SparkNotes
Author of Romeo and Juliet (No Fear Shakespeare)
About the Author
Series
Works by SparkNotes
The Oedipus Plays: Antigone, Oedipus Rex, Oedipus at Colonus - Sophocles (SparkNotes) (2002) 55 copies
Easy Guide to the U.S. Constitution and Other Important American Documents (1969) 30 copies, 1 review
Easy Guide to Grammar: Clear, Easy-to-Understand Language Includes Grammar Basics, Definitions, and Exercises (2014) 30 copies
Easy Guide to Shakespeare: Clear, Easy-to-Understand Language All the Plays and Why They Matter (2014) 23 copies
TL;DR Shakespeare: Dynamically illustrated plot and character summaries for 12 of Shakespeare's greatest plays (Too Long; Didn't Read) (2022) 21 copies
The Scarlet Letter (SparkNotes: No Fear) 21 copies
Spelling & Grammar (The Daily Spark): 180 Easy-to-Use Lessons and Class Activities! (2004) 21 copies
TL;DR Literature: Dynamically Illustrated Plot and Character Summaries for 13 Modern Classics (Too Long; Didn't Read) (2022) 9 copies
One Day in the Life of Ivan Denisovich - Alexander Solzhenitsyn (SparkNotes) (2003) — Author — 6 copies
No Fear Spanish - Just the Basics 5 copies
Easy Guide to Vocabulary: Clear, Easy-to-Understand Language Teaches Basic Words and How to Use Them (2005) 5 copies
Sparknotes the Merchant of Venice- 4 copies
The Fellowship of the Ring (SparkNotes Literature Guide) (SparkNotes Literature Guide Series) (2014) 4 copies
The Lion, the Witch, and the Wardrobe (SparkNotes Literature Guide) (SparkNotes Literature Guide Series) (2014) 3 copies
Romeo and Juliet: Lesson Plans, Discussion Questions, Projects, Worksheets, and More Volume 16 (SparkTeach) (2020) 3 copies
Critical Thinking 2 copies
The Devil in the White City SparkNotes Literature Guide (SparkNotes Literature Guide Series) (2020) 2 copies
Death Be Not Proud (SparkNotes Literature Guide) (SparkNotes Literature Guide Series) (2014) 2 copies
No Fear: Much Ado About Nothing (Sparknotes No Fear Shakespeare) by John (ed) Crowther (2004-11-01) 2 copies
Herzog - Saul Bellow (SparkNotes) 2 copies
SAT Math Power Tactics: Data Analysis, Statistics, and Probability (Sparknotes Test Prep) (2005) 2 copies
The Handmaid's Tale (SparkNotes Literature Guide) (SparkNotes Literature Guide Series) (2014) 1 copy
Illustrated Vocabulary 1 copy
A Death in the Family - James Agee (SparkNotes) — Author — 1 copy
Sparknotes Ap English Language & Composition - Practice Exams & Strategy (AP POWER PACK SYSTEM) (2005) 1 copy
Invisible Man (Sparknotes) 1 copy
Go Tell it on the Mountain - James Baldwin (SparkNotes) — Author — 1 copy
The Testaments SparkNotes Literature Guide (SparkNotes Literature Guide Series) (2022) 1 copy, 1 review
Associated Works
English Grammar (Sparknotes Study Card) (English Grammar SparkNotes Study Card) (2003) — some editions — 22 copies
Tagged
Common Knowledge
- Canonical name
- SparkNotes
- Other names
- TheSpark
- Gender
- n/a
- Relationships
- Barnes & Noble (owner)
- Nationality
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- Associated Place (for map)
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Members
Reviews
Found it difficult to be inspired by, instead of annoyed by all the mishaps in the story. Also the nature of "Romantic" love during this time period is somewhat unbelievable to me. The theme of holding grudges and how that can be passed on to hurt future generations is a good one though. Will reread at some point.
