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Ann Patchett

Author of Bel Canto

31+ Works 55,568 Members 2,405 Reviews 178 Favorited

About the Author

Ann Patchett was born on December 2, 1963. She received the Orange Prize for Fiction and the PEN/Faulkner Award in 2002 for her novel Bel Canto. Her other novels include The Patron Saint of Liars, Taft, The Magician's Assistant, and State of Wonder. She has also written several nonfiction works show more including Truth and Beauty: A Friendship, The Getaway Car, The Bookshop Strikes Back, and This Is the Story of a Happy Marriage. Ann's title's Commonweatlth and The Patron Saint of Liars made the New York Time bestseller list. (Bowker Author Biography) show less

Series

Works by Ann Patchett

Bel Canto (2001) 14,470 copies, 483 reviews
State of Wonder (2011) 6,904 copies, 409 reviews
The Dutch House (2019) 6,383 copies, 329 reviews
Commonwealth (2016) 4,439 copies, 205 reviews
Run (2007) 4,104 copies, 193 reviews
Tom Lake (2023) 3,795 copies, 175 reviews
The Magician's Assistant (1997) 3,528 copies, 131 reviews
The Patron Saint of Liars (1992) 3,069 copies, 95 reviews
Truth and Beauty: A Friendship (2004) 2,903 copies, 106 reviews
This Is the Story of a Happy Marriage (2013) 1,584 copies, 85 reviews
These Precious Days (2021) 1,274 copies, 76 reviews
Taft (1994) 861 copies, 30 reviews
Whistler (2026) 602 copies, 28 reviews
The Best American Short Stories 2006 (2006) — Editor — 587 copies, 8 reviews
What Now? (2008) 427 copies, 25 reviews
Lambslide (2019) 169 copies, 5 reviews
Bel Canto Annotated Edition (2024) 91 copies
The Bookshop Strikes Back (2012) 53 copies, 2 reviews
Escape Goat (2020) 47 copies, 3 reviews
Another Year 16 copies, 1 review
Ann Patchett Interview (2007) 2 copies

Associated Works

Autobiography of a Face (1994) — Afterword, some editions — 2,275 copies, 74 reviews
The Mambo Kings Play Songs of Love (1989) — Foreword, some editions — 2,126 copies, 36 reviews
The Future Dictionary of America (2004) — Contributor — 652 copies, 3 reviews
Binocular Vision: New & Selected Stories (2011) — Introduction — 551 copies, 24 reviews
State by State: A Panoramic Portrait of America (2008) — Contributor — 546 copies, 12 reviews
Knitting Yarns: Writers on Knitting (2013) — Contributor — 313 copies, 16 reviews
A Velocity of Being: Letters to a Young Reader (2018) — Contributor — 300 copies, 3 reviews
Fight of the Century: Writers Reflect on 100 Years of Landmark ACLU Cases (2020) — Contributor — 261 copies, 5 reviews
Tales of Two Americas: Stories of Inequality in a Divided Nation (2017) — Contributor — 227 copies, 7 reviews
Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do (2013) — Contributor — 209 copies, 10 reviews
Writers on Writing, 2: More Collected Essays from the New York Times (2003) — Contributor — 200 copies, 3 reviews
Why I Write: Thoughts on the Craft of Fiction (1998) — Contributor — 196 copies, 4 reviews
The Best American Travel Writing 2007 (2007) — Contributor — 166 copies
The O. Henry Prize Stories 2005 (2005) — Juror — 124 copies, 4 reviews
20 Under 30 (1986) — Contributor — 99 copies, 1 review
The Worst Noel: Hellish Holiday Tales (2005) — Contributor — 99 copies, 5 reviews
Granta 114: Aliens (2011) — Contributor — 98 copies
An Innocent Abroad: Life-Changing Trips from 35 Great Writers (2014) — Contributor — 87 copies, 4 reviews
Best Food Writing 2003 (2003) — Contributor — 71 copies
Novel Voices (2003) — Contributor — 56 copies
Bel Canto [2018 film] (2018) — Original book — 27 copies
Apple, Tree: Writers on Their Parents (2019) — Contributor — 24 copies
The New Great American Writers' Cookbook (2003) — Contributor — 23 copies, 1 review
The Best Contemporary Women's Fiction: Six Novels (2010) — Contributor — 18 copies
A Portrait of Southern Writers: Photographs (2000) — Contributor — 18 copies
Modern Fiction About Schoolteaching: An Anthology (1995) — Contributor — 5 copies
The Patron Saint of Liars [1998 TV movie] (2005) — Original book — 1 copy

