J. M. Barrie (1860–1937)
Author of Peter & Wendy
About the Author
James Matthew Barrie, the creator of Peter Pan, was born on May 9, 1860, in Kirriemuir, Angus, Scotland. His idyllic boyhood was shattered by his brother's death when Barrie was six. His own grief and that of his mother influenced the rest of his life. Through his work, he sought to recapture the show more carefree joy of his first six years. Barrie came to London as a freelance writer in 1885. His early fiction, Auld Licht Idylls (1888) and A Window in Thrums (1889), were inspired by his youth in Kirriemuir. After publishing a biography of his mother Margaret Ogilvy and the autobiographical novel Sentimental Tommy, about a boy living in a dream world (1896), he concentrated on writing plays. The Admirable Crichton (1902), the story of a butler who becomes king of a desert island, helped to establish Barrie's reputation as a playwright. Meanwhile, he began to relive his childhood by telling the first Peter Pan stories to the sons of his friend, Sylvia Llewellyn Davies. The play Peter Pan was first performed in 1904 and published as a novel seven years later. Its imaginative drama, featuring the eternal boy's triumph over the grownup Captain Hook, idealizes childhood and underscores adults' inability to regain it. These resonant themes made it a classic of world literature. Barrie's later work shows his increasingly cynical view of adulthood, particularly in Dear Brutus (1917). Often considered his finest play, it concerns nine men and women whose caprices destroy a miraculous opportunity to relive their lives. Barrie married the former Mary Ansell in 1894. They divorced in 1909, never having any children. Barrie died in London on June 19, 1937. (Bowker Author Biography) show less
Image credit: J.M. Barrie photographié par Barraud en 1893 (Extrait)
Series
Works by J. M. Barrie
Peter Pan (Illustrated): The 1911 Classic Edition with Original Illustrations (2023) 282 copies, 1 review
Alice in Wonderland [and] Peter Pan [Dandelion Library: Edited and Abridged] (1957) — Author — 105 copies
Classic Authors Super Set Series: 2 (Shandon Press): J. M. Barrie, L. Frank Baum, James Allen, The Brontë Sisters, Jack London, PG. Wodehouse... (2017) 25 copies
Classic Tales: A Collection of Enchanting Stories (Peter Pan and Wendy, The Wind in the Willows, Alice in Wonderland - Three Book Set) (2006) 24 copies
Farewell Miss Julie Logan: A Barrie Omnibus: The Little White Bird: The Twelve-Pound Look: Farewell Miss Julie Logan (Canongate Classics) (2000) 18 copies
Peter Pan The Story of Peter & Wendy Paramount Pictures Silent Movie Edition with Movie Stars Betty Bronson as Peter Pan & Mary Brian as Wendy (1911) 11 copies
Peter Pan : illustrated Abridged Children Classics English Novel with Review Questions (Illustrated Classics) (2021) 7 copies
Peter Pan. Peter E Wendy Seguido De Peter Pan Em Kensington Gardens - Coleção L&PM Pocket (Em Portuguese do Brasil) (2010) 6 copies
Classic Children's Adventure Stories: Peter Pan, The Wonderful Wizard of Oz, Alice's Adventures in Wonderland, and The Swiss Family Robinson (2016) 6 copies
Jess 5 copies
Treasury Of Children's Classics: Peter Pan & Wizard Of Oz — Author — 5 copies
Allahakbarries C.C. 1899 5 copies
Peter Pan 4 copies
Old Friends 4 copies
Peter Pan 4 copies
Peter Pan 3 copies
James Matthew Barrie, Peter Pan: Anaconda Kinderklassiker (Anaconda Kinderbuchklassiker, Band 11) (2013) 3 copies
