Stefan Zweig (1881–1942)
Author of Chess Story
About the Author
Born in Vienna, the prolific Zweig was a poet in his early years. In the 1920s, he achieved fame with the many biographies he wrote of famous people including Balzac, Dostoevsky, Dickens and Freud. Erasmus with whom he closely identified, was the subject of a longer biography. He also wrote the show more novellas Amok (1922) and The Royal Game (1944). As Nazism spread, Zweig, a Jew, fled to the United States and then to Brazil. He hoped to start a new life there, but the haunting memory of Nazism, still undefeated, proved too much for him. He died with his wife in a suicide pact. (Bowker Author Biography) show less
Series
Works by Stefan Zweig
Confusion: The Private Papers of Privy Councillor R. von D. (1927) — Author — 836 copies, 25 reviews
Decisive Moments in History: Fourteen Historical Miniatures (1927) — Author — 616 copies, 17 reviews
The Struggle with the Daemon: Hölderlin, Kleist and Nietzsche (1925) — Author — 261 copies, 7 reviews
The Collected Novellas of Stefan Zweig: Burning Secret, A Chess Story, Fear, Confusion, Journey into the Past (2015) 163 copies, 1 review
The Society of the Crossed Keys: Selections from the Writings of Stefan Zweig, Inspirations for The Grand Budapest Hotel (2014) 92 copies, 2 reviews
Amok Suivi de Lettre D'Une Inconnue (Le Livre de Poche) (French Edition) (1991) — Author — 85 copies
Stefan and Lotte Zweig's South American Letters: New York, Argentina and Brazil, 1940-42 (2010) 17 copies
Mendel dei libri - Amok - Bruciante segreto (eNewton Classici) (Italian Edition) (2012) 13 copies, 1 review
Novella degli scacchi - Paura - Lettera di una sconosciuta (eNewton Classici) (Italian Edition) (2012) 11 copies
Der Amokläufer: Erzählungen (Stefan Zweig, Gesammelte Werke in Einzelbänden (Taschenbuchausgabe)) (1984) 11 copies
Els Ulls del germà etern ; Raquel pledeja amb Déu ; La llegenda del tercer colom (1984) 8 copies, 1 review
Obras Completas de Stefan Zweig. 7 copies
Obras completas: Memorias y ensayos 6 copies
Menschen : Novellen 6 copies
Sternstunden der Menschheit 5 copies
Voci d'amore 4 copies
»Ich wünschte, dass ich Ihnen ein wenig fehlte«: Briefe an Lotte Zweig 1934-1940 (Fischer Klassik) (2013) 4 copies
Stefan Zweig: Die Welt von Gestern, Brasilien, Reise nach Rußland & Reisen in Europa (German Edition) (2022) 3 copies
Obras Completas (TomoI Novelas, Tomos II y III Biografías y Tomo IV Memorias y Ensayos) 3 copies, 1 review
Três Paixões 3 copies
Uma Consciência Contra a Violência 3 copies
Stendhal 3 copies
Obras completas III: Biografías II 3 copies
Novellen. Band 1 3 copies
Schachnovelle und andere Erzählungen — Author — 3 copies
O momento supremo 3 copies
Geç Ödenen Borç 2 copies
Η ομογενοποίηση του κόσμου 2 copies
Obras completas: Novelas 2 copies
Ausgewählte Werke. Bd. 2: Marie Antoinette, Joseph Fouché, Sternstunden der Menschheit (1960) 2 copies
Ausgewhlte Prosa 2 copies
Stefan Zweig und Meyer-Benfey : bisher unver offentlichte Briefe ; ein Psychogramm und die Erz ahlung "Der Kampf um den S udpol" (1986) 2 copies
Stefan Zweig. Das Gesamtwerk.: In chronologischer Auflage. Neu bearbeitet. (Gesamtwerke der Weltliteratur 4) (German Edition) (2014) 2 copies
