I Who Have Never Known Men

by Jacqueline Harpman

On This Page

Description

"Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl--the fortieth prisoner--sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. show more Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman's modern classic is an important addition to the growing canon of feminist speculative literature."--Back cover. show less

Tags

Recommendations

Member Recommendations

tottman Both are dystopian novels with engaging and driven main characters. They are bleak but extraordinarily moving and compelling.
Also recommended by Tanglewood
20
JessiAdams Sort of similar in that they deal with a dystopian time where a small group of people are held in captivity.
20

Member Reviews

116 reviews
This was a "wow" book for me. I don't read much dystopian/science fiction literature, but this I really connected with.

The premise is that a group of 40 women (one a girl child) is contained in an underground cell, guarded by a group of men. Except for the child, our narrator, the women have vague memories of life before their imprisonment, but no recollection of how they got there, why they are there, or what led to their captivity. After at least a decade of this, a siren sounds and luck plus a bit of quick-thinking lead to their escape. As they navigate the world they emerge in, they wonder if they are still on Earth. They find no other humans except for the occasional holding cell that mirrors theirs, with all the women and show more sometimes all the guards deceased. They have plenty of food because the electricity in these cabins continues to work and there are deep freezers filled with food. I'll stop there with the plot points, but it continues to be fascinating and a compulsive read.

The book is narrated by the child and she is clearly at the end of her life while writing. This book worked for me because it never pretends that it is going to give you a lot of answers. Instead, it provides just enough detail to let your imagination work and leaves room for plenty of questions and themes to emerge.

I really loved it and will be thinking about it for a long time. Unlike most books, where I forget the plot almost immediately upon finishing, this one will stick with me for a long time.

I'm glad Transit Books has reissued this and I hope it continues to be read.
show less
‘’My memory begins with anger.’’

Yes, I found a Dystopian novel I love more than 1984 and The Handmaid’s Tale.

Forty women live in a prison cell. The world as we know it doesn’t exist anymore. People have been imprisoned and the guards are watching them non-stop. How did the women find themselves there? Why? Where are they? What destroyed every social structure we have taken for granted? Is this Earth or another planet? No one can answer these questions and the days pass in terror and silence. The youngest woman is the one that tries to understand, her spirit still unbroken.

The women are using their hair as thread because every tool is forbidden. No one can console a crying child because they aren’t allowed to touch each show more other. You are not allowed to stay awake when sleep refuses to come. There is no 24-hour day. No religion to give you comfort. You can’t feel the wind or the rain. You can’t see the moon and the sun. You have to urinate and defecate in public. You are not allowed to kill yourself.

‘’I know only the stony plain, wandering, and the gradual loss of hope. I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct. Perhaps, somewhere, humanity is flourishing under the stars, unaware that a daughter of its blood is ending her days in silence.’’

Harpman’s writing excels when the women are suddenly free. And this is not a spoiler because the heart of the story can be found after this pivotal moment. It is exactly then that everything becomes more frightening, when the struggle for survival in an unknown world begins. The youngest woman has to learn all there is to know about her body, language, everything the rest of the women can recall from a life wrapped in mists, long and forgotten. But what happens when it is your spirit, not your body that needs nourishment?

The prose is exquisite, the dialogue is sparse, poetic and cryptic. There is a tranquility and a subtlety that reminded of The Handmaid’s Tale and even the hardest moments are described almost melancholically. There is no vulgarity, no shock for the sake of it. We often use the words ‘’raw’’ and ‘’haunting’’ and they are absolutely suitable to characterize this novel. Don’t look for pseudo-feministic messages or divisions between the two sexes, this isn’t such a story. This is about freedom and survival and hope and these notions weren’t created exclusively for women or men. In that sense, the title is a tiny bit unsuccessful.

I would be negligent if I overlooked the beautiful and poignant introduction by Sophia Mackintosh. For me, this novel is equal to The Handmaid’s Tale. Possibly even better I really love Atwood’s classic. There are so many intense moments and such a rich narrative of a community populated only by women while Death is all around. This novel made me experience feelings that no other dystopian novel ever did. I would compare it to Station Eleven by Emily St. John Mandel and Into the Forest by Jean Hegland in terms of atmosphere and tone. I sincerely hope that it will become more appreciated with the new paperback release because most of us weren’t even aware of its existence. Perhaps its themes aren’t loud enough or feminist enough to follow the new cultural reality and become a TV-series of dubious quality but it is a masterpiece. The final pages verify it.

‘’All of a sudden, I found myself at the top. I was in what we later called a cabin, three walls and a door, also open, the plain spreading out before me. I bounded forward and looked. It was the world.’’

Many thanks to Penguin Random House UK and NetGalley for the ARC in exchange for an honest review.

My reviews can also be found on https://theopinionatedreaderblog.wordpress.com
show less
I who Have Never Known Men is a gem of a book. Jacqueline Harpman has managed to create a world on a planet that may or may not be Earth, but probably isn’t. The world that Harpman has created is totally believable and internally consistent. The story is told in first person by “The Child”, a nameless female possibly the last of her species. The setting is post-apocalyptic. The community is a group of forty women initially housed in a bunker guarded by men. Except for The Child, they all have past lives which they only vaguely remember. They are not allowed to touch each other, and escape seems out of the question when the book starts.

Meanwhile,The Child grows up motherless, sans culture, sans books, sans love, sans everything. show more Eventually the guards disappear and the women manage to escape, and set up a community of sorts. It appears that the guards have disappeared for good, and although they find other bunkers with women, they all contain only corpses. It is up to the escaped group to continue, to do their best to survive. They form a community and look after their physical needs.

