A Moveable Feast
by Ernest Hemingway 
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Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries such as F. Scott Fitzgerald and Gertrude Stein; tender memories of his first wife, Hadley; and insightful recollections of his own early experiments with his craft. It is a literary feast, brilliantly evoking the exuberant mood of Paris after World War I and the youthful spirit, show more unbridled creativity, and unquenchable enthusiasm that Hemingway himself epitomized. show lessTags
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Member Reviews
I'm in that reading state of bliss when you finish a book you absolutely love. (It will be hard to move on to reading something else in the next few days because it won't live up to this.)
I'm speaking of Ernest Hemingway's A Moveable Feast of course.
I'm not a huge fan of short stories or of essays, but this collection makes me wish I had never said things like that. I loved every last piece in here.
Hemingway has a dry & sometimes brutal wit that pops out in the unexpected sentence or two, making his observations refreshing. And wonderful. He creates such vivid pictures of places & people that I felt like I was sitting in the cafes, skiing in the Alps & Dolomites, betting on the horses, watching the local fishermen, or tossing back a show more drink (or ten) with an artsy & writerly crowd.
The part of his tale about traveling with Scott Fitzgerald from Lyon in the car without a top was so wonderful that I read large chunks of it out loud to my husband & daughter. The three of us were howling with laughter in parts.
Some favorite quotes from the book...
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Hemingway's description of an irritating acquaintance talking to him when he's trying to write in a cafe...
-----------------------------------
A chambermaid who finds books left behind, some in English, & sells them. Her opinion of books in English is that they are worthless.
A lovely picture of a Paris morning...
Re: the trip with Scott Fitzgerald that I mentioned earlier...
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And...
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I read this in tandem with a friend to honor Paris & celebrate their cafe culture after the terror attacks. (The idea to read this came from an NPR report saying that after the attacks, copies of A Moveable Feast have been selling out in Paris.) I can see why Parisians love this book; it paints a wonderful view of a Paris of hope, & art, & love, & good food & drink, & interesting friends. A completely wonderful book. show less
I'm speaking of Ernest Hemingway's A Moveable Feast of course.
I'm not a huge fan of short stories or of essays, but this collection makes me wish I had never said things like that. I loved every last piece in here.
Hemingway has a dry & sometimes brutal wit that pops out in the unexpected sentence or two, making his observations refreshing. And wonderful. He creates such vivid pictures of places & people that I felt like I was sitting in the cafes, skiing in the Alps & Dolomites, betting on the horses, watching the local fishermen, or tossing back a show more drink (or ten) with an artsy & writerly crowd.
The part of his tale about traveling with Scott Fitzgerald from Lyon in the car without a top was so wonderful that I read large chunks of it out loud to my husband & daughter. The three of us were howling with laughter in parts.
Some favorite quotes from the book...
"You got very hungry when you did not eat enough in Paris because all the bakery shops had such good things in the windows and people ate outside at tables on the sidewalk so that you saw and smelled the food."So true, not only in Paris but in Brussels too (with its proliferation of waffle stands)!
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Hemingway's description of an irritating acquaintance talking to him when he's trying to write in a cafe...
"He was in full cry now and the unbelievable sentences were soothing as the noise of a plank being violated in the sawmill."(I guess Hemingway would know that noise since he apparently lived in an apartment above a sawmill for awhile in Paris. Lol.)
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A chambermaid who finds books left behind, some in English, & sells them. Her opinion of books in English is that they are worthless.
"How do you tell a valuable French book?"-----------------------------------
"First there are the pictures. Then it is a question of the quality of the pictures. Then it is the binding. If a book is good, the owner will have it bound properly. All books in English are bound, but bound badly. There is no way of judging them."
A lovely picture of a Paris morning...
