the form of decline in organizing power…


And, boy oh boy:

One need only read any Christian agitator, St. Augustine, for example, to comprehend, to smell, what an unclean lot had thus come to the top. One would deceive oneself utterly if one presupposed any lack of intelligence among the leaders of the Christian movement: oh, they are clever, clever to the point of holiness, these good church fathers! What they lack is something quite different. Nature has neglected them-she forgot to give them a modest dowry of respectable, of decent, of clean instincts. Among ourselves, they are not even men. Islam is a thousand times right in despising Christianity: Islam presupposes men.

Christianity has cheated us out of the harvest of ancient culture; later it cheated us again, out of the harvest of the culture of Islam. The wonderful world of the Moorish culture of Spain, really more closely related to us, more congenial to our senses and tastes than Rome and Greece, was trampled down (I do not say by what kind of feet). Why? Because it owed its origin to noble, to male instincts, because it said Yes to life even with the rare and refined luxuries of Moorish life.

- The Antichrist (1888)
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The first interesting thing I discovered about Nietzsche is something I suspected when I read Beyond Good and Evil: Nietzsche "learnt much from La Rochefoucauld" (p. viii). And to start off with first principles, Nietzsche makes an interesting observation: morality is "a misrepresentation of certain phenomena, for there are no moral facts whatever (p. xi). I have now come to terms with the idea of Dionysian "chaos" versus the Apollonian "order". Interestingly, this struck me last night at show more the Canberra Symphony Orchestra's performances of Prokofiev's Piano Concerto No. 2 in G minor, op. 16 (with acclaimed Australian pianist Tamara-Anna Cislowska as the soloist), and Shostakovich's Symphony No. 9 in E flat major, op. 70. My friend and colleague, a sociologist, who invited us to the concert, has often spoken of these two opposing approaches. But until now, I have been ignorant to the depth of meaning that is so readily missed when one's antennae are not properly directed. And so, Nietzsche sees art as "Dionysian. It is amoral". "Christian art" is an oxymoron, yet Islam is "a virile religion, a religion for men". Nietzsche sees Christianity and alcohol as "the two great means of corruption" (p. 160). A central message (one of too many!) is that, "where the will to power is lacking, degeneration sets in" (p. 97). Nietzsche blames Saint Paul for destroying Rome, and Luther for destroying the Renaissance. Well I never! Kant perpetuated some of the decay, but Goethe, the antipodes of Kant, "disciplined himself into a harmonious whole, he created himself" (p. 81). Further, and while Nietzsche may well have predicted the World Wars, he may also have predicted the decay of our current institutions. Nietzsche argued that we have forgotten the purpose of our institutions (something that would seem apparent in my understanding of theories of institutional change), in effect, institutions require:
...a sort of will, instinct, imperative, which cannot be otherwise than antiliberal to the point of wickedness: the will to tradition, to authority, to responsibility for centuries to come, to solidarity in long family lines forwards and backwards in infinitum. If this will is present, something is founded which resembles the imperium Romanum: or Russia, the only great nation today that has some lasting grit in her.
In speaking of first principles, Nietzsche appears as a Neo-Con Flâneur (p. 72); yet he does not mince words:
First principle: a man must need to be strong, otherwise he will never attain it. - those great forcing-houses of the strong, of the strongest kind of men that have ever existed on earth, the aristocratic communities like those of Rome and Venice, understood freedom precisely as I understand the word: as something that one has and one has not, as something that one will have and that one seizes by force.
I can't pretend to know everything about Nietzsche, and I doubt I can commit to further study beyond a once-reading of the majority of his work. But something has changed in me as a result. I will blog about Ecce Homo in a subsequent post, as I am reading it in a separate book with an easier-to-read type-font, but from Nietzsche's autobiography, he arose from illness (and, paradoxically, to return to it soon after) to suffer no longer from "'ill-luck' nor 'guilt'". He "is strong enough to make everything turn to his own advantage" (p. 176). In this way, Nietzsche is much like Marcus Aurelius: Amor Fati. And no longer can my response be "merely" academic: I feel a weight of centuries lifting, I see why our institutions are crumbling, I fear the solution will not be forthcoming until the next major crisis disrupts human society yet again; I know that this will all be forgotten by future generations. And so time will march on. But Nietzsche does not leave me pessimistic, nor does he leave me disturbed as Viktor Frankl does. He leaves me free. Is this too dramatic? Read what I have read and tell me. I am all ears.
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