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A gifted voice in psychological suspense, Tana French delivers a mesmerizing debut thriller. After a 12-year-old Irish lad and his two pals fail to return from a day in the woods, searchers find only the terrified sixth grader—with blood-filled shoes and no memory of what happened. Now 32, the tragedy's sole survivor Rob Ryan is a detective on Dublin's Murder Squad. A current investigation takes Rob to the exact site of his childhood trauma. With the present case chillingly similar to his show more 20-year-old nightmare, Rob hopes to unlock the shrouded secrets of his past.

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mikedraper Irish setting, good characters and well written
40
BookshelfMonstrosity Missing persons cases drive these lyrical, richly detailed novels that blend Mystery and Psychological Fiction to explore family secrets, childhood friendships, and the loss of innocence. First-person narration heightens suspense by calling into question the reliability of memory.
Nickelini Murder mysteries set in forests of Ireland, although otherwise not very similar.
BookshelfMonstrosity These psychological suspense novels feature characters who, as young children, witness horrible crimes and must now revisit their painful pasts to discover the truth. The stories are fast paced, chilling, and atmospheric.
Ling.Lass Unreliable narrators, psychopaths, unsympathetic characters who miss their chance at redemption
12

Member Reviews

660 reviews
So so good. I was listening to the audiobook of this, but I got antsy and compulsively bought the book for my ereader when I was on disc 15 of 18. Yes, this book is so good I spent $13 just to read the last bit ASAP. I was spending far too much time in my car after I got home because I couldn't stop listening.

So, one of the things I love most in literature is the unreliable narrator (see my reviews of [a:Kazuo Ishiguro|4280|Kazuo Ishiguro|http://photo.goodreads.com/authors/1262833627p2/4280.jpg]). There's something about that device that's so intriguing to me. Detective Rob Ryan is the kind of narrator who talks directly to the reader, who says openly that he lies, who clearly wants you to like him and see things from his POV even show more though he realizes that he's kind of an asshole. You spend so much of the book trying to figure him out--and especially trying to figure out what's really going on behind his believable but somehow fishy descriptions of people and events. This is the kind of trick that can't really be pulled off realistically in any medium other than literature. I love it.

And, not to brag, but I will say I figured out the Katy Devlin case way before it was revealed.
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Wow, this one was a great surprise. I have a real issue with reading books set in Ireland, mainly because I can never figure out how to pronounce Irish words. I mean, Siobhan is pronounced "Shah-von"? Really? So my brain automatically stops when I get to Irish place names or what have you, and it's very unsettling. I read somewhere that this is the curse of the child who learns to read too early--we spend the rest of our lives saying "Horse Doovers" in stead of "or derves."

Anyway, after the first chapter I pretty much forgot that this was "Irish fiction" because it was just such un-put-downable crime fiction. The characters were amazing and the mystery was unsettling and twisty. The author's descriptions of the woods were particularly show more great, and there was some really nicely written foreshadowing which I always am impressed with, since so often the author blows it for me and ruins the ending in chapter one. Tana French didn't do this, the reveal was pretty masterful and I'm kind of jealous of her mad writing skills.

So, yes, 4 stars. Maybe 4 and 1/2. Looking forward to others in the series.
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My first Tana French book was "Faithful Place" - another Dublin Murder Squad mystery (these have a diverse group of characters who investigate murders). I thoroughly enjoyed it so I thought I would start with the frist one. This was her debut novel and it is extraordinary! A murdered child is found near the place where two other children disappeared, presumably murdered, years earlier. The two detectives who are assigned, Ryan and Maddox, have their own haunted pasts and secret entanglements. Will their respective pasts interfere with their ability to solve this crime, will it color their judgment, and will their separate pain and the stress of the investigation bring them together or drive them apart. The plot is brilliantly executed show more and will provide even the most seasoned armchair detective with plenty of twists and turns. Her characters are intricate with complex interactions. And she builds their relationships and emotions expertly as she develops the serpentine plot to its height of deflection before she resolves it. A psychological page turner that will hook you in and hold you to the very end. I see why this one launched her career. show less
In the Woods is the story of two crimes which occur in the same Irish location twenty years apart. The crimes are linked by the narrator, Rob Ryan, a detective in his 30's who was the sole survivor of an assumed child abduction case, where the other two children are never found. All these years later he still can't remember anything that happened that day in the woods. His narration guides this story, so we get a deep look into his mind and the psychological effects of the trauma he suffered through as a child.