The women have no memory of being put into the bunker or of how they were transported there. They do not even know where they are. There is a moon but is it Earth’s moon? They can’t remember what it looks like, , having come from cities where they never really looked at Earth’s moon. They know little of geography, math, or how to measure time. They can’t remember whether all the Earth days were the same length or not. The terrain is devoid of forests and the earth is soulless and bleak. There are no birds.

Being of critical mind, I tried to find flaws in the environment that Harpman had enticed me into. I couldn’t. There were no contradictions. It all made horrifying sense.

What I found intriguing about the book was the idea that a human could survive without knowledge of her own body or of the environment in which she has somehow entered. Having had no education at all, and being unable to write things down, though she has a concept of words and spelling and seems to know about the existence of books, The Child knows nothing. She cannot imagine the world in which her companions once lived.

As The Child matures and the community of women settle in makeshift villages where they make everything by hand, she tries to make sense of her world. She has not experienced love or touch in the bunker, and her only contact with men was that of the bunker guards that she could only see from a distance. Not only can she never know men but she is sterile. There is no hope for humanity continuing, and no desire for it to do so. She cannot love as she has never known love. In the bunker she was virtually ignored by the women and though in adolescence when she was still in the bunker, she felt a tingling of sexual desire and gazed at a young guard, she had no understanding of what this meant.

Though the women told her very little in the bunker, after fleeing, The Child is able to learn more. The group naturally breaks into sub-groups. Leaders emerge based on native intelligence and inherent wisdom. Without simple skills like long division and a basic knowledge of geography - the women attempt to discover the length of days and nights, light and dark, and the progression of seasons. But lacking the fundamentals this understanding is denied them. They are essentially living in a pre-Copernican world that has been parched of most life.

I really enjoyed the book and found the concept interesting. The story flows easily, and it was a book that I did not want to end. I highly recommend this book and I’ve no hesitation in giving it 4.5 stars.
show less
½
A little girl is placed in a jail cell with thirty-nine older women and kept there. Over the years, she grows into an adolescent in this strange environment where no one is allowed to touch another person. There are men who patrol the perimeter of the cell, but never speak. One day, the girl learns to rebel, just a little, and establishes her place within this hierarchy of women, none of whom know where they are or why they are being held.

This is an odd tale, and a fascinating one. There are no explanations, none of it makes sense, the conclusions drawn seem drawn from nothing, and yet this is a book that sticks in the mind and demands consideration. It's a look at how people might behave in intolerable circumstances, but also at how a show more women-only group might structure themselves. First published back in 1995 and now translated and republished by Transit Books, this is a great example of how small presses are making our literary landscape richer. show less
½
This is like nothing I’ve read before. 40 women are guarded day & night in an underground bunker. What follows is an exploration of what makes us human, the power of community vs. loneliness & a quiet meditation on morality. The story is told from the youngest of the women, who is coming-of-age when the novel begins. Her voice is disconnected from the pain of the loss the other women feel as she has no memories of a time before the bunker. The story is much less about the plot, despite the extreme circumstances, and much more about her inner monologue and curiosity. I’ll be thinking about this one for a long time.
½
A book that now lives in my head.

I can say, with almost perfect certainty, barring dementia, I will remember the story in this remarkable dystopian novel for the rest of my life.

It's just that kind of book. One that, without any dillydallying ado, grabs you from the first page and takes you on its journey of ideas, mystery, empathy, anger, wonderment, repulsion, tears and fears. From page 1 I was thinking continually about the plight of these 40 women. Well, 39 women and 1 teen girl; the teen is the narrator. The fact that she is a teen among women is vitally important. Vitally important in their circumstance.

You'll see what I mean.

I'm dying to tell you more about it. But I won't. I can't. Almost everything I could say would be a show more spoiler, spoiling your experience of it.

More translations of Harpman's work into English, s'il vous plait!

show less
A book that was remarkably (and unjustly) underappreciated in its own time but I would (thankfully and without hesitation) refer to as a classic of the dystopian genre. The ideas presented here haunted me for a while after I had put it down and will likely hover in my mind for a long while yet to come.
There is a lot to unpack specifically with regards to gender norms and dynamics and what it really means to grow up when we are entirely removed from the "natural" context of our current environment-- the good and the bad parts in equal measure.

Members

Recently Added By

Lists

Talk Discussions

Past Discussions

Author Information

Picture of author.
30+ Works 3,933 Members

Some Editions

Awards and Honors

Series

Belongs to Publisher Series

Harvill (236)

Work Relationships

Common Knowledge

Canonical title
I Who Have Never Known Men
Original title
Moi qui n'ai pas connu les hommes
Alternate titles
The Mistress of Silence
Original publication date
1995
People/Characters
Child; Anthea; Dorothy; Greta
Dedication
To Denise Geilfus In friendship
First words
Since I barely venture outside these days, I spend a lot of time in one of the armchairs, rereading the books.
Last words
(Click to show. Warning: May contain spoilers.)It is strange that I am dying from a diseased womb, I who have never had periods and who have never known men.
Original language
French

Classifications

Genres
Fiction and Literature, Science Fiction, General Fiction
DDC/MDS
843.914Literature & rhetoricFrench & related literaturesFrench fiction1900-20th Century1945-1999
LCC
PQ2668 .A65 .M6513Language and LiteratureFrench, Italian, Spanish and Portuguese literaturesFrench literatureModern literature1961-2000
BISAC

Statistics

Members
3,428
Popularity
4,834
Reviews
112
Rating
(4.13)
Languages
13 — Catalan, Danish, Dutch, English, Finnish, French, German, Italian, Lithuanian, Polish, Spanish, Swedish, Portuguese (Portugal)
Media
Paper, Audiobook, Ebook
ISBNs
39
ASINs
20