Frances E. W. Harper (1825–1911)
Author of Iola Leroy, or Shadows Uplifted
About the Author
Popular with both African American and white audiences, Frances Ellen Harper's poetry, novels, short stories, and lectures reflected her antislavery and antiracist attitudes, going beyond these themes to address broader social issues, such as women's suffrage and temperance. Born to a free family show more in Baltimore, Harper was encouraged to read and write by her employer, the wife of a bookseller. She moved to the free state of Ohio in 1850, where she taught, spoke for the Anti-Slavery Society of Maine, and published her popular Poems on Miscellaneous Subjects (1854). Her novel, Iola Leroy (1892), depicts a slave family's effort to reunite after emancipation. It was the first work to chronicle the Reconstruction South from an African American point of view. Although criticized by some as overly sentimental and unrealistic, the novel must be seen in context as an appeal for readers' sympathy and understanding. (Bowker Author Biography) show less
Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)
Works by Frances E. W. Harper
Minnie's Sacrifice, Sowing and Reaping, Trial and Triumph: Three Rediscovered Novels (1994) 41 copies
“Two Offers” 1 copy
Associated Works
The Norton Anthology of African American Literature {2nd edition} (2003) — Contributor, some editions — 282 copies, 2 reviews
Words of Fire: An Anthology of African-American Feminist Thought (1995) — Contributor — 265 copies, 1 review
The Heath Anthology of American Literature, Volume 1 (1990) — Contributor, some editions — 252 copies, 1 review
African American Poetry: 250 Years of Struggle and Song (2020) — Contributor — 235 copies, 4 reviews
Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present (1992) — Contributor — 187 copies
Reconstruction: Voices from America's First Great Struggle for Racial Equality (2018) — Contributor — 125 copies, 1 review
Women's Rights Emerges within the Anti-Slavery Movement, 1830-1870 (2000) — Contributor — 107 copies, 2 reviews
In Search of Color Everywhere: A Collection of African-American Poetry (1994) — Contributor — 105 copies
The Portable Nineteenth-Century African American Women Writers (2017) — Contributor — 76 copies, 1 review
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
Recognize!: An Anthology Honoring and Amplifying Black Life (2021) — Contributor — 55 copies, 3 reviews
Revolutionary Tales: African American Women's Short Stories, from the First Story to the Present (1995) — Contributor — 54 copies
The African-American Novel in the Age of Reaction: 3 Classics Iola Leroy or Shadows Uplifted The Marrow Tradition The Sp (1992) — Contributor — 39 copies
Centers of the Self: Stories by Black American Women, from the Nineteenth Century to the Present (1994) — Contributor — 31 copies
The Unforgetting Heart: An Anthology of Short Stories by African American Women, 1859-1993 (1993) — Contributor — 23 copies
Before Harlem: An Anthology of African American Literature from the Long Nineteenth Century (2016) — Contributor — 12 copies
Tagged
Common Knowledge
- Legal name
- Harper, Frances Ellen Watkins
- Birthdate
- 1825-09-24
- Date of death
- 1911-02-22
- Gender
- female
- Education
- Watkins Academy for Negro Youth, Baltimore
- Occupations
- teacher
tailor
poet
writer
public speaker - Organizations
- National Association of Colored Women
Unitarian Church
African Methodist Episcopal Church
Women's Christian Temperance Union - Cause of death
- heart disease
- Nationality
- USA
- Birthplace
- Baltimore, Maryland, USA
- Places of residence
- Baltimore, Maryland, USA
Ohio, USA
Philadelphia, Pennsylvania, USA - Place of death
- Philadelphia, Pennsylvania, USA
- Associated Place (for map)
- USA
Members
Reviews
I am continually astonished at the landmark accomplishments that are left out of this country's public education curriculum. IOLA LEROY SHADOWS UPLIFTED should, by any standard, hold a permanent place in American literature, for being one of the first novels published in this country by an African American woman. But I had never heard of either her or this book.
First about the author - because we should all know who she was. Frances Ellen Watkins Harper (1825-1911). Harper was born free in show more Maryland, then a slave state. Three years later, after the death of her parents, she was raised by an aunt and uncle. Luckily, her uncle happened to be William J. Watkins Sr. (1803-1858), a noted Baltimore minister and educator who created the Watkins Academy for Negro Youth where his niece began her education.
As an adult, Harper was a noted poet, activist, abolitionist, suffragist, teacher, and public speaker. She was a co-founder of the American Women's Suffrage Association. Harper published her first book of poetry at the age of 20; IOLA LEROY was published in 1892 when Harper was 67. You can imagine the obstacles she faced as a black woman, trying to get her writings published in 19th century America.