"In the spring mornings I would work early while my wife still slept. The windows were open wide and the cobbles of the street were drying after the rain. The sun was drying the wet faces of the houses that faced the window. The shops were still shuttered. The goatherd came up the street blowing his pipes and a woman who lived on the floor above us came out onto the sidewalk with a big pot. The goatherd chose one of the heavy-bagged, black milk-goats and milked her into the pot while his dog pushed the others onto the sidewalk. The goats looked around, turning their necks like sight-seers. The goatherd took the money from the woman and thanked her and went on up the street piping and the dog herded the goats on ahead, their horns bobbing. I went back to writing and the woman came up the stairs with the goat milk. She wore her felt-soled cleaning shoes and I only heard her breathing as she stopped on the stairs outside our door and then the shutting of her door. She was the only customer for goat milk in our building."-----------------------------------
Re: the trip with Scott Fitzgerald that I mentioned earlier...
"It was not a trip designed for a man easy to anger."Lol.
-----------------------------------
And...
"For a poet he threw a very accurate milk bottle."(Said when an angered acquaintance threw things at him, including a milk bottle. Lol.)
-----------------------------------
I read this in tandem with a friend to honor Paris & celebrate their cafe culture after the terror attacks. (The idea to read this came from an NPR report saying that after the attacks, copies of A Moveable Feast have been selling out in Paris.) I can see why Parisians love this book; it paints a wonderful view of a Paris of hope, & art, & love, & good food & drink, & interesting friends. A completely wonderful book. show less
This is only my second Hemingway novel, but his writing definitely strikes a chord with me. He has a wonderful sense of place (which I loved as well in A Farewell to Arms). This time the place is Paris, and an autobiographical look back at his time there as a struggling author just starting to get noticed.
Hemingway wonderfully transports you back to the cafes of 1920s Paris, with walk-on parts from literary legends such as Gertrude Stein, James Joyce and F. Scott Fitzgerald. It's the kind of era that this modern technological age of rush, rush, rush will never see the like of again, and I savoured hopping into Hemingway's time machine to enjoy some respite there.
4.5 stars - nothing momentous happens in this brief book, but it's just show more perfect all the same. show less
Hemingway wonderfully transports you back to the cafes of 1920s Paris, with walk-on parts from literary legends such as Gertrude Stein, James Joyce and F. Scott Fitzgerald. It's the kind of era that this modern technological age of rush, rush, rush will never see the like of again, and I savoured hopping into Hemingway's time machine to enjoy some respite there.
4.5 stars - nothing momentous happens in this brief book, but it's just show more perfect all the same. show less
Hemingway's memoir of living in Paris among the ex-pats in the 1920's, written much later and published posthumously. It's a lovely read, presenting us with a gentle romantic picture of what life was like when you were young, in love and could live on next-to-nothing. Even though this is clearly based on his life with his first wife, and the people are all real and the names have not been changed (Fitzgerald, Joyce, Gertrude Stein, Sylvia Beach) the Scribner Classics edition contains this amazing disclaimer: "This book is a work of fiction. Names, characters, places and incidents either are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely show more coincidental." Hemingway himself, in the preface (written in 1960), puts it a bit differently: "If the reader prefers, this book may be regarded as fiction." Hemingway was a great one for the "truth" of things. So, did it all really happen the way he tells it, or didn't it? The principals are all dead now, so we'll never really know for sure. But isn't it pretty to think so? show less
65. A Moveable Feast by Ernest Hemingway
OPD: 1964
format: 211-page Hardcover, dated 1964
acquired: 2006 read: Nov 20-24 time reading: 4:40, 1.3 mpp
rating: 5
genre/style: Memoir theme: TBR and Hemmingway
locations: Paris 1921-1926
about the author: (1899 – 1961, born in Oak Park, Illinois, outside Chicago) An American novelist, short-story writer, journalist, and the 1954 Nobel Prize Laureate.
This is such a terrific little book. A collection of sketches of his life in 1920's Paris among authors, cafes, his wife and horse racing. Poverty and hunger play a romantic role. The wine and spirits an evocative one, the way they are enjoyed and abused. This is Gertrude Stein's Lost Generation of American writers in Paris. And Hemmingway is in their show more midst, working with all of them. Stein, Ezra Pound, F. Scott Fitzgerald & Zelda, Ford Maddox Ford and others a brought to life with a permanence, with affection, humor and brutal critique. The sum affect was magical.
