Iris Murdoch (1919–1999)
Author of The Sea, the Sea
About the Author
Iris Murdoch was one of the twentieth century's most prominent novelists, winner of the Booker Prize for The Sea. She died in 1999. (Publisher Provided) Iris Murdoch was born in Dublin, Ireland on July 15, 1919. She was educated at Badminton School in Bristol and Oxford University, where she read show more classics, ancient history, and philosophy. After several government jobs, she returned to academic life, studying philosophy at Newnham College, Cambridge. In 1948, she became a fellow and tutor at St. Anne's College, Oxford. She also taught at the Royal College of Art in London. A professional philosopher, she began writing novels as a hobby, but quickly established herself as a genuine literary talent. She wrote over 25 novels during her lifetime including Under the Net, A Severed Head, The Unicorn, and Of the Nice and the Good. She won several awards including the James Tait Black Memorial Prize for The Black Prince in 1973 and the Booker Prize for The Sea, The Sea in 1978. She died on February 8, 1999 at the age of 79. (Bowker Author Biography) show less
Image credit: © Steve Pyke 1990 (use of image requires permission from Steve Pyke)
Works by Iris Murdoch
The Fire and the Sun: Why Plato Banished the Artists. Based upon the Romanes Lecture (Oxford Paperbacks) (1977) 134 copies, 2 reviews
The Sea, the Sea; A Severed Head: Introduction by Sarah Churchwell (Everyman's Library Contemporary Classics Series) (2016) 66 copies, 2 reviews
The Novels of Iris Murdoch Volume One: Henry and Cato, The Italian Girl, and The Philosopher's Pupil (2018) 12 copies
The Novels of Iris Murdoch Volume Two: The Flight from the Enchanter, The Red and the Green, and The Time of the Angels (2018) 10 copies
The Novels of Iris Murdoch Volume Three: A Word Child, An Unofficial Rose, and Bruno's Dream (2018) 9 copies
O Sino 4 copies
Vintage Classics Collection 3 Books Set, (The Bell, Under the Net and The Sea, The Sea) (2013) 3 copies
Epävirallinen ruusu 1 copy
Tilfælghedens spil 1 copy
Milé a pekné lásky 1 copy
HIl Isogno di Bruno 1 copy
Rare THE FIRE & THE SUN by Iris Murdoch - 1st/1st HCDJ 1977 - PLATO - Oxford -NF [Hardcover] unknown 1 copy
Een filosofie van de liefde 1 copy
O Unicórnio; A Moça Italiana 1 copy
Zem tīkla : romāns 1 copy
[Make a joyful noise Vol. 2] 1 copy
Murdoch, Iris Archive 1 copy
[Notebook : 34 pages occupied with lists of words in Russian with their English translations] 1 copy
Against Dryness 1 copy
Os Olhos da Aranha Livro 1 1 copy
Çan 1 copy
Hver tar sin 1 copy
Taevane ja maine armastus 1 copy
Kesik Bir Baş 1 copy
The Servants and the Snow 1 copy
[Make a joyful noise Vol. 1] 1 copy
Сочинения в 3-Х томах 1 copy
Associated Works
Wise Women: Over Two Thousand Years of Spiritual Writing by Women (1996) — Contributor — 229 copies, 1 review
Plato's Republic: Critical Essays (Critical Essays on the Classics Series) (1997) — Contributor — 41 copies
Die englische Literatur 10 in Text und Darstellung. 20. Jahrhundert 2. (2001) — Contributor — 6 copies
Tagged
Common Knowledge
- Legal name
- Murdoch, Dame Jean Iris
- Other names
- Murdoch, Jean Iris
- Birthdate
- 1919-07-15
- Date of death
- 1999-02-08
- Gender
- female
- Education
- Somerville College, Oxford (BA|1942)
Newnham College, Cambridge
Badminton School, Bristol, Gloucestershire, England, UK - Occupations
- novelist
philosopher
professor - Organizations
- American Academy of Arts and Letters (Foreign Honorary, Literature | 1975)
American Academy of Arts and Sciences (Foreign Honorary Member | 1982)
St Anne's College, Oxford University - Awards and honors
