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A Room with a View (1908)

by E. M. Forster

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
10,832214597 (3.92)1 / 730
This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.… (more)
  1. 30
    Howards End by E. M. Forster (sturlington)
    sturlington: Where A Room with a View is comedy, Howards End is tragedy.
  2. 31
    Merchant Ivory's English Landscape by John Pym (carlym)
    carlym: [Merchant Ivory's English Landscape] includes quite a few photos from the movie version of [A Room with a View].
  3. 31
    Cold Comfort Farm by Stella Gibbons (upster)
    upster: It's refreshing and fun
  4. 31
    The Enchanted April by Elizabeth von Armin (SylviaC)
  5. 10
    The House of Velvet and Glass by Katherine Howe (StarryNightElf)
    StarryNightElf: Two ladies travel in Europe during the Edwardian Era.
  6. 00
    Sex and Vanity by Kevin Kwan (nicole_a_davis)
  7. 00
    Where Angels Fear to Tread by E. M. Forster (KayCliff)
Europe (8)
My TBR (46)
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 Made into a Movie: A Room with a View1 unread / 12wonderY, January 2016

» See also 730 mentions

English (203)  Spanish (4)  German (3)  Portuguese (Brazil) (1)  Hebrew (1)  Swedish (1)  Dutch (1)  All languages (214)
Showing 1-5 of 203 (next | show all)
Easily my least favorite of his major works. The book was, for me, so much of a slog that about halfway through, I put it aside for more than a month. I found the writing just tedious. Finally, I picked it back up and, with the exception of the last chapter or so, pushed myself to finish it. I truly enjoyed, say, Howard’s End and with Passage to India, but the writing here struck me as difficult. I couldn’t always follow the story, frankly, and thinking about it, I believe it is because Forster is being more much more oblique. That is, I think, in part because he is writing about English society and the people he was writing about made it a point to be oblique: candor and clarity were nothing if not avoided. Indeed, several times I went back over chapters I’d read when, later in the book, a character referred to something that I simply didn’t catch or understand at the time. I did think the last chapter or two improved things markedly, but overall, I was very disappointed at the difficulty I had and how little I ultimately I enjoyed it. ( )
  Gypsy_Boy | Aug 24, 2023 |
An enjoyable book about a young woman who finds true love in a rather unconventional way. This is an interesting look at society in the genteel class during the early 1900s. ( )
  hobbitprincess | Aug 22, 2023 |
After watching the film based on this book, I was drawn to read it, and then to read other Forster stories and novels. I haven't been disappointed. ( )
  mykl-s | Aug 13, 2023 |
If I could give it a 4.5, I would. This Edwardian bildungsroman places, at times, an awkward Lucy Honeychurch on the cusp of womanhood who is first on the puppet strings of her elder cousin and then her fiancee. What ensues is a comic satire on the mores of early 1900s England, both at home and abroad in Italy. Lucy could be annoying if seen through our modern-day sensibilities, but I rooted for her all the way. Will have to read more Forster. ( )
  crabbyabbe | Jul 20, 2023 |
One of the best things about reading the classics is that you can learn more about how people really lived in the past than you can in any history book. We all know that "back in the old days" the dating/courting ritual was a lot different than it is today. But A Room With A View is a perfect example of just how incredibly bizarre things were done back then. We've definitely come a long way and after reading this novel, all I can say is ; Thank God we have ! ( )
  kevinkevbo | Jul 14, 2023 |
Showing 1-5 of 203 (next | show all)
E M Forsters romantext präglas av en oerhört njutbar balans mellan utsagt och outsagt, mellan ytlig elegans och underförstådda referenser till en betydligt dunklare verklighet.
 

» Add other authors (45 possible)

Author nameRoleType of authorWork?Status
Forster, E. M.primary authorall editionsconfirmed
Bradbury, Malcolmsecondary authorsome editionsconfirmed
Crossley, StevenNarratorsecondary authorsome editionsconfirmed
Davidson, FrederickNarratorsecondary authorsome editionsconfirmed
Ekman, MariaTranslatorsecondary authorsome editionsconfirmed
Harte, Glynn BoydIllustratorsecondary authorsome editionsconfirmed
Lustig, AlvinCover designersecondary authorsome editionsconfirmed
Shallenberg, KaraNarratorsecondary authorsome editionsconfirmed
Simpson, MonaIntroductionsecondary authorsome editionsconfirmed
Stallybrass, OliverEditorsecondary authorsome editionsconfirmed
Stevenson, JulietNarratorsecondary authorsome editionsconfirmed
Ward, CandaceEditorsecondary authorsome editionsconfirmed

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"The Signora had no business to do it," said Miss Bartlett, "no business at all. She promised us south rooms with a view close together, instead of which here are north rooms, looking into a courtyard, and a long way apart. Oh, Lucy!"
A Room with a View was published in 1908. (Appendix)
Quotations
She joined the vast armies of the benighted, who follow neither the heart nor the brain, and march to their destiny by catch-words.
If Miss Honeychurch ever takes to live as she plays [piano], it will be very exciting both for us and for her.
She was like a woman of Leonardo da Vinci, whom we love not so much for herself as for the things that she will not tell us.
There is a certain amount of kindness, just as there is a certain amount of light,” he continued in measured tones. “We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won’t do harm—yes, choose a place where you won’t do very much harm, and stand in it for all you are worth, facing the sunshine.”
It makes a difference, doesn’t it, whether we fence ourselves in, or whether we are fenced out by the barriers of others?
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(Click to show. Warning: May contain spoilers.)
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This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England. A charming young English woman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson--who is entirely unsuitable and whose father just may be a Socialist--Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England she is courted by a more acceptable, if stifling, suitor, and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.

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Penguin Australia

3 editions of this book were published by Penguin Australia.

Editions: 0141183292, 0241951488, 0141199822

Feral House

An edition of this book was published by Feral House.

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Tantor Media

An edition of this book was published by Tantor Media.

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Recorded Books

An edition of this book was published by Recorded Books.

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