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Pecola Breedlove, a young eleven-year-old black girl, prays everyday for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for the blond hair and blue eyes that she believes will allow her to finally fit in. Yet as her dreams grow more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity--Publisher.

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290 reviews
Pecola Breedlove is a little girl that Claudia - the narrator for most of the story - goes to school with. Pecola is poor and abused and has so internalized racism that she wants nothing more than to have blue eyes so she can be beautiful. Interspersed with Claudia's more straightforward narrative, we also get the stories of various adults in this small Ohio town who come into contact with the kids and affect their lives.

What happens when everyone outside of you tells you you're lesser, worthless, ugly, and will never amount to anything? That's what Morrison explores in this book, through multiple characters who have all been affected by racism in one way or another. Claudia and her sister have loving parents and stability, but they show more like all the other kids in their class buy into colorism. Some of the adults, affected by their own pasts, perpetuate trauma on the next generation. We're told early on that Pecola's father rapes her, and a later chapter gives us the perspective of a pedophile. Pecola's story is the most depressing because she has nothing going for her, but everyone is affected to a lesser or greater extent, and no one - or at least no adult - is fully innocent. This is Morrison's debut novel, and you can see the hallmarks of her style, with beautiful language and memorable characters grappling with racism and the difficulties life brings them. It's not an easy or a happy read, but it's worth engaging with. show less
½
This is the only book of Toni Morrison's that I have been able to read all the way through and it was powerful. It tells the story of young Pecola by telling the stories of the people around her. Morrison's descriptions and insights were nuanced and well-told.

What also makes this book effective is the generational nature of abuse, not just from one generation to the next but also the ways in which abuse happens within a generation. Pecola's parents subject one another to abuse as their lives together break down. She witnesses the abuse and rather than run away like her brother she retreats into herself. She has nowhere else to turn for guidance or comfort.

And I was struck by the insight into how compassion and empathy are luxuries that show more few of the characters can afford. Generations of African-American families have gone through sexual humiliation and degrees of violence, and the scars become visible as harsh words or actions directed towards another. To understand and be forgiven is not an automatic response, and I saw that emptiness as another, larger tragedy for the characters and their tales. show less
This book brought up really strong emotional reactions in me. It's a tragic portrayal of the destructive power of racism and racialized trauma becoming internalized. By the end I felt so moved and also like a burst of renewed energy towards fighting racism however I am able. The writing style makes the characters feel real, the dialogue is specific to the time/place/class of the characters in a way that's very evocative. Idk nobody does it like Toni Morrison.
I first encountered Toni Morrison in college where I read her novels for three or four different courses (including a senior seminar focusing entirely on Zora Neal Hurston, Alice Walker, and Toni Morrison) and she quickly became one of my of favorite authors. I first read The Bluest Eye in the summertime, not for a course, and found it a most emotionally devastating novel. I'm not alone if feeling strong emotions about The Bluest Eye. A friend in college said after she read the description of Pecola's rape, told sympathetically from her father's point of view, that she threw the book across the room.

Pecola is young Black girl in Lorain, Ohio in 1941 from a poor and unstable family. Her father Cholly Breedlove is an alcoholic while her show more mother Pauline is distant and more invested in the cleanliness and order of the rich white family where she works as a housekeeper than her own family. Pecola is dark-skinned and even among the African American community she is considered "ugly" and is mocked and shunned. Pecola in turn idealizes whiteness and dreams of getting blue eyes.

When we first meet Pecola she is staying with a foster family because Cholly burned their house down. The MacTeer family, working class but stable, offer a contrast the Breedloves. They have two daughters around the same age as Pecola, Claudia and Freida. The youngest of the girls, Claudia, is a narrator for parts of the novel (alternating with a third-person omniscient narrator) and offers a child's perspective on many unsettling incidents. Claudia is also the only person to show any compassion to Pecola.

