Ann Patchett
Author of Bel Canto
About the Author
Ann Patchett was born on December 2, 1963. She received the Orange Prize for Fiction and the PEN/Faulkner Award in 2002 for her novel Bel Canto. Her other novels include The Patron Saint of Liars, Taft, The Magician's Assistant, and State of Wonder. She has also written several nonfiction works show more including Truth and Beauty: A Friendship, The Getaway Car, The Bookshop Strikes Back, and This Is the Story of a Happy Marriage. Ann's title's Commonweatlth and The Patron Saint of Liars made the New York Time bestseller list. (Bowker Author Biography) show less
Series
Works by Ann Patchett
Associated Works
My Bookstore: Writers Celebrate Their Favorite Places to Browse, Read, and Shop (2012) — Contributor — 621 copies, 16 reviews
Alone in the Kitchen with an Eggplant: Confessions of Cooking for One and Dining Alone (2007) — Contributor — 586 copies, 31 reviews
Fight of the Century: Writers Reflect on 100 Years of Landmark ACLU Cases (2020) — Contributor — 261 copies, 5 reviews
Tales of Two Americas: Stories of Inequality in a Divided Nation (2017) — Contributor — 227 copies, 7 reviews
Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do (2013) — Contributor — 209 copies, 10 reviews
Writers on Writing, 2: More Collected Essays from the New York Times (2003) — Contributor — 200 copies, 3 reviews
Eat, Memory: Great Writers at the Table: A Collection of Essays from the New York Times (2008) — Contributor — 179 copies, 6 reviews
An Innocent Abroad: Life-Changing Trips from 35 Great Writers (2014) — Contributor — 87 copies, 4 reviews
Tagged
Common Knowledge
- Birthdate
- 1963-12-02
- Gender
- female
- Education
- Sarah Lawrence College (BA|1984)
University of Iowa Writers' Workshop (MFA|1987)
Fine Arts Work Center, Provincetown, Massachusetts
St Bernard Academy - Occupations
- novelist
bookstore owner - Organizations
- Fellowship of Southern Writers
Parnassus Books - Awards and honors
- American Academy of Arts and Letters (2017)
National Humanities Medal (2021)
Peggy V. Helmerich Distinguished Author Award (2014)
Kenyon Review Award for Literary Achievement (2014)
Carl Sandburg Literary Award (2024)
BookSense Book of the Year (2003) (show all 10)
Orange Prize (2002)
PEN/Faulkner Award (2002)
Janet Heidinger Kafka Prize (1994)
Tennessee Writer of the Year Award (1994) - Agent
- Lisa Bankoff (ICM)
- Relationships
- Ray, Jeanne (mother)
- Short biography
- Ann Patchett was born in Los Angeles in 1963 and raised in Nashville. She attended Sarah Lawrence College and the University of Iowa Writers' Workshop. In 1990, she won a residential fellowship to the Fine Arts Work Center in Provincetown, Massachusetts, where she wrote her first novel, The Patron Saint of Liars. It was named a New York Times Notable Book for 1992. In 1993, she received a Bunting Fellowship from the Mary Ingrahm Bunting Institute at Radcliffe College. Patchett's second novel, Taft, was awarded the Janet Heidinger Kafka Prize for the best work of fiction in 1994. Her third novel, The Magician's Assistant, was short-listed for England's Orange Prize and earned her a Guggenheim Fellowship.Her next novel, Bel Canto, won both the PEN/Faulkner Award and the Orange Prize in 2002, and was a finalist for the National Book Critics Circle Award. It was named the Book Sense Book of the Year. It sold more than a million copies in the United States and has been translated into thirty languages. In 2004, Patchett published Truth & Beauty, a memoir of her friendship with the writer Lucy Grealy. It was named one of the Best Books of the Year by the Chicago Tribune, the San Francisco Chronicle, and Entertainment Weekly. Truth & Beauty was also a finalist for the Los Angeles Times Book Prize and won the Chicago Tribune's Heartland Prize, the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters, and the Alex Award from the American Library Association. She was also the editor of Best American Short Stories 2006.Patchett has written for numerous publications, including the New York Times magazine, Harper's, The Atlantic,The Washington Post, Gourmet, and Vogue. She lives in Nashville, Tennessee, with her husband, Karl VanDevender.
