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Louisa May Alcott (1832–1888)

Author of Little Women

474+ Works 109,132 Members 1,415 Reviews 299 Favorited

About the Author

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry show more David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life. (Bowker Author Biography) show less

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Series

Works by Louisa May Alcott

Little Women (1868) 33,292 copies, 473 reviews
Little Women & Good Wives (1868) 19,174 copies, 219 reviews
Little Men (1871) 9,236 copies, 73 reviews
Jo's Boys (1886) 5,865 copies, 38 reviews
Eight Cousins (1875) 5,343 copies, 67 reviews
An Old-Fashioned Girl (1870) 3,367 copies, 45 reviews
Rose in Bloom (1876) 3,043 copies, 37 reviews
Good Wives (1869) 2,884 copies, 33 reviews
Under the Lilacs (1878) 2,219 copies, 15 reviews
A Long Fatal Love Chase (1995) 1,952 copies, 35 reviews
Jack and Jill: A Village Story (1880) 1,915 copies, 21 reviews
Little Women (Illustrated Junior Library) (1947) 1,377 copies, 12 reviews
The Inheritance (1997) 1,343 copies, 33 reviews
Little Women (Junior Classics for Young Readers) (1868) — Author — 830 copies, 5 reviews
Hospital Sketches (1863) 669 copies, 29 reviews
Flower Fables (1854) 569 copies, 2 reviews
Work: A Story of Experience (1873) 487 copies, 10 reviews
An Old-Fashioned Thanksgiving (1882) 376 copies, 8 reviews
Little Men (Illustrated Junior Library) (1947) 372 copies, 1 review
Kate's Choice and Other Stories (2001) 329 copies, 7 reviews
A Garland for Girls (1887) 316 copies, 7 reviews
Louisa May Alcott's Christmas Treasury (2002) 314 copies, 2 reviews
A Whisper in the Dark (1996) 291 copies, 4 reviews
A Modern Mephistopheles (1877) 279 copies, 5 reviews
The Quiet Little Woman (1999) 230 copies, 4 reviews
Moods (1865) 220 copies, 10 reviews
Short Stories (Dover Thrift Editions) (1996) 199 copies, 1 review
Behind a Mask; or, A Woman's Power (1866) 196 copies, 10 reviews
Louisa May Alcott : Her Girlhood Diary (1993) 184 copies, 3 reviews
Little Women (Norton Critical Editions) (2003) 177 copies, 2 reviews
Little Women [abridged - Whitman #1605] (1955) 175 copies, 2 reviews
Aunt Jo's Scrap-Bag (1999) 175 copies, 3 reviews
Louisa May Alcott: Life, Letters & Journals (1889) 168 copies, 4 reviews
The Annotated Little Women (2015) 166 copies, 1 review
A Merry Christmas and Other Christmas Stories (2014) 151 copies, 6 reviews
The Mysterious Key, and What It Opened (1867) 141 copies, 9 reviews
The Lost Stories Of Louisa May Alcott (1995) 137 copies, 2 reviews
A Modern Cinderella (1893) 116 copies, 2 reviews
The Journals of Louisa May Alcott (1989) 113 copies, 2 reviews
Transcendental Wild Oats (1981) 110 copies, 1 review
Little Men [abridged - Classic Starts] (2009) 105 copies, 1 review
Works of Louisa May Alcott (1986) 99 copies
The Portable Louisa May Alcott (2000) 81 copies, 1 review
Modern Magic (Modern Library) (1995) 81 copies, 2 reviews
Kitty's Class Day and Other Stories (1882) 78 copies, 2 reviews
Little Men / Jo's Boys (2009) 73 copies, 2 reviews
The Selected Letters of Louisa May Alcott (1987) 69 copies, 2 reviews
The Baron's Gloves (1868) 67 copies, 2 reviews
Spinning-Wheel Stories (1884) 63 copies
Little Women (abridged) (1970) 62 copies, 1 review
Silver Pitchers; and Independence (1888) 60 copies, 1 review
Aunt Jo's Scrap Bag, Vol. 2 (1872) 57 copies
Lulu's Library (2013) 56 copies
Pauline's Passion and Punishment (1863) 52 copies, 4 reviews
Little Women: An Annotated Edition (2013) 52 copies, 1 review
Marjorie's Three Gifts (1899) 50 copies, 2 reviews
Christmas with Little Women (1986) 49 copies
Little Women [adapted - Penguin Reader 1] (1999) 47 copies, 5 reviews
