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Fiction. Literature. Mystery. Historical Fiction. HTML:Pete Dexter’s National Book Award–winning tour de force tells the mesmerizing story of a shocking crime that shatters lives and exposes the hypocrisies of a small Southern town.
 
The time and place: Cotton Point, Georgia, just after World War II. The event: the murder of a fourteen-year-old black girl by a respected white citizen named Paris Trout, who feels he’s done absolutely nothing wrong. As a trial looms, the crime eats show more away at the social fabric of Cotton Point, through its facade of manners and civility. Trout’s indifference haunts his defense lawyer; his festering paranoia warps his timid, quiet wife; and Trout himself moves closer to madness as he becomes obsessed with his cause—and his vendettas.
 
Praise for Paris Trout
 
“A masterpiece, complex and breathtaking . . . [Pete] Dexter portrays his characters with marvelous sharpness.”Los Angeles Times
 
“A psychological spellbinder that will take your breath away and probably interfere with your sleep.”The Washington Post Book World
 
“Dexter’s brilliant understanding of the Deep South has allowed him to capture much of its essence—its bitter class distinctions, its violence, its strangeness—with a fidelity of detail and an ear for speech that I have rarely encountered since Flannery O’Connor.”—William Styron
 
“Dexter’s powerfully emotional novel doesn’t have any brakes. Hang on, because you won’t be able to stop until the finish.”Chicago Tribune.
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whymaggiemay Both books take place in the south, though in different states. The underlying racial tone is very similar.

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29 reviews
Una storia così può essere ambientata solo nel sud degli Stati Uniti, o in certe lande nostrane in cui imperversa un ottuso mito razziale e del self made man, dell'uomo che non deve chiedere mai, perché si prende tutto da solo, e per le spicce.
Paris Trout è un pazzo sociopatico, e come tutti i suoi congeneri riesce a sembrare del tutto normale, o quasi, fin che sbrocca, e quando lo fa lo fa col botto, letteralmente.
Ma a parte l'evoluzione verso la totale follia di Paris, è interessante notare l'accondiscendeza, per non dire la complicità, della società che gli sta intorno, e non perché non sappiano che è pazzo - la sua condizione viene spesso ribadita durante la narrazione - ma perché fa parte dell'elite del posto.
Scritto e show more tradotto benissimo. show less
Paris Trout is both a relentless and subtle novel. It starts out disturbing and never really lets up.

In Cotton Point, Ether County, Georgia, Paris Trout, a local businessman and money lender to the poor, shoots and kills Rosie Sayers, a young black girl, in an altercation about money owed him.

Rosie, who has had a short, difficult life, is in the wrong house at the wrong time. “The things that frightened her worst never came to her in a way she could see them.”

Local attorney Harry Seagraves is hesitant to defend Trout. “A man like Paris Trout could rub his right and wrong up against the written law for ten minutes and occupy half a year of Harry Seagrave’s time straightening it out.”

Trout is true only to himself. “There was show more a contract he’d made with himself a long time ago that overrode the law, and being the only interested party, he lived by it.”

Trout terrorizes a small segment of the Cotton Point population for several years as he loses both his mind and his many legal appeals.

Written in 1987, the violent climax is mild compared with what we have become used to now, with extensive press coverage being given to horrific mass shootings that claim more lives than Paris Trout could ever hope to. But that doesn’t detract from the power of the story.
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Pete Dexter’s justly renowned Paris Trout traces the inexorable decline of its eponymous character, and the few citizens of Cotton Point, Georgia, whom he takes with him. Dexter delivers his grisly, unfortunate story in robust language, making clear his central characters’ lack of choice, or their delusions, or their destructive impulses. Dexter’s greatest achievement in this book is the inevitability of its climax, and yet he manages to surprise us anyway. Typical of Dexter, this book boasts plain, strong language, an unflinching gaze at human failing, a pace that never lets up, and the overall impression that we are in the hands of a master. It’s unforgettable.

