Sally Beauman (1944–2016)
Author of Rebecca's Tale
About the Author
Sally Beauman was born in Paignton, Devon, England on July 25, 1944. She read English literature at Girton College, Cambridge. While living in the United States, she worked as a staff writer for New York magazine before becoming an associate editor. She moved to London in 1970 and became the editor show more of Queen Magazine. After that, she worked as a freelancer for Vogue, the Daily Telegraph, the Sunday Times, and the Observer. She was the first winner of the Catherine Pakenham award for journalism. Under the pseudonym Vanessa James, Beauman wrote seven Harlequin romances in the 1980s including The Fire and the Ice and Give Me This Night. The first novel written under her own name was Destiny, which was published in 1987. Her other novels included Dark Angel, Lovers and Liars, Danger Zones, Sextet, Rebecca's Tale, The Landscape of Love, and The Visitors. She died of cancer on July 7, 2016 at the age of 71. (Bowker Author Biography) show less
Disambiguation Notice:
Sally Kinsey-Miless Beauman Howard writes as Sally Beauman, also wrote under the pseudonym of Vanessa James.
Series
Works by Sally Beauman
Kohtalo 1-2 1 copy
Indecent Act 1 copy
Associated Works
The Pleasure of Reading: 43 Writers on the Discovery of Reading and the Books That Inspired Them (2015) — Contributor — 103 copies, 2 reviews
Tagged
Common Knowledge
- Legal name
- Howard, Sally
- Other names
- James, Vanessa (Mills & Boon nom-de-plume)
Beauman, Sally (first marriage)
Kinsey-Miles, Sally (maiden name) - Birthdate
- 1944-07-25
- Date of death
- 2016-07-11
- Gender
- female
- Education
- Redland High School, Bristol
Girton College, Cambridge, England (MA ∙ English Literature) - Occupations
- journalist
magazine editor
novelist - Organizations
- Queen magazine
- Awards and honors
- Katherine Pakenham Award for Journalism
- Relationships
- Howard, Alan (husband)
Beauman, Christopher (1st husband) - Short biography
- Sally Kinsey-Miles was born on 25 July 1944 in Devon, England, UK. She graduated from Girton College, Cambridge (MA in English Literature) She married Christopher Beauman an economist. After graduating, she moved with her husband to the USA, where she lived for three years, first in Washington DC, then New York, and travelled extensively. She began her career as a journalist in America, joining the staff of the newly launched New York magazine, of which she became associate editor, and continued to write for it after her return to England. Interviewed Alan Howard for the Telegraph Magazine in 1970 in an article called 'A Fellow of Most Excellent Fancy'. (Daily Telegraph Supplement, May 29th.) Apparently a very long interview. The following year they met again, and the rest is history. After a long partnership Sally and Alan married in 2004. She has one son, James, and one grandchild.
Sally has had a distinguished career as a journalist and critic, winning the Catherine Pakenham Award for her writing, and becoming the youngest-ever editor of Queen magazine (now Harper’s & Queen). She has contributed to many leading newspapers and magazines in both the UK and the USA, including the Daily Telegraph ( from 1970-73 and 1976-8 she was Arts Editor of the Sunday Telegraph Magazine), the Sunday Times, Observer, Vogue, the New York Times and the New Yorker. She also wrote nine Mills & Boon romances under the pseudonym Vanessa James, before publishing her block-buster novel Destiny in 1987 under her real name. It was her article about Daphne du Maurier, commissioned by Tina Brown, and published in The New Yorker in November 1993, which first gave her the idea for writing Rebecca de Winter’s version of events at Manderley – an idea that subsequently became the novel, Rebecca’s Tale. In 2000 she was one of the Whitbread Prize judges for the best novel category. - Nationality
- UK
- Birthplace
- Totnes, Devon, England, UK
- Places of residence
- England
New York, USA
Washington, D.C., USA - Place of death
- London, England, UK
- Disambiguation notice
- Sally Kinsey-Miless Beauman Howard writes as Sally Beauman, also wrote under the pseudonym of Vanessa James.
- Associated Place (for map)
- England, UK
Members
Reviews
Rebecca was a wonderfully, haunting gothic tale. Rebecca's tale is not. It's not even a decent detective story. Rebecca is a vivid character, a character that colours the lives of everyone in the original work, you are left to wonder at her. She is accomplished, beautiful and everyone desires her, yet.. It is made clear in the original story that she is manipulative, a liar and she had numerous affairs (confirmed by Flavell and Danvers).
However, Miss Beauman decides that clearly Rebecca is a show more modern heroine who must be praised for cuckolding her husband. After all she was being emotionally oppressed by the man apparently so everything her character does is justified. It is a very modern approach to the character and pushed so throroughly that we have to hate the timid original narrator. Indeed when Mrs De Winter appears, she does not seem to have aged, in fact, she seems as dreamy and timid as from the first book.