Now, onto IOLA LEROY. The great strength of the novel is the glimpse it provides into the lives of Black Americans, both during and after the Civil War (1861-65). Providing fascinating and intimate details about the everyday lives of the enslaved. How were they able to share information across plantation properties? What was the impact when slaveowners sold off members of a family? What kind of treatment did enslaved people receive at the hands of their owners? What did they think about light-skinned Black Americans passing as white? What happened when enslaved individuals ran off to fight for the North? What kind of fighting did they do? What kind of care did the injured receive?
Then, once the Civil War ended, Harper offers information about a new set of unknowns. How were formerly enslaved people treated when they returned South, after serving for the North? To what extent were they protected by the justice system? What difference did formal education make to their prospects? As new voters, how much voice did formerly enslaved people actually have in government? And finally, how did some manage to reunite with long lost members of their families?
IOLA LEROY SHADOWS UPLIFTED is an important book that I heartily recommend for providing a valuable lesson in American history. I wanted to give it five stars. But I had some issues with the writing. For example, I didn't find the book held together all that well as a novel. Rather it struck me as a series of vignettes, following a small group of characters over time. Much of it is written in dialect, which means reading is slower and sometimes dialog is difficult to decipher. But my biggest criticism is that much of the dialog did not feel believable. Instead it felt more like the author was lecturing me directly, by putting her knowledge and thoughts into the mouths of her characters. Overall, definitely worth your time. show less
First about the author - because we should all know who she was. Frances Ellen Watkins Harper (1825-1911). Harper was born free in show more Maryland, then a slave state. Three years later, after the death of her parents, she was raised by an aunt and uncle. Luckily, her uncle happened to be William J. Watkins Sr. (1803-1858), a noted Baltimore minister and educator who created the Watkins Academy for Negro Youth where his niece began her education.
As an adult, Harper was a noted poet, activist, abolitionist, suffragist, teacher, and public speaker. She was a co-founder of the American Women's Suffrage Association. Harper published her first book of poetry at the age of 20; IOLA LEROY was published in 1892 when Harper was 67. You can imagine the obstacles she faced as a black woman, trying to get her writings published in 19th century America.
Now, onto IOLA LEROY. The great strength of the novel is the glimpse it provides into the lives of Black Americans, both during and after the Civil War (1861-65). Providing fascinating and intimate details about the everyday lives of the enslaved. How were they able to share information across plantation properties? What was the impact when slaveowners sold off members of a family? What kind of treatment did enslaved people receive at the hands of their owners? What did they think about light-skinned Black Americans passing as white? What happened when enslaved individuals ran off to fight for the North? What kind of fighting did they do? What kind of care did the injured receive?
Then, once the Civil War ended, Harper offers information about a new set of unknowns. How were formerly enslaved people treated when they returned South, after serving for the North? To what extent were they protected by the justice system? What difference did formal education make to their prospects? As new voters, how much voice did formerly enslaved people actually have in government? And finally, how did some manage to reunite with long lost members of their families?
IOLA LEROY SHADOWS UPLIFTED is an important book that I heartily recommend for providing a valuable lesson in American history. I wanted to give it five stars. But I had some issues with the writing. For example, I didn't find the book held together all that well as a novel. Rather it struck me as a series of vignettes, following a small group of characters over time. Much of it is written in dialect, which means reading is slower and sometimes dialog is difficult to decipher. But my biggest criticism is that much of the dialog did not feel believable. Instead it felt more like the author was lecturing me directly, by putting her knowledge and thoughts into the mouths of her characters. Overall, definitely worth your time. show less
I am continually astonished at the landmark accomplishments that are left out of this country's public education curriculum. IOLA LEROY SHADOWS UPLIFTED should, by any standard, hold a permanent place in American literature, for being one of the first novels published in this country by an African American woman. But I had never heard of either her or this book.
First about the author - because we should all know who she was. Frances Ellen Watkins Harper (1825-1911). Harper was born free in show more Maryland, then a slave state. Three years later, after the death of her parents, she was raised by an aunt and uncle. Luckily, her uncle happened to be William J. Watkins Sr. (1803-1858), a noted Baltimore minister and educator who created the Watkins Academy for Negro Youth where his niece began her education.
As an adult, Harper was a noted poet, activist, abolitionist, suffragist, teacher, and public speaker. She was a co-founder of the American Women's Suffrage Association. Harper published her first book of poetry at the age of 20; IOLA LEROY was published in 1892 when Harper was 67. You can imagine the obstacles she faced as a black woman, trying to get her writings published in 19th century America.
Now, onto IOLA LEROY. The great strength of the novel is the glimpse it provides into the lives of Black Americans, both during and after the Civil War (1861-65). Providing fascinating and intimate details about the everyday lives of the enslaved. How were they able to share information across plantation properties? What was the impact when slaveowners sold off members of a family? What kind of treatment did enslaved people receive at the hands of their owners? What did they think about light-skinned Black Americans passing as white? What happened when enslaved individuals ran off to fight for the North? What kind of fighting did they do? What kind of care did the injured receive?
