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W. D. Snodgrass (1926–2009)

Author of Heart's Needle

26+ Works 392 Members 4 Reviews

About the Author

Poet W. D. Snodgrass was born on January 5, 1926. After serving as a Navy typist during World War II, he received bachelor's and master's degrees from the University of Iowa. With the publication of Heart's Needle (1959) a collection of confessional poetry that won the 1960 Pulitzer Prize, show more Snodgrass gained immediate fame as one of the best poets to come out of the 1950s. Snodgrass's later poetry is much less directly personal, as he learned to deal with some of the major historical events of his time. His wrote more than 30 books of poetry, criticism and translations including After Experience (1967) and The Fuehrer Bunker (1977). He taught at numerous colleges including Cornell University, Wayne State University and the University of Delaware. He died from lung cancer on January 13, 2009 at the age of 83. (Bowker Author Biography) show less
Disambiguation Notice:

William De Witt Snodgrass used the pseudonym S. S. Gardons.

Works by W. D. Snodgrass

Associated Works

Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,012 copies, 7 reviews
The Vintage Book of Contemporary American Poetry (1990) — Contributor — 855 copies, 3 reviews
A Pocket Book of Modern Verse (1954) — Contributor, some editions — 483 copies, 3 reviews
For the Love of Books: 115 Celebrated Writers on the Books They Love Most (1999) — Contributor — 479 copies, 4 reviews
Contemporary American Poetry (1962) — Contributor, some editions — 419 copies, 2 reviews
The Art of Losing (2010) — Contributor — 237 copies, 22 reviews
The Best American Poetry 2005 (2005) — Contributor — 186 copies
The Best American Poetry 1994 (1994) — Contributor — 184 copies, 1 review
Poets of World War II (2003) — Contributor — 149 copies, 2 reviews

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Reviews

5 reviews
First published in 1960, W. D. Snodgrass's Heart's Needle is one of the finest single-volume collections of poetry I have ever read, a work of sustained verbal and conceptual intensity and remarkable consistency of vision and execution. The structure of the book is loosely narrative, tracing as it does the dissolution of a marriage and the resultant aftermath -- the title poem, which comprises the second half of the volume, is famously addressed in absentia to the poet's young daughter. The show more voice is by turns astringent, rueful, and defiant, and the prosody consists largely of vigorous yet flexible quatrains, a strong, classical driving line. The poems are full of sadness, but staunchly bereft of self-pity; they achieve a stinging emotional pitch while remaining fundamentally grave and austere. Taken as a whole, they are an achingly perfect expression of a certain kind of middle-aged American Protestant male poetic sensibility -- yearning, loss-haunted, full of inchoate nostalgia -- that I find deeply affecting. show less
A wonderful first book, but more to the point, a wonderful book -- PERIOD. I wish I'd kept the copy I bought when it first appeared fifty-three years ago. I only wish that the hash-smoking ex-friend who had it got some good out of it. Meanwhile, the poems are quiet but intense, literate, and memorable these many years later. Curiously, I found that the sequence of pieces which give their name to the collection as whole made far less impression on me than individual pieces like "April show more inventory". Incidentally, those who know Snodgrass from his latter-day neo-Beatnik free/trippy stuff will be surprised to find that his earlier work might well have placed him in the ranks of the so-called "New Formalists" like Mark Jarman and Mariyln Hacker show less
Pale soul, consumed by fear
of the living world you haunt,
have you learned what habits lead you
to hunt what you don't want;
learned who does not need you;
learned you are no one here?

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Works
26
Also by
20
Members
392
Popularity
#61,821
Rating
3.9
Reviews
4
ISBNs
32
Languages
1

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