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Works by SparkNotes

Romeo and Juliet (No Fear Shakespeare) (2003) 1,827 copies, 10 reviews
Hamlet (No Fear Shakespeare) (2003) 1,595 copies, 8 reviews
Julius Caesar (No Fear Shakespeare) (2003) 1,075 copies, 6 reviews
Othello (No Fear Shakespeare) (2003) 771 copies, 1 review
The Tempest (No Fear Shakespeare) (1623) 730 copies, 6 reviews
The Taming of the Shrew (No Fear Shakespeare) (1590) 657 copies, 5 reviews
Twelfth Night (No Fear Shakespeare) (2003) 586 copies, 3 reviews
As You Like It (No Fear Shakespeare) (1623) 333 copies, 2 reviews
Richard III (No Fear Shakespeare) (2004) 287 copies, 2 reviews
Macbeth (No Fear Shakespeare Graphic Novels) (2002) 247 copies, 4 reviews
Hamlet (No Fear Shakespeare Graphic Novels) (2008) 246 copies, 4 reviews
Sonnets (No Fear Shakespeare) (2004) 209 copies, 1 review
Antony and Cleopatra (No Fear Shakespeare) (2006) 165 copies, 1 review
Literature (2004) 135 copies, 1 review
Beowulf (SparkNotes) (2002) 94 copies
For Whom the Bell Tolls - Ernest Hemingway (SparkNotes) (2003) — Author — 93 copies, 1 review
Inferno - Dante Alighieri (SparkNotes) (2002) 82 copies, 1 review
Let's Talk Spanish! (2015) 70 copies
Animal Farm - George Orwell (SparkNotes) (2002) 68 copies, 1 review
Hamlet - William Shakespeare (SparkNotes) (2002) 67 copies, 1 review
The Lord of the Rings (Spark Notes) (2002) — Editor — 66 copies
Philosophy (SparkNotes 101) (2005) 59 copies, 1 review
The Old Testament (SparkNotes) (2002) 53 copies, 1 review
Vampire Dreams (SAT Vocabulary Novel) (2004) 51 copies, 2 reviews
Greek Classics (SparkNotes) (2004) 49 copies
Beowulf (No Fear) (Volume 3) (2017) 37 copies, 1 review
Ulysses - James Joyce (SparkNotes) (2002) 35 copies, 1 review
Latin Grammar (2003) 33 copies
Spanish Vocabulary (2004) 32 copies
Psychology (2005) 31 copies
Easy Guide to Math (2005) 30 copies
The Pre-Civil War Era (2005) 25 copies
The Jungle - Upton Sinclair (SparkNotes) (2002) 25 copies, 1 review
Women's Literature (2006) 23 copies
Short Stories (2007) 22 copies
French Grammar (2002) 22 copies
Anna Karenina - Leo Tolstoy (SparkNotes) (2002) 21 copies, 1 review
Film Classics (Sparknotes) (2006) 21 copies
German Vocabulary (Sparknotes Study Cards) (2014) 20 copies, 2 reviews
War and Peace - Leo Tolstoy (SparkNotes) (2002) — Author — 20 copies, 1 review
The Russian Revolution (2005) 18 copies
Algebra II (SparkCharts) (2002) 18 copies
Geometry (SparkCharts) (2002) 18 copies
The French Revolution (2005) 18 copies
Philosophy (SparkCharts) (2002) 18 copies
Biology (SparkCharts) (2002) 17 copies
Math Basics (SparkCharts) (2002) 16 copies