Then, once the Civil War ended, Harper offers information about a new set of unknowns. How were formerly enslaved people treated when they returned South, after serving for the North? To what extent were they protected by the justice system? What difference did formal education make to their prospects? As new voters, how much voice did formerly enslaved people actually have in government? And finally, how did some manage to reunite with long lost members of their families?
IOLA LEROY SHADOWS UPLIFTED is an important book that I heartily recommend for providing a valuable lesson in American history. I wanted to give it five stars. But I had some issues with the writing. For example, I didn't find the book held together all that well as a novel. Rather it struck me as a series of vignettes, following a small group of characters over time. Much of it is written in dialect, which means reading is slower and sometimes dialog is difficult to decipher. But my biggest criticism is that much of the dialog did not feel believable. Instead it felt more like the author was lecturing me directly, by putting her knowledge and thoughts into the mouths of her characters. Overall, definitely worth your time. show less
First about the author - because we should all know who she was. Frances Ellen Watkins Harper (1825-1911). Harper was born free in show more Maryland, then a slave state. Three years later, after the death of her parents, she was raised by an aunt and uncle. Luckily, her uncle happened to be William J. Watkins Sr. (1803-1858), a noted Baltimore minister and educator who created the Watkins Academy for Negro Youth where his niece began her education.
As an adult, Harper was a noted poet, activist, abolitionist, suffragist, teacher, and public speaker. She was a co-founder of the American Women's Suffrage Association. Harper published her first book of poetry at the age of 20; IOLA LEROY was published in 1892 when Harper was 67. You can imagine the obstacles she faced as a black woman, trying to get her writings published in 19th century America.
Now, onto IOLA LEROY. The great strength of the novel is the glimpse it provides into the lives of Black Americans, both during and after the Civil War (1861-65). Providing fascinating and intimate details about the everyday lives of the enslaved. How were they able to share information across plantation properties? What was the impact when slaveowners sold off members of a family? What kind of treatment did enslaved people receive at the hands of their owners? What did they think about light-skinned Black Americans passing as white? What happened when enslaved individuals ran off to fight for the North? What kind of fighting did they do? What kind of care did the injured receive?
Then, once the Civil War ended, Harper offers information about a new set of unknowns. How were formerly enslaved people treated when they returned South, after serving for the North? To what extent were they protected by the justice system? What difference did formal education make to their prospects? As new voters, how much voice did formerly enslaved people actually have in government? And finally, how did some manage to reunite with long lost members of their families?
IOLA LEROY SHADOWS UPLIFTED is an important book that I heartily recommend for providing a valuable lesson in American history. I wanted to give it five stars. But I had some issues with the writing. For example, I didn't find the book held together all that well as a novel. Rather it struck me as a series of vignettes, following a small group of characters over time. Much of it is written in dialect, which means reading is slower and sometimes dialog is difficult to decipher. But my biggest criticism is that much of the dialog did not feel believable. Instead it felt more like the author was lecturing me directly, by putting her knowledge and thoughts into the mouths of her characters. Overall, definitely worth your time. show less
This novel spans about 30 years from the 1840/50s to the Reconstruction period (it flashes back and forward in time) and mostly follows people connected to a small Black and mixed race extended family. Unfortunately the title character has very little presence until the second half, but after that her personality really starts to develop. The novel covers both the dispersal of Black families during the period of enslavement, as well as the difficult process of finding your scattered loved show more ones after emancipation (made miraculously easy in this novel in a quite Dickensian way). There is a love story shoehorned in near the end.
This piece of writing is great--five stars--as a social study of the Civil War and Reconstruction eras. It covers all kinds of territory, from questions of passing and privilege, education, colorism, political advocacy, political corruption, prejudice and racially-motivated extrajudicial violence, and very presciently describes an understanding of race as socially constructed and socialized. However, as a novel it's kind of a mess, and I cannot say the plot really drove me to keep reading. I wish its execution as fiction were as strong as the social and political questions it explores. Considered as one of the first major literary works by a nineteenth-century Black woman writer, it's still very well worth reading in spite of my quibbles! show less
This piece of writing is great--five stars--as a social study of the Civil War and Reconstruction eras. It covers all kinds of territory, from questions of passing and privilege, education, colorism, political advocacy, political corruption, prejudice and racially-motivated extrajudicial violence, and very presciently describes an understanding of race as socially constructed and socialized. However, as a novel it's kind of a mess, and I cannot say the plot really drove me to keep reading. I wish its execution as fiction were as strong as the social and political questions it explores. Considered as one of the first major literary works by a nineteenth-century Black woman writer, it's still very well worth reading in spite of my quibbles! show less
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Statistics
- Works
- 20
- Also by
- 35
- Members
- 595
- Popularity
- #42,222
- Rating
- 3.8
- Reviews
- 5
- ISBNs
- 82
- Languages
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