Tagged

Amazon (265) American (216) American literature (252) audiobook (318) book club (332) Brazil (194) contemporary fiction (329) ebook (233) essays (404) family (625) fiction (5,100) friendship (242) historical fiction (200) hostages (396) Kindle (284) literary fiction (341) literature (227) memoir (590) music (305) non-fiction (582) novel (609) opera (446) own (249) read (585) siblings (197) signed (217) South America (544) terrorism (262) to-read (3,115) unread (186)

Common Knowledge

Birthdate
1963-12-02
Gender
female
Education
Sarah Lawrence College (BA|1984)
University of Iowa Writers' Workshop (MFA|1987)
Fine Arts Work Center, Provincetown, Massachusetts
St Bernard Academy
Occupations
novelist
bookstore owner
Organizations
Fellowship of Southern Writers
Parnassus Books
Awards and honors
American Academy of Arts and Letters (2017)
National Humanities Medal (2021)
Peggy V. Helmerich Distinguished Author Award (2014)
Kenyon Review Award for Literary Achievement (2014)
Carl Sandburg Literary Award (2024)
BookSense Book of the Year (2003) (show all 10)
Orange Prize (2002)
PEN/Faulkner Award (2002)
Janet Heidinger Kafka Prize (1994)
Tennessee Writer of the Year Award (1994)
Agent
Lisa Bankoff (ICM)
Relationships
Ray, Jeanne (mother)
Short biography
Ann Patchett was born in Los Angeles in 1963 and raised in Nashville. She attended Sarah Lawrence College and the University of Iowa Writers' Workshop. In 1990, she won a residential fellowship to the Fine Arts Work Center in Provincetown, Massachusetts, where she wrote her first novel, The Patron Saint of Liars. It was named a New York Times Notable Book for 1992. In 1993, she received a Bunting Fellowship from the Mary Ingrahm Bunting Institute at Radcliffe College. Patchett's second novel, Taft, was awarded the Janet Heidinger Kafka Prize for the best work of fiction in 1994. Her third novel, The Magician's Assistant, was short-listed for England's Orange Prize and earned her a Guggenheim Fellowship.Her next novel, Bel Canto, won both the PEN/Faulkner Award and the Orange Prize in 2002, and was a finalist for the National Book Critics Circle Award. It was named the Book Sense Book of the Year. It sold more than a million copies in the United States and has been translated into thirty languages. In 2004, Patchett published Truth & Beauty, a memoir of her friendship with the writer Lucy Grealy. It was named one of the Best Books of the Year by the Chicago Tribune, the San Francisco Chronicle, and Entertainment Weekly. Truth & Beauty was also a finalist for the Los Angeles Times Book Prize and won the Chicago Tribune's Heartland Prize, the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters, and the Alex Award from the American Library Association. She was also the editor of Best American Short Stories 2006.Patchett has written for numerous publications, including the New York Times magazine, Harper's, The Atlantic,The Washington Post, Gourmet, and Vogue. She lives in Nashville, Tennessee, with her husband, Karl VanDevender.
Nationality
USA
Birthplace
Los Angeles, California, USA
Places of residence
Los Angeles, California, USA
Nashville, Tennessee, USA
Associated Place (for map)
USA

Members

Discussions

Ann Patchett: American Author Challenge in 75 Books Challenge for 2017 (November 2017)
State of Wonder, Anne Patchett in World Reading Circle (August 2014)
BOOK DISCUSSION: State of Wonder by Ann Patchett in Orange January/July (May 2012)
Reading Bel Canto (no spoilers yet please) in Orange January/July (February 2012)