Die schönsten Kinderbuchklassiker zum Vorlesen: Alice im Wunderland. Peter Pan. Peterchens Mondfahrt (2013) 3 copies
Meine allerersten Kinderklassiker: Peter Pan/Nils Holgersson/Der kleine Lord (2018) 3 copies, 1 review
Peter i Wendy (Distorsions) 3 copies
The New Word 3 copies
A Well-Remembered Voice 3 copies
Storybook Classics: Peter Pan 2 copies
J.M. Barrie's Peter Pan in Kensington Gardens Retold By May Byron for Little People with the Permission of the Author (1958) 2 copies
Peter Pan (Disney Classic Series) 2 copies
J.M. Barrie, Peter Pan. Schmuckausgabe mit Silberprägung: Der große schottische Fantasy-Klassiker (Anacondas besondere Klassiker, Band 11) (2024) 2 copies
Tillyloss Scandal 2 copies
Peter Pan (Acting Edition) 2 copies
J. M. Barrie: The BBC Radio Collection: Four Full-Cast Dramatisations Including Peter Pan (2019) 2 copies
HALF HOURS Pantaloon Twelve Pound Note Rosalind Will J M BARRIE Scribner 1914 HC [Hardcover] J M Barrie (1968) 2 copies
Treasury of Childrens Classics 2 copies
Quality Street, A Comedy 1 copy
Pīters un Vendija 1 copy
Classic Starts(r) Peter Pan 1 copy
Peter Pan et Wendy 1 copy
Peter Pan och Wendy 1 copy
Illustrated Peter Pan 1 copy
Peter Pan. Los inéditos 1 copy
The Little White Hen 1 copy
Peter Pan Vol. 1 1 copy
The little minister. Vol. I 1 copy
Pitir Pan 1 copy
Peter Pan [Short Story] 1 copy
Lock-out Time 1 copy
Die besten Kinderbuchklassiker zum Vorlesen: Der Wind in den Weiden, Peter Pan und Grimms Märchen (2018) 1 copy
Peter Pan Lost and found 1 copy
Dear Miss Phoebe: a musical play based on Sir James Barrie's Quality Street: (first performance, Friday, October 13th, 1950, Phoenix Theatre) 1 copy, 1 review
Cree Queery And Mysy Drolly 1 copy
Peter Pan: A stand-up story 1 copy
Peter Pan Vol. 2 1 copy
Gilray's Flowerpot 1 copy
Peter Pan( Easy Appreciation of English Masterpieces-Iris tectorum ) (Talking Version) (Chinese Edition) (2009) 1 copy
Peter Pan [Abridged] 1 copy
Two of them 1 copy
Peter Pan (play) 1 copy
Peter Pan e outras Histórias 1 copy
Peter Pan - Manuscrito 1 copy
The Collected Works of J.M. Barrie: 11 Novels in One Volume (Unexpurgated Edition) (Halcyon Classics) (2009) 1 copy
The Best of J. M. Barrie 1 copy
Peter Pan (Elementary) 1 copy
Plays of 1930 1 copy
Peter Pan / Pinóquio — Author — 1 copy
Peter Pan Four Pop Up Books 1 copy
Minikirja 7 : Peter Pan 1 copy
Little Mary 1 copy
The Wedding Guest 1 copy
The Proffessor's Love Story 1 copy
Life in a Country Manse 1 copy
Peter Pan Broadside 1 copy
The Little minister vol Ii 1 copy
The Little minister vol 1 1 copy
Our man Crichton 1 copy
Oakshot Complete Works of J.M. Barrie (Illustrated/Inline Footnotes) (Classics Book 18) (2017) 1 copy
The Addams Family 1 copy
Quality Street A Comedy 1 copy
PETER PAN POP-UP BOOK 1 copy
Scott's Last Expedition 1 copy
The Late Sherlock Holmes 1 copy
The Little Minister Volume I 1 copy
Peter Pan e Outras Histórias 1 copy
Peter Pan e Outras História 1 copy
Peter Pan Jr. 1 copy
Peter Pan and Wendy: The Walt Disney Illustrated Peter Pan and Wendy retold by May Byron with the approval of the author (1953) 1 copy
Image de l'editeur PETER PAN 1 copy
Piotruś Pan 1 copy
Peter Pan and Wendy (Abridged): A Robert Ingpen Illustrated Classic (Robert Ingpen Illustrated Classics) (2018) 1 copy
Rare [Edmund Blampied] J. M. Barrie Peter Pan and Wendy Scribner s Sons 1940 [Hardcover] J. M. Barrie (1940) 1 copy
Peter Pan (abridged) 1 copy
PETER PAN - UNABRIDGED 1 copy
