Search Site
This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.


Howards End (1910)

by E. M. Forster

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingMentions
8,130124862 (3.98)516
Howard's End is a charming country house in Hertfordshire which becomes the object of an inheritance dispute between the Wilcox family and the Schlegel sisters. Through romantic entanglements, disappearing wills, and sudden tragedy, the conflict over the house emerges as a symbolic struggle for England's very future. A clear, vibrant portrait of life in Edwardian England, Howard's End deals with personal relationships and conflicting values.… (more)
  1. 30
    A Room with a View by E. M. Forster (sturlington)
    sturlington: Where A Room with a View is comedy, Howards End is tragedy.
  2. 31
    On Beauty by Zadie Smith (GCPLreader)
    GCPLreader: contemporary novel is an homage to Howard's End
  3. 10
    North and South by Elizabeth Gaskell (Cecrow)
    Cecrow: Another Margaret who extends her empathy across social strata.
  4. 10
    The Forsyte Saga by John Galsworthy (Limelite)
1910s (2)
My TBR (97)
Modernism (122)

Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

» See also 516 mentions

English (117)  Dutch (2)  Catalan (2)  Swedish (1)  Greek (1)  All languages (123)
Showing 1-5 of 117 (next | show all)
While an entertaining read, I found it hard to identify with any one character. Meg began to stimulate my interest, but by then the book was 90% gone and I was left wanting. The Social arguments I was led to expect made but cameo appearances and were gone; leaving us with dialog and events that, while amusing, failed to develop a substantive argument for or against anything. Not a bad read, but far from exceptional. ( )
  282Mikado | Apr 13, 2022 |
This book is marvellous on so many levels: the critique of capitalism and imperialism, the defence of women's rights and social equality with the wonder of Howard's End as a magical Eden from which to escape, where balance is restored, despite the inequities and violence.
The construction of this book from an innocent incident to a catastrophe is masterful: what seems like a series of stories all coming together to create an entirely new one where the characters emerge completely changed.
I absolutely loved it. ( )
  Cecilturtle | Mar 19, 2022 |
In the beginning I thought it was a comedy of errors but it gets more serious in the end. ( )
  Marietje.Halbertsma | Jan 9, 2022 |
This book took longer to grab me than Maurice, I’m thinking because I was expected a main character as strongly central as Maurice himself. But though the Schlegels, Wilcoxes, and Basts form a looser and more complicated ensemble cast, it is again the titular entity that frames the story. The house itself is often in the distance, but Howards End, Mrs. Wilcox as its appendage, and England as its extension, are the emotional and thematic heart of the book. The story is a bit of a slow burn, but by the end all the threads of relationships, suspicions, socioeconomics, love, and inheritance, are woven together in a satisfying and interesting way.

“Harder came the rain, pouring out of a windless sky, and spattering up from the notice-boards of the house-agents, which lay in a row on the lawn where Charles had hurled them. She must have interviewed Charles in another world--where one did have interviews. How Helen would revel in such a notion! Charles dead, all people dead, nothing alive but houses and gardens.”
( )
  misslevel | Sep 22, 2021 |
Thoroughly delectable from beginning to end. ( )
  HenrySt123 | Jul 19, 2021 |
Showing 1-5 of 117 (next | show all)
"The season's great novel"
added by GYKM | editDaily Mail
"A fine novel"
added by GYKM | editGraphic
"My impression is that the writer is a woman of a quality of mind comparable to that of the Findlater sisters or to May Sinclair."
added by GYKM | editChicago Tribune
"A story of remarkably queer people"
added by GYKM | editWestern Mail

» Add other authors (160 possible)

Author nameRoleType of authorWork?Status
Forster, E. M.Authorprimary authorall editionsconfirmed
Bordwin, GabrielleCover designersecondary authorsome editionsconfirmed
Bradbury, MalcolmContributorsecondary authorsome editionsconfirmed
Epstein, JosephContributorsecondary authorsome editionsconfirmed
Hynes, SamuelIntroductionsecondary authorsome editionsconfirmed
Ivory, JamesIntroductionsecondary authorsome editionsconfirmed
John, AugustusCover artistsecondary authorsome editionsconfirmed
Kauffer, Edward McKnightCover designersecondary authorsome editionsconfirmed
Klett, ElizabethNarratorsecondary authorsome editionsconfirmed
Lodge, DavidIntroductionsecondary authorsome editionsconfirmed
Pascual, ToniTranslatorsecondary authorsome editionsconfirmed
Pennanen, EilaTranslatorsecondary authorsome editionsconfirmed
Pessarrodona, MartaIntroductionsecondary authorsome editionsconfirmed
Petherbridge, EdwardNarratorsecondary authorsome editionsconfirmed
Trilling, LionelContributorsecondary authorsome editionsconfirmed
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Canonical title
Original title
Alternative titles
Information from the Spanish Common Knowledge. Edit to localize it to your language.
Original publication date
Important places
Important events
Related movies
Awards and honors
"Only Connect . . ."
First words
Editor's Introduction
Idea for another novel shaping, and may do well to write it down.
One may as well begin with Helen’s letters to her sister.
Theatres and discussion societies attracted her less and less. She began to ‘miss’ new movements, and to spend her spare time re-reading or thinking . . . she had outgrown stimulants, and was passing from words to things. It was doubtless a pity not to keep up with Wedekind or John, but some closing of the gates is inevitable after thirty, if the mind itself is to become a creative power.
Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer.
Margaret greeted her lord with peculiar tenderness on the morrow. Mature as he was, she might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monk, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going.
The train sped northward, under innumerable tunnels. It was only an hour’s journey, but Mrs. Munt had to raise and lower the window again and again. She passed through the South Welwyn Tunnel, saw light for a moment, and entered the North Welwyn Tunnel, of tragic fame. She traversed the immense viaduct, whose arches span untroubled meadows and the dreamy flow of Tewin Water. She skirted the parks of politicians. At times the Great North Road accompanied her, more suggestive of infinity than any railway, awakening, after a nap of a hundred years, to such life as is conferred by the stench of motor-cars, and to such culture as is implied by the advertisements of antibilious pills. To history, to tragedy, to the past, to the future, Mrs. Munt remained equally indifferent; hers but to concentrate on the end of her journey.
They were both at their best when serving on committees. They did not make the mistake of handling human affairs in the bulk, but disposed of them item by item, sharply. ... It is the best—perhaps the only—way of dodging emotion.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Original language
Canonical DDC/MDS
Canonical LCC

References to this work on external resources.

Wikipedia in English (2)

Howard's End is a charming country house in Hertfordshire which becomes the object of an inheritance dispute between the Wilcox family and the Schlegel sisters. Through romantic entanglements, disappearing wills, and sudden tragedy, the conflict over the house emerges as a symbolic struggle for England's very future. A clear, vibrant portrait of life in Edwardian England, Howard's End deals with personal relationships and conflicting values.

No library descriptions found.

Book description
Haiku summary

Popular covers

Quick Links


Average: (3.98)
1 16
1.5 3
2 64
2.5 16
3 278
3.5 92
4 585
4.5 76
5 465

Is this you?

Become a LibraryThing Author.

Penguin Australia

2 editions of this book were published by Penguin Australia.

Editions: 014118213X, 0141199407

Recorded Books

An edition of this book was published by Recorded Books.

» Publisher information page


An edition of this book was published by HighBridge.

» Publisher information page

Tantor Media

An edition of this book was published by Tantor Media.

» Publisher information page


About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 173,820,653 books! | Top bar: Always visible