Reviews

2,566 reviews
In a nutshell: this is the story of an unconventional friendship. Ann Patchett was befriended by the charismatic and neurotic Lucy Grealy when they were students at Sarah Lawrence College. From the age of nine, Grealy suffered from Ewing carcinoma of the jaw which left her terribly disfigured. She endured over thirty surgeries and multiple rounds of chemotherapy. Throughout her life, Lucy didn't know who she was without her illness, her cancer, her surgeries. Due to her low self esteem, show more Grealy overcompensated by seeking out people to adore and worship her. She thrust her personality onto anyone who would listen, daring them to love and accept her. Confessional: I don't know what to make of Truth and Beauty. There is a sheen of jealousy that lightly covers the entire narrative. It is if Patchett wants to paint Grealy as a self-centered narcissist while Patchett is the unconditional, sane, patient, all-loving friend. By sharing Lucy's letters and hardly ever her own replies, Patchett skillfully makes the relationship seem off-balance and schizophrenic. Grealy's low self-esteem forces her to constantly seek approval and love affirmations from Patchett. The two may have been friendly before they became successful writers, but Patchett's word choices convey hints of resentment towards Lucy's fame and even towards Lucy herself throughout the entire story. Every compliment comes across as backhanded and contrived, as if Patchett really wanted to say Lucy used her debilitating disease as a means to be coddled and cared for by everyone around her. I got the nagging sense that Patchett only tolerated Lucy and her illness because she knew Grealy's story was a gold mine. In truth, I have no doubt there was affection shared between the two writers but I feel it was a more honest relationship before the drive to publish and the desire to be famous kicked in. show less
½
Mother, wife, and former actress Lara is enjoying having her three grown daughters home on their family's cherry farm in Michigan, despite the global pandemic that brought them there. To help pass the time and entertain them while they pick cherries (many of the usual seasonal workers are absent), Lara starts to tell the girls about how she dated actor Peter Duke, before he was famous, when they met doing summer stock at Tom Lake, and also how she met their father. Lara, who three times show more played Emily in Our Town, starts at the beginning and tells almost all of her story, reserving only two or three significant episodes to keep private (and of course she doesn't go into detail about sex). Each daughter is developed: Emily, the oldest, plans to marry neighbor Benny and take over the farm. Middle child Maisie is training to be a vet, and helps neighbors with their animals at all hours of the day and night. And Nell wants to be an actress; she's the one who anticipates each turn her mother's story will take, and who understands the implications more quickly than the others.

Quotes

And that is the difference between us: I was very good at being myself, while Nell is very good at being anyone at all. (48)

These girls are so certain about the things they do not know. (59)

"Every thing leads to the next thing." (Emily, 61)

We won't look down at the rows at what seems to be an unbroken field of red dots, a pointillist's dream of an orchard. (66)

"It's terrifying," she says quietly, and now I see the tears in her eyes. "The idea that in order to get to do this thing you really, really want, you might be told you have to do the exact thing you'd never want to do." (Nell, 67)

"We all have a blind spot, right? That bit of incorrect information from childhood that mysteriously never gets updated..." (Duke, 77)

I am making one part of my life into a story for my daughters... (80)

Secrets are at times a necessary tool for peace. (105)

There is no explaining this simple truth about life: you will forget much of it. (116)

We clump together in our sorrow. In joy we may wander off in separate directions, but in sorrow we prefer to hold hands. (147)

...a path I know to look for only because I've come this way a thousand times. It's like stepping into a book, one turn and everything changes...(147)

The stories that are familiar will always been our favorites. (157)

"I had two lives," Joe says... "Maybe more than two. I got to do everything I wanted. Who can say that?"
I raise my hand. (173)

A child's ability to misunderstand is limitless, even when she is no longer a child. (174)

"...you can't save them that won't save themselves." (181)

Days are endless and the weeks fly by. (230)

Every sentence she spoke was sitting in my mouth. (233)

These were the things I used to think about, how with a slight shift in circumstances the outcome might have gone another way. (240)

...maybe because we remember the people we hurt so much more clearly than the people who hurt us. (245)

The beauty and the suffering are equally true. Our Town taught me that. I had memorized the lessons before I understood what they meant. (253)

All the things that feel reasonable when you're trying to be an actress feel unbearable once you've stopped. (263)

[Nell] is wrestling with the knowledge that I'd been given everything she'd ever wanted, and that I'd given it away. (266)

I look at my girls, my brilliant young women. I want them to think I was better than I was, and I want to tell them the truth in case the truth will be useful. Those two desires do not neatly coexist, but this is where we are in the story. (240)
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I’ve been aware of Bel Canto for over a decade since it is an award-winning novel, but until a copy came my way I wasn’t tempted by it. It’s probably because of the mixed reviews it gets and the fact that I like grit and action in my books. Well, generally anyway. Lately though I’ve been reading quieter books. Books that focus on writing and expression more than plot. Bel Canto certainly falls into that category. The way the novel is constructed and the emotions conveyed not only by show more what the characters do, think, feel and say, but by the intense level of tedium due to the lack of action. That is not a negative, btw. I feel that the author deliberately kept the action to a minimum in order to help us feel the same boredom and constraint that the hostages must have felt. The story lives between the characters and their limited purviews; it forces interactions that otherwise wouldn’t have taken place. It forces them to reevaluate their lives and how they relate to other people and because they’re captives many of them find a source of bravery and step outside their comfortable versions of themselves and become new people. Most of them find happiness for the first time and it is a thing of beauty to witness. The prison becomes a utopia. For a while.