Cornelsen Literathek : Text - Erläuterungen - Materialien : Stefan Zweig : Schachnovelle (2013) — Text — 2 copies
Die Kette 2 copies
Собрание сочинений в семи томах 2 copies
Obras de Stefan Zweig 2 copies
Obras Completas (TomoI Novelas, Tomos II y III Biografías y Tomo IV Memorias y Ensayos) (1959) 2 copies
Escrits europeus 2 copies
Opere scelte (Vol. 2) 2 copies
Deutschstunde 2 copies
H Þ I æ £ ð £ æ Ơ ơ £ ł đ ư ł ð ł , ơ ð ʼ æ ʺ ł ł £ ł , ł ł ʼ ơ £ ł ð ł þ £ Ơ , æ đ đ ł þ ơ Ơ ð £ (1989) 2 copies
Schachnovelle und andere. [Nachw. von Manfred Wolter], Insel-Bücherei ; Nr. 976 (1973) — Author — 2 copies
Mental Healers 2 copies
Satran: Uzun y̲k 2 copies
L'agnello del povero 2 copies
Vienna Spring: Early Novellas & Stories (Studies in Austrian Literature, Culture and Thought Translation) (2010) 2 copies, 1 review
Fahrten : Landschaften und Städte 2 copies
Stefan Zweig: Meisternovellen 2 copies
Obras completas III: Biografías 2 copies
Buchmendel. Novellen (Der Amokläufer - Brief einer Unbekannten - Leporella - Buchmendel - Episode am Genfer See) (Insel-Bücherei Nr. 408) (1976) 2 copies
Die Dramen 2 copies
Vingt-quatre heures de la vie d'une femme Amok Lettre d'une inconnue (La bibliothèque des chefs-d'oeuvre) (1996) 2 copies
"Erst wenn die Nacht fällt" : politische Essays und Reden 1932-1942 : unbekannte Texte (2016) 2 copies
Stefan Zweig. Gesammelte Werke in Einzelbänden: Tersites. Jeremias: Gesammelte Werke in Einzelbänden (1982) 2 copies
LES PRODIGES DE LA VIE 2 copies
فتاة مكتب البريد 1 copy
بلزاك: سيرة حياة 1 copy
Manija 1 copy
آمُوك - سعَار الحبّ 1 copy
אהבות עכורות : ארבע נובלות 1 copy
Kalut 1 copy
Obras Completas 3, Biografía 1 copy
ليلة ساحرة 1 copy
Обещание 1 copy
سر ملتهب 1 copy
Lotswendingen 1 copy
ANKTHI 1 copy
一位陌生女子的來信 1 copy
Ανηπόμονη Καρδιά 1 copy
Το αστέρι πάνω απο το δάσος 1 copy
Romans et Nouvelles Vol. I 1 copy
Obras Completas 1, Novelas 1 copy
Obras Completas 2, Biografía 1 copy
Tres mulleres: Medo; Vinte e catro horas na vida dunha muller; Carta a unha descoñecida: 7 (Literaria Universal) (2025) 1 copy
Las dos hermanas 1 copy
La découverte de l'Eldorado 1 copy
Novellen 2 1 copy
Ο φόβος και άλλα διηγήματα 1 copy
Az érzések zűrzavara 1 copy
La curación por el espíritu 1 copy
TRE POETË TË JETËS TIME 1 copy
24 heures de la vie d'une femme. Lettre d'une inconnue. La peur. Le joueur d'échecs: Edition intégrale et annotée (2019) 1 copy
Fragman 1 copy
Ek Anjan Aurat Ka Khat 1 copy
Ο ονειροπόλος Κος Τβαιχ 1 copy
Kaaljayi Kahaniyan 1 copy
Αμόκ κι άλλες νουβελες 1 copy
NIÇE 1 copy
Συντριβή μιας καρδιάς 1 copy
Miedo. 1 copy
Der verwandelte Komödiant 1 copy
Λεπορέλλα και άλλα διηγήματα 1 copy
מרי אנטואנט - כרך א 1 copy
Zindagi Daanv Par 1 copy
Erika Ewald'in Aski 1 copy
Émile Verhaeren - Recuerdos 1 copy
Vies d'écrivains 1 copy
Bhagya Ki Vidambana 1 copy
Магелан 1 copy
Избранные новеллы 1 copy
Борьба с безумием [О Ф. Гельдерлине, Г. фон Клейсте, Ф. Ницше]; Ромен Роллан : [Жизнь и творчество] (1996) 1 copy
Vo Guzra Zamana 1 copy
Летняя новелла (Russian Edition)Страх; Амок; 24 часа из жизни женщины и другие новеллы (2017) 1 copy
Kayar 1 copy
Die Schweigsame Frau (The Silent Woman) Comic Opera in Three Acts - English Edition (1990) — Libretto — 1 copy
