Louisa May Alcott (1832–1888)
Author of Little Women
About the Author
Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry show more David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life. (Bowker Author Biography) show less
Series
Works by Louisa May Alcott
Little Women / Little Women, Part Second {Good Wives} / Little Men / Jo's Boys (2005) 1,198 copies, 11 reviews
The Quiet Little Woman, Tilly's Christmas, Rosa's Tale: Three Enchanting Christmas Stories (1999) 971 copies, 16 reviews
The Ultimate Christmas Collection: 150+ authors & 400+ Christmas Novels, Stories, Poems, Carols & Legends (2025) 389 copies
Louisa May Alcott: An Intimate Anthology (New York Public Library Collector's Editions) (1997) 186 copies
The Abbot's Ghost; or, Maurice Treherne's Temptation: A Christmas Story (1867) 163 copies, 6 reviews
Little Women, Little Men, Under the Lilacs, Eight Cousins, Jack & Jill, Jo's Boys (1962) 132 copies, 1 review
An Old-Fashioned Thanksgiving [adaptation illustrated by James Bernardin] (2005) 130 copies, 3 reviews
The Best of Louisa May Alcott: A Charming Illustrated Collection of Little Women, Little Men, and 24 Short Stories (1994) 111 copies
Little Women: The Complete Novel, Featuring the Characters' Letters and Manuscripts, Written and Folded by Hand (Classic Novels x Chronicle Books) (2021) — Author — 83 copies
The Hidden Louisa May Alcott: A Collection of Her Unknown Thrillers: Two Volumes in One (1984) 45 copies
The Girlhood Diary of Louisa May Alcott, 1843-1846: Writings of a Young Author (Diaries, Letters and Memoirs) (2001) 42 copies, 1 review
Delphi Complete Works of Louisa May Alcott (Illustrated) (Delphi Series One Book 17) (2012) 38 copies
A Louisa May Alcott Christmas Book and Charm: Selected Holiday Stories and Poems (Charming Classics) (2004) 31 copies
Little Women (Puffin in Bloom) 26 copies
Favourite Stories of Courageous Girls: inspiring heroines from classic children's books (2019) 24 copies
Louisa May Alcott Family Favorites Collection: 5-Book Boxed Set with Postcards & Journal (2021) 21 copies
LOUISA MAY ALCOTT Ultimate Collection: 16 Novels & 150 Short Stories, Plays and Poems (Illustrated): Little Women, Good Wives, Little Men, Jo's Boys, ... The Abbot's… (2015) 18 copies, 1 review
Christmas Stories: Classic Christmas Stories | Christmas Tales | Vintage Christmas Tales | For Children and Adults (2019) 15 copies
The Louisa May Alcott Hidden Gems Collection (Boxed Set): Eight Cousins; Rose in Bloom; An Old-Fashioned Girl; Under the Lilacs; Jack and Jill (2023) 13 copies
Works of Louisa May Alcott. (35 Works) Includes Little Women, Little Men, A Country Christmas and more (2007) 10 copies, 1 review
An Alcott Christmas Collection: A Christmas Dream, A Country Christmas, Excerpts from Little Women, & More (2020) 8 copies
The Complete Works of Louisa May Alcott (Illustrated): Novels, Short Stories, Plays & Poems: Little Women, Good Wives, Little Men, Jo's Boys, A Modern ... and Jill, Behind a Mask,… (2007) 8 copies, 1 review
Mujercitas para niños (Clasicos Para Ninos / Classics for Children) (Spanish Edition) (2002) 7 copies
Little Women, Good Wives, Little Men, Jo's Boys, An Old-Fashioned Girl, Eight Cousins, Rose in Bloom (2013) 6 copies
The Dover Anthology of Classic Christmas Stories: Louisa May Alcott, Charles Dickens, Leo Tolstoy, Mark Twain And Others (2023) 6 copies
Little Women: illustrated Abridged Children Classics English Novel with Review Questions (Illustrated Classics) R2,3 (2021) 6 copies
Little Women Collection: Little Women, Little Men, Eight Cousins and More (Xist Classics) (2015) 4 copies
Louisa May Alcott: Complete Collection Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics) (2014) 4 copies
