While England Sleeps
by David Leavitt
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Set against the rise of fascism in 1930s Europe, WHILE ENGLAND SLEEPS tells the story of the love affair between Brian Botsford, an upper-class young writer, and Edward Phelan, an idealistic, self-educated employee of the London Underground and a member of the Communist party. Though by far the better educated of the two Brian is also more callow, convinced that his homosexuality is something he will outgrow. Edward, on the other hand, possesses 'an unproblematic capacity to accept' both show more Brian and the unorthodox nature of their love for each other - until one day, at the urging of his wealthy aunt Constance, Brian agrees to be set up with a 'suitable' young woman...and soon enough Edward is pushed to the point of crisis. Fleeing, he volunteers to fight in Spain, where he ends up in prison. Brian, responsible for Edward's flight, must pursue him across Europe, into the violent chaos of war. show lessTags
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This book about gay life in the 1930s in the context of the Spanish Civil War was briefly banned in the UK, after Stephen Spender sued on the basis that part of the book was taken from his autobiography. An extraordinary act, it seems to me, based on the sheer unlikeability of the lead character Brian. Brian Botsford is an upper class Cambridge graduate, attempting to write in 1930s London and part of a largely homosexual milieu. Edward, his lover, is a working class man who works on the Tube. Brian's first person narrative continually skewers him as delusional about his sexuality, snobbish, incapable of sexual fidelity, with no political ideals, a sponger for money and eventually - quel horreur - a Hollywood script writer. It's rare to show more find a writer willing to be so ruthless about the appalling nature of a first person narrator. The writing is always very readable, the sex is graphic (not to be read by the prudish), and the book occasionally feels as if it would have benefited from being given a bit more time. show less
My initial reaction to this book after reading the first twenty or thirty pages was that something, the language perhaps, felt inauthentic. Now, if there's a word I thought I would never use in a book review, it's inauthentic, so I was puzzled. After all, I'm not much of a judge on what is authentic in England in 1930s; my experiences of the 1930s are fully fictional. To a large extent it felt that someone was trying to dress up late-twentieth-century notions and mindsets in 1930s suit and then added some hot sex to make it looks attractive enough to make the reader forget how badly the combination fitted.
Fair enough, there is a framing device - the story of what happened in 1930s is told in the 1950s and an epilogue is dated in 1970s, show more which might explain something of it. Or maybe the reader was supposed to assume that Brian Botsford wasn't a very good writer. I don't know but the novel was a definitely let-down after all the times I've looked at the book in the bookshop and felt too skint to buy it just then.
On the minor gripes score, I just hate it when specifically British editions of American novels retain the American spellings - and with a book set in the 1930s England, it felt even more irritating than usual. show less
Fair enough, there is a framing device - the story of what happened in 1930s is told in the 1950s and an epilogue is dated in 1970s, show more which might explain something of it. Or maybe the reader was supposed to assume that Brian Botsford wasn't a very good writer. I don't know but the novel was a definitely let-down after all the times I've looked at the book in the bookshop and felt too skint to buy it just then.
On the minor gripes score, I just hate it when specifically British editions of American novels retain the American spellings - and with a book set in the 1930s England, it felt even more irritating than usual. show less
This is a roman a clef, based loosely on the life of a gay British intellectual in the 1930s. While the sex and romance were good, I thought the books strength was its depiction of the struggle for freedom (personal freedom, sexual freedom, freedom from class, freedom from fascism) and the failure of some of those struggles
Homosexuality as background for this tale of two lovers set apart by class and idealism. Leavitt writes an interesting historical novel of love and its many challenges.
Set against the rise of fascism in 1930s Europe, While England Sleeps tells the story of a love affair between the aristocratic young British writer Brian Botsford, who thinks homosexuality is something he will outgrow, and Edward Phelan, a sensitive and idealistic working-class employee of the London Underground and a Communist party member. When the strains of class difference, sexual taboo, and Brian's ambivalence impel Edward to volunteer to fight against Franco in Spain, Brian pursues him across Europe and into the violent chaos of war.
I enjoyed Leavitt's version of this story. Apparently he lifted some of the material. Melancholy at times. The narrator, Brian Botsford, is a member of England's upper class, an ambitious writer who happens to be gay who believes that he initially suspects he will "outgrow" the inclination. He falls in love with Edward Phelan,who comes from a lower English Class class; in fact, he works on the underground and still lives with his family. Edward moves in with Brian, and all's well until social mores and the effects of repression intrude on their happiness. After the relationship deteriorates, Edward, who has Communist leanings, goes off to fight Fascists in the Spanish civil war. Brian's race to rescue him leads to the book's climax. The show more novel's action is compelling, its language beautiful but at times full of melancholy show less
Another disappointment. Review to come.
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Author Information

59+ Works 8,780 Members
David Leavitt's first collection of stories, "Family Dancing," was a finalist for both the National Book Critics Circle Award & the PEN/Faulkner Prize. "The Lost Language of Cranes" was made into a BBC film, & "While England Sleeps" was shortlisted for the Los Angeles Times Fiction Prize. Leavitt is also the author of "Equal Affections," "A Place show more I've Never Been," "Arkansas," & "The Page Turner." With Mark Mitchell, he coedited "The Penguin Book of Short Stories" & "The Pages Passed from Hand to Hand" & cowrote "Italian Pleasures." He is recipient of fellowships from the John Simon Guggenheim Foundation & the National Endowment for the Arts. He divides his time between Italy and Florida. (Bowker Author Biography) show less
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Common Knowledge
- Original publication date
- 1993-11-04
- People/Characters*
- Brian Botsford; Edward Phelan
- Important places
- London, England, UK; Barcelona, Catalonia, Spain
- Important events
- Spanish Civil War (1936 | 1939); World War II (1939 | 1945)
- Epigraph
- ...and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square,... (show all) the red buses, the blue policemen - all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are joked out of it by the roar of bombs.
-George Orwell, 'Homage to Catalonia' - Dedication
- For Giovanni Forti, in loving memory
'What courage I have shown is in the telling.' - First words
- In the early 1950s, history and politics conspired to create a circumstance in which it was impossible for me to ply my chosen trade - namely, writing.
- Last words
- (Click to show. Warning: May contain spoilers.)Droplets like mercury, heavy with light.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
Classifications
- Genres
- LGBTQ+, Fiction and Literature, General Fiction, Historical Fiction
- DDC/MDS
- 813.54 — Literature & rhetoric American literature in English American fiction in English 1900-1999 1945-1999
- LCC
- PS3562 .E2618 .W47 — Language and Literature American literature American literature Individual authors 1961-
- BISAC
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- Reviews
- 8
- Rating
- (3.66)
- Languages
- 7 — Catalan, Danish, Dutch, English, Italian, Portuguese, Spanish
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 21
- UPCs
- 1
- ASINs
- 6


































