La uniformización del mundo 1 copy
מרי אנטואנט 1 copy
María Antonieta, Biografía 1 copy
SHQETËSIMI I DASHURISË 1 copy
Мария Стюарт 1 copy
Η γυναίκα και το τοπίο 1 copy
Três Poetas de Suas Vidas 1 copy
Улица в лунном свете 1 copy
מנדל איש הספר ; פחד 1 copy
PUSHTIMI I KOSTANDINOPOJËS 1 copy
Летняя новелла 1 copy
Επικίνδυνη συμπόνια 1 copy
NOVELA 2 1 copy
LA PROPIEDAD PELIGROSA 1 copy
NOVELA 1 1 copy
GJENIU I NJË NATE 1 copy
Niergendwo in Afrika 1 copy
Мария Стюарт 1 copy
Страх 1 copy
Orele astrale ale omenirii 1 copy
KARIŞIK DUYGULAR 1 copy
VAJZA E POSTËS 1 copy
Новеллы 1 copy
KASTELIO KUNDËR KALVINIT 1 copy
מרד המציאות 1 copy
El miedo 1 copy
USTA İŞİ 1 copy
LEGJENDA DHE PORTRETE 1 copy
PADURIMI I ZEMRËS 1 copy
Die ungeduld des herzens , Der welt von gestern — Author — 1 copy
Sternstunden der Menschheit - vollständig gelesen von Reiner Unglaub - 9 CD's, 495 Minuten (2007) 1 copy
Selected short stories 1 copy
La lucha contra el demonio 1 copy
The Fowler Snared 1 copy
(NtRIUMF I TRAGEDIQ |RAZMA rOTTERDAMSKOGO ;(B (NsOWESTX PROTIW NASILIQ ; aMERIGO ; mAGELAN ; mONTENX /(B (1997) — Author — 1 copy
Dnya Fikir Mimarlarý 1 copy
Spanische Reise 1 copy
Essays Auswahl 1907-1924 1 copy
La Confusion des sentiments, Amok, Le Joueur d'échecs et autres récits (Bouquins) (French Edition) (2013) 1 copy
Viaggio nel passato 1 copy
Incontri e amicizie 1 copy
Stefan Zweig - Sämtliche Gedichte: Silberne Saiten | Die frühen Kränze (German Edition) (2014) 1 copy
Encontros - 2º volume 1 copy
STERNBILDER 1 copy
Pour la Freie Tribune Paris 1 copy
Franske portrætter 1 copy
"Ich habe das Bedürfnis nach Freunden": Erzählungen, 528 Essays und unbekannte Texte (2013) 1 copy, 1 review
Allocution 1 copy
Parole d'Allemagne 1 copy
Kedjan : Amerigo — Author — 1 copy
Örök ritmusok : esszék 1 copy
Sull'orlo dell'abisso — Author — 1 copy
Amerigo; Magellan 1 copy
Stefan Zweig Short&Medium-Length Novel Collection-Illustrated Classic (Chinese Edition) (2009) — Author — 1 copy
Ödestimmar 1 copy
Kurun Mhrl Tren 1 copy
Ich kenne den Zauber der Schrift. Katalog und Geschichte der Autographensammlung Stefan Zweig: Mit kommentiertem Abdruck von Stefan Zweigs Aufsätzen über das Sammeln von… (2005) 1 copy, 1 review
LA PARTE D'OMBRA DELLE COSE 1 copy
Briefe zum Judentum 1 copy
Stendhal - Quien fue... 1 copy
Obras completas. Novelas I 1 copy
Quién fue... Nietzsche 1 copy
Verhaeren 1 copy
Sigmund Freud 1 copy
Fl̜elsernes vildveje 1 copy
Legado de Europa 1 copy
Ο φόβος - Ραχήλ 1 copy
Μάντελ ο δαιμόνιος 1 copy
Sternstunden der Menschheit 1 copy
La Viena de ayer 1 copy
freud 1 copy
Fragment einer Novelle 1 copy
Amok. List od nieznajomej 1 copy
Rezensionen 1 copy
Светът от вчера 1 copy
Leyndarmálið og manntafl 1 copy
Un redoublant 1 copy
Lettre d'une inconnue suivi de Trois nouvelles de jeunesse - Pavillons poche (French Edition) (2016) 1 copy
En cette heure sombre 1 copy
la Vita stessa è già tanto in questi giorni: ultime lettere dall'esilio americano (2022) 1 copy, 1 review
Stefan Zweig ' ın Mektupları 1 copy
Ausgewählte Werke 1 copy
Hikayeler II 1 copy
Usta İşi 1 copy
Tri majstora 1 copy
Verwirrung der Gefühle : Erzählungen — Author — 1 copy
הכוכב מעל היער ; לראות אישה 1 copy