Freaks of Genius: Unknown Thrillers of Louisa May Alcott (Contributions to the Study of Popular Culture) (1991) 3 copies
Little Women, Jo's Boys, Eight Cousins, An Old-Fashioned Girl, Little Men and Rose in Bloom (1913) 3 copies
Charming Novels of Classic Heroines : Pollyanna, The Secret Garden, Little Women, Anne of Green Gables, and Rebecca of Sunnybrook Farm (2017) 3 copies
Little Women / The Last of the Mohicans / The Red Badge of Courage / Oliver Twist / Captains Courageous / The Call of the Wild / Moby Dick (Great Illustrated Classics, Specially… — Contributor — 3 copies
A Christmas Dream & Other Christmas Stories by Louisa May Alcott: Merry Christmas, What the Bell Saw and Said, Becky's Christmas Dream, The Abbot's Ghost, Kitty's… (2017) 3 copies, 1 review
Doctor Dorn's Revenge {short story} 3 copies
Little Women (Aladdin Classics) 3 copies
Little Women Classic Reader Level 4 3 copies
Jo's Boys - Orchard House Edition 2 copies
Hombrecitos para niños (Clasicos Para Ninos Classics for Children) (Spanish Edition) (2019) 2 copies
Little Women, Little Men, Eight Cousins, Jo's Boys, Jack & Jill, An Old-Fashioned Girl, Rose in Bloom (1946) 2 copies
The Louisa Alcott Story Book 2 copies
Little Women — Author — 2 copies
Little Men by Louisa M Alcott 2 copies
Little Women, Pygmalion, Medea, A Lincoln Album (The 100 Greatest Books Ever Written on Audio Cassette) (1972) 2 copies
Christmas Stories: Classic Christmas Stories | Christmas Tales | Vintage Christmas Tales | For Children and Adults (2021) 2 copies
Le rêve de Joe March 2 copies
Μικρές κυρίες 1 copy
Little Women - English/Thai 1 copy
Little Women 5 Hardback Book Collection Set (Little Women, Good Wives, Little Men, Jo's Boys, Eight Cousins) (2025) 1 copy
karanfil kız 1 copy
Il ciclo delle Piccole donne 1 copy
Little Men - ALC 1 copy
Tales of the Dark Romantics and Beyond: Tales of the Dark Romantics — Contributor — 1 copy
Aunt Jo's Scrapbag 6 1 copy
Bellas historias 1 copy
Các Cậu Bé Của Jo 1 copy
An old fashioned girl 1 copy
Little women 1 copy
Rose in bloom 1 copy
Eight cousins 1 copy
Yunye zheny 1 copy
Un cuento de enfermera 1 copy
Küçük Erkekler 1 copy
Jack and Jill 1 copy
Good Wives/Jo's Boys 1 copy
Louisa May Alcott Vintage Collection (Little Women, Eight Cousins & Jo's Boys, Little Men, An Old-Fashioned Girl 5 Volumes) (1946) 1 copy
Fijne Handschoenen 1 copy
Little Women Good Wives 1 copy
Aunt Jo's scrap-bag. By: Louisa M. Alcott: A collection of stories and memories from Louisa May Alcott (2016) 1 copy
Małe kobietki 1 copy
True Friends 1 copy
Een neef en vijf nichtjes 1 copy
Little Men 1 copy
Jo's Boys 1 copy
SST 65 - Mutevoli umori 1 copy
Alcott, Louisa May Archive 1 copy
Juventud de los ocho primos 1 copy
Mulherzinhas v. 2 1 copy
A Strange Island 1 copy
A Song for A Christmas Tree 1 copy
Four Stories 1 copy
25 Favorite Children's Books 1 copy
Mulherzinhas v.1 1 copy
Cousin Tribulation's Story 1 copy
Piccole Donne a fumetti 1 copy
Rainbow classics 1 copy
Rosy's Journey 1 copy
Six Volumes: 1 copy
Classic American Fiction: 22 books by Louisa May Alcott in a single file, improved 12/10/2010 (2009) 1 copy
An Hour 1 copy
Little Women [adapted - Sadler] — Author — 1 copy
The Uncollected Works of Louisa May Alcott, Volume One: Short Stories (Ironweed American Classics) (How-To Series) (2001) 1 copy
نساء صغيرات #2 1 copy
Chronicle of the March Family: 2 Volumes. V. I. Little Women & V.II. Little Men and Jo's Boys. 1 copy
Classic Collection - The Wizard of Oz, Little Women, Heidi, and Alice's Adventures in Wonderland (2012) 1 copy
Old-Fashoned Girl (An) 1 copy
Little women. — Author — 1 copy
Little Women (1/2 copies) 1 copy
Water Cresses 1 copy
Little Women and Other Works 1 copy
