M. C. Bradbrook (1909–1993)
Author of Themes and Conventions of Elizabethan Tragedy
About the Author
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Works by M. C. Bradbrook
Shakespeare and Elizabethan poetry : a study of his earlier work in relation to the poetry of the time (1964) 21 copies
BRITISH WRITERS AND THEIR WORK NO. 1 Geoffrey Chaucer by Nevill Coghill and Sir Thomas Malory by M. C. Bradbrook (1963) 5 copies
Associated Works
Interpretations of Shakespeare (British Academy Shakespeare Lectures) (1985) — Contributor — 8 copies
Essays on Shakespeare and Elizabethan drama in honor of Hardin Craig (1962) — Contributor — 6 copies
Tagged
Common Knowledge
- Legal name
- Bradbrook, Muriel Clara
- Birthdate
- 1909-04-27
- Date of death
- 1993-06-11
- Gender
- female
- Education
- University of Cambridge (Girton College)
Oldershaw Academy, Wallasey, England
Hutcheson’s Grammar School, Glasgow - Occupations
- academic (Girton College ∙ Cambridge)
literary scholar
Shakespeare scholar
professor of English - Organizations
- Modern Language Association of America (honorary member)
- Awards and honors
- Pragnell Award (1992)
- Short biography
- M.C. (Muriel Clara) Bradbrook was educated at Hutcheson’s Girls’ School, Glasgow, and Oldershaw High School (now The Oldershaw Academy) in Wallasey, England. In 1927, she entered Cambridge University, Girton College, where she read English and graduated with First Class honors. She remained at Girton as a Carlisle Scholar, and later as an Ottilie Hancock Research Fellow, and earned her PhD in 1933. In 1936, after a year at Oxford University, she return to Girton College and joined the faculty as Lecturer in English and Fellow. She rose to become the first woman professor of English at Cambridge University. During World War II, she worked in in London for the Board of Trade, and in the 1950s was a scholar-in-residence at the Folger Library in Washington, D.C., and at the Huntington Library in California. She published some 17 books on Shakespeare and the Elizabethans, as well as influential literary criticism on authors including Ibsen and Conrad. Two of her most acclaimed books were The Rise of the Common Player (1962) and Shakespeare the Craftsman (1969). She served as Mistress of Girton in 1968-1976, and also wrote a history of the college, That Infidel Place (1969).
- Nationality
- UK
- Places of residence
- Cambridge, Cambridgeshire, England, UK
- Place of death
- Cambridge, Cambridgeshire, England, UK
- Associated Place (for map)
- Cambridge, Cambridgeshire, England, UK
Members
Reviews
[The Growth and Structure of Elizabethan Comedy] - M. C. Bradbrook
Originally Published in 1955, this textbook is aimed at the English Student, but having said that it starts off strongly with a good introduction and three general chapters on Elizabethan comedy before Shakespeare. Good points are made about the use of language, the development of plays through the tradition of rhetoric, the development of comedy from early Tudor times and the context in which plays were performed.
Part II show more takes the reader through the playwrights in reasonable chronological order ending with Shakespeare and reasons why he stood above the others in the late sixteenth century. Shakespeare’s legacy now dominates what was a major evolution of artistic growth, but it wasn’t quite as clear cut as that in Tudor times and Bradbrook makes a good case for Shakespeare being a synthesis of what was happening. Other playwrights such as Lyly, Greene, Peele and Nash get due consideration. Part III again in roughly chronological order trots through contemporaries of Shakespeare and those that followed in the reign of King James. This is perhaps the weakest part of the book because any general themes are overtaken by the work of the individual playwrights. Dekker, Heywood, Jonson, Marston, Middleton, Fletcher, Day and Chapmen each get small sections where Bradbrook sums up their work and attempts to put them in context.
The book is more concerned with the texts of the plays as they have come down to us, rather than thoughts about actual performance, this is particularly noticeable in the third section. There is a chronological table of the plays as well as notes at the back of the book, overall I found this to be a good overview of the plays that were performed with some examples and pointers to those that are still worth reading. 3.5 stars show less
Originally Published in 1955, this textbook is aimed at the English Student, but having said that it starts off strongly with a good introduction and three general chapters on Elizabethan comedy before Shakespeare. Good points are made about the use of language, the development of plays through the tradition of rhetoric, the development of comedy from early Tudor times and the context in which plays were performed.
Part II show more takes the reader through the playwrights in reasonable chronological order ending with Shakespeare and reasons why he stood above the others in the late sixteenth century. Shakespeare’s legacy now dominates what was a major evolution of artistic growth, but it wasn’t quite as clear cut as that in Tudor times and Bradbrook makes a good case for Shakespeare being a synthesis of what was happening. Other playwrights such as Lyly, Greene, Peele and Nash get due consideration. Part III again in roughly chronological order trots through contemporaries of Shakespeare and those that followed in the reign of King James. This is perhaps the weakest part of the book because any general themes are overtaken by the work of the individual playwrights. Dekker, Heywood, Jonson, Marston, Middleton, Fletcher, Day and Chapmen each get small sections where Bradbrook sums up their work and attempts to put them in context.
The book is more concerned with the texts of the plays as they have come down to us, rather than thoughts about actual performance, this is particularly noticeable in the third section. There is a chronological table of the plays as well as notes at the back of the book, overall I found this to be a good overview of the plays that were performed with some examples and pointers to those that are still worth reading. 3.5 stars show less
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Associated Authors
Statistics
- Works
- 34
- Also by
- 6
- Members
- 341
- Popularity
- #69,902
- Rating
- 3.5
- Reviews
- 1
- ISBNs
- 62