By J. M. Barrie - Peter Pan: Centennial Edition (Signet Classics) (Reissue) (1987-05-20) [Mass Market Paperback] (1987) 1 copy
Associated Works
The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 520 copies, 4 reviews
The Story of Peter Pan: Retold from the Fairy Play by Sir J.M. Barrie (1907) — Original story author — 245 copies, 1 review
The Game Is Afoot: Parodies, Pastiches, and Ponderings of Sherlock Holmes (1994) — Contributor — 215 copies, 2 reviews
Peter Pan, tome 1 : Londres (1990) — Author, some editions; Autor, some editions; Author, some editions — 213 copies, 2 reviews
Peter Pan, tome 2 : Opikanoba (1992) — Author, some editions; Author, some editions — 167 copies, 1 review
Peter Pan, tome 4 : Mains rouges (1996) — some editions; Author, some editions; Autor, some editions; Author, some editions — 142 copies, 1 review
Peter Pan, tome 3 : Tempête (1994) — Author, some editions; Autor, some editions; Author, some editions; inspired by, some editions — 139 copies, 1 review
Peter Pan, tome 5 : Crochet (2001) — some editions; Author, some editions; Autor, some editions; Author, some editions; Auteur, some editions — 131 copies, 1 review
Peter Pan, tome 6 : Destins (2004) — some editions; Author, some editions; some editions; some editions; some editions — 120 copies, 1 review
The Graphic Canon of Children's Literature: The World's Greatest Kids' Lit as Comics and Visuals (2014) — Contributor — 101 copies, 1 review
Walt Disney's Story of Peter Pan with Songs from the Film ( See the Pictures, Hear the Record, Read the book) (1998) — Orig Text, some editions — 89 copies
J. M. Barrie's Peter Pan in Kensington Gardens Retold for Little People (1951) — original work author — 27 copies
20 Masterpieces of Fantasy Fiction Vol. 1: Peter Pan, Alice in Wonderland, The Wonderful Wizard of Oz, Tarzan of the Apes...... (2021) — Contributor — 21 copies
Swords and Sorcerers: Stories from the Worlds of Fantasy and Adventure (2002) — Contributor — 18 copies
The Admirable Crichton [1957 film] — Original story — 4 copies
The Childrens Classics Collection (6 Full Cast Audio Dramas) (2012) — Author, some editions — 1 copy
Tagged
Common Knowledge
- Canonical name
- Barrie, J. M.
- Legal name
- Barrie, James Matthew
- Birthdate
- 1860-05-09
- Date of death
- 1937-06-19
- Gender
- male
- Education
- University of Edinburgh (MA|1882)
- Occupations
- novelist
playwright
writer
author
journalist - Organizations
- Allahakbarries (Cricket team)
Society of Authors - Awards and honors
- Baronet (1913)
Order of Merit (1922)
American Academy of Arts and Letters (Foreign Honorary ∙ Literature ∙ 1929)
Freedom of Kirriemuir (1930) - Relationships
- Scott, Peter (godson)
Thirkell, Angela (goddaughter)
Asquith, Lady Cynthia (secretary) - Short biography
- Sir James Matthew Barrie, 9 May 1860 – 19 June 1937) was a Scottish novelist and playwright, best remembered as the creator of Peter Pan. He was born and educated in Scotland and then moved to London, where he wrote a number of successful novels and plays. There he met the Llewelyn Davies boys, who inspired him to write about a baby boy who has magical adventures in Kensington Gardens (first included in Barrie's 1902 adult novel The Little White Bird), then to write Peter Pan, or The Boy Who Wouldn't Grow Up, a 1904 "fairy play" about an ageless boy and an ordinary girl named Wendy who have adventures in the fantasy setting of Neverland.
