Elena Poniatowska

What a disturbing, difficult book to read. Nothing, Nobody doesn't try to give you the background or the whole picture of the 1985 earthquakes that devastated parts of the Federal District of Mexico, Mexico City. It was originally written for Mexicans who would've read much in the papers or seen much in the news. Nothing, Nobody isn't interested in telling us what is commonly known about the earthquake, that it was of great magnitude and particularly effective at causing destruction because show more the Federal District is built on the ruins of Tenochtitlan, the Aztec capital city that was built on a swamp in the mountains. Mexico City was a city that was always settling as the water in the aquifers went down or the sandy earth became more compact. If you were going to choose a site for one of the largest cities in the world using safety as a high criteria, this site wouldn't be it.

Instead, Poniatowska gives voice to the average citizen of the city, especially the ones who either lost loved ones or who rushed to the places where buildings had collapsed and began digging with whatever they could find to get the people out. She tells of a lot of anger. The government's response was odd, and ineffectual if you're in a mood to be generous toward President de Madrid and others in power. de Madrid stayed out of the city, and the main response was to send the army out with guns to "guard" the zones with the most damage. Volunteers said the obvious - why are they here with guns and not shovels. Foreign aid was at first refused. When it was accepted, equipment was sometimes held up in customs. Sometimes the foreign rescuers were wined and dined when all they really wanted to do was to start digging while there was still a chance that someone could be brought out alive. Looting or misappropriation was happening, but not by the general public.

The anger is strong, but even stronger in this book is the struggle to survive and continue living. Many people trapped in buildings saw light and did their best to dig their way out. Families died together, the father on top to protect the others. Volunteer rescue workers went in through small tunnels, liable to collapse, carrying oxygen for the people trapped inside, sometimes to have their person or group of people die in the process of rescue. I could go on, but what Poniatowska has recorded is unimaginable. I can not do justice to the stories. If you have the stomach for it, read it and honor the bravery of the people who grouped together to help each other the best they could. show less

Quizás hubiera apreciado más este libro si no hubiera tenido tan altas expectativas antes de empezarlo. Me gustó enormemente Hasta no verte Jesús mío, y desde que lo leí he querido leer otra obra de Poniatowska. Así que cuando salió este libro hace un par de años, me pareció una combinación perfecta: la vida de una artista contada por Poniatowska. Y aparte de eso, todos parecían elogiarlo. Pero por una razón u otra -los exámenes, los trabajos para la universidad, los altos show more precios de los libros-, no lo compré hasta hace un par de meses. ¡Así que figúrate la anticipación! Y al final el libro no es tan malo -sin duda la vida de Carrington, de quien no sabía absolutamente nada, es fascinante en sí-, pero resulta decepcionante. Después de unas cien páginas (y el libro tiene algunas seiscientas), uno ya tiene una buena idea de cómo es la personalidad de Leonora, y sus varios encuentros con una multitud de personas retratadas sin nada de profundidad empiezan a cansar. En fin, el libro tenía buenas posibilidades, pero en mi opinión falta algo. Tendré que probar mi suerte con otro de Poniatowska. show less

The Skin of the Sky, is, in my opinion, weakened by its singular focus on Lorenzo de Tena, a relentless workaholic and essentially self-educated astronomer who proves to be an all around difficult man to be around. Over the course of the novel, many intriguing characters are introduced (along with much fascinating information about astronomy and Mexican education, history, science, politics and gender relations) but all is subsumed by the monomaniacal de Tena, a brilliant scientist but also show more a damaged (and damaging) human being. Multiple points of view might have allowed more insight into his character and made him both more interesting and more sympathetic. That said, the novel is more a depiction of Mexico, struggling to integrate a luminous pre-colonial past into a not at all certain post-colonial future, than it is the story of one man. show less

Un travail de recherche titanesque qui ne peut qu'impressionner, et l'on ne peut que saluer l'engagement total de l'auteure dans son œuvre. La vie passionnante de Tina Modotti prend vie dans ces pages et la forme romancée permet d'accéder très facilement à toute la richesse de cette époque. On reprochera cependant les nombreuses distractions et digressions dans cette biographie, qui sous guise de fournir plus de contexte historique et politique finissent par rajouter des longueurs show more inutiles - ce qui ralentit le rythme d'un roman qui compte déjà plus de 800 pages. show less