The Bluest Eye is not an easy book to read, although it is an important book because it deals with real problems. The cruelty of people and the deep scars of racism that lead to internalized hatred are too prevalent to ignore. The audiobook is especially powerful read by Toni Morrison herself. She makes the excerpts from Dick & Jane stories at the start of each chapter sound chilling.

Favorite Passages:
"So when I think of autumn, I think of somebody with hands who does not want me to die."
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I first read The Bluest Eye in a high school AP English class and (as you might imagine) it packed quite a punch, even for a bunch of white, middle class teenagers in Nebraska. Reading it again 25+ years later I feel like my additional years of experience as a person, a woman, and a reader helped me discover even more in her deep prose, quick dialogue, and sharp observations. The book centers around the rape of a young girl named Pecola Breedlove by her father and the resulting pregnancy. Pecola's story is told by two sisters in her neighborhood that are just a bit older than her, by the histories of her parents, by overheard gossip and interactions with neighbors, and, ultimately, by herself. Through Pecola and her ingrained longing show more for the bluest eyes, Morrison digs into the trauma white society inflicts on African Americans, especially the women and the girls. Class and gender enter into this equation as well, and Morrison spends time with an expansive set of characters that illuminate her argument and deepen and twist the narrative. This isn't an easy read, but Morrison's prose makes it extremely engrossing and impossible to put down. If you haven't read Toni Morrison yet, or if you've only read her later novels, get yourself a copy of The Bluest Eye. show less
I love this book, which may sound like a strange thing to say given the terrible things that Pecola endures. In my opinion, it is a very moving account of discrimination and marginalization, economic enslavement subsequent to literal slavery, and the ways in which humanity abuses one another, but written in such beautiful prose that you can't stop reading it, even if you wanted to.
https://nwhyte.livejournal.com/3292952.html

This was Morrison’s first novel, a gritty tale of rape, incest and racism, told in an intense mosaic style, with life for black girls in her home town in the 1960s contrasted with Dick-and-Jane fantasies; and narrative layers and personal histories gradually being unpeeled so that you can pretty much understand everyone by the end. In her foreword to my edition, the author says:

"One problem was centering the weight of the novel’s inquiry on so delicate and vulnerable a character could smash her and lead readers into the comfort of pitying her rather than into an interrogation of themselves for the smashing. My solution—break the narrative into parts that had to be reassembled by the show more reader—seemed to me a good idea, the execution of which does not satisfy me now. Besides, it didn’t work: many readers remain touched but not moved."

I was moved; so it worked for me.
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ThingScore 100
I have said "poetry." But "The Bluest Eye" is also history, sociology, folklore, nightmare and music. It is one thing to state that we have institutionalized waste, that children suffocate under mountains of merchandised lies. It is another thing to demonstrate that waste, to re-create those children, to live and die by it. Miss Morrison's angry sadness overwhelms.
John Leonard, The New York Times
Nov 13, 1970
added by jlelliott

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Author Information

Picture of author.
102+ Works 79,872 Members

Some Editions

Balacco, Luisa (Traduttore)
Baransel, Zeynep (Translator)
Blackshear, Thomas (Illustrator)
Bofill, Mireia (Translator)
Carson, Carol Devine (Cover designer)
Cavagnoli, Franca (Postfazione)
Cousté, Alberto (Introduction)
Dee, Ruby (Narrator)
Dorsman-Vos, W.A. (Translator)
Egelund, Helene (Indlæser)
Gubern, Jordi (Traductor)
Gucio, Kaja (Tłumaczenie)
Guiloineau, Jean (Traduction)
Hallén, Kerstin (Översättare)
Handels, Tanja (Übersetzer)
Hasters, Alice (Nachwort)
Häupl, Michael (Foreword)
Hilling, Simone (Traducteur)
Jařab, Josef (Afterword)
Jacoby, Melissa (Cover designer)
Lange, Mona (Overs.)
Lanker, Brian (Photographer)
Lázár Júlia (Translator)
Loponen, Seppo (Kääntäjä)
Morrison, Toni (Narrator)
Morrison, Toni (Afterword)
Musyrifa, Aly D (Translator)
Ōkoso, Yoshiko (Translator)
Pilz, Thomas (Translator)
Praesent, Angela (Übersetzer)
Rademacher, Susanna (Übersetzer)
Rifbjerg, Inge (Oversætter)
Schina, Katerina (Translator)
Schneider, Helmut (Contributor)
Seyrek, İrfan (Translator)
Shidmehar, Nilofar (Translator)
Thigpen, Lynne (Narrator)
Vink, Nettie (Vertaler)
נצן-קרן, טל (Translator)

