John Sladek (1937–2000)

3.5/5

Sladek is the first writer I've encountered who even remotely resembles Vonnegut in style, form, and subject matter. Sladek is not as refined as Vonnegut, and Mechasm certainly has more graphic sexual content and violence than anything that I've ever read from the later. Though, like a lot of Vonnegut's works, Mechasm follows a broad cast of characters that are all loosely tied together in the most absurd ways. Here, a secret government project has produced a self-replicating system of show more robots that function like cells, who voraciously consume all the metal they can find in order to both grow in size and produce more of themselves. Honestly though, these robots aren't exactly the focus of the novel. Instead, they suffuse into the background of nearly every scene, which gives the characters a common struggle. The book follows several groups in the US who witness the expansion of the self-replicating system, and an absurd government spy operation in Morocco, where France is attempting to launch a mission to claim the moon.

Through the course of Mechasm, Sladek takes satirical shots at an uncountable number of things, including: government overspending, the military industrial complex, scientific academia, consumerism, gender relations, American exceptionalism, formulaic fiction, etc.. Sladek clearly sympathized with left-leaning libertarian ideals, and was a devoted skeptic. All of these more serious satirizations are interspersed with slapstick humor and absurdist plotting. Not all the jokes land, but a surprising amount of them do, and I'm impressed by the ratio that I experienced. Humor is such an ephemeral thing, written humor especially so. Anything that was written more than 60 years ago and can make me laugh in the present day deserves a lot of credit. There are so many absurd and outlandish turn of events that it's hard to remember them all, but the book overall was very memorable on the whole.

When Sladek switches into less farcical writing he shows that he can really do some beautiful prose work. Really the whole book is a cut above in terms of prose quality, especially when compared to his peers of the time period, though it's not the best I've ever read either. There's a section of text that describes a group entering 'the belly of the beast' as it were, as their runaway car takes them into Las Vegas, which has been converted into a nightmarish landscape of machines. This section is particularly noteworthy and hallucinogenic. Unfortunately there are also sections of boredom and monotony, where his prose is touchy at best. This is really where Vonnegut outstrips Sladek, because I can't remember any Vonnegut book where there was as much unevenness as Mechasm.

A very pleasant, funny, and enjoyable read that is significantly different than a lot of the stuff being produced at the time, which is refreshing. The central premise hooked me, and the absurdity and skepticism kept me coming back in spite of the unpolished quality of the novel. Sladek is definitely worth looking into if you enjoy this type of writing. show less

Tik-Tok is a very naughty robot who should really know better, but his asimov circuits don't work. So, instead of being an obedient and faithful domestic robot he turns his hand to child murder, gang murder, terrorist murder, broad-daylight murder, oh, and he likes to paint... and rob banks... and defraud, embezzle, extort, exploit and generally screw people over. And then things go from bad to worse, as he gets into politics.

This is a very dark satire on modern society. All the horrible show more things that people do to each other, Tik-Tok does to us and is lauded for it. Sadly (but humorously), I think this pretty much hits the mark all the way through.

So, anybody know why the first letter of each chapter runs alphabetically? show less

Terrific, mordant, satirical thriller set in the mid 60s civil-rights era about a young heiress who is kidnapped,has her skin darkened with tanning drugs and hidden in a cathouse. The villain is a supreme monster of utter selfishness, but Disch and Sladek have keen eyes for human weakness and lacerating wit and intelligence to lay it bare. A brilliant piece of work.

Before Bender “Bending Bot” Rodriquez there was Tik-Tok—a sophisticated robot who went on a murderous and violent crime spree that no one believed and went on to be the first nominated robot Vice-President.

The story of Tik-Tok is an amusing one. Throughout the book, his story interchanges between his past and the colourful people he is passed onto service for and his present, which usually involves him plotting his next crime or his next step in bringing equality to all robot in show more America.

A satirical comedy, Tik-Toks journey is an exploration of America which still feels relevant on a political level today. In fact it is the political satire which holds up the strongest with more relevance than ever in what often feels like an increasingly corrupt system no matter which way you turn.

Whilst the rest of the social satire doesn’t hold up as well as it did half a century ago, Tik-Tok’s exploits are amusing and it’s easy to find yourself rooting for him even as he heinously experiments with crimes such as arson, fraud, hijacking, jewel heists, violent chess games and more often than not—varied forms of murder.

What elevates Tik-Tok’s story is that is never explicit what his motivations are and when exactly he broke his “Asimov circuits” which previously prevented him commiting these acts—most of which no one believes because it is unheard of for a robot to do such things, leading to the framing of an unfortunate soul instead. Is Tik-Tok doing this because he wants to feel “real”? Or perhaps to further his cause for bringing rights to robots having rescued so many from dereliction. Or perhaps it’s just because he can. Whatever Tik-Tok’s motivations, it’s hard not to root for him no matter how low he stoops simply because he is somehow fundamentally likeable, whilst those around him seem to deserve it.

As a piece of social satire, some of its power has of course diminished in time, but this is still an entertaining read with some thought provoking moments. Sladek is clearly using it as platform for some deeper social beliefs, but at its heart has also created one of the finest anti-heroes in literature. show less