It’s the 1950s, and Paris Trout is a local businessman who has show more been active in a small Georgia town for decades. He runs a small general store, deals in used cars, and lends money out at interest, serving the town’s Negro population as well as its white people. He manages his interests in an unorthodox manner, not being one to write anything down, including books of account. He retains all transactions and balances in his head, for he has a powerful, capacious mind.

He also has a deadly, unswerving focus on his own interests, and this focus leads him to nefarious activities, the worst of which results in the fatal shooting of a 14 year-old Negro girl in her home. His trial on this charge constitutes a good portion of the book, and is the central trigger for the acceleration of his downward spiral.

We only get to follow Paris’s reasoning, such as it is, at a remove. We are much closer to the other characters in the book, his wife Hanna, Harry Seagraves, his attorney, and Carl Bonner, a lawyer who arrives halfway through the narrative, and represents Hanna in divorce proceedings against Trout. The mental and emotion journeys these people take in the wake of Paris Trout’s deeds and misdeeds show Dexter’s superior ability with the human mind and heart.

Take this up. It’s an important work of American fiction from the last century, and it showcases the astonishing ability of its celebrated author.

https://bassoprofundo1.blogspot.com/2022/05/paris-trout-by-pete-dexter.html
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½
Well, this book turned out to be nothing like I had expected from the Goodreads blurb. Race plays a part in Paris Trout’s crime only in the sense that the society was cruel to its black population, which made it easier to assault a black person and walk away, but Paris Trout was much more than a racist, he was a monster and a threat to humanity in any form. I did not think that the color of skin was the determining factor for Paris. I’m not even sure it was a factor, except in freeing him from any need to curtail his wrath because of social pressures. If Henry Ray had been a poor white boy who owed him money, he would have behaved in much the same way. Paris is a racist, but the society he lives in is worse, because it purports to show more be kind and just, and it turns its head the other way.

While no one could deny the sick perversity of Paris Trout, the thing that tore at me was the way he was shielded by the system, even when every single person who came in contact with him: prosecutors, judges, neighbors, employees, and his defense attorney, knew him for the savage demon that he was. Several of these leading citizens knew details of his brutal treatment of his wife, Hanna, and showed as little concern for her as they had shown for Rosie Sayers, the innocent black girl he had murdered.

Who and what Paris Trout is, is established in the opening moments of this novel. Who the others are takes longer in revealing itself, and is much more important. I couldn’t help thinking of that old cliche “all that is required for evil to flourish is that good men do nothing.” But, then, when evil flourishes, it refuses to contain itself to the parameters we think we set for it. It tends to spill out over the edges like an overfilled bathtub. It tends to reach out its tentacles and touch everyone and everything. Eventually, it touches us.

[b:Paris Trout|899813|Paris Trout|Pete Dexter|https://images.gr-assets.com/books/1302028458s/899813.jpg|1155530] is not an easy read, but then stories about the evils of society seldom are. You cannot tell a tale about the dangers of tolerating evil without looking at some pretty horrendous things, just as you cannot make Paris Trout a respectable businessman by putting him in a suit and tie and inviting him to the Kiwanis Club dinners.

Take a very deep breath and then read this.
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Paris Trout is a loathsome character. He shoots and kills a 14 year old black girl for no reason. Not a crime of passion, but more chillingly a crime of indifference. She’s simply in the way when he tries to collect his debt so he shoots her. Well-drawn novel villains often have some, if not redeeming qualities, at least qualities that make them seem more human. They love their children or their dog. Or they have some charming roguishness. Paris Trout has none of that. If he had a dog, he would beat it. He simply has no redeeming qualities. It is a testimony to Dexter’s writing skill, that even in all his loathsomeness, Paris Trout is still a compelling character.

However, if this were simply the story of a racist sociopath it would show more be hard to endure and probably not worth reading. Definitely not National Book Award worthy. But it is, of course, much more.

We see the story of Paris Trout unfold from not only his perspective, but from the point of view of the girl he killed, his lawyer, his wife, the prosecution and a host of supporting characters.