A Christmas Song 1 copy
En ädel qvinna 1 copy
How It All Happened 1 copy
Marmee's Surprise 1 copy
Good Wives. Foulsham edition 1 copy
Louisa May Alcott - A Short Story Collection: Transcendental Wild Oats, The Brothers, My Red Cap & Lost in a London Fog (2022) 1 copy, 1 review
"Lullaby" 1 copy
Lily-Bell And Thistledown 1 copy
Hospital Sketches 1 copy
Associated Works
The Assassin's Cloak: An Anthology of the World's Greatest Diarists (2000) — Contributor, some editions — 622 copies, 9 reviews
The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 523 copies, 4 reviews
Meg, Jo, Beth, and Amy: A Modern Graphic Retelling of Little Women (Classic Graphic Remix, 1) (2019) — Original Story — 484 copies, 22 reviews
The Graphic Canon, Vol. 2: From "Kubla Khan" to the Brontë Sisters to The Picture of Dorian Gray (2012) — Contributor — 213 copies, 2 reviews
The Civil War: The Second Year Told By Those Who Lived It (2012) — Contributor — 194 copies, 1 review
Enchanting Stories for Young Readers (Usborne Illustrated Classics) (1999) — Contributor — 177 copies
Classic American Short Stories [Barnes & Noble Leatherbound Classics] (2001) — Contributor — 175 copies, 1 review
The Children's Treasury: Best Loved Stories and Poems from Around the World (1987) — Contributor — 164 copies, 2 reviews
American Antislavery Writings: Colonial Beginnings to Emancipation (2012) — Contributor — 147 copies
Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers: 1852-1923 (2020) — Contributor — 108 copies, 2 reviews
A Christmas Carol and Other Christmas Tales (Barnes & Noble Leatherbound Classic Collection) (2021) — Contributor — 92 copies
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
The Greatest Christmas Stories of All Time: Timeless Classics That Celebrate the Season (2006) — Contributor — 50 copies
The Lifted Veil: The Book of Fantastic Literature by Women 1800-World War II (1806) — Contributor — 45 copies
Civil War Memories: Nineteen Stories of Battle, Bravery, Love, and Tragedy (2000) — Contributor — 38 copies, 1 review
The Female Hypnotist: Stories from the Victorian and Edwardian Eras (2025) — Contributor — 24 copies, 13 reviews
"The Man Who Thought Himself a Woman" and Other Queer Nineteenth-Century Short Stories (Q19: The Queer American Nineteenth Century) (2017) — Contributor — 19 copies
Little Women: A Story about the Value of Generosity [abridged - Chick-fil-A] (2005) — Author — 19 copies
Jane Eyre/ Wuthering Heights/ Little Women/ Adam Bede/ Emma/ Pride and Prejudice (1990) — Contributor — 18 copies
Anne of Green Gables / Sense and Sensibility / Little Women / Pride Prejudice / Jane Eyre / Emma / The Secret Garden / The Scarlet Pimpernel (2002) 12 copies
American Classics for Children: Little Women / Pollyanna / Rebecca of Sunnybrook Farm (2003) — Contributor — 9 copies
Out of the Sand: Mummies, Pyramids, and Egyptology in Classic Science Fiction and Fantasy (2008) — Contributor — 5 copies
Botanica Delira: More Stories of Strange, Undiscovered, and Murderous Vegetation (2010) — Contributor — 4 copies
Penguin Readers Library Pack Level 1: WITH David Beckham AND Barcelona Game AND Girl Meets Boy AND Run for Your Life AND (2005) 3 copies, 2 reviews
The Midnight Inkwell: Sinister Short Stories by Classic Women Writers (2023) — Contributor — 3 copies
Little Men: Thanksgiving [1998 TV episode] — Author — 1 copy
Little Women [1958 TV movie] — Author — 1 copy
10 Classic Feminist Works You Should Read: Little Women, The Yellow Wallpaper, A Vindication Of The Rights Of Woman, Sultana's Dream... — Contributor — 1 copy
Classic Children’s Stories 1 copy
Tagged
Common Knowledge
- Canonical name
- Alcott, Louisa May
- Other names
- Barnard, A. M.
