Jamaica Kincaid
Author of Annie John
About the Author
Jamaica Kincaid came to the United States in 1966 as a free-lance writer and is now on staff at the New Yorker. Her first volume of stories, At the Bottom of the River (1983), depicts men and women alienated from each other by conflict, physical separation, or death. The story "My Mother" vividly show more describes the painful separation between mother and daughter; and the stories in Annie John (1985) clearly reveal that the world of the past cannot be recaptured. Kincaid's poetic use of language and everyday images allows the reader to experience ordinary events with a new and heightened sensitivity. Kincaid is a relatively new writer whose works are beginning to receive critical attention. (Bowker Author Biography) Jamaica Kincaid, novelist, memoirist, & essayist, was born in St. John's, Antigua. Her books include At the Bottom of the River, Annie John, Lucy, The Autobiography of My Mother, and My Brother, all published by FSG. She lives with her family in Vermont. (Publisher Provided) show less
Image credit: Bob Anderson
Works by Jamaica Kincaid
My Favorite Plant: Writers and Gardeners on the Plants They Love (1998) — Editor — 100 copies, 1 review
Zo'n klein eiland 2 copies
Wingless 2 copies
My Favorite Flowers 1 copy
Annemin Otobiyografisi 1 copy
Kincaid, Jamaica Archive 1 copy
The Poor Visitor 1 copy
Figures in the Distance 1 copy
World Writers Today 1 copy
Mother 1 copy
En el fondo del río 1 copy
Associated Works
The Scribner Anthology of Contemporary Short Fiction: Fifty North American American Stories Since 1970 (1999) — Contributor — 585 copies, 4 reviews
Wayward Girls and Wicked Women: An Anthology of Subversive Stories (1986) — Contributor — 576 copies, 9 reviews
The Vintage Book of Contemporary American Short Stories (1994) — Contributor — 544 copies, 2 reviews
Writers on Writing: Collected Essays from the New York Times (2001) — Contributor — 479 copies, 5 reviews
You've Got to Read This: Contemporary American Writers Introduce Stories that Held Them in Awe (1994) — Contributor — 413 copies, 3 reviews
The Norton Anthology of African American Literature {2nd edition} (2003) — Contributor, some editions — 282 copies, 2 reviews
The New Gothic: A Collection of Contemporary Gothic Fiction (1991) — Contributor, some editions — 273 copies, 2 reviews
Touchstone Anthology of Contemporary Creative Nonfiction: Work from 1970 to the Present (2007) — Contributor — 219 copies, 3 reviews
Daughters of Africa: An International Anthology of Words and Writings by Women of African Descent from the Ancient Egyptian to the Present (1992) — Contributor — 185 copies
Writing Women's Lives: An Anthology of Autobiographical Narratives by Twentieth-Century American Women Writers (1994) — Contributor — 128 copies, 3 reviews
Children of the Night: The Best Short Stories by Black Writers, 1967 to the Present (1995) — Contributor — 126 copies
The Glorious American Essay: One Hundred Essays from Colonial Times to the Present (2020) — Contributor — 116 copies
Calling the Wind: Twentieth Century African-American Short Stories (1992) — Contributor — 115 copies
The Colors of Nature: Culture, Identity, and the Natural World (2002) — Contributor — 102 copies, 1 review
Black Ink: Literary Legends on the Peril, Power, and Pleasure of Reading and Writing (2018) — Contributor — 94 copies
On Girlhood: 15 Stories from the Well-Read Black Girl Library (2021) — Contributor — 83 copies, 1 review
More Stories We Tell: The Best Contemporary Short Stories by North American Women (2004) — Contributor — 66 copies
How I Learned to Cook and Other Writings on Complex Mother-Daughter Relationships (2004) — Contributor — 62 copies
In the Land of the Blue Poppies: The Collected Plant-Hunting Writings of Frank Kingdon Ward (2003) — Preface — 59 copies
Her True-True Name : an anthology of women's writing from the Caribbean (1989) — Contributor — 48 copies
Jo's Girls: Tomboy Tales of High Adventure, True Grit, and Real Life (1997) — Contributor — 48 copies
Daughters of Latin America: An International Anthology of Writing by Latine Women (2023) — Contributor — 39 copies, 1 review
A Way Out of No Way: Writing about Growing Up Black in America (1996) — Contributor — 34 copies, 2 reviews
Stories from Blue Latitudes: Caribbean Women Writers at Home and Abroad (2006) — Contributor — 32 copies
Centers of the Self: Stories by Black American Women, from the Nineteenth Century to the Present (1994) — Contributor — 31 copies
The Bluelight Corner: Black Women Writing on Passion, Sex, and Romantic Love (1998) — Contributor — 10 copies