Although he continued to write successfully, Peter Pan overshadowed his other work, and is credited with popularising the name Wendy. Barrie unofficially adopted the Davies boys following the deaths of their parents. Barrie was made a baronet by George V on 14 June 1913, and a member of the Order of Merit in the 1922 New Year Honours. Before his death, he gave the rights to the Peter Pan works to Great Ormond Street Hospital for Children in London, which continues to benefit from them. - Cause of death
- pneumonia
- Nationality
- UK
- Birthplace
- Kirriemuir, Angus, Scotland, UK
- Places of residence
- Kirriemuir, Tayside, Angus, Scotland, UK
Nottingham, Nottinghamshire, England, UK
London, Middlesex, England, UK
Farnum, Surrey, England, UK - Place of death
- London, England, UK
- Burial location
- Kirriemuir, Tayside, Angus, Scotland, UK
- Map Location
- Scotland, UK
Members
Reviews
A trip to Neverland is always a good idea, so what better book is there than J.M. Barrie’s Peter Pan to tackle the summer reading club challenge of reading a book from a place you want to visit? I’ve just acquired the MinaLima edition of the story, as well, so the timing couldn’t have been better to take a quick and familiar jaunt past the second star on the right. I feel like I’ve expostulated ad nauseum about the wonders of Peter Pan, but there’s always more to say about the show more magic of Neverland, the dastardly Captain Hook, and the Lost Boys. And yet, I’ll let readers come to their own conclusions and find their own small moments of magic in the story, and focus up this review on the unique qualities that illustrative team MinaLima bring to the tale. While the book rarely has the expected pictorial scenes that could have easily filled its pages, MinaLima goes their own direction and focuses on the design aspects of the book - which is, after all, what they are known for. Sprinkling edge signs, a turning crocodile clock, fold out maps, and an unexpected colour schema to tie the narrative together, their work lets the text stand out while still giving readers small moments of visual interest to accent the tale. Largely left to our own imaginations, this technique actually works quite well to encourage the creative visual thinking that is necessary for readers of all ages to get that one step closer to Neverland. By the final pages, I was delightfully charmed (as expected) and ready to continue my reading adventures to shores both familiar and unbeknownst - which may just be another theme that Barrie meant to encourage with this magical little story. show less
Es un libro muy gracioso, absurdo, cruel y triste al mismo tiempo. El narrador parece un personaje más, cosa que me ha parecido de lo más original.
El epílogo (o último capítulo, no sé si es un epílogo realmente) me ha destrozado porque tiene un deje de tristeza que no me esperaba, pero como final me parece redondo.
Me ha gustado mucho el trasfondo de Garfio, que tiene hasta apodo y pasado, así como una personalidad muy interesante.
He leído la versión anotada y sin duda la show more recomiendo. No son muchas notas ni explican demasiado, pero me han gustado y hasta desearía que hubiera más. También ha sido muy interesante leer sobre el autor en la introducción, porque muchos elementos del libro están inspirados en su propia vida.
Lo recomiendo, sin duda. No os quedéis con la versión de Disney. show less
El epílogo (o último capítulo, no sé si es un epílogo realmente) me ha destrozado porque tiene un deje de tristeza que no me esperaba, pero como final me parece redondo.
Me ha gustado mucho el trasfondo de Garfio, que tiene hasta apodo y pasado, así como una personalidad muy interesante.
He leído la versión anotada y sin duda la show more recomiendo. No son muchas notas ni explican demasiado, pero me han gustado y hasta desearía que hubiera más. También ha sido muy interesante leer sobre el autor en la introducción, porque muchos elementos del libro están inspirados en su propia vida.