- Birthdate
- 1832-11-29
- Date of death
- 1888-03-06
- Gender
- female
- Education
- homeschooled
- Occupations
- novelist
nurse
seamstress
teacher
governess - Organizations
- Transcendentalism
- Agent
- Zachary Shuster Harmsworth (estate)
- Relationships
- Alcott, Amos Bronson (father)
Alcott, Abigail May (mother) - Short biography
- Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist, short story writer and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Raised in New England by her transcendentalist parents, Abigail May and Amos Bronson Alcott, she grew up among many of the well-known intellectuals of the day, such as Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, and Henry Wadsworth Longfellow.
Alcott's family suffered from financial difficulties, and while she worked to help support the family from an early age, she also sought an outlet in writing. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard, under which she wrote novels for young adults that focused on spies and revenge.
Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts, and is loosely based on Alcott's childhood experiences with her three sisters, Abigail May Alcott Nieriker, Elizabeth Sewall Alcott, and Anna Alcott Pratt. The novel was well-received at the time and is still popular today among both children and adults. It has been adapted many times to the stage, film, and television.
Alcott was an abolitionist and a feminist and remained unmarried throughout her life. All her life she was active in such reform movements as temperance and women's suffrage. She died from a stroke, two days after her father died, in Boston on March 6, 1888. - Cause of death
- stroke
- Nationality
- USA
- Birthplace
- Germantown, Pennsylvania, USA
- Places of residence
- Germantown, Pennsylvania, USA
Concord, Massachusetts, USA
Boston, Massachusetts, USA
Utopian Fruitlands Community, Harvard, Massachusetts, USA (1843-1844) - Place of death
- Boston, Massachusetts, USA
- Burial location
- Sleepy Hollow Cemetery, Concord, Massachusetts, USA (Authors' Ridge)
- Associated Place (for map)
- Massachusetts, USA
Members
Discussions
Jo in Little Women in Geeks who love the Classics (May 2024)
Found: Help me please- Name that Book in Name that Book (March 2023)
Newbie question about series editing in Book talk (June 2018)
Louisa May Alcott in Tattered but still lovely (February 2018)
Alcott favorites? in Tattered but still lovely (November 2014)
Reviews
A humane and solidly written story by Alcott, briefly looking back at her experience as a nurse in the American Civil War, and clearly serving a contemporary post-war didactic purpose two decades or so on that we would be expect from an abolitionist and a feminist - the care of indigent veterans.
After all, these veterans were often forced into penury in their old age from injuries sustained as men with lives far from the south to meet the activist needs of her class although there is no sign show more of guilt or shame on her part for driving the process that led to their condition.
On the contrary, it was clearly a just war in her eyes though accepted as awful (she is truly honest about that). Her recompense is a 'progressive' one, to repay the debt with housing in old age to which she clearly hopes her readers will contribute funds. But should we stop there?
The story, though it hangs together well enough (she is a good writer, no one can doubt that), is sentimental and somewhat matronising without any questioning of the situation of which she writes with humane care - up to a point.
After all, does she consider how the equally indigent and caring mother of the children that the old fellow looks after will now earn the money to feed her children when he is happily housed? No ... no mention of that. The urban poor are left to fend for themselves.
This is the middle class woman concerned to tie up loose ends from the results of her own and her class's 'moral warfare', those pervasive progressive demands from abolitionism to neo-conservatism where men die for the moral ambitions of others which is so very American.
Yet it remains humane in intent, if blind to social conditions in the round, and, of course, it is better for veterans to be looked after rather than abandoned as they so very often are. Our problem is that Alcott is a good but blind person, both caring within her limits and uncaring from ignorance.
To the thinking person, it may leave a lingering bad taste in the mouth when it becomes clear that moral pressure from their 'betters' and often conscription (forced labour) took so many northern working class males from familes that needed their support.