- Royal Society of Literature (Companion of Literature, 1987)
Order of the British Empire (Dame Commander, 1987)
Golden PEN Award (1997)
American Academy of Arts & Sciences (Foreign Honorary Member, 1982)
Order of the British Empire (Commander, 1976)
National Arts Clubs (New York) Medal of Honor for Literature (1990) - Agent
- Ed Victor
- Relationships
- Bayley, John (husband)
- Short biography
- Iris Murdoch was born in Dublin, Ireland, the only child of an Anglo-Irish family. When she was a baby, the family moved to London, where her father worked as a civil servant. She attended the Badminton School as a boarder from 1932 to 1938. In 1938, she enrolled at Oxford University, where she read Classics. She graduated with a First Class Honors degree in 1942 and got a job with the Treasury. In 1944, she joined the United Nations Relief and Rehabilitation Administration (UNRRA), working in Brussels, Innsbruck, and Graz for two years. She then returned to her studies and became a postgraduate at Cambridge University. In 1948, she became a fellow of St Anne's College, Oxford, where she taught philosophy until 1963. In 1956, she married John Bayley, a literary critic, novelist, and English professor at Oxford. She published her debut novel, Under the Net, in 1954 and went on to produce 25 more novels and additional acclaimed works of philosophy, poetry and drama. She was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1982, and named a Dame Commander of Order of the British Empire in 1987. She was diagnosed with Alzheimer's disease in 1997 and died two years later.
- Cause of death
- Alzheimer's disease
- Nationality
- Ireland
UK - Birthplace
- Dublin, County Dublin, Ireland
- Places of residence
- Dublin, County Dublin, Ireland
London, Middlesex, England, UK
Oxford, Oxfordshire, England, UK - Place of death
- Oxfordshire, England, UK
- Burial location
- Ashes scattered in the garden of Oxford Crematorium
- Map Location
- England, UK
Members
Discussions
Group Read, June 2022: The Sea, the Sea in 1001 Books to read before you die (July 2022)
Group Read, July 2018: Under The Net in 1001 Books to read before you die (July 2018)
The Bell in Iris Murdoch readers (February 2018)
Musing on Murdoch in General in Iris Murdoch readers (October 2017)
The Nice and the Good in Iris Murdoch readers (February 2017)
The Italian Girl in Iris Murdoch readers (November 2015)
The Sea, the Sea in Iris Murdoch readers (September 2015)
The Sandcastle in Iris Murdoch readers (January 2015)
The Green Knight in Iris Murdoch readers (May 2014)
The Unicorn in Iris Murdoch readers (February 2014)
***Group Read, October 2013: The Bell by Iris Murdoch in 1001 Books to read before you die (October 2013)
The Book and the Brotherhood in Iris Murdoch readers (October 2013)
A Severed Head in Iris Murdoch readers (May 2013)
The Black Prince in Iris Murdoch readers (May 2013)
The Philosopher's Pupil in Iris Murdoch readers (April 2013)
The Good Apprentice in Iris Murdoch readers (March 2013)
Something Special in Iris Murdoch readers (March 2013)
Henry and Cato in Iris Murdoch readers (February 2013)
A Word Child in Iris Murdoch readers (February 2013)
Bruno's Dream in Iris Murdoch readers (February 2013)
An Unofficial Rose in Iris Murdoch readers (February 2013)
Henry Cato in Iris Murdoch readers (January 2013)
Murdoch & Mayhem in 75 Books Challenge for 2012 (December 2012)
Reviews
Well this was much more fun than I expected.
The narrator, Bradley Pearson, talks the reader through this book at intervals as if commenting on his own biography, although at the end Murdoch discombobulates us and leaves us to our own devices in terms of whether to believe him or not.