I was surprised by the writing, too. In some ways it was very clinical and unembellished. Understated and almost dispassionate, but not entirely. The situation sometimes calls for overblown sentiment and Patchett doesn’t shy away from it. Also there’s an underlying sense of humor that I quite liked. It kept everything from being too self-important. Here’s an example of how brilliantly precise her prose is -

“The room had the same effect on the spectators as long liturgical services, algebra lectures, Halcion.”

If you’re in the mood for an introspective book that is character driven, you could do a lot worse than Bel Canto. I have other Patchett books and I look forward to reading them.
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I read more fiction than nonfiction, but this book really intrigued me. All of the essays are personal and placed in chronological order, so you can consider this a memoir, which makes for entertaining reading. While Patchett writes about her family, friends, travels, illness, and dying/death, she often includes references to her writing - topics, style, technique, education, inspiration. I have read and enjoyed two of her many works, "Truth & Beauty" (nonfiction) and "The Dutch House" show more (fiction) both of which she refers to in this book. She also refers to other authors I have read (Eudora Welty, Kate DiCamillo), and Charles Schultz's cartoon "Peanuts." Her essay on Snoopy is surprisingly sensitive and personal.

Through these well-written and reflective essays which are often written with a hint of humor, Patchett explains, "I could watch myself grappling with the same themes in my writing and in my life; what I needed, whom I loved, what I could let go, and how much energy the letting go would take. Again and again, I was asking what mattered most in this precarious and precious life."

As well as an author, Patchett is also co-owner of Parnassus Books, an independent bookstore in Nashville, Tennessee. I enjoyed her essay on what owning a book store has been like for her, especially during the pandemic. Almost all of the essay topics are fascinating and certainly very readable: her three(!) fathers, her friendship with Tom Hanks' assistant Sooki, her relationship with her mother, her marriage, and the craft of writing, a topic which appears frequently throughout the pages. Her honest reflections on her writing ability and her writing experiences are perceptive and deeply personal.

Trigger warnings - cancer, dying, drug use.
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Awards

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Associated Authors

Katrina Kenison Series Editor
Edith Pearlman Contributor
Yiyun Li Contributor
Alice Munro Contributor
Robert Coover Contributor
Mark Slouka Contributor
Jack Livings Contributor
Mary Gaitskill Contributor
Kevin Moffett Contributor
Ann Beattie Contributor
Donna Tartt Contributor
Paul Yoon Contributor
Thomas McGuane Contributor
Benjamin Percy Contributor
Harry Mathews Contributor
Aleksandar Hemon Contributor
Nathan Englander Contributor
Katherine Bell Contributor
Maxine Swann Contributor
David Bezmozgis Contributor
Patrick Ryan Contributor
Tobias Wolff Contributor
Kate DiCamillo Introduction
Alethea Hall Illustrator
Hope Davis Narrator
Hien Montijn Translator
Robin Bilardello Cover designer
Hélène Frappat Traduction
Auke Leistra Translator
Jiří Hrubý Translator
Yaoling Xie Translator
Mara Euthymiou Translator
Sharon Preminger Translator
Yayoi Yamamoto Translator
Evelin Schapel Translator
Anna Fields Narrator
Luciana Pugliese Translator
Jože Stabéj Translator
J.O. Thomson Cover designer
Gaëlle Rey Translator
Nate Duval Cover artist
David Mann Cover designer
Archie Ferguson Cover designer
Noah Saterstrom Cover artist
Tom Hanks Narrator
Fritz Metsch Designer
Silvia Piraccini Translator
Uli Aumüller Übersetzer
Meryl Streep Narrator
Anne Chalmers Designer
J. D. Jackson Narrator
John Guider Cover artist
Diana Coe Cover designer
Marion Hertle Translator
Sarah M. Hensmann Cover artist

Statistics

Works
31
Also by
30
Members
55,568
Popularity
#265
Rating
3.9
Reviews
2,405
ISBNs
412
Languages
23
Favorited
178

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