Memorias y ensayos 1 copy
Ek Anjan Aurat Ka Khat 1 copy
Ausgewählte Prosa 1 copy
Quien fue... Freud 1 copy
Países y paisajes 1 copy
Το φοβερό μυστικό 1 copy
Associated Works
The Jewish caravan : great stories of twenty-five centuries (1965) — Contributor, some editions — 140 copies
Out of the Best Books: An Anthology of Literature, Vol. 1: The Individual and Human Values (1964) — Contributor — 40 copies
Mitt skattkammer. b.9 Gjennom tidene — Contributor — 9 copies
Die Sammlung der Nationalgalerie : 1900-1945 : Moderne Zeiten : die Dokumentation einer Ausstellung (2014) — Contributor — 7 copies
Fotspår : noveller ur Sveriges radio P1:s serie Författarskap på fötter (2003) — Contributor — 5 copies
Hélène de Sparte: Les aubes — Translator, some editions — 3 copies
Oskar Kokoschka, Städteportraits: [Ausstellung "Oskar Kokoschka - Städteportraits", Österreichisches Museum für Angewandte Kunst, Wien, 4. März - 6. April 1986] (1986) — Contributor — 3 copies
Het Beste Boek 107: Kind vermist / De Franse adelaar / Als de tijd daar is / Schaaknovelle (1983) — Contributor — 3 copies, 1 review
Die Einsamen. Kindheitsnovellen von O. Dymow, A.v. Hatzfeld, H. Hesse, J. Mühlberger, R. Musil, F. Ssologub und St. Zweig. (1947) — Contributor — 2 copies
Reader's Digest Auswahlbücher 52 (Afrika Kitabu / The Double Image / Marie Antoinette / I Start Counting) (1968) 2 copies
Es muss einer den Frieden beginnen: Jahrhundertautoren gegen den Krieg (2014) — Contributor — 2 copies, 1 review
50 seltsame Geschichten — Contributor — 1 copy
Literarische portraits aus dem Frankreich des XVII.-XIX. Jahrhunderts — Introduction, some editions — 1 copy
Lebensgut — Ein deutsches Lesebuch für Mädchen — 5. Teil (9. Schuljahr) — Contributor — 1 copy
Almanach: 1915 — Poet — 1 copy
Tagged
Common Knowledge
- Legal name
- Zweig, Stefan
- Birthdate
- 1881-11-28
- Date of death
- 1942-02-22
- Gender
- male
- Education
- University of Vienna (PhD|1904)
- Occupations
- writer
journalist
novelist
translator
biographer
playwright (show all 7)
autobiographer - Organizations
- Young Vienna
- Relationships
- Strauss, Richard (colleague)
Herzl, Theodor (editor)
Keun, Irmgard (friend)
Altmann, Lotte (2nd wife)
Zweig, Friderike (1st wife)
Roth, Joseph (friend) (show all 9)
Hella, Alzir (friend, agent, translator)
Hostovský, Egon (cousin, translator)
Neubauer, Pál (friend, colleague) - Short biography
- Stefan Zweig was born in Vienna to a wealthy Austrian Jewish family and belonged to the city's liberal elite. He published his first book of poems at age 19, and earned a doctoral degree in philosophy from the University of Vienna in 1904. Some of his early essays were published in Vienna's leading newspaper, the Neue Freie Presse, whose literary editor was Theodor Herzl, later the founder of Zionism. Zweig was a lifelong pacifist, and during World War I served in the Archives of the Ministry of War. In 1920, he married Friderike Maria von Winternitz; the couple divorced in 1938. He married Lotte Altmann, his secretary, who was 27 years his junior, as his second wife. In the 1920s and 1930s, Zweig became one of the most famous and popular authors in the world, producing