Michelle Cliff (1946–2016)

Abeng is a coming-of-age story of a mixed race Jamaican girl in the 1950s. Clare's father is from a “white” family (still mixed race, but lighter skinned) while her mother is “red” (darker skinned and thus of a lower social status). Clare isn't sure where she fits in. She feels closer to her father but is disturbed by his racist views. Clare knows that there is a distance in her relationship with her mother. It troubles her, particularly since she's not sure of its cause. Clare lives show more in the city but spends the summers in the country with her maternal grandmother. Her playmate is a country girl named Zoe. Clare wants to believe she and Zoe are lifelong friends. She's either naïve or willfully blind to the social inequalities that prevent their relationship from being a true friendship. One mistake changes everything in Clare's world.

The book is structured in disjointed narratives. Clare's story occupies the most space. However, there are also sections about her family history (both sides) and Jamaican history. The symbolism is a bit heavy-handed. Clare's father descends from a white slave owner, and they share his family name, Savage. Clare's mother comes from a poor family descended from slaves; her family name is Freeman. The introductory notes explain that “abeng” is an African word for “conch shell”, and that it was used by the Maroons to reach one another. Throughout the novel Clare is trying to figure out how to connect with others, particularly other women such as her mother and her friend Zoe. The book's themes include Jamaican history, colonialism, adolescence, race, family relationships, friendship, feminism, and sexuality, including an undercurrent of lesbian attraction. show less

Some of the stories in Everything Is Now are more like vignettes, or prose poems, shiny and compelling but brief notions, perhaps, from her “Store of a Million Items.” Often moving and beautifully written, Michelle Cliff could be speaking about herself and her work when writing about the title character of “Keeper of Souls” who creates an altar made up of

…things Sam arranged and rearranged, as his vision moved him. Things collected. Things the earth had yielded after a summer show more downpour, a spring thaw. Things the blade of his tiller turned up. Shards working their way back to the surface….You never know what you might find.

http://www.lambdaliterary.org/reviews/06/29/everything-is-now-by-michelle-cliff/ show less

This book is a prequel to No Telephone in Heaven which I have not read. It's a coming of age novel about Clare Savage. I found this to be an interesting look into Jamaican culture. Parts of the story are in the present; parts detail aspects of the island's history and information on prior generations of the Savage family (and other island families). I enjoyed reading about the differences in worship of various island groups when that aspect of the island's culture was featured. Exploration show more of race issues, particular black, white, and mulatto, were explored. I felt that there were some "unfinished" aspects of the novel, but this is probably due to its prequel nature. show less

I love this author and have read all her books. She is one of the few white Caribbean authors who engages head on with the complexities of race in the Caribbean. This book uses Jamaican mythology and spirituality. Powerful stuff.