Rebecca's Tale does not give us a true picture of Rebecca, it gives us a rosy, sympathetic view. She is portrayed as this ultimate feminist, obviously wonderful because she doesn't settle into a 'wifely' role and perfectly entitled to cheat on her husband, because he doesn't stoke her fire enough. Rebecca in the original is ambivalent, she's a strong woman, yet deceitful; accomplished yet her likeability is a façade, she is a bright star that burns. Her truth can be seen through many of the characters in Rebecca, not just Max. Mrs Danvers confirms that she hates the men in her life and that she slept around, that Maxim was tricked into marriage. Yes Rebecca is a vivid character, yet this obsession to turn her into a modern heroine who is railing against traditional constraints is terrible and doesn't work.
Maxim is also terribly dealt with, once again, the depths of the character are ignored and Miss Beauman focuses on the 'evilness' of being a man unwilling to endure scandal. Maxim always struck me as a troubled character, one driven to the ultimate act of revenge, struck by guilt and his attention to duty. Yet Max De Winter is ignobly killed off.
I found Rebecca's tale unsatisfying as it seemed determined to push modern attitudes on the main characters and ignoring the many facets of the original cast. There was a determination to push Rebecca as a victim of terrible men and really, there was more to the character than that. show less
However, Miss Beauman decides that clearly Rebecca is a show more modern heroine who must be praised for cuckolding her husband. After all she was being emotionally oppressed by the man apparently so everything her character does is justified. It is a very modern approach to the character and pushed so throroughly that we have to hate the timid original narrator. Indeed when Mrs De Winter appears, she does not seem to have aged, in fact, she seems as dreamy and timid as from the first book.
Rebecca's Tale does not give us a true picture of Rebecca, it gives us a rosy, sympathetic view. She is portrayed as this ultimate feminist, obviously wonderful because she doesn't settle into a 'wifely' role and perfectly entitled to cheat on her husband, because he doesn't stoke her fire enough. Rebecca in the original is ambivalent, she's a strong woman, yet deceitful; accomplished yet her likeability is a façade, she is a bright star that burns. Her truth can be seen through many of the characters in Rebecca, not just Max. Mrs Danvers confirms that she hates the men in her life and that she slept around, that Maxim was tricked into marriage. Yes Rebecca is a vivid character, yet this obsession to turn her into a modern heroine who is railing against traditional constraints is terrible and doesn't work.
Maxim is also terribly dealt with, once again, the depths of the character are ignored and Miss Beauman focuses on the 'evilness' of being a man unwilling to endure scandal. Maxim always struck me as a troubled character, one driven to the ultimate act of revenge, struck by guilt and his attention to duty. Yet Max De Winter is ignobly killed off.
I found Rebecca's tale unsatisfying as it seemed determined to push modern attitudes on the main characters and ignoring the many facets of the original cast. There was a determination to push Rebecca as a victim of terrible men and really, there was more to the character than that. show less
From my 50 book challenge as "bookiemonster81":
I'm surprised at the mostly negative reviews here. I've always been rather against modern authors tampering with a beloved book. I guess since Daphne du Maurier's 1938 work of schlock-goth fiction Rebecca isn't exactly one of my beloveds, I was more willing to give this a try.
And what a surprise! It's much better written than the orginal, though without the deliciously gothic sense of foreboding and Jane Eyre-ness that haunted du Maurier's book. show more I very much enjoye this, primarily for the quite subtle yet striking commentary it makes on the nature of memory. What Beauman does so well is not necessarily to revive long-buried characters but rather to demonstrate how evasions, forgetting, and bias can influence how we remember and retell important events in our lives. None of the narrators--least of all Rebecca herself--is reliable, yet the reader gets the sense that each is truly telling the story as he or she remembers it. show less
I'm surprised at the mostly negative reviews here. I've always been rather against modern authors tampering with a beloved book. I guess since Daphne du Maurier's 1938 work of schlock-goth fiction Rebecca isn't exactly one of my beloveds, I was more willing to give this a try.
And what a surprise! It's much better written than the orginal, though without the deliciously gothic sense of foreboding and Jane Eyre-ness that haunted du Maurier's book. show more I very much enjoye this, primarily for the quite subtle yet striking commentary it makes on the nature of memory. What Beauman does so well is not necessarily to revive long-buried characters but rather to demonstrate how evasions, forgetting, and bias can influence how we remember and retell important events in our lives. None of the narrators--least of all Rebecca herself--is reliable, yet the reader gets the sense that each is truly telling the story as he or she remembers it. show less
I've always been a touch fascinated by Egypt and the Pyramids, and I was totally taken in by this historical tale of two young girls who become friends in 1922 Egypt, just at the time that the excavations in the Valley of Kings finally yield the ultimate find. I loved how this book was told from the perspective of two young girls, one the daughter of expatriate archaeologists. They're caught up in the middle of the Egypt-mania that has seized the English. The tensions between the wealthy show more sponsors of the digs and the ambitious archaeologists determined to find Tutankhamun's tomb are rife. The girls realize something untoward is afoot but can't quite grasp it. This is a long book that doesn't feel long. I relished every page of Beauman's richly drawn Egypt and her cast of characters all entangled in the intrigue of robbing a nation of its treasures at any cost. show less
When I was a youngster (many years ago now) I read everything I could get my hands on about archaeology and especially about the Egyptian tombs. I thought I would be an archaeologist when I grew up but things didn't turn out that way. However, I am still fascinated by ancient ruins and archaeology. That's why I wanted to read this book about a young girl who was in Egypt when Howard Carter discovered Tutankhamen's tomb.
