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Vijay Seshadri

Author of 3 Sections: Poems

8+ Works 208 Members 8 Reviews 1 Favorited

About the Author

Vijay Seshadri is the author of Wild Kingdom. His poems have appeared in the New Yorker, the Paris Review, and in Best American Poetry. He was born in India and currently lives in Brooklyn, New York

Works by Vijay Seshadri

3 Sections: Poems (2013) 89 copies, 3 reviews
The Long Meadow: Poems (2004) 67 copies, 1 review
Wild Kingdom: Poems (1996) 20 copies, 1 review
Poets at work (2021) 3 copies
Witch Elegy {poem} 1 copy, 1 review
Wolf Soup {poem} 1 copy, 1 review

Associated Works

Rereadings (2005) — Contributor — 721 copies, 16 reviews
180 More: Extraordinary Poems for Every Day (2005) — Contributor — 400 copies, 9 reviews
The Best American Poetry 2006 (2006) — Contributor — 200 copies, 5 reviews
The Best American Poetry 2003 (2003) — Contributor — 184 copies, 1 review
The Best American Poetry 1997 (1997) — Contributor — 176 copies
The Best American Poetry 2013 (2013) — Contributor — 97 copies, 3 reviews
Brothers and Beasts: An Anthology of Men on Fairy Tales (2007) — Contributor — 54 copies
The Essential T.S. Eliot (2020) — Editor — 18 copies
The Bloodaxe Book of Contemporary Indian Poets (2008) — Contributor — 18 copies
The Penguin Book of Indian Poets (2022) — Contributor — 10 copies

Tagged

Common Knowledge

Birthdate
1954-02-13
Gender
male
Occupations
poet
essayist
literary critic
Organizations
Sarah Lawrence College
Awards and honors
Pulitzer Prize (poetry, 2014)
Nationality
India
USA
Birthplace
Bangalore, India
Places of residence
Brooklyn, New York, USA
Columbus, Ohio, USA
Associated Place (for map)
USA

Members

Reviews

10 reviews
3 Sections: Poems
By Vijay Seshadri
Graywolf Press, 2015
Paperback, 88pp

"What took me so long to think it? / Before, though, I can grab its tail, its head scuttles / into nonbeing."

Winner of the 2014 Pulitzer Prize for poetry, 3 Sections is many things and one thing: the frustration of language. An array of properties comes to mind while reading Seshadri's lines: cosmopolitan; Kantian; Wittgensteinian; anti-Platonic; apocalyptic; the elusiveness of ideas and meanings; urban malaise. The poems show more can sing, they can loaf and loam, and they can explode in a sudden conflagration, as in "Memoir." They can be sublime, as in "Heaven": "...thinking comes down to this-- / mystery, longing, thirst." The use of consonance, as in "Mixed-Media Botanical Drawing" invites us to enjoy chanting the words aloud, savoring the glide of language and delaying meaning for a time. "New Media" and other poems distill reality down to facts and words, but with a dark edge: "Stare at a word in a book long enough and that word / slowly uncouples itself from what it means" ("Personal Essay"). There is a sense of desperation to ensnare the perfect idea, thought, language to make sense of conscious experience, yet the horizon keeps receding. show less
I really enjoyed these poems which often start with very concrete images and drift off into the numinous void of being. I especially enjoyed the memoir of Seshadri touring U.S. Civil War battlefields as a child with his Civil War obsessed Indian-American father.
Prize winning collection of poetry that lives up to all the acclaim. The thing that is most striking to me is the strength of every single poem whether they are short one pagers or longer narratives. Another wonderful quality of these poems is the tremendous diversity of subject material from salmon fishing and the fishing industry to nursing homes and dreams. Every page was a total surprise. If I were to describe this book in one word it would be "fresh".
A very interesting memoir of Seshadri's father's obsession with the US Civil War and the bonds between father and son. Thinking back on Confederates in the Attic, I wonder if there's a book to be written on Immigrants to the United States and their attitudes towards the Civil War.

Awards

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Statistics

Works
8
Also by
10
Members
208
Popularity
#106,481
Rating
½ 3.6
Reviews
8
ISBNs
11
Favorited
1

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