As Bradley would have us believe, having recently retired from the tax office he was getting ready to disappear to a cottage rental to focus back on his writing again (having published some work in the distant show more past) when a series of events turns his plans on their head and who he is upside down. Embroiled in the affairs of his friends and family despite his protestations against involvement of any kind, The Black Prince is a smart, tragical farce that was highly enjoyable.
This was my second Iris Murdoch novel, and I enjoyed it even more than The Sea, The Sea. Clever, funny and engaging - what's not to love about this book.
4.5 stars - wonderfully darkly comedic, with a cast of terrific characters. show less
The narrator, Bradley Pearson, talks the reader through this book at intervals as if commenting on his own biography, although at the end Murdoch discombobulates us and leaves us to our own devices in terms of whether to believe him or not.
As Bradley would have us believe, having recently retired from the tax office he was getting ready to disappear to a cottage rental to focus back on his writing again (having published some work in the distant show more past) when a series of events turns his plans on their head and who he is upside down. Embroiled in the affairs of his friends and family despite his protestations against involvement of any kind, The Black Prince is a smart, tragical farce that was highly enjoyable.
This was my second Iris Murdoch novel, and I enjoyed it even more than The Sea, The Sea. Clever, funny and engaging - what's not to love about this book.
4.5 stars - wonderfully darkly comedic, with a cast of terrific characters. show less
It's been said that you never get to know a writer by reading his or her books. What they show you isn't their self but their literary persona, the voice and authorial character that they've created for the page. It sometimes feels that Iris Murdoch took this one step further: her characters seem entirely artificial but feel nonetheless real. I don't know how far I'd go to defend this theory, but it'd suit a writer who buries her themes and meanings far deeper than most writers do. If show more escape, independence, and harmful attachments are recurring themes in "The Flight From the Enchanter", don't expect its characters to point you toward them. They're too busy with their own problems to think in those terms. This is an Iris Murdoch novel, so I can't say that it's always a lot of fun to read, but it is impressive. It takes a writer of absolutely phenomenal skill to pull off this sort of slight-of-hand, and Murdoch seems to do it without breaking a sweat.
I actually enjoyed "The Flight From the Enchanter" more than most of the other Murdoch novels I've read. There's something direct about it that I enjoyed. While its characters are, at some level, obvious literary creations, they still come off as more real than they do in Murdoch's more ornate novels -- such as "The Sea, the Sea" -- which sometimes seem to verge on camp. As for the enchanter of the title, an obvious candidate for the role pops up, but the thing about this one is that all of its characters seem stuck in some way or another. They're besotted with somebody, or dependent on another, or have just given up inside. Some manage to make a fresh start at the end of the novel while others don't, and this, more than any of the plot machinations, is what I think really interests the author here. What keeps us going? Can we ever break free of our situations, or of ourselves? These are all great questions, and she deals with them expertly here. More importantly, perhaps, she offers some very good answers by the time the novel's done. As might be expected, this one isn't easy going, but it's still recommended. show less
I actually enjoyed "The Flight From the Enchanter" more than most of the other Murdoch novels I've read. There's something direct about it that I enjoyed. While its characters are, at some level, obvious literary creations, they still come off as more real than they do in Murdoch's more ornate novels -- such as "The Sea, the Sea" -- which sometimes seem to verge on camp. As for the enchanter of the title, an obvious candidate for the role pops up, but the thing about this one is that all of its characters seem stuck in some way or another. They're besotted with somebody, or dependent on another, or have just given up inside. Some manage to make a fresh start at the end of the novel while others don't, and this, more than any of the plot machinations, is what I think really interests the author here. What keeps us going? Can we ever break free of our situations, or of ourselves? These are all great questions, and she deals with them expertly here. More importantly, perhaps, she offers some very good answers by the time the novel's done. As might be expected, this one isn't easy going, but it's still recommended. show less
