Peter Abelard (1079–1142)
Author of The Letters of Abelard and Heloise
About the Author
Peter Abelard is considered to be the founder of the University of Paris. He studied under the nominalist Roscelin de Compiegne and the realist William of Champeaux. Disagreement with William led Abelard to withdraw to the provinces and set up his own school at Melun, in northern France, in 1104. show more He returned to Paris in 1116 to teach. A disastrous love affair with the brilliant and sensitive Heloise followed in 1118. Abelard had been hired as her tutor, and, after the birth of their son, they were secretly married. They later separated, and Abelard became a monk and Heloise a nun. Their correspondence during their years of separation is a literary classic. After the separation Abelard withdrew to Brittany and wrote The Theologia Summi Boni, which was condemned at Soissons in 1121. When he returned once more to Paris in 1136 to teach, his theology was condemned at Sens, chiefly because of the influence of Bernard of Clairvaux. Peter the Venerable of Cluny mediated the dispute between the two while Abelard was on his deathbed. Abelard spent his last days peacefully and was buried near Heloise. (Bowker Author Biography) show less
Works by Peter Abelard
Ethical Writings: 'Ethics' and 'Dialogue Between a Philosopher, a Jew and a Christian' (1995) 232 copies
The Story of His Misfortunes and The Love Letters of Abelard and Heloise (1132) 135 copies, 1 review
Commentary on the Epistle to the Romans (Fathers of the Church Medieval Continuations) (2000) 24 copies
Lamentations : Suivi de Histoire de mes malheurs, correspondance avec Héloïse (1992) 14 copies, 1 review
Psalterium currens 3 copies
Dialectica: Tractatus II, De categoricis, pars II, De specierum differentiis categoricarum (in part) 1 copy
Pisma teologiczne 1 copy
Dialogus Inter Philosophum, Iudaeum Et Christianum: Textkritische Edition (German and Latin Edition) (1970) 1 copy
I Planctus — Author — 1 copy
Rozprawy 1 copy
Historia de mis desventuras 1 copy
Historia de mis desventuras 1 copy
Sententie magistri 1 copy
Abelardo 1 copy
Letters of Abelard and Eloisa : With a particular account of their lives, amours, and misfortunes 1 copy
Book of Books, A 1 copy
Abelard's Christian theology 1 copy
Petri Abaelardi Opera Omnia 1 copy
Scritti di logica 1 copy
Ho amato solo te 1 copy
Etica 1 copy
Associated Works
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 499 copies, 2 reviews
Philosophy in the Middle Ages: The Christian, Islamic, and Jewish Traditions (1983) — Contributor — 495 copies, 2 reviews
The Graphic Canon, Vol. 1: From the Epic of Gilgamesh to Shakespeare to Dangerous Liaisons (2012) — Contributor — 304 copies, 7 reviews
Five Texts on the Mediaeval Problem of Universals: Porphyry, Boethius, Abelard, Duns Scotus, Ockham (1994) — Contributor — 158 copies, 1 review
Readings and Exercises in Latin Prose Composition: From Antiquity to the Renaissance (2005) — Contributor — 48 copies
Hildegard Von Bingen Und Ihre Zeit — Contributor — 3 copies
Tagged
Common Knowledge
- Other names
- Abélard, Pierre
Abelardus, Petrus - Birthdate
- 1079
- Date of death
- 1142-04-21
- Gender
- male
- Education
- Notre Dame de Paris
- Occupations
- logician
theologian
cleric - Organizations
- Roman Catholic Church
Order of St. Benedict - Relationships
- Héloïse (colleague collaborator and wife)
Hilarius (pupil) - Cause of death
- scurvy
- Nationality
- France
- Birthplace
- Le Pallet, Brittany, France
- Places of residence
- Paris, France
Melun, France
Corbeil, France - Place of death
- Priory of St. Marcel, near Chalon-sur-Saône, France
- Burial location
- Cimetière du Père-Lachaise, Paris, France (7e division, AD, 25)
- Associated Place (for map)
- France
Members
Reviews
Hade en rätt idealiserad bild av deras kärleksrelation innan jag läste denna bok. Héloïses är fyllda av längtan och självuppoffrande för Abélards skull, men Abélard är betydligt mer distanserad och menar att han innan han kastrerades drevs av åtrå snarare än kärlek till Héloïse. Så relationen är betydligt mer ensidig än vad jag hade fått för mig. Boken är läsvärd för Héloïses brev som är en vacker bild av en kärlek av både åtrå, djup och till viss del, show more överraskande sett till tiden och hennes roll som nunna, i uppror mot Gud. Abélards brev är betydligt längre, torra, avfärdande och förmanande. show less