journalism, novels, novellas, plays, biographies, and works on the history of ideas. He worked with composer Richard Strauss as a librettist for two operas. Following the rise of the Nazi regime in Germany, Zweig went into exile. His books were burned and banned in Germany, but he remained popular in translation. He lived and worked in England for a few years and became a British citizen. However, the advance of the Nazis in Europe prompted him to sail with his wife for the USA, where they settled in New York City in 1940. That same year, they moved on again to Petrópolis, a town near Rio de Janeiro, Brazil. In 1942, the Zweigs were found dead of a drug overdose in their home; he left a suicide note expressing his despair. His autobiography, The World of Yesterday, had just been completed, and was published the following year.
- Cause of death
- suicide
- Nationality
- Austria (birth)
UK (naturalized) - Birthplace
- Vienna, Austria, Austro-Hungarian Empire
- Places of residence
- Salzburg, Austria
Zurich, Switzerland
Bath, Somerset, England, UK
London, Middlesex, England, UK
Albany, New York, USA
Petrópolis, Brazil - Place of death
- Petrópolis, Brazil
- Burial location
- Cemitério Municipal de Petrópolis, Petropolis, Brazil
- Map Location
- Austria
United Kingdom
Members
Discussions
Group Read, January 2023: Chess Story in 1001 Books to read before you die (February 2023)
Stefan Zweig in New York Review Books (April 2014)
Zweig: Zweig's shorter works. in Author Theme Reads (June 2013)
Reading Zweig. in Author Theme Reads (December 2010)
Zweig: Marie Antoinette in Author Theme Reads (October 2010)
Zweig: Amok & Other Stories in Author Theme Reads (July 2010)
Zweig: The Post Office Girl in Author Theme Reads (May 2010)
Reviews
7.5/10
What a strange and powerful -- and ultimately disappointing -- novel this is! I kept thinking how I would have enjoyed it, had it been made into a film. The awkward and unworkable layers would have been stripped clean and one would have been left with a diamond, no longer in the rough.
The "unworkable layers" cannot be ascribed to Zweig alone (or at all?) since this was a work published posthumously, having been on the writer's table for more than a decade, in the 1930s, while he show more alternately wrestled with it, and put it from him -- and which was finally published about 40 years after he had shelved it for the last time. Neither did he leave any instructions for this one to be published after his death, as he did with [b:Chess Story|59151|Chess Story|Stefan Zweig|https://images.gr-assets.com/books/1386924796s/59151.jpg|57593]. It begs the question: did he want this one going out into the world at all? There must have been some sense of incompleteness or inadequacy that presented itself to him from within this impassioned work.
There are many levels herein which pulled at me: the transformative power of war, of society, of poverty. This part trampled my heart for it seems to me he described it accurately and much too poignantly. Coming from a generation whose parents and grandparents were affected directly by the destructive forces of war and its ensuing upheaval attendant with poverty, these passages felt real, and cutting.