World War I (2005) 16 copies
The American Revolution (2005) 16 copies
Sociology (2006) 16 copies
The Enlightment (2005) 15 copies
Aristotle's Ethics - Aristotle (SparkNotes) (2003) — Author — 14 copies
The Bible (SparkCharts) (1990) 14 copies
The Vietnam War (2005) 14 copies
HTML (SparkCharts) (2003) 14 copies
Emma - Jane Austen (SparkNotes) (2002) — Editor — 14 copies
American Government (2007) 13 copies
World History (2002) 13 copies
Chemistry (SparkCharts) (2002) 13 copies
The Civil Rights Era (2005) 13 copies
Psychology (SparkCharts) (2002) 12 copies
Physics (2002) 12 copies
The Great Depression (2005) 11 copies
Statistics (2002) 11 copies
World War II (2005) 11 copies
Algebra I (1998) 11 copies
Easy Guide to Spanish (2005) 11 copies
Trigonometry (SparkCharts) (2002) 11 copies
U.S. History 1492-1865 (2002) 11 copies
Spanish Verbs SparkCharts (1990) 11 copies
European History (1990) 10 copies
French Verbs (SparkCharts) (1990) 10 copies
The Cold War (2005) 10 copies
The Constitution (2005) 10 copies
Little Women (SparkNotes) (2002) 9 copies
Reconstruction (2005) 9 copies
U.S. History 1865-2004 (2002) 9 copies
Nutrition SparkCharts (1990) 7 copies
Calculus I (SparkCharts) (2002) 7 copies
Chemistry Study Cards (2004) 6 copies
Calculus II (SparkCharts) (2002) 6 copies
Finance (SparkCharts) (2002) 6 copies
SAT II Physics (2002) 6 copies
U.S. Map (SparkCharts) (1990) 5 copies
David Copperfield - Charles Dickens (SparkNotes) (2003) — Author — 5 copies
The Outsiders - S.E. Hinton (SparkNotes) (2002) — Editor — 5 copies
American Sign Language (1990) 5 copies
Poetry (SparkCharts) (2003) 5 copies
SAT II Chemistry (2005) 5 copies
Sociology (SparkCharts) (2003) 4 copies
Western Art History (2004) 4 copies
Workout in Spanish (2007) 4 copies
Mythology (SparkCharts) (2002) 4 copies
Legal Writing SparkCharts (1990) 4 copies
ESL and EFL Grammar (1990) 3 copies
Property (SparkCharts) (1990) 3 copies
College Planning Workbook (2008) 3 copies
SAT Math SparkCharts (2002) 3 copies
Islam SparkCharts (2004) 3 copies
Biology (2008) 3 copies
Shakespeare (SparkCharts) (2002) 3 copies
Unix (SparkCharts) (2003) 3 copies
Sparkcharts Italian Verbs (2006) 2 copies
Astronomy (2003) 2 copies
Spuzzles: US History (2005) 2 copies
Microbiology SparkCharts (2014) 2 copies
Evidence (SparkCharts) (2003) 2 copies
SAT II Biology (2002) 2 copies
Java (SparkCharts) (2003) 2 copies
Torts (SparkCharts) (2003) 2 copies
Management (SparkCharts) (2003) 2 copies
Fashion (SparkCareer) (2007) 1 copy
Nursing (SparkCharts) (2003) 1 copy
Hedda Gabler - Henrik Ibsen (SparkNotes) — Author — 1 copy, 1 review