Amerika, Amerika bloemlezing — Contributor — 8 copies
Tagged
Common Knowledge
- Canonical name
- Kincaid, Jamaica
- Legal name
- Potter Richardson, Elaine Cynthia
- Birthdate
- 1949-05-25
- Gender
- female
- Education
- New School for Social Research (Photography)
Franconia College (New Hampshire) - Occupations
- fact checker (Forbes magazine)
staff writer (The New Yorker)
creative writing teacher (Harvard University)
novelist
gardener
gardening writer (show all 7)
professor - Organizations
- The New Yorker
Harvard University - Awards and honors
- Lannan Literary Award (Fiction, 1999)
Paris Review Hadada Prize (2022)
Morton Dauwen Zabel Award (1984)
Anisfield-Wolf Book Award (1997)
Prix Femina étranger (2000)
American Academy of Arts and Letters (Literature ∙ 2004) (show all 12)
American Academy of Arts and Sciences (2009)
Clifton Fadiman Medal (2010)
American Book Award (2014)
Dan David Prize (2017)
Royal Society of Literature International Writer (2019)
Saint Louis Literary Award (2024) - Agent
- The Wylie Agency (UK) Ltd
- Relationships
- Shawn, Allen (husband | divorced)
- Short biography
- Jamaica Kincaid is an Antiguan-American novelist, essayist, gardener, and gardening writer. She was born in St. John's, Antigua (part of the twin-island nation of Antigua and Barbuda). She lives in North Bennington, Vermont and is Professor of African and African American Studies in Residence at Harvard University during the academic year.
- Wikipedia - Nationality
- Antigua and Barbuda
- Birthplace
- St. John's, Antigua and Barbuda
- Places of residence
- St. John's, Antigua and Barbuda (birth)
New York, New York, USA
New Hampshire, USA
North Bennington, Vermont, USA - Map Location
- Antigua and Barbuda
Members
Discussions
YA, S. American girl moves to U.S., Irish friend, sexual discovery in Name that Book (November 2014)
Reviews
I bought this book the second I saw it because I was excited about a new Kincaid novel. Then I went home and looked at reviews and it sunk to the bottom of my TBR to stagnate. But Kincaid's name kept calling to me, and the African American literature challenge for February came around, so I finally picked it up.
I'll admit, I didn't love this book right away. Kincaid uses a run-on style here. Not exactly run-on sentences, but run-on paragraphs, run-on thoughts, everything bleeds into show more everything else just like now bleeds into then and then into now. It took me a little bit to fall into the rhythm of it. But then I found myself repeatedly smiling these smiles of pure joy, not because of anything joyous happening in the book (really, there wasn't much of that0, but just because of the WRITING. This is the story of a specific place and a specific family, but she also deliberately unmoors it over and over again with allusions to Greek myth and to archetypes and to geology and immigration stories. But it is also her story, and anyone who has read ANY of Kincaid's other work will recognize connections here. Mr. Sweet is often unbearable in his self-absorbed ways, but Kincaid basically (but never explicitly) turns him into Zeus, and I'm like, OKAY, he's Zeus, and Zeus is a prick, GOT IT. And it somehow make it easier to bear.
Anyway, this book is about the dissolution of a marriage and it is about racism and classism and archetypes and creative geniuses and small Caribbean islands and recovering from the wounds of childhood and the way our nows are rooted in our thens and our thens rooted in our nows.
I loved, loved it. Five stars. show less
I'll admit, I didn't love this book right away. Kincaid uses a run-on style here. Not exactly run-on sentences, but run-on paragraphs, run-on thoughts, everything bleeds into show more everything else just like now bleeds into then and then into now. It took me a little bit to fall into the rhythm of it. But then I found myself repeatedly smiling these smiles of pure joy, not because of anything joyous happening in the book (really, there wasn't much of that0, but just because of the WRITING. This is the story of a specific place and a specific family, but she also deliberately unmoors it over and over again with allusions to Greek myth and to archetypes and to geology and immigration stories. But it is also her story, and anyone who has read ANY of Kincaid's other work will recognize connections here. Mr. Sweet is often unbearable in his self-absorbed ways, but Kincaid basically (but never explicitly) turns him into Zeus, and I'm like, OKAY, he's Zeus, and Zeus is a prick, GOT IT. And it somehow make it easier to bear.