How does one survive such crushing destruction of home, of self? How does one deal with one's world getting ever and ever smaller, until it all but disappears into a smoky little garret at the end of a street of no account? The cut to the self of losing everything one holds dear is barely noticeable, as each layer gets stripped away; and there is a shock of waking up one morning with only 4 cups to one's name, so not enough china even left over to serve coffee to 5 people at a mother's funeral: this minutiae that Zweig gathers tears out your heart. It is this part of the novel which felt most convincing to me: watching Christine's war and post war existence erode, drop by drop, and distilled into a little room with two beds, with smoke in the rafters from the ill-functioning cooker.
Christine has the unexpected opportunity of being sprung from this world for a few weeks when she is invited to visit with her relatives at a hotel in Switzerland. Her life turns on a metaphorical dime and instantly Cinderella is transformed into nothing other than a dancing fool. Made up, tarted up, drunked up, every desire fulfilled and every inhibtion left behind, she takes to the new society like a bird to the air. From the moment she first dons her new dress, one can see the fall. Having been deprived for so long from the liquor of life, it proves too intoxicating to withstand its worst appeal and emotional debauchery.
From this point on, the novel begins to fall apart for me because I'm not convinced that such a level headed girl would go so far into destruction. So this is the problem: either give me a girl of questionable character who would succumb to such enticements utterly; or give me a girl with higher morals who would enjoy the moment for what it is -- but don't try to convince me that a Saint Theresa will turn into The Whore of Babylon by donning a slinky gown.
Perhaps this is where it fell apart for Zweig as well and why he kept rewriting it for the better part of a decade: things fall apart. the center cannot hold.
I would have been more convinced had Zweig given me more cause and circumstance to believe in the rage that ensued on the turning of yet another dime. It certainly didn't follow the logic, nor the character of Christine as she had been previously laid out. (It does not follow, unless there was something psychologically wrong with her to begin with -- and this part we are never given.)
I found too many problems from this point on, that I lost interest in the story. I rushed to its end and found exactly what I expected: an ambiguous, unsatisfying finish that felt as rushed in its writing, as I felt in its reading.
My thoughts here are that Zweig couldn't quite get his character out of the hole into which he had dropped her -- it just feels that he's pulling her off in all directions, and wants it to end, no matter what end.
Having said all that, I loved the first half of this book, enough to convince me to seek out Zweig again. His observations on life are disturbing and heart-rending -- and exact. I don't quite understand why this one fell apart for him but I've seen enough to convince me that his other novels might be more rewarding. show less
What a strange and powerful -- and ultimately disappointing -- novel this is! I kept thinking how I would have enjoyed it, had it been made into a film. The awkward and unworkable layers would have been stripped clean and one would have been left with a diamond, no longer in the rough.
The "unworkable layers" cannot be ascribed to Zweig alone (or at all?) since this was a work published posthumously, having been on the writer's table for more than a decade, in the 1930s, while he show more alternately wrestled with it, and put it from him -- and which was finally published about 40 years after he had shelved it for the last time. Neither did he leave any instructions for this one to be published after his death, as he did with [b:Chess Story|59151|Chess Story|Stefan Zweig|https://images.gr-assets.com/books/1386924796s/59151.jpg|57593]. It begs the question: did he want this one going out into the world at all? There must have been some sense of incompleteness or inadequacy that presented itself to him from within this impassioned work.
There are many levels herein which pulled at me: the transformative power of war, of society, of poverty. This part trampled my heart for it seems to me he described it accurately and much too poignantly. Coming from a generation whose parents and grandparents were affected directly by the destructive forces of war and its ensuing upheaval attendant with poverty, these passages felt real, and cutting.