Lo recomiendo, sin duda. No os quedéis con la versión de Disney. show less
“I suppose it's like the ticking crocodile, isn't it? Time is chasing after all of us.”
Beautifully written, hauntingly nostalgic, and adventure filled, Peter Pan is not a story that can be forgotten and that has made itself live on in childhood literature since its conception.
So many are familiar with the Disney version, a book and movie which highlights the fun and joyful adventures of youth as they escape a bedroom window and fly in the night to a hidden world rich with adventures. show more The original Peter is just an joyous on some levels - the sense of magic and nostalgia is potent - but Barrie's more sophisticated and original story does more than entertain on a simple level - it makes the reader thing and wonder. Is there a joy in staying young forever, free of adult responsibility and ruling responsibilities? Yes. Is there a tragedy in staying young forever and never growing? Also yes.
The character of Peter is fascinating. He's a child who likes to live carefree and is drawn to that particular nursery on the second floor for whatever reason. Through it he sees Wendy, an inspiration for a mother he doesn't know and claims he doesn't want. He invites her - and she invites her brothers - on a magical ride through the night into a strange land befit with pirates, ticking crocodiles, feisty fairies, and mermaids.
“Absence makes the heart grow fonder… or forgetful.”
Peter has a dark tone as well. He doesn't value life because he can't comprehend it. The author points out as a narrator in the story that he forgets stuff all the time, and may bore of the game of saving the boys as they learn to fly and let them drown simply because he may lose interest. He forgets all those special to him, including the main characters of the story, as he lets himself be tugged by adventure alone and no strong ties to reality and the living, evolving people.
I can see the inspiration for the magical and fertile imagination of children, but I wonder too on the thoughts of children never growing up and forgetting the realities of life through death - the author's brother was tragically killed in an accident at the age of 13, which could leave an impression of a child leaving to fly away and abandon family while they never age.
“Dreams do come true, if only we wish hard enough. You can have anything in life if you will sacrifice everything else for it.”
"The boys on the island vary, of course, in numbers, according as they get killed and so on; and when they seem to be growing up, which is against the rules, Peter thins them out....."
Yeah, Peter totally probably kills them, as the author Brom speculated when he was inspired to write The Child Thief
Hook is shown as a deplorable villain but there is more black and white to the story than the simplified Disney version. He is capable of sympathy but shrugs it aside in his war against Peter because of the boy's arrogant, devil-may-care attitude. I guess I understand the Peter Pan and Hook rivalry more when Peter casually mentions they kill pirates for sport while they're sleeping...
Tink is awesome - she goes around in the story mainly saying, "You silly ass", to Peter. It cracked me up. The author focused a good bit on the mother, Mrs. Darling, too, and it seemed to be because of a strong mother theme through the story, first in her and then in Wendy. Indeed the father is shown as ineffective and rather whiny, although the author points out in the end that Mrs. Darling is now dead and "long-forgotten."
“To die will be an awfully big adventure.”
The story carries more oomph when you glimpse into the author's life and inspirations. J.M. Barrie clearly loved children. When he died in 1937, he left the copyright of Peter Pan to a children's hospital in London, which has continued to financially benefit from royalties. He got the inspiration for the story through meeting and getting close to a family with some young boys, and he took guardianship of the children to the parent's wishes when they passed away.
Sadly, the children he adopted also perished later - one in war and one in drowning. The one survivor, Peter, outlived Barry but committed suicide by jumping in front of a train in 1960.
“Never say goodbye because goodbye means going away and going away means forgetting.”
When I think of Peter Pan, I think of nostalgia. There is magic and joy in living for the present moment and letting go of the future, but there is no foundation. The sands of time dissolve under the feet of everyone except Peter Pan. In the end he lives on and rewards himself with lack of aging, but he forgets all and is forgotten by everyone. It is more of a magical moment that can't last. When the young die, they don't have to grow and face adulthood; they get to live with the magic of childhood forever in the memories of all who knew them when they were alive.