The current crime that involves Rob and his partner, Cassie Maddox, is the murder of twelve year old Katy Devlin in the very neighborhood Rob's friends were abducted from over twenty years ago. No one but Cassie knows Rob is "Adam show more Ryan," the lone survivor. Circumstance and evidence provide a tenuous link to the old case. Although it could cost them both their jobs, they decide to keep this a secret from the rest of the investigators because they believe it will have no bearing on the current case. Cassie grows increasingly wary of Rob's judgment but she keeps silent while they probe into the old case and look for parallels with the new. However, there is another possibility. Katy's body is found on an archaeological excavation site. The site is also the home of a future motorway and the politicians are adamant that the motorway will be built, despite the on-going archaeological work. The dead girl's father is head of the local anti-motorway group and has received several calls threatening his family.

I have mixed feelings about this book. In the Woods has depth of character, complex emotions, and a riveting story that I really enjoyed. Rob is our main character in this novel because the entire story is told in his first person narrative, but Cassie is also an equally important character. You see the friendship between Rob and Cassie, which is beautiful and filled with understanding. The characters are flawed but still very real and you find yourself wondering why they are making decisions that are obviously bad. There are some serious problems with the story that I won't go into for fear of spoiling the ending. Despite those issues, I'm going to try another of French's Dublin Murder Squad novels soon.
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A twelve year old girl is found murdered at an archaeological dig. Partners Cassie Maddox and Rob Ryan are put on the case and immediately find it a bewildering mess of conflicting clues and little physical evidence. To make matters worse, there are hints that this case is related to the disappearance of Ryan's two best friends twenty years ago. As the investigation falters, Ryan begins digging in his repressed past for answers.

The first half of this was enthralling. French has a beautiful turn of phrase and weaves the past, present, and Ryan's evasive narration together into an intoxicating whole. But at some point Ryan starts making really stupid mistakes and acting like an asshole, and by the end of the book I was too infuriated with show more him to enjoy the mystery's solution. In fairness, it's a testament to how well crafted the characters are that I got so angry and disappointed with him, as though he were a real person I was watching self-destruct.

Super, major, plot-ruining discussion from here on out.
So the basic premise is this: Ryan and his two bffs were children in the woods of Knocknaree. In 1984, his friends disappeared and Ryan was found in blood-drenched shoes, with slashes across his back, and no memory of what happened. At the end of the book, I think there's the implication that something supernatural--perhaps the Horned God or the King of the Wild Hunt, based on the stone the construction worker finds--took his friends so they could stay in the woods forever. It's not actually explicitly stated, and I don't think Ryan or the reader is supposed to know for certain what happened.

Katy's death was completely unrelated to the old case. Her oldest sister Rosalind is a psychopath who hated the attention her sister was getting, so convinced a boyfriend to kill Katy. Afterward, Ryan repeatedly interviews Rosalind in search of clues, and while he does so, Rosalind manipulates him. Between her machinations and his confusion&horror about being back in Knocknaree, he messes up the case, gets himself kicked off the Murder Squad, and ruins his awesome friendship with Cassie. I thought the clues about Rosalind were very well laid. A number of the times she manipulated Ryan I caught on, but I never put it all together into the truth. I just wish Ryan had been a little less of a fucked up fuck up--I was sad that he ruined his career but heartbroken when he ruined his relationship with Cassie--and that there'd been more of a resolution as to his friends' disappearance.
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Though the isbn is the same as the one pictured, my edition of this book has a much creepier cover and tagline:



Needless to say, I was completely expecting something a bit dark and twisted, a creepy psychological murder mystery with an outcome I never saw coming. And I got that. But I never expected this book to leave me feeling so... sad. And you know why? Because I cared. Ms French carefully builds up a complex personality for each of her characters, complete with a past, a sense of humour and some serious issues to go with it all, and you can't help but care what happens to the detectives even more than you care what happens with the case.

This would have been five stars easily if it wasn't for one pretty huge issue that everyone who show more has read the book will understand immediately. For me, it didn't ruin the read and I'm still surprised the average rating has been so negatively affected by it, but it was a pretty ginormous gaping hole that I couldn't completely ignore either.