Ah, Peter Abelard. The only person in history to have become more of a dick because he lost his dick. (Though something tells me he was a pretty narcissistic jackass even before then.) As aware as I am that these letters are a wonderful historical source, rereading them only fills me with the urge to go back in time and punch Abelard in the neck. And then to take Heloise to one side, explain the concept of 'internalised misogyny' to her, fix her a strong drink and then talk her through why show more emotional abusers are bad for you. (Seriously, reading through these letters for the first time since the Twilight craze hit? Inspired some comparisons between Abelard and Edward Cullen.) show less
Despite my interest in the middle ages, I avoided H&A for a long time. I was under the impression that it was all moaning about love and so on; but no! These letters are actually fascinating. Two incredibly intelligent people, neither of whom I'd want to spend too much time with, write to each other about their amazing lives (famous philosopher gets castrated, hounded by church, hated by monks; famous poet/composer/humanist falls dementedly in love, has a child with her lover, becomes show more powerful abbess), but mixed in are very, very smart philosophical, theological, and social debates and discussions.
It would be the 'right' thing to do here for me to complain about how Abelard was a misogynist and Heloise was a victim and how her fabulous emancipatory light has been hidden under his having a penis. But if you read these letters with any care, you'll recognize Heloise for what she is: someone who is simply too brilliant, and too strong willed, to live a life filled with anything but soap opera level drama. Abelard is less recognizable as a type, in part because although he seems to have been just like Heloise when younger, he resist her attempts to engage in that kind of behavior in his later years. Heloise might have been more oppressed, but Abelard certainly suffered more, and that seems to have mellowed his brilliance and will.
Rather than Heloise-as-hero or Abelard-as-villain, these letters are definitive proof that 'the renaissance' didn't spring fully loaded from the head of some ancient Greek statue. H&A both know and quote at length from the classics; they both assume that secular learning is important; they both conduct their lives as such. These letters put paid to the silly belief of many historians of the early modern period that their period was the first time that anyone was an individual, or had a conflicted relationship with religion etc... And they're just damn entertaining.
They're also enlightening. Abelard's 'biography', the first letter, is a fine piece of life writing; Heloise's request that Abelard compose a rule for the community she headed is deeply learned and hilariously precise (essentially, her letter is an exercise in close reading of the Rule of St Benedict, showing just how unsuitable it is for women, in gloriously fine detail); Abelard's rule is a perfect response (excepting the residual "weaker vessel" nonsense).
There's a problem with this edition, though: for some baffling reason, Abelard's letter to Heloise on the history of nuns is greatly abridged. Why? And if you don't find it odd enough to begin with, consider that it can't have been to save paper; the book ends with a few anonymous letters from the period that some enterprising historian decided, for no particularly good reason, had also been written by H&A.
Here's something from one of the original set of letters:
"Who is there who was once my enemy, whether man or woman, who is not moved now by the compassion which is my due? Wholly guilty though I am, I am also, as you know, wholly innocent. It is not the deed but the intention of the doer which makes the crime, and justice should weight not what was done bu the spirit in which it is done. What my intention towards you has always been, you alone who have known it can judge. I submit all to your scrutiny, yield to your testimony in all things." Thus, Heloise to Abelard: introspective, philosophically sophisticated, conflicted.