Anyway, this book is about the dissolution of a marriage and it is about racism and classism and archetypes and creative geniuses and small Caribbean islands and recovering from the wounds of childhood and the way our nows are rooted in our thens and our thens rooted in our nows.
I loved, loved it. Five stars. show less
Looking back at my reading these past few months, a lot of the books I've read have dealt with death, illness, or grief, or all three, in some way. Upon reflection, the simple reason for this, even though a few books probably didn't get much thought when selected, is that I'm growing older and these realities are becoming more certain and there's some fear that I need to make sense of, and books have been known to help with that.
So to this book which is my sixth by Kincaid, and it has show more everything I love about her: pure honesty, the beauty of prose, a cadence accomplished by repetition, and a level of awareness of both self and that around self. It's still a tough read. Jamaica Kincaid's younger brother, Devon, died of AIDS and this book is a result of contemplating the grief and pain that loss brought.
Kincaid was already established and acclaimed when she had published this and before her brother died. As a child she had been a brilliant student but had been forced to abandon her studies and immigrate to the U.S.A. and work as an au-pair to help earn money for her family back in Antigua. Her ascension to the echelons of contemporary literature, where she's rightfully placed, resembles the fantastical and miraculous, and given the circumstances she must have endured, it is. So when she has to return home because of her brother's illness the gulf in their situations (Kincaid middle-class, American, accomplished, comfortable with a nice family of her own; Devon poor, fatally ill, suffering and dying, unaccomplished and unknown, without a family of his own and much to show for himself) confronts the circumstances she might have faced had she remained home and all the complicated emotions it brings, as well as the reality of her dying brother.
The complexity of human relationships, of situation, of life in general. Nothing is ever simple and Kincaid herself, nor her dead brother, nor her family, nor anyone for that matter, is simple. To turn all that grief and difficulty into something this beautiful is testament to her gift. show less
So to this book which is my sixth by Kincaid, and it has show more everything I love about her: pure honesty, the beauty of prose, a cadence accomplished by repetition, and a level of awareness of both self and that around self. It's still a tough read. Jamaica Kincaid's younger brother, Devon, died of AIDS and this book is a result of contemplating the grief and pain that loss brought.
Kincaid was already established and acclaimed when she had published this and before her brother died. As a child she had been a brilliant student but had been forced to abandon her studies and immigrate to the U.S.A. and work as an au-pair to help earn money for her family back in Antigua. Her ascension to the echelons of contemporary literature, where she's rightfully placed, resembles the fantastical and miraculous, and given the circumstances she must have endured, it is. So when she has to return home because of her brother's illness the gulf in their situations (Kincaid middle-class, American, accomplished, comfortable with a nice family of her own; Devon poor, fatally ill, suffering and dying, unaccomplished and unknown, without a family of his own and much to show for himself) confronts the circumstances she might have faced had she remained home and all the complicated emotions it brings, as well as the reality of her dying brother.
The complexity of human relationships, of situation, of life in general. Nothing is ever simple and Kincaid herself, nor her dead brother, nor her family, nor anyone for that matter, is simple. To turn all that grief and difficulty into something this beautiful is testament to her gift. show less
This book is both stunning and exceptional. A woman describes the people and events of her very much examined life with a stark absence not just of sentimentality, but as if even the notion of sentimentality did not exist. She depicts only one person she felt love for, a sensual, passionate love, and none with whom a shared understanding of the world creates a bond that supports trust and affection. The very sensuality with which she accepts herself and the colors, smells, and sounds that show more saturate her world make her sympathetic, but do not make me want to fully accept that world as one I could comprehend more than partially. show less
This author is very angry, and I felt chastised! First among various reasons for being a tourist! It should be required reading for anyone vacationing in the Caribbean, where the tourists have plenty and the locals do not. Take for instance, water. Tourists can swim in it, and then bathe in it, and drink as much as they like. But many islands have no water source so the locals have to conserve every last drop. From there, the author delves into how the residents of Antigua came to live show more there—slave ships, and the dire faults in the English empire. It’s a tongue-lashing for sure. show less
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- 51
- Also by
- 70
- Members
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- Popularity
- #2,854
- Rating
- 3.7
- Reviews
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- ISBNs
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