The war ended their chance to create families of their own, caused the loss of their ability to carry on a trade and then pauperised them without any subsequent assistance. Alcott's heroine turns up as saviour at the end of two or more decades of misery in which no questions were asked.
The America of the Gilded Age was not to be alone in this and we have still not come to terms with the outrageous immorality of moral crusades under such circumstances where you enslave and destroy lives in order to free others ... and destroy them too.
Questions are rarely asked of such things, especially the precise 'cui bono' of any war of 'liberation'. show less
After all, these veterans were often forced into penury in their old age from injuries sustained as men with lives far from the south to meet the activist needs of her class although there is no sign show more of guilt or shame on her part for driving the process that led to their condition.
On the contrary, it was clearly a just war in her eyes though accepted as awful (she is truly honest about that). Her recompense is a 'progressive' one, to repay the debt with housing in old age to which she clearly hopes her readers will contribute funds. But should we stop there?
The story, though it hangs together well enough (she is a good writer, no one can doubt that), is sentimental and somewhat matronising without any questioning of the situation of which she writes with humane care - up to a point.
After all, does she consider how the equally indigent and caring mother of the children that the old fellow looks after will now earn the money to feed her children when he is happily housed? No ... no mention of that. The urban poor are left to fend for themselves.
This is the middle class woman concerned to tie up loose ends from the results of her own and her class's 'moral warfare', those pervasive progressive demands from abolitionism to neo-conservatism where men die for the moral ambitions of others which is so very American.
Yet it remains humane in intent, if blind to social conditions in the round, and, of course, it is better for veterans to be looked after rather than abandoned as they so very often are. Our problem is that Alcott is a good but blind person, both caring within her limits and uncaring from ignorance.
To the thinking person, it may leave a lingering bad taste in the mouth when it becomes clear that moral pressure from their 'betters' and often conscription (forced labour) took so many northern working class males from familes that needed their support.
The war ended their chance to create families of their own, caused the loss of their ability to carry on a trade and then pauperised them without any subsequent assistance. Alcott's heroine turns up as saviour at the end of two or more decades of misery in which no questions were asked.
The America of the Gilded Age was not to be alone in this and we have still not come to terms with the outrageous immorality of moral crusades under such circumstances where you enslave and destroy lives in order to free others ... and destroy them too.
Questions are rarely asked of such things, especially the precise 'cui bono' of any war of 'liberation'. show less
1/13/2019 review
I love this book so much. I read it and think, "Louisa May Alcott gets me." She understands the shy girls, the tomboys, the pretty girls, the artists. And she understands that each girl is more than the category she is lumped to; that's why the March girls are so relatable. I've always considered myself a pretty even mix of Jo and Beth, but I don't think I've ever cried over any character as much as I have Beth. The waterworks get off to a blubbery start when Mr. Lawrence show more gives Beth the little piano, and after that the tears will come out for any reason whatsoever. It's a relief to be done with this book, really, because I'm rather tired of crying. I don't think I've ever read a book that parallels my life so exquisitely, both inwardly and outwardly.
11/24/2010 review, 5 stars
At the end of the movie Little Women, while under the umbrella Professor Bhaer tells Jo that reading her book was like "looking into her soul." This line is not in the book, but describes perfectly the way I felt while reading this novel.
I started reading this book when I was in 9th grade for an English project. I never made it through the novel, but would pick it up every few years or so and read a few chapters. I decided to give it another chance now because it's one of the many books that as an English major, I feel like I should have read and loved long ago. Upon completion, I have come to the conclusion that it is the best American novel ever written, and while I am sad that I wouldn't partake of its goodness while still a teenager, there are lessons in this book for little women of every stage of life.
The first thing that drew me into the novel was the strong, distinct characters I found in the March girls. Mrs. March is the kind of mother everyone wants to have and that every girl wants to be—wise, loving, tender-hearted, with a bit of fire underneath it all. If I didn't have a mother of my own to turn to, I would turn to this novel for advice. Mrs. March has an answer for everything—she has weathered all kinds of storms and she learns from all of her experiences. This book is a domestic bible that American girls are sorely lacking today.