Here's something from the unnecessarily appended "Lost Love Letters of Heloise and Abelard":
"Since my mind is turning with many concerns, it fails me, pierced by the sharp hook of love... Just as fire cannot be extinguished or suppressed by any material, unless water, by nature its powerful remedy, is applied, so my love cannot be cured by any means - only by you can it be healed." Thus, we're asked to believe, 'Heloise' to Abelard: ignorant (lots of things extinguish fire), foolish (if your love can't be cured by any means, then it can't be cured by Abelard), dull. I guess at least we have evidence that even twelfth-century people (though not necessarily H&A) could write drivel under the 'inspiration' of love.
If I could do it all over again, maybe I'd read the Hackett volume, which includes some of the love letter drivel, but at least gives us all of Abelard's letter to compensate. show less
It would be the 'right' thing to do here for me to complain about how Abelard was a misogynist and Heloise was a victim and how her fabulous emancipatory light has been hidden under his having a penis. But if you read these letters with any care, you'll recognize Heloise for what she is: someone who is simply too brilliant, and too strong willed, to live a life filled with anything but soap opera level drama. Abelard is less recognizable as a type, in part because although he seems to have been just like Heloise when younger, he resist her attempts to engage in that kind of behavior in his later years. Heloise might have been more oppressed, but Abelard certainly suffered more, and that seems to have mellowed his brilliance and will.
Rather than Heloise-as-hero or Abelard-as-villain, these letters are definitive proof that 'the renaissance' didn't spring fully loaded from the head of some ancient Greek statue. H&A both know and quote at length from the classics; they both assume that secular learning is important; they both conduct their lives as such. These letters put paid to the silly belief of many historians of the early modern period that their period was the first time that anyone was an individual, or had a conflicted relationship with religion etc... And they're just damn entertaining.
They're also enlightening. Abelard's 'biography', the first letter, is a fine piece of life writing; Heloise's request that Abelard compose a rule for the community she headed is deeply learned and hilariously precise (essentially, her letter is an exercise in close reading of the Rule of St Benedict, showing just how unsuitable it is for women, in gloriously fine detail); Abelard's rule is a perfect response (excepting the residual "weaker vessel" nonsense).
There's a problem with this edition, though: for some baffling reason, Abelard's letter to Heloise on the history of nuns is greatly abridged. Why? And if you don't find it odd enough to begin with, consider that it can't have been to save paper; the book ends with a few anonymous letters from the period that some enterprising historian decided, for no particularly good reason, had also been written by H&A.
Here's something from one of the original set of letters:
"Who is there who was once my enemy, whether man or woman, who is not moved now by the compassion which is my due? Wholly guilty though I am, I am also, as you know, wholly innocent. It is not the deed but the intention of the doer which makes the crime, and justice should weight not what was done bu the spirit in which it is done. What my intention towards you has always been, you alone who have known it can judge. I submit all to your scrutiny, yield to your testimony in all things." Thus, Heloise to Abelard: introspective, philosophically sophisticated, conflicted.
Here's something from the unnecessarily appended "Lost Love Letters of Heloise and Abelard":
"Since my mind is turning with many concerns, it fails me, pierced by the sharp hook of love... Just as fire cannot be extinguished or suppressed by any material, unless water, by nature its powerful remedy, is applied, so my love cannot be cured by any means - only by you can it be healed." Thus, we're asked to believe, 'Heloise' to Abelard: ignorant (lots of things extinguish fire), foolish (if your love can't be cured by any means, then it can't be cured by Abelard), dull. I guess at least we have evidence that even twelfth-century people (though not necessarily H&A) could write drivel under the 'inspiration' of love.
If I could do it all over again, maybe I'd read the Hackett volume, which includes some of the love letter drivel, but at least gives us all of Abelard's letter to compensate. show less
Like watching video of a wreck, in slow motion, played over and over again. The greatest misfortune of the logician and theologian, Pierre Abelard, was his compulsion to humiliate the rich and powerful, despite the severe penalties for doing so in 12th Century France.
Sadly, the legend of his love for Heloise also suffers in his retelling. He seems more concerned with his reputation than her welfare. Would've been better for his reputation if he'd never written this short memoir.
Sadly, the legend of his love for Heloise also suffers in his retelling. He seems more concerned with his reputation than her welfare. Would've been better for his reputation if he'd never written this short memoir.
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