Lewis Carroll (1832–1898)
Author of Alice's Adventures in Wonderland
About the Author
**Please do not combine "Alicia in Terra Mirabili" and "Aliciae Per Speculum Transitus" with the modern-language versions of these books. They fall under the dead language exception to the usual combining of different translations. Thanks!
**Please exercise extreme caution in merging pop-up books with the main work: in most cases, they should not be combined.
**Please do not combine The Annotated Alice with any of the "normal" Alice editions, nor the Annotated Snark with the Hunting of the Snark.
**Please also do not combine The Annotated Alice with The Annotated Alice : The Definitive Edition as the latter contains both The Annotated Alice, More Annotated Alice, and additional material. Thanks!
Series
Works by Lewis Carroll
Associated Works
Tagged
Common Knowledge
- Canonical name
- Carroll, Lewis
- Legal name
- Dodgson, Charles Lutwidge
- Other names
- An Unendowed Researcher
C.L.D.
Oedipus - Birthdate
- 1832-01-27
- Date of death
- 1898-01-14
- Gender
- male
- Education
- Rugby School, Rugby, England, UK
Christ Church, Oxford - Occupations
- writer
mathematician
photographer
logician
cleric
artist - Organizations
- Church of England
Christ Church College, Oxford - Relationships
- Fox, Alice Wilson (cousin)
Collingwood, Stuart Dodgson (nephew)
Ruskin, John (friend)
Kitchin, G. W. (friend) - Short biography
- Charles Lutwidge Dodgson (27 January 1832 – 14 January 1898), better known by his pen name, Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon and photographer. His most famous writings are Alice's Adventures in Wonderland, its sequel Through the Looking-Glass, which includes the poem "Jabberwocky", and the poem "The Hunting of the Snark", all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy.
- Cause of death
- pneumonia
- Nationality
- UK
- Birthplace
- Daresbury, Cheshire, England, UK
- Places of residence
- Oxford, Oxfordshire, England, UK
Whitburn Sands, Sunderland, Tyne and Wear, England, UK - Place of death
- Guildford, Surrey, England, UK
- Burial location
- Mount Cemetery, Guildford, Surrey, England, UK
- Map Location
- England, UK
- Disambiguation notice
- **Please do not combine "Alicia in Terra Mirabili" and "Aliciae Per Speculum Transitus" with the modern-language versions of these books. They fall under the dead language exception to the usual combining of different translations. Thanks!
**Please exercise extreme caution in merging pop-up books with the main work: in most cases, they should not be combined.
**Please do not combine The Annotated Alice with any of the "normal" Alice editions, nor the Annotated Snark with the Hunting of the Snark.
**Please also do not combine The Annotated Alice with The Annotated Alice : The Definitive Edition as the latter contains both The Annotated Alice, More Annotated Alice, and additional material. Thanks!
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Carroll's books are often compared to The Wizard of Oz, and I can see why, as both feature rather determined young female protagonists in strange lands, but that's really where the similarity ends. Oz is portrayed as a real place, with a real geography, and real inhabitants that follow strange, but comprehensible principles. There's no comprehension in Wonderland, however; the logic there is purely one of a dream (as it should be), and it can never be deciphered by the dreamer. They're very different places, with very different approaches to fantasy. And of course, Alice and Dorothy themselves are quite different; Alice has a tendency to disbelieve and argue with everyone she meets, which doesn't get her very far, whereas Dorothy calmly listens to people and then decides to help them (her only malignant action the entire novel is undertaken by accident). Is it noteworthy that Alice, living in the middle classes near Oxford, was probably much more educated than Dorothy, a Kansan farm girl living in the middle of nowhere with her wards? I don't know, and though comparing them seems somewhat facile, I do have to admit that I like Dorothy much better. show less
It was Paul who originally wrote that phrase (or, rather, the Greek that was translated into that phrase), but if you think about it, it was Charles Dodgson who actually sent his character through the glass. And that is perhaps a fitting description of this book, because Charles Dodgson was one of the most opaque characters in history. Although we have many, many of his writings, and many, many descriptions of him from child-friends and others, we have very little show more emotional insight into him. He did not reveal his deepest secrets, even in his diaries, and as a single man with no close adult friends, he rarely talked about his emotional life.
So what is there left as a means of learning about him? What but, obviously, his letters. His thousands upon thousands of letters. Close to a hundred thousand, according to his letter register, but most of these are gone. That still left enough to fill two fat volumes, of which this is a distillation.