Dexter creates what feels like a very realistic feeling portrait of redneck Georgia in the early 1950s. It feels honest, not patronizing or apologetic. Paris Trout: A Novel, is at times an uncomfortable reading experience, but worthwhile. Highly recommended.
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This is a very good novel about a terrible man who does some terrible things and is largely supported in his violent, antisocial behavior by the society in which he lives. While Paris Trout is the central character and the catalyst for the story, the book is simply a portrait of an evil man. It is a portrait of a social structure that finds it impossible to contain the behavior of such a man. Trout is an outsider with a sour disposition. He abuses his wife. He takes advantage of the black community with high-interest loans. And he ultimately kills a fourteen-year-old girl when he's enraged over not being able to collect a debt from one of her relatives. But Trout is a local businessman with enormous financial resources, and the white show more community finds it difficult to prosecute him effectively.

The character of Trout is consistently unrepentant and uncompromising. He is the embodiment of the society's worst faults, with no inclination to cover them over with polite talk or deferential behavior. Like the inexplicable motivations of Iago in Shakespeare's Othello, his reasons are always his own, without clear explanation. Even though discussion of this book seems frequently to settle on racism as a primary subject of the book, that is only one facet of what's going on in this story. To let the story go by with only that as the element of its critique is to avoid the more sweeping social criticism, which can be seen to touch us all. Trout's behavior is the manifestation of those societal compromises every civilization makes to varying degrees. Racism is obvious, because this book is set in the American South after World War II. Yet there is also a clear corruption of the social order by the unchallenged belief that money and wealth represent the highest good. Legal justice becomes a commodity that wealth and community standing can help to buy. Seemingly intolerable behavior becomes impossible to oppose when societal rules dictate that we pretend not to see injuries and abuses.

Trout too is a problematic character in that his behavior has grown increasingly erratic over the years. It seems likely that he has always been a difficult man with numerous faults, yet those negative traits have intensified with time. His violent episodes in the book may be evidence of mental problems that finally grew too difficult to control. Trout became "poisoned," just like the rabid foxes in the opening passages of the book, and became a wild animal that ran out of control. Like every story that includes a rabid animal, there is only one way it can end.
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Amazing, visceral movement toward inevitable violence and an unexpected sacrifice. Beautifully told story that held me in something of a choke hold until the end.

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ThingScore 100
Wow, there’s nothing like an unrepentant villain to make your skin crawl, some psychotic menace who terrorizes an entire town and makes you feel self-righteous about your own minor moral failings.
Harold Augenbraum, National Book Foundation
Sep 1, 2009
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Read the book and saw the movie
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Southern Fiction
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Author Information

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18+ Works 4,842 Members
Novelist, journalist, and poet Pete Dexter was born in Pontiac, Michigan, in 1943. As a student at the University of South Dakota, where he attended on and off for ten years, he wrote poetry and won a grant from the National Endowment for the Arts. After graduating in 1970, he found work as a newspaper reporter. While working as a columnist for show more the Philadelphia Daily News, Dexter was nearly beaten to death by readers who disapproved of a piece he wrote about a drug-related murder. That experience helped propel him into fiction writing, and in 1984, he published God's Pocket. Dexter won a National Book Award in 1988 for his novel Paris Trout, a book that exemplifies his characteristic blending of humor and violence. As a journalist, his work has also appeared in such periodicals as Esquire and Playboy. Paper Trails, published in 2007, is a compilation of columns he wrote for the Philadelphia Daily News and The Sacramento Bee from the 1970s to the 1990s. He also wrote the novel Spooner in 2009. (Bowker Author Biography) show less

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Negrini, Stefano (Translator)

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Common Knowledge

Canonical title
Paris Trout
Original title
Paris Trout
Original publication date
1988
People/Characters
Paris Trout; Rosie Sayers; Alvin Cooms; Henry Ray; Mary McNutt; Harry Seagraves (show all 10); Hanna Trout; Estes Singletary; Carl Bonner; Buster Devonne
Important places
Cotton Point, Georgia, USA
Related movies
Paris Trout (1991 | IMDb)
Dedication*
Een beklemmend en adembenemend verhaal
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
Fiction and Literature, General Fiction, Mystery
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PS3554 .E95 .P37Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
BISAC

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ISBNs
30
ASINs
16