[b:In The Woods|237209|In The Woods (Dublin Murder Squad, #1)|Tana French|http://photo.goodreads.com/books/1283565569s/237209.jpg|3088141] is a deeply psychological read that explores the nature of psychopaths and memory - or lack of. The story is narrated by Rob Ryan, a detective on the Dublin murder squad, who is sent back to his home town in hopes of unravelling the case of a local child murder. A young girl found dead in the very same woods in which Detective Ryan played as a child. But Rob Ryan has a secret. Years ago two of his friends disappeared whilst playing in those woods and whilst he was with them and a witness to whatever happened, he retains no memory of the events. His friends were never found. The question is: will this new case bring back old memories? Is there some piece of evidence that's waited twenty years to be found in those woods?

A case like the one Rob and his partner - Cassie - face would leave a very personal mark on anybody, you cannot investigate the murder and sexual assault of a child and keep it just business as usual. As the investigation progresses and leads the pair in a number of directions only to meet with dead end after dead end, it begins to take its toll on the two detectives, they come out of it very different people from those we knew at the beginning. It seemed a very realistic and rather sad progression.

I'm not saying that every wordy paragraph in this beautifully-written novel was needed, but I personally didn't want them to be taken out. I think the main reason I enjoyed this novel so much was because it is about far more than a murder mystery, it's about all the people involved and how they are affected. And I was honestly on the verge of tears after reading the ending and then reading friends' reviews of the second book in this series and discovering that we never get to hear more from Rob.

There's a touch of love in this book, just a touch, not enough to be called romance. No descriptive sex. No sweet-nothings. And it fucking broke my heart.
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In the Woods is the story of two crimes which occur in the same Irish location twenty years apart. The crimes are linked by the narrator, Rob Ryan, a detective in his 30's who was the sole survivor of an assumed child abduction case, where the other two children are never found. All these years later he still can't remember anything that happened that day in the woods. His narration guides this story, so we get a deep look into his mind and the psychological effects of the trauma he suffered through as a child.

The current crime that involves Rob and his partner, Cassie Maddox, is the murder of twelve year old Katy Devlin in the very neighborhood Rob's friends were abducted from over twenty years ago. No one but Cassie knows Rob is show more “Adam Ryan” the lone survivor. Circumstance and evidence provide a tenuous link to the old case. Although it could cost them both their jobs, they decide to keep this a secret from the rest of the investigators because they believe it will have no bearing on the current case. Cassie grows increasingly wary of Rob's judgment but she keeps silent while they probe into the old case and look for parallels with the new.

However, there is another possibility. Katy's body is found on an archaeological excavation site. The site is also the home of a future motorway and the politicians are adamant that the motorway will be built, despite the on-going archaeological work. The dead girl's father is head of the local anti-motorway group and has received several calls threatening his family.

I have mixed feelings about this book. In the Woods has depth of character, complex emotions, and a riveting story that I really enjoyed. Rob is our main character in this novel because the entire story is told in his first person narrative, but Cassie is also an equally important character. You see the friendship between Rob and Cassie, which is beautiful and filled with understanding. The characters are flawed but still very real and you find yourself wondering why they are making decisions that are obviously bad. There are some serious problems with the story that I won't go into for fear of spoiling the ending. Despite those issues, I'm going to try another of French's Dublin Murder Squad novels soon.
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Although she overburdens the traditional police-procedural form with the weight of romance, psychological suspense, social history and mythic legend, she sets a vivid scene for her complex characters, who seem entirely capable of doing the unexpected. Drawn by the grim nature of her plot and the lyrical ferocity of her writing, even smart people who should know better will be able to lose show more themselves in these dark woods. show less
Marilyn Stasio, New York Times
May 20, 2007
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Author Information

Picture of author.
27+ Works 41,436 Members
Tana French grew up in Ireland, Italy, the US and Malawi. She trained as a professional actress at Trinity College, Dublin, and has worked in theatre, film and voiceover. Her first novel, In the Woods, won the 2007 Edgar Award for Best First Novel. Her other books include The Likeness, Faithful Place, Broken Harbor, and The Secret Place. The show more Trespasser and The Witch Elm made the New York Times bestseller list. (Bowker Author Biography) show less

Some Editions

Wang, Jennifer (Cover artist)
Crossley, Steven (Narrator)
Resnick, Nancy (Designer)