How does one survive such crushing destruction of home, of self? How does one deal with one's world getting ever and ever smaller, until it all but disappears into a smoky little garret at the end of a street of no account? The cut to the self of losing everything one holds dear is barely noticeable, as each layer gets stripped away; and there is a shock of waking up one morning with only 4 cups to one's name, so not enough china even left over to serve coffee to 5 people at a mother's funeral: this minutiae that Zweig gathers tears out your heart. It is this part of the novel which felt most convincing to me: watching Christine's war and post war existence erode, drop by drop, and distilled into a little room with two beds, with smoke in the rafters from the ill-functioning cooker.
Christine has the unexpected opportunity of being sprung from this world for a few weeks when she is invited to visit with her relatives at a hotel in Switzerland. Her life turns on a metaphorical dime and instantly Cinderella is transformed into nothing other than a dancing fool. Made up, tarted up, drunked up, every desire fulfilled and every inhibtion left behind, she takes to the new society like a bird to the air. From the moment she first dons her new dress, one can see the fall. Having been deprived for so long from the liquor of life, it proves too intoxicating to withstand its worst appeal and emotional debauchery.
From this point on, the novel begins to fall apart for me because I'm not convinced that such a level headed girl would go so far into destruction. So this is the problem: either give me a girl of questionable character who would succumb to such enticements utterly; or give me a girl with higher morals who would enjoy the moment for what it is -- but don't try to convince me that a Saint Theresa will turn into The Whore of Babylon by donning a slinky gown.
Perhaps this is where it fell apart for Zweig as well and why he kept rewriting it for the better part of a decade: things fall apart. the center cannot hold.
I would have been more convinced had Zweig given me more cause and circumstance to believe in the rage that ensued on the turning of yet another dime. It certainly didn't follow the logic, nor the character of Christine as she had been previously laid out. (It does not follow, unless there was something psychologically wrong with her to begin with -- and this part we are never given.)
I found too many problems from this point on, that I lost interest in the story. I rushed to its end and found exactly what I expected: an ambiguous, unsatisfying finish that felt as rushed in its writing, as I felt in its reading.
My thoughts here are that Zweig couldn't quite get his character out of the hole into which he had dropped her -- it just feels that he's pulling her off in all directions, and wants it to end, no matter what end.
Having said all that, I loved the first half of this book, enough to convince me to seek out Zweig again. His observations on life are disturbing and heart-rending -- and exact. I don't quite understand why this one fell apart for him but I've seen enough to convince me that his other novels might be more rewarding. show less
Stefan Zweig es un escritor extraordinario, capaz de retratar el alma humana como nadie. '¿Fue él?' es un relato sobre los celos, de cómo, cuando el amor entregado es retirado abruptamente para ofrecérselo a otro, el afán de venganza florece. Y el actor principal de esta historia es un perro.
Esta novelita está narrada por una mujer que pasa sus años de vejez junto a su marido en una casita de la campiña inglesa. Empieza anunciándonos que ha pasado algo grave y que sospecha de "él". show more Es entonces cuando pasa a contarnos la historia, cuando la casa junto a la suya es habitada por sus nuevos vecinos, una joven pareja...
La historia recuerda a aquellos relatos de Agatha Christie o Patricia Highsmith, y está narrada magistralmente. show less
Esta novelita está narrada por una mujer que pasa sus años de vejez junto a su marido en una casita de la campiña inglesa. Empieza anunciándonos que ha pasado algo grave y que sospecha de "él". show more Es entonces cuando pasa a contarnos la historia, cuando la casa junto a la suya es habitada por sus nuevos vecinos, una joven pareja...
La historia recuerda a aquellos relatos de Agatha Christie o Patricia Highsmith, y está narrada magistralmente. show less
Stefan Zweig : La confusion des sentiments
Translated title: Confusion of Feelings or Confusion: The Private Papers of Privy Councillor R. von D.
Zweig is just one of those authors where I find it nearly impossible not to give him a full 5 stars everytime I read one of his works. He just has an uncanny ability to pull a reader in and toy with their emotions.
This novella was particularly uncomfortable to read. It speaks of a 19 year old student who has been newly reformed by the inspiration he show more has gained thanks to his professor. He becomes utterly fascinated with his professor and does all he can to learn from him and learn about him. This idolatry leads, as the title suggests, to a confusion of feelings, and we are forced to continue to see if the protagonist succumbs to what is being hinted at us.