It's not a simple memoir. We don't know how much is factual, verse bad memory, vs outright fiction. And it's not nice. Hemmingway is pretty clear he's going to say what he says in a straightforward way, regardless of your feelings, or his own. What comes across is both mean and affectionate. He somehow creates a sense of brutal honesty that somehow comes out wonderful. There is magic whatever he's talking about. But when author's we know come up, it's riveting. It feels so honest. His affection for Fitzgerald feels so moving, that it was only after I finished the book that I realized how terribly he gutted the poor guy's personality. But the gutting was so thoroughly entertaining!
This book has come up a lot and reviews have a constant praise about them. So my commentary is just one of many before. I'll add one thing I missed in all those reviews - it's really short and flies by. You can read this on a lazy Sunday and never be bored until you put it down.
2023
https://www.librarything.com/topic/354226#8292413 show less
OPD: 1964
format: 211-page Hardcover, dated 1964
acquired: 2006 read: Nov 20-24 time reading: 4:40, 1.3 mpp
rating: 5
genre/style: Memoir theme: TBR and Hemmingway
locations: Paris 1921-1926
about the author: (1899 – 1961, born in Oak Park, Illinois, outside Chicago) An American novelist, short-story writer, journalist, and the 1954 Nobel Prize Laureate.
This is such a terrific little book. A collection of sketches of his life in 1920's Paris among authors, cafes, his wife and horse racing. Poverty and hunger play a romantic role. The wine and spirits an evocative one, the way they are enjoyed and abused. This is Gertrude Stein's Lost Generation of American writers in Paris. And Hemmingway is in their show more midst, working with all of them. Stein, Ezra Pound, F. Scott Fitzgerald & Zelda, Ford Maddox Ford and others a brought to life with a permanence, with affection, humor and brutal critique. The sum affect was magical.
It's not a simple memoir. We don't know how much is factual, verse bad memory, vs outright fiction. And it's not nice. Hemmingway is pretty clear he's going to say what he says in a straightforward way, regardless of your feelings, or his own. What comes across is both mean and affectionate. He somehow creates a sense of brutal honesty that somehow comes out wonderful. There is magic whatever he's talking about. But when author's we know come up, it's riveting. It feels so honest. His affection for Fitzgerald feels so moving, that it was only after I finished the book that I realized how terribly he gutted the poor guy's personality. But the gutting was so thoroughly entertaining!
This book has come up a lot and reviews have a constant praise about them. So my commentary is just one of many before. I'll add one thing I missed in all those reviews - it's really short and flies by. You can read this on a lazy Sunday and never be bored until you put it down.
2023
https://www.librarything.com/topic/354226#8292413 show less
A memoir of Hemingway's time in Paris in the early 1920s, "A Moveable Feast" seemed right up my alley: I like Hemingway and I like France. However, the book didn't offer as much of either as I'd hoped. Hemingway spends most of his time listing the places he got drunk, patting himself on the back for being a writer, and name-dropping every famous person he ever knew. The chapters are a rundown of petty grudges mined 30 years later, each writer or artist described with a maximum of spite. Hemingway has no problem airing everyone else's dirty laundry (overheard fights between Gertrude Stein and her partner, Scott and Zelda Fitzgerald's marital problems, stating that one acquaintance had the "eyes of a failed rapist" despite this person's show more not factoring into the narrative at all), but reveals nothing about himself. He refers to his own infidelity and let's-say-poor-manners with such oblique language that it's hard to even tell what he thinks went on, and describes his first marriage like a fairy tale. I didn't believe it for a second. The book was enjoyable in its specific references to people and places in Paris, but all I learned from it was that Hemingway despised most people and couldn't let anything go, no matter how trivial. For a man so concerned with writing things that are "true," he couldn't bring himself to be vulnerable and honest when it counted. show less
“This is how Paris was in the early days when we were very poor and very happy.” And so Hemingway concludes a book-length love letter to Paris. Both tender and vicious, this memoir of his time there in the ‘20s is an exquisite recollection of places and friends and of a young writer’s ambitions. I read it to prepare for my own trip to France and, while much has changed since “Hem’s” era—indeed, almost everything—I hope it’s still true that Paris is “always worth it.”
"Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy."
Hemingway nails right there the cotter pin of "A Moveable Feast": "...whatever you brought to it." Whatever else this memoir is, it is the most clear-eyed and fair presentation of himself and his baggage as ever he wrote, and Paris serves as the living stage upon which his youth and the lives of his colleagues was playing out. The best aspects of this book are that the portions are small, they are direct and simple (some breath-taking, some charming), and the brazen near-toxic machismo that marked some of his later work is just not present. His likes and dislikes as people show more go are neither saccharine nor bitter, except for the frigid distrust he held for Zelda Fitzgerald.
The prose is lovely and evocative, unforced and direct. It really is. What an absolute joy this was to read. I really want to go back to Paris now, though. show less
Hemingway nails right there the cotter pin of "A Moveable Feast": "...whatever you brought to it." Whatever else this memoir is, it is the most clear-eyed and fair presentation of himself and his baggage as ever he wrote, and Paris serves as the living stage upon which his youth and the lives of his colleagues was playing out. The best aspects of this book are that the portions are small, they are direct and simple (some breath-taking, some charming), and the brazen near-toxic machismo that marked some of his later work is just not present. His likes and dislikes as people show more go are neither saccharine nor bitter, except for the frigid distrust he held for Zelda Fitzgerald.
The prose is lovely and evocative, unforced and direct. It really is. What an absolute joy this was to read. I really want to go back to Paris now, though. show less
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Published Reviews
ThingScore 40
Important note!: this review is of the edition that Hemingway's grandson revised because he didn't like the original's contents. Hotchner argues for ignoring this edition in favor of the original.
"The grandson has removed several sections of the book’s final chapter and replaced them with other writing of Hemingway’s that the grandson feels paints his grandma in a more sympathetic show more light. Ten other chapters that roused the grandson’s displeasure have been relegated to an appendix."
"All publishers, Scribner included, are guardians of the books that authors entrust to them. Someone who inherits an author’s copyright is not entitled to amend his work. There is always the possibility that the inheritor could write his own book offering his own corrections. Ernest was very protective of the words he wrote, words that gave the literary world a new style of writing. Surely he has the right to have these words protected against frivolous incursion, like this reworked volume that should be called “A Moveable Book.” I hope the Authors Guild is paying attention." show less
"The grandson has removed several sections of the book’s final chapter and replaced them with other writing of Hemingway’s that the grandson feels paints his grandma in a more sympathetic show more light. Ten other chapters that roused the grandson’s displeasure have been relegated to an appendix."
"All publishers, Scribner included, are guardians of the books that authors entrust to them. Someone who inherits an author’s copyright is not entitled to amend his work. There is always the possibility that the inheritor could write his own book offering his own corrections. Ernest was very protective of the words he wrote, words that gave the literary world a new style of writing. Surely he has the right to have these words protected against frivolous incursion, like this reworked volume that should be called “A Moveable Book.” I hope the Authors Guild is paying attention." show less
added by danielx
He is gentle, wistful, and almost nostalgic. One writer friend once described Hemingway to me as "that bully" and in many ways my friend was right. Hemingway had created his own public personae that included a brusque way of conducting himself; of a kind of machismo that would be called out for what it was these days; and an insensitivity to other people that bordered on the cruel. A lot of show more that 'Grace under pressure" is crap, and in his better moments, Heminway probably knew that. But the stories in A Moveable Feast belie all that. He remembers those days in Paris with a fondness and kindness that is remarkable, considering his usual public displays. show less
added by paradoxosalpha
Ernest was very protective of the words he wrote, words that gave the literary world a new style of writing. Surely he has the right to have these words protected against frivolous incursion, like this reworked volume that should be called “A Moveable Book.”