Meg has what many people would call "oldest-sibling syndrome." She likes to be in charge, but she also naturally and lovingly takes care of her younger sisters. She goes along with Jo's games for as long as she can, but there is always that "mature" streak that keeps her from being too childish. She follows in her mother's footsteps to the letter; and yet, she still has her faults. Her vanity gets the best of her at times, but she always makes it through her little problems and emerges a better woman for it. Her loving heart and gentle ways always overcome her desire for money and pretty dresses.
Jo is a lot like Meg in many respects; her biggest desire is to take care of those she loves, particularly Beth. At times she demonstrates Meg's matronly air when she is around her younger sisters. However, the similarities stop there. While Meg loves being fashionable and pretty, all Jo cares about is being comfortable and having fun. She is very ambitious and independent. She is full of fire and spunk and despite the messes and scrapes she gets herself into, people can't help but love her the way she is, for she does try very hard to be good.
Beth is the little angel of the family. She lived her life for others and her biggest joy in life was to be with her Jo and her beloved mother and father. It didn't take much to make Beth happy, but her family loved and took care of her more than they did anyone else, except perhaps "that Laurence boy." She may not have had the feminine strength that her mother and sisters had, but her strength was the strength of angels: she brought peace and happiness wherever she went.
And Amy becomes a bit of all of her sisters. She tries to imitate Beth's love for everyone and everything, and she has a bit of Jo's fire, which is balanced out by Meg's gentleness. She becomes a fashionable woman, but, like Meg, she learns that true happiness doesn't come from money, but from love and family.
As Jo learns early on in her writing career, "morals don't sell." However, she learns later on that people respond to the simple truths and lessons of her stories. This may seem contradictory, but in this contradictory lies yet another lesson: human beings don't like to be preached to, but each heart responds to true principles such as love, faith, morality, and hard work. Modern-day Americans may dub Alcott's novel as preachy and therefore unrealistic, but she (or he) who takes the time to learn with the March sisters what brings true happiness—family, love, hard work, faith, service, and generosity (not money, leisure, freedom, and greed)—will feel in her (or his) heart the truth of everything Mr. and Mrs. March teach their children. At the end of the novel when the growing family is celebrating Marmie's 60th birthday, it isn't the rich husband Amy married or the beautiful house that Jo turned into a school that made Mrs. March say to her girls, "I never can wish you a greater happiness than this!" It was baby Beth that Amy held in her arms, it was her adopted sons playing with Jo's boys, it was the family that surrounded her on that perfect day that caused her heart to overflow with joy.
This book rings true to me in more than just its moral lessons, however. I, too, grew up in a house of 4 girls, a mother who worked hard and put her children before everything she wanted, a father who may have been gone a lot but who loved his girls greatly and who was adored by his girls in turn, and a boy who wasn't an adopted brother but rather one of flesh and blood. We didn't have a lot of money growing up either, and while we all went through our stages of wants for various things, we had our set of adventures, scrapes, and triumphs. I see bits of me and my sisters in each of the March girls, and I see the love and wisdom of my parents in Mr. and Mrs. March, which makes the characters all the more dear to me. Some day we will have a family gathering just like the Marches have whenever they can, and I just know my mom will practically shout, "I never can wish you a greater happiness than this!"
I hope that everyone would take the time to read this book, for it is full of life lessons, bittersweet moments, joyous triumphs, sorrowful trials, and funny anecdotes. In short, it is a book about life. We can all be as happy as the March family if we just abide by their desires to live for others and to live for love. show less
I love this book so much. I read it and think, "Louisa May Alcott gets me." She understands the shy girls, the tomboys, the pretty girls, the artists. And she understands that each girl is more than the category she is lumped to; that's why the March girls are so relatable. I've always considered myself a pretty even mix of Jo and Beth, but I don't think I've ever cried over any character as much as I have Beth. The waterworks get off to a blubbery start when Mr. Lawrence show more gives Beth the little piano, and after that the tears will come out for any reason whatsoever. It's a relief to be done with this book, really, because I'm rather tired of crying. I don't think I've ever read a book that parallels my life so exquisitely, both inwardly and outwardly.
11/24/2010 review, 5 stars
At the end of the movie Little Women, while under the umbrella Professor Bhaer tells Jo that reading her book was like "looking into her soul." This line is not in the book, but describes perfectly the way I felt while reading this novel.