As I mentioned before, the book is almost uncomfortable to read. Not due to its subject matter but due to the way the subject is presented. You can feel the tension of the characters, the oppression that comes from an intellectual mind and the uncomfortable passion the student has for his professor. Truly stunning.
I would have to rank this one at the top of Zweig's works. show less
Translated title: Confusion of Feelings or Confusion: The Private Papers of Privy Councillor R. von D.
Zweig is just one of those authors where I find it nearly impossible not to give him a full 5 stars everytime I read one of his works. He just has an uncanny ability to pull a reader in and toy with their emotions.
This novella was particularly uncomfortable to read. It speaks of a 19 year old student who has been newly reformed by the inspiration he show more has gained thanks to his professor. He becomes utterly fascinated with his professor and does all he can to learn from him and learn about him. This idolatry leads, as the title suggests, to a confusion of feelings, and we are forced to continue to see if the protagonist succumbs to what is being hinted at us.
As I mentioned before, the book is almost uncomfortable to read. Not due to its subject matter but due to the way the subject is presented. You can feel the tension of the characters, the oppression that comes from an intellectual mind and the uncomfortable passion the student has for his professor. Truly stunning.
I would have to rank this one at the top of Zweig's works. show less
In Journeys, Will Stone has translated some more Stefan Zweig for edification and enjoyment. This is my first reading of Zweig’s travelogues, and in some ways, they are surprising.
What is remarkable is how much they are out of date. The towns, like Avignon or Bruges, have not changed. If anything, huge effort has gone in to preserving and restoring anything that smacks of old. Avignon is still very much the city of popes, and Bruges the city of canals. But where Zweig describes a dour, show more sour and morbid atmosphere in the early 1900s, these locales have reinvented themselves into high living towns of fairs, plays, spectacles and tourism. Where the only thing Zweig finds inspiring in Bruges is a small collection of paintings in a room at St. John’s Hospital, and in Avignon some fountains celebrating historical figures, the towns today fill guidebooks with things to do, see and be a part of. His own hometown of Salzburg gets the same cursory treatment.
The other thing that stands out is the absence of humanity. In Zweig’s biographical works, it’s all people all the time. In these tours of cities, almost no one is named or quoted. There is reference to history and impressions of environment, but the city stories are surprisingly lacking in roundness. He is just passing through.
This is all the more puzzling because Zweig’s passion was travel. He loved nothing better than exploring new towns and writing about them. Yet aside from the historical value of seeing them a hundred years ago, these stories are nowhere as fulfilling as his people stories.
In other words, there are more sides to Stefan Zweig than a simple reading a book or two would proffer.
David Wineberg show less
What is remarkable is how much they are out of date. The towns, like Avignon or Bruges, have not changed. If anything, huge effort has gone in to preserving and restoring anything that smacks of old. Avignon is still very much the city of popes, and Bruges the city of canals. But where Zweig describes a dour, show more sour and morbid atmosphere in the early 1900s, these locales have reinvented themselves into high living towns of fairs, plays, spectacles and tourism. Where the only thing Zweig finds inspiring in Bruges is a small collection of paintings in a room at St. John’s Hospital, and in Avignon some fountains celebrating historical figures, the towns today fill guidebooks with things to do, see and be a part of. His own hometown of Salzburg gets the same cursory treatment.
The other thing that stands out is the absence of humanity. In Zweig’s biographical works, it’s all people all the time. In these tours of cities, almost no one is named or quoted. There is reference to history and impressions of environment, but the city stories are surprisingly lacking in roundness. He is just passing through.
This is all the more puzzling because Zweig’s passion was travel. He loved nothing better than exploring new towns and writing about them. Yet aside from the historical value of seeing them a hundred years ago, these stories are nowhere as fulfilling as his people stories.
In other words, there are more sides to Stefan Zweig than a simple reading a book or two would proffer.
David Wineberg show less
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