Lucy Fox-Payne is only 11 in 1922 when she loses her mother to typhoid show more and becomes seriously ill herself. She goes abroad to Egypt to recover with her mother's friend, Myrtle Mackenzie, who is an old hand in Egypt. Her father, a Cambridge classicist, stays behind in England. Lucy has never been close with him since he spends most of his time in college. In Cairo Miss Mackenzie decides that it would be good for Lucy to take ballet lessons from a redoubtable Russian ballerina. It is there that she meets Frances Winlock, daughter of an American archaeologist, and Lady Rose, daughter of Poppy d'Erlanger, a beautiful English woman escaping her second husband. Frances and Lucy become close friends and Rose and her young brother, Peter, are included in the friendship. Through the Winlocks, Frances meets Howard Carter, Lord Carnarvon and his daughter, Lady Evelyn. Poppy disappears one night after her second husband shows up and never returns to her hotel room or her children. The children and their mother's maid are taken to Luxor with the rest of crew of archaeologists who are working in the Valley of Kings. When Poppy's body is discovered outside of Cairo with her throat slit Rose and Peter must return to England and Lucy and Mis Mackenzie accompany them. Back in Cambridge Lucy is greeted by a young woman, Nicola Dunsire, who has been hired by her father to teach Frances and run his household. Alternatively hating and fascinated by Nicola Lucy is determined to get back to Egypt. She manages to do this with Nicola's assistance because Nicola has decided to marry Lucy's father. Thus, Lucy is on hand when the famous Tutankamen's tomb is discovered.
There was a lot I liked about this book--the finding of Tut's tomb, the friendship between Lucy and Frances, the close bond between Miss Mackenzie and Lucy, the frienship in old age between Rose and Lucy--but there were things that didn't sit right with me. I could never figure out why Lucy seemed so close to Nicola who schemed, lied and manipulated everyone around her. Lucy's father was never mentioned after World War II broke out. What happened to him? Similarily Lucy's husband, Eddie, disappeared off the pages at the outbreak of the war. So I would say the book was enjoyable but flawed. show less
Lucy Fox-Payne is only 11 in 1922 when she loses her mother to typhoid show more and becomes seriously ill herself. She goes abroad to Egypt to recover with her mother's friend, Myrtle Mackenzie, who is an old hand in Egypt. Her father, a Cambridge classicist, stays behind in England. Lucy has never been close with him since he spends most of his time in college. In Cairo Miss Mackenzie decides that it would be good for Lucy to take ballet lessons from a redoubtable Russian ballerina. It is there that she meets Frances Winlock, daughter of an American archaeologist, and Lady Rose, daughter of Poppy d'Erlanger, a beautiful English woman escaping her second husband. Frances and Lucy become close friends and Rose and her young brother, Peter, are included in the friendship. Through the Winlocks, Frances meets Howard Carter, Lord Carnarvon and his daughter, Lady Evelyn. Poppy disappears one night after her second husband shows up and never returns to her hotel room or her children. The children and their mother's maid are taken to Luxor with the rest of crew of archaeologists who are working in the Valley of Kings. When Poppy's body is discovered outside of Cairo with her throat slit Rose and Peter must return to England and Lucy and Mis Mackenzie accompany them. Back in Cambridge Lucy is greeted by a young woman, Nicola Dunsire, who has been hired by her father to teach Frances and run his household. Alternatively hating and fascinated by Nicola Lucy is determined to get back to Egypt. She manages to do this with Nicola's assistance because Nicola has decided to marry Lucy's father. Thus, Lucy is on hand when the famous Tutankamen's tomb is discovered.
There was a lot I liked about this book--the finding of Tut's tomb, the friendship between Lucy and Frances, the close bond between Miss Mackenzie and Lucy, the frienship in old age between Rose and Lucy--but there were things that didn't sit right with me. I could never figure out why Lucy seemed so close to Nicola who schemed, lied and manipulated everyone around her. Lucy's father was never mentioned after World War II broke out. What happened to him? Similarily Lucy's husband, Eddie, disappeared off the pages at the outbreak of the war. So I would say the book was enjoyable but flawed. show less
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