I started reading this book when I was in 9th grade for an English project. I never made it through the novel, but would pick it up every few years or so and read a few chapters. I decided to give it another chance now because it's one of the many books that as an English major, I feel like I should have read and loved long ago. Upon completion, I have come to the conclusion that it is the best American novel ever written, and while I am sad that I wouldn't partake of its goodness while still a teenager, there are lessons in this book for little women of every stage of life.
The first thing that drew me into the novel was the strong, distinct characters I found in the March girls. Mrs. March is the kind of mother everyone wants to have and that every girl wants to be—wise, loving, tender-hearted, with a bit of fire underneath it all. If I didn't have a mother of my own to turn to, I would turn to this novel for advice. Mrs. March has an answer for everything—she has weathered all kinds of storms and she learns from all of her experiences. This book is a domestic bible that American girls are sorely lacking today.
Meg has what many people would call "oldest-sibling syndrome." She likes to be in charge, but she also naturally and lovingly takes care of her younger sisters. She goes along with Jo's games for as long as she can, but there is always that "mature" streak that keeps her from being too childish. She follows in her mother's footsteps to the letter; and yet, she still has her faults. Her vanity gets the best of her at times, but she always makes it through her little problems and emerges a better woman for it. Her loving heart and gentle ways always overcome her desire for money and pretty dresses.
Jo is a lot like Meg in many respects; her biggest desire is to take care of those she loves, particularly Beth. At times she demonstrates Meg's matronly air when she is around her younger sisters. However, the similarities stop there. While Meg loves being fashionable and pretty, all Jo cares about is being comfortable and having fun. She is very ambitious and independent. She is full of fire and spunk and despite the messes and scrapes she gets herself into, people can't help but love her the way she is, for she does try very hard to be good.
Beth is the little angel of the family. She lived her life for others and her biggest joy in life was to be with her Jo and her beloved mother and father. It didn't take much to make Beth happy, but her family loved and took care of her more than they did anyone else, except perhaps "that Laurence boy." She may not have had the feminine strength that her mother and sisters had, but her strength was the strength of angels: she brought peace and happiness wherever she went.
And Amy becomes a bit of all of her sisters. She tries to imitate Beth's love for everyone and everything, and she has a bit of Jo's fire, which is balanced out by Meg's gentleness. She becomes a fashionable woman, but, like Meg, she learns that true happiness doesn't come from money, but from love and family.
As Jo learns early on in her writing career, "morals don't sell." However, she learns later on that people respond to the simple truths and lessons of her stories. This may seem contradictory, but in this contradictory lies yet another lesson: human beings don't like to be preached to, but each heart responds to true principles such as love, faith, morality, and hard work. Modern-day Americans may dub Alcott's novel as preachy and therefore unrealistic, but she (or he) who takes the time to learn with the March sisters what brings true happiness—family, love, hard work, faith, service, and generosity (not money, leisure, freedom, and greed)—will feel in her (or his) heart the truth of everything Mr. and Mrs. March teach their children. At the end of the novel when the growing family is celebrating Marmie's 60th birthday, it isn't the rich husband Amy married or the beautiful house that Jo turned into a school that made Mrs. March say to her girls, "I never can wish you a greater happiness than this!" It was baby Beth that Amy held in her arms, it was her adopted sons playing with Jo's boys, it was the family that surrounded her on that perfect day that caused her heart to overflow with joy.
This book rings true to me in more than just its moral lessons, however. I, too, grew up in a house of 4 girls, a mother who worked hard and put her children before everything she wanted, a father who may have been gone a lot but who loved his girls greatly and who was adored by his girls in turn, and a boy who wasn't an adopted brother but rather one of flesh and blood. We didn't have a lot of money growing up either, and while we all went through our stages of wants for various things, we had our set of adventures, scrapes, and triumphs. I see bits of me and my sisters in each of the March girls, and I see the love and wisdom of my parents in Mr. and Mrs. March, which makes the characters all the more dear to me. Some day we will have a family gathering just like the Marches have whenever they can, and I just know my mom will practically shout, "I never can wish you a greater happiness than this!"