Awards and Honors

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Common Knowledge

Canonical title
The Bluest Eye
Original title
The Bluest Eye
Original publication date
1970
People/Characters
Soaphead Church/Elihue Micah Whitcomb; Pecola Breedlove; Cholly Breedlove/Fuller; Pauline (Williams | Williams); Sam Breedlove; Claudia MacTeer (show all 38); Frieda MacTeer; Henry Washington; Great Aunt Jimmy; Rosemary Villanucci; Mrs. MacTeer; Della Jones; Mr Yacobowski; China; Poland; Miss Marie/Maginot Line; Maureen Peal; Bay Boy; Woodrow Cain; Buddy Wilson; Junie Bug; Miss Bertha; Geraldine; Louis Junior; P.L.; Ralph Nisensky; Mr. Buford; Miss Dunion; Blue Jack; Miss Alice; M'Dear; Mrs. Gaines; Essie Foster; Jake; Suky; Darlene; Samson Fuller; Velma
Important places
Lorain, Ohio, USA; Macon, Georgia, USA; Kentucky, USA; Ohio, USA; Georgia, USA
Dedication
To the two who gave me life
and the one who made me free
First words
Quiet as it's kept, there were no marigolds in the fall of 1941.
Quotations
And it is the blackness that accounts for, that creates,the vacuum edged with distaste in white eyes.
But we listened for the one who would say, “Poor little girl,” or, “Poor baby,” but there was only head-wagging where those words should have been. We looked for eyes creased with concern, but saw only veils.
Last words
(Click to show. Warning: May contain spoilers.)Oh, some of us "loved" her. The Maginot Line. And Cholly loved her. I'm sure he did. He, at any rate, was the one who loved her enough to touch her, envelop her, give something of himself to her. But his touch was fatal, and the something he gave her filled the matrix of her agony with death. Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe. There is no gift for the beloved. The lover alone possesses his gift of love. The loved one is shorn, neutralized, frozen in the glare of the lover's inward eye.

And now when I see her searching the garbage--for what? The thing we assassinated? I talk about how I did not plant the seeds too deeply, how it was the fault of the earth, the land, of our town. I even think now that the land of the entire country was hostile to marigolds that year. This soil is bad for certain kinds of flowers. Certain seeds it will not nurture, certain fruits it will not bear, and when the land kills of its own volition, we acquiesce and say the victim had no right to live. We are wrong, of course, but it doesn't matter. It's too late. At least on the edge of my town, among the garbage and the sunflowers of my town, it's much, much, much too late.
Blurbers
Leonard, John
Original language
English
Canonical DDC/MDS
813.54
Canonical LCC
PS3563.O8749
Disambiguation notice
Please distinguish between this complete 1970 novel and any abridgement of the original Work. Thank you.

Classifications

Genres
General Fiction, Fiction and Literature
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PS3563 .O8749Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
BISAC

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434
Reviews
270
Rating
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Languages
20 — Chinese, Czech, Danish, Dutch, English, Finnish, French, German, Hebrew, Hungarian, Italian, Norwegian (Bokmål), Norwegian, Polish, Portuguese, Russian, Serbian, Spanish, Swedish, Turkish
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Paper, Audiobook, Ebook
ISBNs
105
UPCs
1
ASINs
62