It still doesn't reveal all that much. Oh, there are clear instances of Dodgson's incredible fussiness (several of his letters to his illustrators reveal his whining). There are also signs of a certain defensiveness. But much of what is here is simply letters to his young friends, clever, funny, peculiar -- but not personal.
Also, the context is sometimes lacking. Take page 148, a letter from 1885 to E. Gertrude Thomson. Thomson, although he met her as an adult, was very important to him -- she illustrated some of his works; she quite frankly went on dates with him; she chaperoned some of his photo sessions; she made a portrait of him and eulogized him after his death. To understand the letters to her, you need to know some of that. But the letter on p. 148 -- the first letter to her in the collection -- doesn't say anything about her or who she is. In the case of Thomson, I know the answer. But what about his hundreds of other correspondents? This lack of information is a real defect.
Of course, if all you want to do is enjoy Dodgson's funny prose, it isn't an issue. But most people read authors' letters to learn about the author. This particular collection isn't much help in that regard. show less
“To seek it with thimbles, to seek it with care;
To pursue it with forks and hope,
To threaten its life with a railway-share;
To charm it with smiles and soap!”
What does it all mean? No one seems to know. Not even Lewis Carroll, apparently. He claimed to have no more idea on what the poem was about than anybody else, although he did mention at one point, "...the whole book is an allegory on the search for happiness." Carroll's acme of Nonsense poetry, The Hunting of the Snark: An Agony in show more Eight Fits is an experience to read. Does it make any sense? Not at all. Did I enjoy it all the same? Absolutely.
This was a Christmas gift from Sarah as I'm a huge fan of Carroll's Alice's Adventures in Wonderland and Through the Looking-Glass. However, I'll admit that my reading experience with Carroll stops there, so this was a real treat to receive as I had not even heard of this book before!
The poem opens with the captain of the hunt gathering his traveling companions for the voyage that will take them to the Snark, so that they may hunt it. As the poem progresses, I was left in mind of Chaucer's The Canterbury Tales, as we get to hear tales from most of the traveling companions. Each tale leads on to the continuing hunt for the Snark, which leaves its mark on several of the traveling companions. There are several plays on words in the poem, and we even meet a couple of familiar faces from Carroll's earlier works, such as the Bandersnatch and the Jubjub Bird.
Mahendra Singh's illustrations are simply amazing. In his afterword, he explains how he used a Surrealist technique to illustrate this version of The Hunting of the Snark, a technique which I think fits the theme and tone of the poem perfectly. Singh hides jokes and visual puns in his illustrations that go along with the poems stanzas, just as Carroll hides puns, plays on words and puzzles in his poem. As I read through the poem, I would become equally involved looking at the illustrations as I was trying to figure out what it all means. I eventually gave up, and enjoyed the entire book exactly for what it is: Nonsense!
Even though it took me a couple nights to read, The Hunting of the Snark is a very fast read. In fact, I read through the entire poem a second time in one sitting, making sure I was able to follow what was happening. Even though there really isn't much rhyme (no pun intended!) or reason to the flow of the story, it still makes some sort of absurd sense and follows a natural progression to its ending. What you'll get out that ending, however, will differ from person to person. Personally, I think Carroll had it right about his poem: it has something to do with the elusiveness of that one thing in life that will make you perfectly happy. You search and hunt and may never quite find it, but it's the searching and hunting that turns the journey into an adventure.
Highly recommended. show less
Turns out, I had merely been exposed to its wacky world by way of movies, cartoons, and vast cultural references. Upon my actually reading it and to my pleasant surprise, there is a lot more wackiness in it I never knew about. My favorite new wackadoodle being Bill the Lizard, poor put-upon character Bill that I don't recall ever showing up when being movie-ized.
It's much more show more delightful than just all those odd talking creatures. As a Math fan, I loved the correct assessment Alice makes that she would never reach 20 while doing her multiplication self-test. (Carroll was a mathematics professor.) And so many puns and word play I was completely unaware of. I mean, a Mock Turtle turtle? That just strikes my funny bone.
Maybe it's because we never outgrow that heeby-jeeby feeling that the world is teetering toward illogical strangeness and could tumble into full blown madness at any moment that Alice resonates over the years and to all ages (I'm 61). Rightly so, too. I mean, there's young Alice -- fallen into a world of livery-wearing fish, flamingos as not-very-cooperative croquet mallets, and schools that teach Laughing and Grief (another funny bone strike!) -- and she plays right along. She faces all manner of disorientation and possible danger with aplomb and curiosity. It's no wonder Alice has lasted so long and in so many ways. show less
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