I hope that everyone would take the time to read this book, for it is full of life lessons, bittersweet moments, joyous triumphs, sorrowful trials, and funny anecdotes. In short, it is a book about life. We can all be as happy as the March family if we just abide by their desires to live for others and to live for love. show less
If you're a fan of the sensation fiction of Wilkie Collins or Mary Elizabeth Braddon, you need to read Louisa May Alcott's contributions to the genre under the name A.M. Barnard. She writes the most wild stories, and I cannot decide if it is because she's an American writer and she can get away with more, or if this is just her style. That being said, this novel wasn't actually published during her lifetime, so it was still too shocking for an 19th century American readership.
"A Long Fatal show more Love Chase" was written 2 years before "Little Woman" was published. This novel is occupied with some of the same themes that make an appearance in her shorter sensation stories: primarily, the struggle of power between man and woman. I read another review that interpreted this story as a romance, and the chase as an erotic foreplay. I would strongly disagree. The chase in this book is not part of the romantic appeal, it is the desperate flight of a woman away from an evil man who she was romantically connected to. She remembers times she was happy and longs to go back to that innocence, but she chooses the difficult path and runs. He stalks her throughout the entire continent and her flight is for personal autonomy as much as it is for morality. He calls for her to submit to his will and then "he'll be her slave." I believe that Alcott is pointing out the utter stupidity of this patriarchal rhetoric.
Rosamond was an interesting heroine who climbs out windows, walks along roofs, and flees across the continent. She was very capable, and I loved the unlikely female friendships she develops along the way. Tempest is a typical sociopathic sensation villain and I hated him. Alcott connects him to the Mephistopheles from his first appearance, and that satanic imagery continues throughout the rest of the story to be contrasted with the pure priest character introduced in the second half of the book. This allegory seems to be the focus of the story more than capturing a type of "realism."
This book is quite the page-turner. It does get repetitive due to the structure of the book, but it is such a quick read and it kept me on the edge of my seat. The suspense never lets up once it gets going. Now I have to track down the rest of Alcott's sensation fiction because, although it has a lot of the sensation tropes, it still manages to feel like it's doing something different. show less
"A Long Fatal show more Love Chase" was written 2 years before "Little Woman" was published. This novel is occupied with some of the same themes that make an appearance in her shorter sensation stories: primarily, the struggle of power between man and woman. I read another review that interpreted this story as a romance, and the chase as an erotic foreplay. I would strongly disagree. The chase in this book is not part of the romantic appeal, it is the desperate flight of a woman away from an evil man who she was romantically connected to. She remembers times she was happy and longs to go back to that innocence, but she chooses the difficult path and runs. He stalks her throughout the entire continent and her flight is for personal autonomy as much as it is for morality. He calls for her to submit to his will and then "he'll be her slave." I believe that Alcott is pointing out the utter stupidity of this patriarchal rhetoric.
Rosamond was an interesting heroine who climbs out windows, walks along roofs, and flees across the continent. She was very capable, and I loved the unlikely female friendships she develops along the way. Tempest is a typical sociopathic sensation villain and I hated him. Alcott connects him to the Mephistopheles from his first appearance, and that satanic imagery continues throughout the rest of the story to be contrasted with the pure priest character introduced in the second half of the book. This allegory seems to be the focus of the story more than capturing a type of "realism."
This book is quite the page-turner. It does get repetitive due to the structure of the book, but it is such a quick read and it kept me on the edge of my seat. The suspense never lets up once it gets going. Now I have to track down the rest of Alcott's sensation fiction because, although it has a lot of the sensation tropes, it still manages to feel like it's doing something different. show less
Ah, Little Women. I did not quite realize it when I read you many years ago, but I am the Jo of my family. Tomboyish, hot-tempered, geeky. Unladylike, swearing, opinionated. Clumsy--I would be the one to burn my dress, spill things on me, and not be asked to dance. I love books more than socializing. And I have three wonderful sisters.
This book is a charming return to my childhood, and I had the treat of viewing it through the lens of life experiences this time around. I didn't understand show more Jo's romantic choices when I was young, but I completely understand now. I would have done the same thing. I won't spoil you if you haven't read it already, but if you have, which Marsh sister are you? show less
This book is a charming return to my childhood, and I had the treat of viewing it through the lens of life experiences this time around. I didn't understand show more Jo's romantic choices when I was young, but I completely understand now. I would have done the same thing. I won't spoil you if you haven't read it already, but if you have, which Marsh sister are you? show less
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