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Common Knowledge

Canonical title*
Nel bosco
Original title
In the Woods
Original publication date
2007-05-17
People/Characters
Adam Robert Ryan; Cassie Maddox; Sam O'Neill; Rosalind Frances Devlin; Katharine Bridget Devlin; Damien James Donnelly (show all 18); Jonathan Michael Devlin; Mr. O'Kelly; Jessica Devlin; Mark Conor Hanly; Jamie Rowan; Peter Joseph Savage; John Ryan; Cathal Mills; Sophie Miller; Sandra Scully; Margaret Devlin; Terence Andrews
Important places
Dublin, Ireland; Knocknaree, Dublin, Ireland; Sandymount, Dublin, Ireland; Dublin Castle, Dublin, Ireland; Monkstown, Dublin, Ireland
Important events
Operation Vestal
Related movies
Dublin Murders (2019 | IMDb)
Epigraph
"Probably just somebody's nasty black poodle. But I've always wondered... What if it really was Him, and He decided I wasn't worth it?"
-- Tony Kushner, A Bright Room Called Day
Dedication
For my father, David French,
and my mother, Elena Hvostoff-Lombardi
First words
Picture a summer stolen whole from some coming-of-age film set in small-town 1950s.
Quotations
What I am telling you, before you begin my story, is this--two things: I crave truth. And I lie.
We think about mortality so little, these days, except to flail hysterically at it with trendy forms of exercise and high-fiber cereals and nicotine patches.
To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever... (show all) we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself.
"Absence of evidence is not evidence of absence," he told me reproachfully.
Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.
I am not good at noticing when I'm happy, except in retrospect. My gift, or fatal flaw, is for nostalgia. I have sometimes been accused on demanding perfection, of rejecting heart's desires as soon as I get close enough that ... (show all)the mysterious impressionistic gloss disperses into plain solid dots, but the truth is less simplistic than that. I know very well that perfection is made up of frayed, off-struck mundanities. I suppose you could say my real weakness is a kind of long-sightedness: usually it is only at a distance, and much too late, that I can see the pattern.
The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a differe... (show all)nt thing, a thing to make you shiver. Think of the first time you slept with someone, or the first you fell in love: that blinding explosion that left you crackling to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.
I failed to understand the one crucial thing: where the real danger lay. I think this may have been, in the face of stiff competition, my single biggest mistake of all.
The wood had never been so lush or so feral. Leaves threw off dazzles of sunlight like sparklers and the colors were so bright you could live on them, the smell of fertile earth amplified to something heady as church wine.
If you believe only one thing I tell you, make it this: neither of us knew.
And then, too, I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there mysel... (show all)f.
Human beings, as I know better than most, can get used to anything. Over time, even the unthinkable gradually wears a little niche for itself in your mind and becomes just something that happened.
We think of mortality so little these days...
I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones.
Remember, pilgrim, as you pass by,
As you are now so once was I:
A... (show all)s I am so will you be...
Homicidal satanic cults are the detective's version of yetis; no one has ever seen one and there is no proof that they exist, but one big blurry footprint and the media turn into a gibbering, foaming pack, so we have to act a... (show all)s though we take the idea at least semi-seriously.
Last words
(Click to show. Warning: May contain spoilers.)I watched for a long time, until my mobile began vibrating insistently in my pocket and the rain started to come down more heavily, and then I put out my cigarette and buttoned my coat and headed back to the car.
Publisher's editor
Considine, Ciara; Fletcher, Sue; Harpster, Kendra
Blurbers
Unger, Lisa; Braffet, Kelly; Dierbeck, Lisa
Original language
English
Canonical DDC/MDS
823.92
Canonical LCC
PR6106.R457
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
Mystery, Fiction and Literature
DDC/MDS
823.92Literature & rhetoricEnglish & Old English literaturesEnglish fiction1900-2000-
LCC
PR6106 .R457Language and LiteratureEnglishEnglish Literature2001-
BISAC

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Reviews
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19 — Chinese, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Italian, Korean, Lithuanian, Norwegian (Bokmål), Norwegian, Portuguese, Serbian, Slovenian, Spanish, Swedish
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Paper, Audiobook, Ebook
ISBNs
83
UPCs
1
ASINs
37