added by carport
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Author Information

655+ Works 173,198 Members
Ernest Miller Hemingway was born in the family home in Oak Park, Ill., on July 21, 1899. In high school, Hemingway enjoyed working on The Trapeze, his school newspaper, where he wrote his first articles. Upon graduation in the spring of 1917, Hemingway took a job as a cub reporter for the Kansas City Star. After a short stint in the U.S. Army as a show more volunteer Red Cross ambulance driver in Italy, Hemingway moved to Paris, and it was here that Hemingway began his well-documented career as a novelist. Hemingway's first collection of short stories and vignettes, entitled In Our Time, was published in 1925. His first major novel, The Sun Also Rises, the story of American and English expatriates in Paris and on excursion to Pamplona, immediately established him as one of the great prose stylists and preeminent writers of his time. In this book, Hemingway quotes Gertrude Stein, "You are all a lost generation," thereby labeling himself and other expatriate writers, including F. Scott Fitzgerald, T.S. Eliot, and Ford Madox Ford. Other novels written by Hemingway include: A Farewell To Arms, the story, based in part on Hemingway's life, of an American ambulance driver on the Italian front and his passion for a beautiful English nurse; For Whom the Bell Tolls, the story of an American who fought, loved, and died with the guerrillas in the mountains of Spain; and To Have and Have Not, about an honest man forced into running contraband between Cuba and Key West. Non-fiction includes Green Hills of Africa, Hemingway's lyrical journal of a month on safari in East Africa; and A Moveable Feast, his recollections of Paris in the Roaring 20s. In 1954, Hemingway won the Nobel Prize in Literature for his novella, The Old Man and the Sea. A year after being hospitalized for uncontrolled high blood pressure, liver disease, diabetes, and depression, Hemingway committed suicide on July 2, 1961, in Ketchum, Idaho. (Bowker Author Biography) show less
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Keltainen pokkari (29)
Gli Oscar [Mondadori] (198)
Lanterne (L 150)
Privé-domein (290)
rororo (1438 / 22605)
Gallimard, Folio (465)
Work Relationships
Is contained in
Ernest Hemingway Book-of-the-Month-Club Set of 6: A Farewell to Arms, A Moveable Feast, For Whom the Bell Tolls, The Sun Also Rises, The Old Man and the Sea, The Complete Short Stories by Ernest Hemingway
Is abridged in
Is expanded in
Common Knowledge
- Canonical title*
- Amerikaan in Parijs
- Original title
- A Moveable Feast
- Alternate titles*
- Dag en nacht feest : herinneringen aan Parijs; Parijs is een feest
- Original publication date
- 1964 (original edition) (original edition)
- People/Characters
- Ernest Hemingway; F. Scott Fitzgerald; Ezra Pound; Gertrude Stein; Ford Madox Ford; Aleister Crowley (show all 19); Zelda Fitzgerald; James Joyce; Hadley Hemingway Mowrer; Pauline Pfeiffer; Sylvia Beach; Evan Shipman; Larry Gains; Mike Ward; Ernest Walsh; Ralph Cheever Dunning; Walther Lent; Larry Gains; Bumby Hemingway
- Important places
- Paris, France; Lyon, Rhône, Auvergne-Rhône-Alpes, France; Schruns, Vorarlberg, Austria
- Important events
- Interwar Period
- Epigraph
- If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast. --Ernest Hemingway to a friend, 1950
- First words
- Then there was the bad weather.
- Quotations
- When I saw my wife again standing by the tracks...I wished I had died before I ever loved anyone but her.
But this is how Paris was in the early days when we were very poor and very happy.
Work could cure almost anything, I believed then, and I believe now. Then all I had to be cured of, I decided Miss Stein felt, was youth and loving my wife. - Last words
- (Click to show. Warning: May contain spoilers.)But this is how Paris was in the early days when we were very poor and very happy.
- Original language
- English
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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