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Paul Monette (1945–1995)

Author of Becoming a Man: Half a Life Story

28+ Works 4,478 Members 44 Reviews 11 Favorited

About the Author

Paul Monette was born on October 16, 1945 in Lawrence, Mass., and has published numerous poetry collections, novels, novelizations, memoirs, and nonfiction works. A distinguished author of both poetry and prose, Monette's writings often explored issues relating to homosexuality and AIDS. After show more receiving critical acclaim in 1975 for a poetry collection The Carpenter at the Asylum, he veered away from his mainstay theme and produced an unlikely pair of books that demonstrated his poet's way with words. The books were No Witnesses, a collection of poems featuring imaginary adventures of famous figures, written in 1981, and The Long Shot, a mystery in which an avid shopper and a forger team to solve a murder. However, his following mystery, Lightfall, written in 1982, was not well-received by the critics. Monette next wrote Becoming a Man: Half a Life Story, which won the National Book Award for nonfiction in 1992. His last work, Last Watch of the Night: Essays Too Personal and Otherwise, was a collection of 10 moving and uncompromising essays dealing with topics such as his beloved dog Puck and the 1993 Gay and Lesbian March on Washington, D.C. Paul Monette died as a result of complications from AIDS on February 18, 1995. (Bowker Author Biography) show less

Includes the names: Paul Monette, Apul Monette

Works by Paul Monette

Becoming a Man: Half a Life Story (1994) 1,120 copies, 11 reviews
Borrowed Time: An AIDS Memoir (1988) 833 copies, 14 reviews
Afterlife (1990) 334 copies, 3 reviews
Halfway Home (1991) 297 copies, 4 reviews
Love Alone: Eighteen Elegies for Rog (1988) 191 copies, 3 reviews
The Long Shot (1981) 165 copies, 1 review
SANCTUARY: A Tale of Life in the Woods (1997) 153 copies, 1 review
The gold diggers (1979) 152 copies
Nosferatu the Vampire [novelization] (1979) — Author — 112 copies, 2 reviews
Predator (1987) 76 copies, 1 review
Scarface (1983) 58 copies
No Witnesses: Poems (1981) 30 copies

Associated Works

Growing Up Gay/Growing Up Lesbian: A Literary Anthology (1993) — Contributor — 309 copies
Sister and Brother: Lesbians and Gay Men Write About Their Lives Together (1994) — Contributor — 227 copies, 1 review
Men on Men 3: Best New Gay Fiction (1990) — Contributor — 216 copies
The Vampire Omnibus (1995) — Contributor — 89 copies, 2 reviews
The Best American Poetry 1990 (1990) — Contributor — 82 copies
The Grim Reader: Writings on Death, Dying, and Living On (1997) — Contributor — 65 copies
Super Gay Poems: LGBTQIA+ Poetry after Stonewall (2025) — Contributor — 58 copies
The Name of Love: Classic Gay Love Poems (1995) — Contributor — 53 copies
Persistent Voices: Poetry by Writers Lost to AIDS (2010) — Contributor — 37 copies
Something Inside: Conversations with Gay Fiction Writers (1999) — Contributor — 34 copies
American Review 20 (1974) — Contributor — 11 copies
Antaeus No. 18, Summer 1975 — Contributor — 2 copies

Tagged

AIDS (211) autobiography (108) biography (126) Biography & Autobiography (30) biography-memoir (40) coming out (35) essays (64) fiction (289) First Edition (23) gay (313) gay fiction (79) gay men (115) Gay men > Fiction (31) glbt (40) health (23) HIV (29) HIV/AIDS (128) homosexuality (24) LGBT (67) LGBTQ (47) literature (21) memoir (255) non-fiction (191) novel (36) poetry (101) queer (56) relationships (27) romance (25) sexuality (24) to-read (122)

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Reviews

52 reviews
“What am I going to do without him?”…
“Write about him Paul… That’s what you have to do.”

In a world before triple-drug therapy (HAART) was enacted and allowed individuals to live a normal lifespan with HIV, Monette and his lover Roger Horwitz contracted HIV, which ineluctably progressed into AIDS. Professionally, Horwitz was a lawyer and a lover of literature; Monette was a writer. Both were educated at Ivy League schools. This work is the first personal memoir of someone with show more AIDS.

The secret is that this book is not a story of a disease. Instead, it is a love story as passionate and profound as any written down in human language. In today’s world of marriage equality, works like this demonstrate the deep value of homosexual relationships. Monette beautifully voices his love using floral, expressive language that is expected among articulate heterosexuals… only Monette did so in an America and in a world that did not accept his humanity as fully as they do now. That defiant decency is the brilliance of this work.