- Nationality
- USA
- Birthplace
- Los Angeles, California, USA
- Places of residence
- Los Angeles, California, USA
Nashville, Tennessee, USA - Associated Place (for map)
- USA
Members
Discussions
BOOK DISCUSSION: State of Wonder by Ann Patchett (contains SPOILERS) in Orange January/July (April 2021)
Ann Patchett: American Author Challenge in 75 Books Challenge for 2017 (November 2017)
State of Wonder, Anne Patchett in World Reading Circle (August 2014)
BOOK DISCUSSION: State of Wonder by Ann Patchett in Orange January/July (May 2012)
Reading Bel Canto (no spoilers yet please) in Orange January/July (February 2012)
Reviews
In a nutshell: this is the story of an unconventional friendship. Ann Patchett was befriended by the charismatic and neurotic Lucy Grealy when they were students at Sarah Lawrence College. From the age of nine, Grealy suffered from Ewing carcinoma of the jaw which left her terribly disfigured. She endured over thirty surgeries and multiple rounds of chemotherapy. Throughout her life, Lucy didn't know who she was without her illness, her cancer, her surgeries. Due to her low self esteem, show more Grealy overcompensated by seeking out people to adore and worship her. She thrust her personality onto anyone who would listen, daring them to love and accept her. Confessional: I don't know what to make of Truth and Beauty. There is a sheen of jealousy that lightly covers the entire narrative. It is if Patchett wants to paint Grealy as a self-centered narcissist while Patchett is the unconditional, sane, patient, all-loving friend. By sharing Lucy's letters and hardly ever her own replies, Patchett skillfully makes the relationship seem off-balance and schizophrenic. Grealy's low self-esteem forces her to constantly seek approval and love affirmations from Patchett. The two may have been friendly before they became successful writers, but Patchett's word choices convey hints of resentment towards Lucy's fame and even towards Lucy herself throughout the entire story. Every compliment comes across as backhanded and contrived, as if Patchett really wanted to say Lucy used her debilitating disease as a means to be coddled and cared for by everyone around her. I got the nagging sense that Patchett only tolerated Lucy and her illness because she knew Grealy's story was a gold mine. In truth, I have no doubt there was affection shared between the two writers but I feel it was a more honest relationship before the drive to publish and the desire to be famous kicked in. show less
Mother, wife, and former actress Lara is enjoying having her three grown daughters home on their family's cherry farm in Michigan, despite the global pandemic that brought them there. To help pass the time and entertain them while they pick cherries (many of the usual seasonal workers are absent), Lara starts to tell the girls about how she dated actor Peter Duke, before he was famous, when they met doing summer stock at Tom Lake, and also how she met their father. Lara, who three times show more played Emily in Our Town, starts at the beginning and tells almost all of her story, reserving only two or three significant episodes to keep private (and of course she doesn't go into detail about sex). Each daughter is developed: Emily, the oldest, plans to marry neighbor Benny and take over the farm. Middle child Maisie is training to be a vet, and helps neighbors with their animals at all hours of the day and night. And Nell wants to be an actress; she's the one who anticipates each turn her mother's story will take, and who understands the implications more quickly than the others.
Quotes
And that is the difference between us: I was very good at being myself, while Nell is very good at being anyone at all. (48)
These girls are so certain about the things they do not know. (59)
"Every thing leads to the next thing." (Emily, 61)
We won't look down at the rows at what seems to be an unbroken field of red dots, a pointillist's dream of an orchard. (66)
"It's terrifying," she says quietly, and now I see the tears in her eyes. "The idea that in order to get to do this thing you really, really want, you might be told you have to do the exact thing you'd never want to do." (Nell, 67)
"We all have a blind spot, right? That bit of incorrect information from childhood that mysteriously never gets updated..." (Duke, 77)
I am making one part of my life into a story for my daughters... (80)
Secrets are at times a necessary tool for peace. (105)
There is no explaining this simple truth about life: you will forget much of it. (116)
We clump together in our sorrow. In joy we may wander off in separate directions, but in sorrow we prefer to hold hands. (147)
...a path I know to look for only because I've come this way a thousand times. It's like stepping into a book, one turn and everything changes...(147)
The stories that are familiar will always been our favorites. (157)
"I had two lives," Joe says... "Maybe more than two. I got to do everything I wanted. Who can say that?"
