Rozsika Parker (1945–2010)
Author of The Subversive Stitch: Embroidery and the Making of the Feminine
About the Author
Rozsika Parker has published widely in Art History and Psychoanalysis. Her books include Old Mistresses: Women, Art and Ideology and Framing Feminism: Art and the Women's Movement 1970-1985 (both written with Griselda Pollock) and Torn in Two: The Experience of Material Ambivalence. Her latest book show more is The Anxious Gardener. She now practices as a psychotherapist in London. show less
Image credit: Rozsika Parker
Works by Rozsika Parker
Tagged
Common Knowledge
- Other names
- Parker, Rosie
- Birthdate
- 1945-12-27
- Date of death
- 2010-11-05
- Gender
- female
- Education
- Courtauld Institute of Art (History of European Art|1969)
Westminster Pastoral Foundation (Psychoanalysis|1982)
Middlesex University (MA|2002) - Occupations
- art historian
psychotherapist - Organizations
- Maya Centre (Clinical Trustee)
Birkbeck College (Research Fellow - Department of Psychosocial Studies)
Spare Rib (the feminist magazine / as a contributor+editor) - Awards and honors
- Birkbeck College (Research Fellow - Department of Psychosocial Studies)
- Relationships
- Samuels, Andrew (domestic partner)
- Short biography
- Joined the feminist magazine Spare Rib in 1972, the year of its launch, and until 1980 wrote, commissioned and edited its arts coverage, as well as many of its mind/body features.
- Nationality
- UK
- Birthplace
- London, England, UK
- Places of residence
- Elsfield, England, UK
London, England, UK - Associated Place (for map)
- England, UK
Members
Reviews
Rambles a bit but this is an interesting (if currently dated) look at Embroidery and how in many ways it has come to define a certain level of femininity. How it went from being a career to being an acceptable way for women to pass their time and how it has been diminished by both men and women.
I know from personal experience how little people appreciate handcrafts and how if I quote a fair price for embroidery work that people are surprised. This is an interesting look at how embroidery show more became the domain of both those who had to be seen to be doing something and the cause of suffering in some factories.
It's also interesting how many women subverted this and used it for their own uses, particuarly in the 20th Century. I would love to see the Dinner Party exhibition and I was very interested by the table cloth in Sweden sewn by survivors of Nazi concentration camps.
The use and sometimes interesting changes to embroidery are interesting, the fashion, the pride and the perception all make it a very useful document. I'd like to see an update. show less
I know from personal experience how little people appreciate handcrafts and how if I quote a fair price for embroidery work that people are surprised. This is an interesting look at how embroidery show more became the domain of both those who had to be seen to be doing something and the cause of suffering in some factories.
It's also interesting how many women subverted this and used it for their own uses, particuarly in the 20th Century. I would love to see the Dinner Party exhibition and I was very interested by the table cloth in Sweden sewn by survivors of Nazi concentration camps.
The use and sometimes interesting changes to embroidery are interesting, the fashion, the pride and the perception all make it a very useful document. I'd like to see an update. show less
In The Anxious Gardener Rozsika Parker wittily addresses the worries evoked by a series of gardening tasks over the course of a year.
I was disappointed that the plates were not all described in the text and that none of them were in colour.
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Statistics
- Works
- 7
- Members
- 633
- Popularity
- #39,815
- Rating
- 3.8
- Reviews
- 4
- ISBNs
- 26
- Languages
- 2















