Grace Schulman

2.5, This book took me over half a year even though it was under a hundred pages. I loved and hated this little book. Many of the poems are bright and glinting, curious and interesting like broken glass. But I really could not get ahold of her style and voice enough to convict me to turn the page. Oftentimes with careful reading I found myself holding not much of anything.

Without a Claim, by Grace Schulman is her seventh published collection of poetry. Schulman holds a PhD from New York University and is Distinguished Professor of English at Baruch College CUNY. She has taught poetry at Princeton, Columbia, and other universities. Schulman has served as Poetry Editor at the Nation, and director of the Poetry Center. Her work has also appeared in numerous journals.

Without a Claim is the most traditional collection of poetry I read this month. Not rantings or show more socio-economic messages, but poetry like you read in English Literature class, almost magical. It takes the reader to a place where he or she can say, “Yes, this is what poetry is!” My first thoughts in reading were “This reminds me of Leaves of Grass.” Not necessarily in topic, but in feeling. It's when you pick up the book with the idea of reading for half an hour and seemingly minutes later, you realize that four hours have gone by. My feeling of a Whitman influence was well grounded. Early on in the collection is the poem “Variations on a Line by Whitman.”

“Shadow” is a poem of about Paris singer and her relationship with a black American (soldier) trumpet player. Although not mentioned in the poem, after WWI black soldiers who married French women were given the choice of staying in France or going home...alone. This could very much be that story. There is history in the collection, but it is the background to the poetry rather than the subject.

“Love in the Afternoon” is a poem that on the surface is about butterflies, but seems to be more about poetry and its grace and subtle movements. Here the beauty of nature manifests itself as poetry. “Green River” takes us to a country cemetery and we meet to those interred. They speak to us through their stones and leave us wanting to ask the dead a question. We know what the answer will be, but we ask anyway. Perhaps the cemetery shows us that in life, as much as in death, that we all want the same thing and no matter who we are, we all connected by something as simple as a gravel path.

Without a Claim is poetry that is enchanting and you will read it and reread it again. There seems to be something to be gained at each reread. The imagery crystal clear and enticing. This is a work that you will want to keep and read over and over again. Simply an amazing experience. show less

Recently, I’ve been dipping into poetry books for a poem here and there, reading many online, and then I sat down and read Grace Schulman’s poetry collection, The Marble Bed. They were good, but most of her poems simply didn’t grab me. I felt a kinship and some connection with the ones dealing with death—a subject that I ponder very often—but even after a second reading, I continued to feel separate from her words. While she did call up some excellent images, and also interesting show more references to many artists and locations, this simply was not the poet for me at the time. show less