I raise my hand. (173)
A child's ability to misunderstand is limitless, even when she is no longer a child. (174)
"...you can't save them that won't save themselves." (181)
Days are endless and the weeks fly by. (230)
Every sentence she spoke was sitting in my mouth. (233)
These were the things I used to think about, how with a slight shift in circumstances the outcome might have gone another way. (240)
...maybe because we remember the people we hurt so much more clearly than the people who hurt us. (245)
The beauty and the suffering are equally true. Our Town taught me that. I had memorized the lessons before I understood what they meant. (253)
All the things that feel reasonable when you're trying to be an actress feel unbearable once you've stopped. (263)
[Nell] is wrestling with the knowledge that I'd been given everything she'd ever wanted, and that I'd given it away. (266)
I look at my girls, my brilliant young women. I want them to think I was better than I was, and I want to tell them the truth in case the truth will be useful. Those two desires do not neatly coexist, but this is where we are in the story. (240) show less
Quotes
And that is the difference between us: I was very good at being myself, while Nell is very good at being anyone at all. (48)
These girls are so certain about the things they do not know. (59)
"Every thing leads to the next thing." (Emily, 61)
We won't look down at the rows at what seems to be an unbroken field of red dots, a pointillist's dream of an orchard. (66)
"It's terrifying," she says quietly, and now I see the tears in her eyes. "The idea that in order to get to do this thing you really, really want, you might be told you have to do the exact thing you'd never want to do." (Nell, 67)
"We all have a blind spot, right? That bit of incorrect information from childhood that mysteriously never gets updated..." (Duke, 77)
I am making one part of my life into a story for my daughters... (80)
Secrets are at times a necessary tool for peace. (105)
There is no explaining this simple truth about life: you will forget much of it. (116)
We clump together in our sorrow. In joy we may wander off in separate directions, but in sorrow we prefer to hold hands. (147)
...a path I know to look for only because I've come this way a thousand times. It's like stepping into a book, one turn and everything changes...(147)
The stories that are familiar will always been our favorites. (157)
"I had two lives," Joe says... "Maybe more than two. I got to do everything I wanted. Who can say that?"
I raise my hand. (173)
A child's ability to misunderstand is limitless, even when she is no longer a child. (174)
"...you can't save them that won't save themselves." (181)
Days are endless and the weeks fly by. (230)
Every sentence she spoke was sitting in my mouth. (233)
These were the things I used to think about, how with a slight shift in circumstances the outcome might have gone another way. (240)
...maybe because we remember the people we hurt so much more clearly than the people who hurt us. (245)
The beauty and the suffering are equally true. Our Town taught me that. I had memorized the lessons before I understood what they meant. (253)
All the things that feel reasonable when you're trying to be an actress feel unbearable once you've stopped. (263)
[Nell] is wrestling with the knowledge that I'd been given everything she'd ever wanted, and that I'd given it away. (266)
I look at my girls, my brilliant young women. I want them to think I was better than I was, and I want to tell them the truth in case the truth will be useful. Those two desires do not neatly coexist, but this is where we are in the story. (240) show less
I’ve been aware of Bel Canto for over a decade since it is an award-winning novel, but until a copy came my way I wasn’t tempted by it. It’s probably because of the mixed reviews it gets and the fact that I like grit and action in my books. Well, generally anyway. Lately though I’ve been reading quieter books. Books that focus on writing and expression more than plot. Bel Canto certainly falls into that category. The way the novel is constructed and the emotions conveyed not only by show more what the characters do, think, feel and say, but by the intense level of tedium due to the lack of action. That is not a negative, btw. I feel that the author deliberately kept the action to a minimum in order to help us feel the same boredom and constraint that the hostages must have felt. The story lives between the characters and their limited purviews; it forces interactions that otherwise wouldn’t have taken place. It forces them to reevaluate their lives and how they relate to other people and because they’re captives many of them find a source of bravery and step outside their comfortable versions of themselves and become new people. Most of them find happiness for the first time and it is a thing of beauty to witness. The prison becomes a utopia. For a while.
I was surprised by the writing, too. In some ways it was very clinical and unembellished. Understated and almost dispassionate, but not entirely. The situation sometimes calls for overblown sentiment and Patchett doesn’t shy away from it. Also there’s an underlying sense of humor that I quite liked. It kept everything from being too self-important. Here’s an example of how brilliantly precise her prose is -
“The room had the same effect on the spectators as long liturgical services, algebra lectures, Halcion.”