I'm all for this series, not just for students. For anyone who wants to get into Shakespeare, it's great to have some help and not miss anything that is going on. I recommend reading Shakespeare's language first and then (when needed) the explanation (given side by side for every page). After a while you get used to the original language and you don't need the explanations as often. You'll feel comfortable enough with archaic words and phrases. For me Romeo and Juliet is at least as much a show more comedy as it is a tragedy. For the silly aspects of love - intoxication, unstable emotions, overly dramatic responses - R and J are a celebration and a parody. show less
The Much Ado About Nothing volume of the series is my first experience with the No Fear Shakespeare books. For those unfamiliar with the concept, the “No Fear” books are aimed at students and readers who sometimes find reading Shakespeare to be a bit of a challenge. In my own case, after reading one of Shakespeare’s plays, no matter how well I felt I understood it, I still wondered what I had missed. These little books make sure that I do not miss a thing.
The concept is a simple one. show more The play is presented in Shakespeare’s words on the book’s odd-numbered pages, and the even-numbered pages present the same material “translated” into everyday English. I chose to read Shakespeare’s words first, and then read the translated version of the same section of the play before I moved on to the next odd-numbered page. Within just a few pages, I found myself falling into Shakespeare’s rhythms and I needed the modern version less and less to understand the various comings and goings of all the characters.
But even at that point, the No Fear Shakespeare book remains a useful tool to readers because it explains all the relatively obscure references that Shakespeare makes throughout his work to Greek and Roman mythology. These little asides, almost throwaway references though they may seem, often add depth to characters that otherwise likely would have gone right over the heads of most readers. Too, the book explains the slang terms used in the many risqué conversational back-and-forth jabs between characters that may have remained meaningless to those unfamiliar with the language of the day (language that would likely earn Much Ado About Nothing at least a PG rating if it were a modern movie). The No Fear books also include a helpful listing of all the play’s main characters, complete with a description of each character’s background and how they all relate to each other.
Best of all, the books are a confidence-builders for readers who want to read Shakespeare but have often been disappointed with the results of their efforts. They are training-wheels that can be discarded as soon as a reader feels comfortable doing so, or those who want to wring every little detail and nuance from their reading can continue to use them. It is all up to the individual reader. show less
The concept is a simple one. show more The play is presented in Shakespeare’s words on the book’s odd-numbered pages, and the even-numbered pages present the same material “translated” into everyday English. I chose to read Shakespeare’s words first, and then read the translated version of the same section of the play before I moved on to the next odd-numbered page. Within just a few pages, I found myself falling into Shakespeare’s rhythms and I needed the modern version less and less to understand the various comings and goings of all the characters.
But even at that point, the No Fear Shakespeare book remains a useful tool to readers because it explains all the relatively obscure references that Shakespeare makes throughout his work to Greek and Roman mythology. These little asides, almost throwaway references though they may seem, often add depth to characters that otherwise likely would have gone right over the heads of most readers. Too, the book explains the slang terms used in the many risqué conversational back-and-forth jabs between characters that may have remained meaningless to those unfamiliar with the language of the day (language that would likely earn Much Ado About Nothing at least a PG rating if it were a modern movie). The No Fear books also include a helpful listing of all the play’s main characters, complete with a description of each character’s background and how they all relate to each other.
Best of all, the books are a confidence-builders for readers who want to read Shakespeare but have often been disappointed with the results of their efforts. They are training-wheels that can be discarded as soon as a reader feels comfortable doing so, or those who want to wring every little detail and nuance from their reading can continue to use them. It is all up to the individual reader. show less
I read The Tempest in preparation for reading Brave New World. It was a quick read, a bit like a feverish sea-dream. I much prefer to see Shakespeare performed vs. reading his works. I'm not as enamored with this work as many probably are &, for some reason, I kept getting stuck on trying to understand how Miranda would have had proper clothing per her century if stranded on an island since childhood. (Not that Shakespeare stated whether or not she was properly clothed, but they did seem to show more have regular clothing & such.) I guess Prospero conjured what was needed? Lol. I know, a stupid musing on my part, but things like that just kind of pulled me out of fully enjoying it. By the end, I'm not sure those that were supposed to be contrite & repentant actually were. It just ended too quickly to feel that those strands were fully wrapped up, in my opinion. show less
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Statistics
- Works
- 525
- Also by
- 6
- Members
- 18,788
- Popularity
- #1,162
- Rating
- 3.8
- Reviews
- 88
- ISBNs
- 858
- Languages
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