Murdoch doesn't do love triangles, she does love heptagons. Everyone here wants something — or someone — else, most of them don't get it, and those that do aren't satisfied with it. The characterisation is as accomplished as in the other seven novels I've read by her: people's actions, or inaction, are always in keeping with their peculiar personalities. But compared with "The Bell", say, or "The Black Prince" or "The Sea, The Sea", with their totemic central weirdos, this one lacks a show more focal point. In those books, you sense that Murdoch really cherished — in a sadistic way, of course — her main character. Here, she treats them all with the same amused tolerance. show less
The Black Prince is a complex piece of work with a purpose and a ruthless compassion at the heart of it. This is a 'framed' work with many conceits - that there is a separate person, a P.A. Loxias, who befriends Bradley after the events of the novel have taken place, and supports him in writing his 'memoir'. Yet..... Bradley Pearson himself is a novelist, never stops describing himself as a novelist, even though he is describing what happened to 'him' - the events which enabled him to write show more his 'great work'. That would imply, then, that Loxias himself is the one making up a fiction about Mr. Pearson's experiences, except, of course we know that IRIS herself MADE UP the whole thing. A woman pretending to be .... the editor, a man (mysterious and a musician) who is also pretending to be a man (a fiction writer) to whom all these things happened. The characters in the book also, at the end, offer their own comments - which is really - in a structural sense, a very funny thing to do and makes the point that - in any kind of writing the point of view of the narrator/writer is suspect. ALWAYS. People are always out to protect, defend, justify and explain themselves, put themselves in a good light. The implication is that for in order for this to happen every now and then someone has to be sacrificed. Hamlet and Bradley Pearson..... (Other characters die, but they die unsymbolically, of causes and effects that aren't literary!!). Embedded within the novel's commentary and inquiry on 'art' - whether it is hot or cold, whether it should be secret or public, whether suffering must happen to allow real art, is a painful indictment of marriage as potentially a sadistic playground in which a couple preys upon a third person in order to strengthen their own bond and excise their own demons - literally feeding on the spirit of another. Rachel and Arnold have to be one of the creepiest couples I've ever met in fiction (I don't read Stephen King....) so in a way I think what made this book so hard to read is that it is a horror story, in a way. What I found hardest to read was the way people twisted everything anyone else said to suit their own point of view. That is purely and sharply the most brilliant aspect of the novel, and in a way, probably its 'first' purpose - to demonstrate this point over and over and over again, to literally beat you over the head with it. Yes, it is brilliant, but no, it is not fun to read. However, as with the previous Murdochs I have read, as the experience settles, I expect it will settle in my mind as an enriching read. ***
I could have given it more stars, and I started out giving it a four star rating, but then I was doing errands and thinking it over and I decided that it would make more sense to rate IM's novels, since I am reading so many of them to each other. By that method, I have to drop it to *** because as clever a book as it is it's not an 'agile' book and plods at times and people talk wayyyyyy too much. Although I know Iris does that on purpose to make a point, I think the book is unbalanced, heavy with both too much talking and too much thinking and too much in general. An interesting experiment with worthy moments. But not entirely successful, at least, not for me. show less
I could have given it more stars, and I started out giving it a four star rating, but then I was doing errands and thinking it over and I decided that it would make more sense to rate IM's novels, since I am reading so many of them to each other. By that method, I have to drop it to *** because as clever a book as it is it's not an 'agile' book and plods at times and people talk wayyyyyy too much. Although I know Iris does that on purpose to make a point, I think the book is unbalanced, heavy with both too much talking and too much thinking and too much in general. An interesting experiment with worthy moments. But not entirely successful, at least, not for me. show less
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Awards
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Statistics
- Works
- 98
- Also by
- 11
- Members
- 29,209
- Popularity
- #686
- Rating
- 3.7
- Reviews
- 654
- ISBNs
- 719
- Languages
- 26
- Favorited
- 139






















