Associated Works

Tagged

British literature (107) classic (168) classic literature (64) classics (262) comedy (42) drama (273) English (41) English literature (38) fiction (412) graphic novel (52) history (90) literary criticism (38) literature (256) No Fear Shakespeare (108) non-fiction (178) own (49) paperback (93) PB (98) play (227) plays (274) poetry (96) read (66) reference (244) SparkNotes (282) study guide (202) theatre (141) to-read (195) tragedy (49) unread (38) William Shakespeare (878)

Common Knowledge

Canonical name
SparkNotes
Other names
TheSpark
Gender
n/a
Relationships
Barnes & Noble (owner)
Nationality
n/a
Associated Place (for map)
n/a

Members

Reviews

98 reviews
Found it difficult to be inspired by, instead of annoyed by all the mishaps in the story. Also the nature of "Romantic" love during this time period is somewhat unbelievable to me. The theme of holding grudges and how that can be passed on to hurt future generations is a good one though. Will reread at some point.
I'm all for this series, not just for students. For anyone who wants to get into Shakespeare, it's great to have some help and not miss anything that is going on. I recommend reading Shakespeare's language first and then (when needed) the explanation (given side by side for every page). After a while you get used to the original language and you don't need the explanations as often. You'll feel comfortable enough with archaic words and phrases. For me Romeo and Juliet is at least as much a show more comedy as it is a tragedy. For the silly aspects of love - intoxication, unstable emotions, overly dramatic responses - R and J are a celebration and a parody. show less
The Much Ado About Nothing volume of the series is my first experience with the No Fear Shakespeare books. For those unfamiliar with the concept, the “No Fear” books are aimed at students and readers who sometimes find reading Shakespeare to be a bit of a challenge. In my own case, after reading one of Shakespeare’s plays, no matter how well I felt I understood it, I still wondered what I had missed. These little books make sure that I do not miss a thing.

The concept is a simple one. show more The play is presented in Shakespeare’s words on the book’s odd-numbered pages, and the even-numbered pages present the same material “translated” into everyday English. I chose to read Shakespeare’s words first, and then read the translated version of the same section of the play before I moved on to the next odd-numbered page. Within just a few pages, I found myself falling into Shakespeare’s rhythms and I needed the modern version less and less to understand the various comings and goings of all the characters.

But even at that point, the No Fear Shakespeare book remains a useful tool to readers because it explains all the relatively obscure references that Shakespeare makes throughout his work to Greek and Roman mythology. These little asides, almost throwaway references though they may seem, often add depth to characters that otherwise likely would have gone right over the heads of most readers. Too, the book explains the slang terms used in the many risqué conversational back-and-forth jabs between characters that may have remained meaningless to those unfamiliar with the language of the day (language that would likely earn Much Ado About Nothing at least a PG rating if it were a modern movie). The No Fear books also include a helpful listing of all the play’s main characters, complete with a description of each character’s background and how they all relate to each other.

Best of all, the books are a confidence-builders for readers who want to read Shakespeare but have often been disappointed with the results of their efforts. They are training-wheels that can be discarded as soon as a reader feels comfortable doing so, or those who want to wring every little detail and nuance from their reading can continue to use them. It is all up to the individual reader.
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A Bluffer's Guide to Atwood's The Testaments
Review of the SparkNotes Kindle eBook edition (2022) of the original SparkNotes paperback (2020)

I didn't enjoy The Testaments in 2019, but my QCC Book Club had it scheduled as the BotM for February 2o22. I wasn't up for a re-read, but I still wanted to participate in the group discussion and be able to understand the opinions of others. Luckily there was this quite extensive guide to the plot with an analysis of the structure, the motifs and show more themes, a character guide and a glossary of literary terms.

I didn't hide my use of the guide from the others and explained about my disappointment with the original book as well. Generally there were few in the group (of 14) who enjoyed the book. I was actually surprised that many had not read The Handmaid’s Tale (1985) previously [the group has struck me as well read generally] so that they were especially confused by this sequel and by its episodic switching of PoV between Aunt Lydia and Angie and Jade (Nicole). Most of us had not watched the TV series either, saying they had either not heard of it (it is on the Hulu streaming channel) or simply expressing distaste for a show about the repression of women in a future (some might say current) dystopian society. The group did feel that Atwood was prescient in portraying a future world where environmental toxicity affected birthrates and about hypocritical theocratic governments controlling women's education, roles in society and birthing.

I did note from additional Wiki research that the current TV-series of The Handmaid's Tale will conclude with its upcoming 6th season (late 2023?) upon which there is a plan to continue with a TV-series of The Testaments. Apparently Atwood has cooperated with the TV-series production in aligning the characters for the sequel. I am now somewhat curious as to the character arc of Aunt Lydia in the TV versions because of this.

I felt that this SparkNotes Guide gave me a very thorough background for the Book Club discussion so I rate it highly because of that. The final 20% of the Guide was a generic plan for how to write a student literary essay for a class assignment. This wasn't of use to me, but I thought the Guide did lay out a plan quite well. It ended by warning against plagiarism and saying to always acknowledge your sources 😊.
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Statistics

Works
525
Also by
6
Members
18,857
Popularity
#1,159
Rating
3.8
Reviews
93
ISBNs
858
Languages
4

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