“Never is an awfully long time.” show less
Beautifully written, hauntingly nostalgic, and adventure filled, Peter Pan is not a story that can be forgotten and that has made itself live on in childhood literature since its conception.
So many are familiar with the Disney version, a book and movie which highlights the fun and joyful adventures of youth as they escape a bedroom window and fly in the night to a hidden world rich with adventures. show more The original Peter is just an joyous on some levels - the sense of magic and nostalgia is potent - but Barrie's more sophisticated and original story does more than entertain on a simple level - it makes the reader thing and wonder. Is there a joy in staying young forever, free of adult responsibility and ruling responsibilities? Yes. Is there a tragedy in staying young forever and never growing? Also yes.
The character of Peter is fascinating. He's a child who likes to live carefree and is drawn to that particular nursery on the second floor for whatever reason. Through it he sees Wendy, an inspiration for a mother he doesn't know and claims he doesn't want. He invites her - and she invites her brothers - on a magical ride through the night into a strange land befit with pirates, ticking crocodiles, feisty fairies, and mermaids.
“Absence makes the heart grow fonder… or forgetful.”
Peter has a dark tone as well. He doesn't value life because he can't comprehend it. The author points out as a narrator in the story that he forgets stuff all the time, and may bore of the game of saving the boys as they learn to fly and let them drown simply because he may lose interest. He forgets all those special to him, including the main characters of the story, as he lets himself be tugged by adventure alone and no strong ties to reality and the living, evolving people.
I can see the inspiration for the magical and fertile imagination of children, but I wonder too on the thoughts of children never growing up and forgetting the realities of life through death - the author's brother was tragically killed in an accident at the age of 13, which could leave an impression of a child leaving to fly away and abandon family while they never age.
“Dreams do come true, if only we wish hard enough. You can have anything in life if you will sacrifice everything else for it.”
"The boys on the island vary, of course, in numbers, according as they get killed and so on; and when they seem to be growing up, which is against the rules, Peter thins them out....."
Yeah, Peter totally probably kills them, as the author Brom speculated when he was inspired to write The Child Thief
Hook is shown as a deplorable villain but there is more black and white to the story than the simplified Disney version. He is capable of sympathy but shrugs it aside in his war against Peter because of the boy's arrogant, devil-may-care attitude. I guess I understand the Peter Pan and Hook rivalry more when Peter casually mentions they kill pirates for sport while they're sleeping...
Tink is awesome - she goes around in the story mainly saying, "You silly ass", to Peter. It cracked me up. The author focused a good bit on the mother, Mrs. Darling, too, and it seemed to be because of a strong mother theme through the story, first in her and then in Wendy. Indeed the father is shown as ineffective and rather whiny, although the author points out in the end that Mrs. Darling is now dead and "long-forgotten."
“To die will be an awfully big adventure.”
The story carries more oomph when you glimpse into the author's life and inspirations. J.M. Barrie clearly loved children. When he died in 1937, he left the copyright of Peter Pan to a children's hospital in London, which has continued to financially benefit from royalties. He got the inspiration for the story through meeting and getting close to a family with some young boys, and he took guardianship of the children to the parent's wishes when they passed away.
Sadly, the children he adopted also perished later - one in war and one in drowning. The one survivor, Peter, outlived Barry but committed suicide by jumping in front of a train in 1960.
“Never say goodbye because goodbye means going away and going away means forgetting.”
When I think of Peter Pan, I think of nostalgia. There is magic and joy in living for the present moment and letting go of the future, but there is no foundation. The sands of time dissolve under the feet of everyone except Peter Pan. In the end he lives on and rewards himself with lack of aging, but he forgets all and is forgotten by everyone. It is more of a magical moment that can't last. When the young die, they don't have to grow and face adulthood; they get to live with the magic of childhood forever in the memories of all who knew them when they were alive.