If you’re in the mood for an introspective book that is character driven, you could do a lot worse than Bel Canto. I have other Patchett books and I look forward to reading them. show less
I was surprised by the writing, too. In some ways it was very clinical and unembellished. Understated and almost dispassionate, but not entirely. The situation sometimes calls for overblown sentiment and Patchett doesn’t shy away from it. Also there’s an underlying sense of humor that I quite liked. It kept everything from being too self-important. Here’s an example of how brilliantly precise her prose is -
“The room had the same effect on the spectators as long liturgical services, algebra lectures, Halcion.”
If you’re in the mood for an introspective book that is character driven, you could do a lot worse than Bel Canto. I have other Patchett books and I look forward to reading them. show less
I read more fiction than nonfiction, but this book really intrigued me. All of the essays are personal and placed in chronological order, so you can consider this a memoir, which makes for entertaining reading. While Patchett writes about her family, friends, travels, illness, and dying/death, she often includes references to her writing - topics, style, technique, education, inspiration. I have read and enjoyed two of her many works, "Truth & Beauty" (nonfiction) and "The Dutch House" show more (fiction) both of which she refers to in this book. She also refers to other authors I have read (Eudora Welty, Kate DiCamillo), and Charles Schultz's cartoon "Peanuts." Her essay on Snoopy is surprisingly sensitive and personal.
Through these well-written and reflective essays which are often written with a hint of humor, Patchett explains, "I could watch myself grappling with the same themes in my writing and in my life; what I needed, whom I loved, what I could let go, and how much energy the letting go would take. Again and again, I was asking what mattered most in this precarious and precious life."
As well as an author, Patchett is also co-owner of Parnassus Books, an independent bookstore in Nashville, Tennessee. I enjoyed her essay on what owning a book store has been like for her, especially during the pandemic. Almost all of the essay topics are fascinating and certainly very readable: her three(!) fathers, her friendship with Tom Hanks' assistant Sooki, her relationship with her mother, her marriage, and the craft of writing, a topic which appears frequently throughout the pages. Her honest reflections on her writing ability and her writing experiences are perceptive and deeply personal.
Trigger warnings - cancer, dying, drug use. show less
Through these well-written and reflective essays which are often written with a hint of humor, Patchett explains, "I could watch myself grappling with the same themes in my writing and in my life; what I needed, whom I loved, what I could let go, and how much energy the letting go would take. Again and again, I was asking what mattered most in this precarious and precious life."
As well as an author, Patchett is also co-owner of Parnassus Books, an independent bookstore in Nashville, Tennessee. I enjoyed her essay on what owning a book store has been like for her, especially during the pandemic. Almost all of the essay topics are fascinating and certainly very readable: her three(!) fathers, her friendship with Tom Hanks' assistant Sooki, her relationship with her mother, her marriage, and the craft of writing, a topic which appears frequently throughout the pages. Her honest reflections on her writing ability and her writing experiences are perceptive and deeply personal.
Trigger warnings - cancer, dying, drug use. show less
Lists
Female Author (6)
USA Road Trip (1)
Indie Next Picks (1)
First Novels (1)
Magic Realism (1)
. (1)
Read in 2014 (1)
2025 (1)
Obama Reads (1)
Flashbacks (1)
FAB 2023 (1)
Read with Jenna (1)
Opera in fiction (1)
Book Club 2023 (1)
Down on the Farm (1)
StoryTel 2024 (1)
Southern Fiction (1)
Women's Stories (1)
Which house? (1)
Allie's Wishlist (2)
Best Audiobooks (2)
Favourite Books (2)
Carole's List (2)
A Novel Cure (3)
Latin America (2)
Five star books (4)
Unread books (1)
music to my eyes (1)
Overdue Podcast (1)
To Read (1)
StoryTel 2023 (1)
To Read (1)
deBib 2023 (1)
Facebook list (1)
2000s decade (1)
FAB 2024 (1)
Latin America (2)
READ in 2024 (2)
Women Writers (2)
100 New Classics (1)
READ in 2023 (1)
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 31
- Also by
- 30
- Members
- 55,568
- Popularity
- #265
- Rating
- 3.9
- Reviews
- 2,405
- ISBNs
- 412
- Languages
- 23
- Favorited
- 178









































































