Managing HIV/AIDS took over this couple’s lives. They went from vacationing in Greece to making regular stays at the hospital over 19 months. Horwitz dies at the end of this work, and Monette lived until 1995 – both dying of AIDS-related complications. Their love did not falter while being confronted with an evil enemy. It sustained until the bitter end. Thus, this book combines themes of love with those of a noble death.

Dare I say that heterosexuals need to read this book more than the gay and lesbian community? It speaks of the dignity of love in any context. It does not debauch into sensationalism, nor does it cower without decency. It puts to death many stereotypes of gay folk (even more common in the 1980s than in the 2020s). Evocative words draw readers from whatever background into Monette and Horwitz’s relationship and dare them to find something wrong with it. That message of love’s triumph still needs to be heard in 2021 as much as it did in 1988.

Obviously, gay men, who remain disproportionately and cruelly plagued with incurable HIV, and their allies will sympathize with Monette’s plight. They will find themselves and their own stories in the characters of this narrative. This is the natural audience. Nonetheless, Monette’s vivid words, so common to lovers yet glistening in the setting of AIDS in the 1980s, shine brightly for readers of varied backgrounds. They teach humanity inasmuch as they inspire humanity. Perhaps especially those who continue to belittle gay men as second-rate should listen and stand corrected.
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The very first word that comes to mind when trying to describe Afterlife is heartbreaking. Taking place at the "start" of the AIDs epidemic in the heart of United State's "ground zero" in San Francisco, it tells the story of a group of gay men trying to make sense of the horrific disease while coping with personal loss. Facing their own mortality, each man has lost a partner to AIDs but display very different coping mechanisms as they have very different support systems. They form a Saturday show more night support group of survivors, each asking themselves, but for how long? This is a story of courage; the willingness to live and love in the face of death. show less
"Grief is a sword, or it is nothing."

A furious, sharp and heartbreaking memoir of the early days of the U.S. AIDS epidemic, and Monette's partner's diagnosis, illness and death. Fiercely sorrowful, unsparingly angry. This book has substantial gaps in its political insight; it is primarily a story of the ravages AIDS wreaked on white rich gay men's community in Los Angeles in the mid-80s. But it is still one of the best political memoirs I've ever read, for its sheer determination and clarity show more of vision. Love and rage, Monette's got it down. Beautifully written.

Be careful with this one, especially if you have major ghosts to mourn. It will break that grief open; it will rage through you and may break you apart.
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½
I bought Borrowed Time: An AIDS Memoir by Monette because it was recommended by a class on AIDS I was taking as research for a book I'm writing. I thought the book might help me better understand the AIDS patient and even AIDS itself. Monette tells a story that is a heartbreaking mix of love, family, and loss. Not just the loss of his life partner but loss of a way of being in the world. He demonstrates eloquently the devastation fear wreaks when knowledge is minimal while showing the show more immense power of love to hold people together. At times, Monette's self-deprecation felt a bit too much, but it showed a glimpse into how insecurities can push us to both our best and our worst. He talked with graphic detail about the physical havoc AIDS brought not only to the bodies of those who suffer with it but to the lives and the communities where AIDS became such an accepted part of life that people talked about when instead of if. Monette talks about his and the gay community's resentment of people's ignorance and particularly their determination to remain ignorant. His love for his life partner, Roger Horwitz, is palpable throughout the book. I felt almost like an interloper in their lives in some of the more intimate portions of the book. Monette writes in a way that had me wishing for Roger to be saved even though I knew before I even began the book that was impossible. Near the end, I also found myself longing for Roger's suffering to end even though the end of that suffering meant death. Monette's description of full-blown AIDS and the suffering of not only Roger but their friends broke my heart and made me determined to support death with dignity laws. Monette downplays his own diagnosis of AIDS throughout the book. Roger is his focus because Roger is the one who is in crisis. I felt Monette's grief throughout the pages. I felt the secrecy in place to try to protect those who could offer support. I felt the love these two men shared. I felt the openness of love and compassion coupled with the anger and despair at a system not moving quickly enough to make a difference in lives. Borrowed Time is a reminder that no matter who we are, how we live our lives, or who we love, the time we have is only borrowed and it will be taken away at some point... show less

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Works
28
Also by
13
Members
4,478
Popularity
#5,595
Rating
4.1
Reviews
44
ISBNs
115
Languages
7
Favorited
11

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