“Never is an awfully long time.” show less
I confess, I really liked it.
I say "confess" because Peter Pan includes those "of its time" issues: sexist stereotypes and racist expressions that make one wince today. Rightly so.
It can be a dilemma for readers.
I resolve the dilemma by judging a book by its heart. If a book (looking at you A Princess of Mars) has a violent, lurid message of racial and male superiority that might once have seemed, um, harmless, and that is its primary message, then I am not going to hold back my critical show more disdain of it. Regardless of its "time."
On the other hand, I don't feel like the issues are its heart in Peter Pan. I feel Barrie's story is intended to revel in a child's naturally wild as well as fearful sensibilities, done so wittily and tenderly that I forgive his inability to fly into the future to see how we would view phrases like "red skins" and "Great White Father," and the relegating a female's function to motherhood (except Tink, who is equally as wild and unapologetic as Peter). The dilemma lies in what you believe was his intention, don't you think?
As to its banning in some locations of the U.S., it is with utter respect that I believe it is the parents responsiblity to decide for themselves if this remains appropriate for their children. Banning has always been ridiculous and, thankfully, ineffective. And now, with the Internet, even more ridiculous and ineffective.
And bad reviews, some verging on loathing for this story? I heartily agree with them! What I'm agreeing with, though, is my distaste for oppressions, then and now. I am offended by it, but that doesn't change that it once was so, and continues. That continuation is likely why the story is offensive, since plenty of classic literature is rife with what we find intolerable now. Are we offended today by Pride and Prejudice with its focus on desperate husband-hunting? Generally speaking, no, because our Western society has gone beyond that and so it has little power to be offensive.
Reading now just for my own self (and I'm also of my time, as we all are), I recognize there are books that can transcend their time while still being of their time. Peter Pan has done that, in spite of those parts of itself, much like fairy tales have.
It remains timeless...
"...so long as children are gay and innocent and heartless." show less
I say "confess" because Peter Pan includes those "of its time" issues: sexist stereotypes and racist expressions that make one wince today. Rightly so.
It can be a dilemma for readers.
I resolve the dilemma by judging a book by its heart. If a book (looking at you A Princess of Mars) has a violent, lurid message of racial and male superiority that might once have seemed, um, harmless, and that is its primary message, then I am not going to hold back my critical show more disdain of it. Regardless of its "time."
On the other hand, I don't feel like the issues are its heart in Peter Pan. I feel Barrie's story is intended to revel in a child's naturally wild as well as fearful sensibilities, done so wittily and tenderly that I forgive his inability to fly into the future to see how we would view phrases like "red skins" and "Great White Father," and the relegating a female's function to motherhood (except Tink, who is equally as wild and unapologetic as Peter). The dilemma lies in what you believe was his intention, don't you think?
As to its banning in some locations of the U.S., it is with utter respect that I believe it is the parents responsiblity to decide for themselves if this remains appropriate for their children. Banning has always been ridiculous and, thankfully, ineffective. And now, with the Internet, even more ridiculous and ineffective.
And bad reviews, some verging on loathing for this story? I heartily agree with them! What I'm agreeing with, though, is my distaste for oppressions, then and now. I am offended by it, but that doesn't change that it once was so, and continues. That continuation is likely why the story is offensive, since plenty of classic literature is rife with what we find intolerable now. Are we offended today by Pride and Prejudice with its focus on desperate husband-hunting? Generally speaking, no, because our Western society has gone beyond that and so it has little power to be offensive.
Reading now just for my own self (and I'm also of my time, as we all are), I recognize there are books that can transcend their time while still being of their time. Peter Pan has done that, in spite of those parts of itself, much like fairy tales have.
It remains timeless...
"...so long as children are gay and innocent and heartless." show less
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Statistics
- Works
- 437
- Also by
- 93
- Members
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- Rating
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