Louisa May Alcott: Selected Fiction (1991) 43 copies, 1 review
Little Women [dramatization] (2019) 37 copies, 2 reviews
Aunt Jo's Scrap-Bag, Vol. 6 (1882) 36 copies, 1 review
The Candy Country (1885) 34 copies
A Christmas Dream {short story} (2007) 33 copies, 3 reviews
Aunt Jo's Scrap Bag, Vol. 1 (1872) 32 copies
Trudel's Siege (1976) 32 copies, 1 review
May Flowers [short story] (1887) 30 copies
Aunt Jo's Scrap Bag, Vol. 5 (1879) 29 copies
Little Women [adapted - Longman Classics] (1981) 27 copies, 1 review
Little Women [abridged - Hear It Read It] (2008) — Author — 25 copies
A Country Christmas {short story} (2012) 23 copies, 4 reviews
Louisa May Alcott's Civil War (2007) 20 copies, 1 review
Scarlet Stockings (2004) 17 copies, 2 reviews
Mountain-Laurel and Maidenhair (1887) 17 copies, 2 reviews
Little Women [adapted - Reece] (1998) — Author — 16 copies
A Whisper in the Dark (1863) 16 copies, 1 review
Little Women [adapted - Greenwood] (1992) — Author — 16 copies
Good Wives: Beginner (Macmillan Readers) (2005) 16 copies, 7 reviews
Eight Cousins [and] Rose in Bloom (2011) 14 copies, 1 review
Lulu's Library, Vol. 2 (1887) 14 copies
Aunt Jo's Scrap-Bag, Vol. 4 (2019) 14 copies
Un cuento de enfermera (2014) 13 copies, 1 review
Silver Pitchers (2014) 13 copies
Sisters: Vintage Minis (Vintage Classics) (2017) 12 copies, 1 review
Three Unpublished Poems (2014) 12 copies
Little Women, Little Men (1963) 11 copies
A Hole in the Wall {short story} (2016) 11 copies, 1 review
Lulu's Library, Vol. 1 (2018) 11 copies
Little Women [1994 film and novel boxed set] (2009) — Author — 11 copies
Little Women [adapted - Penguin Reader 3] (1997) 10 copies, 4 reviews
Diana and Persis (1978) 10 copies, 1 review
Debby's Debut {short story} (1863) 10 copies, 1 review
Lulu's Library, Vol. 3 (2018) 10 copies
Pansies and Water-Lilies (2010) 8 copies
Cuatro damas del misterio (2019) 7 copies
Ladybird Classics: Little Women (2014) 6 copies, 1 review
Louisa Alcott's people (1936) 5 copies
Perilous Play (2025) 5 copies
I grandi romanzi (2016) 4 copies
The Death Of A Soldier (2013) 4 copies
El fantasma de las niñas (1884) 4 copies
Los Primos (1976) 4 copies
A FREE BED. (1978) 4 copies
Little Women: a New Opera (1997) 4 copies
UM NATAL FELIZ (2024) 3 copies
Sirenitas (2015) 2 copies
Something To Do (2010) 2 copies
Horrida (2020) 2 copies
Beginning Again/Work (1905) 2 copies
Little Women — Author — 2 copies
My Red Cap (2015) 2 copies, 1 review
Tilly's Christmas (2017) 2 copies
Rosa's Tale (2017) 2 copies
On Picket Duty (2004) 2 copies
Aunt Kipp (2015) 2 copies
Psyche's Art (2011) 2 copies
Malenkie muzhchiny (2022) 1 copy
Little women 1 copy
Yunye zheny 1 copy
True Friends 1 copy
Little Men 1 copy
Jo's Boys 1 copy
The Blind Lark (2016) 1 copy
A Christmas Turkey (2017) 1 copy
Four Stories 1 copy
La Piccola Principessa (2007) 1 copy
Lost in a London Fog 1 copy, 1 review
Three proverb stories (2021) 1 copy
How They Ran Away (2016) 1 copy, 1 review
The Death of John (2015) 1 copy
Six Volumes: 1 copy
An Hour 1 copy
Little Women [adapted - Sadler] — Author — 1 copy
Love and Self Love (2010) 1 copy, 1 review
Alcott:Little Women (2024) 1 copy
Aquelles donetes (2022) 1 copy
Bertie's Box (2018) 1 copy, 1 review
Little women. — Author — 1 copy
Mujercitas . I (1981) 1 copy
Will's Wonder Book (2020) 1 copy
"Lullaby" 1 copy
Kücük Kadinlar-Remzi (2015) 1 copy

Associated Works

Little Women (Great Illustrated Classics) (1989) 1,008 copies, 13 reviews
American Bloomsbury (2006) — Featured Artist — 687 copies, 33 reviews
Little Women [abridged - Classic Starts] (2005) 622 copies, 6 reviews
The Assassin's Cloak: An Anthology of the World's Greatest Diarists (2000) — Contributor, some editions — 622 copies, 9 reviews
Penny Dreadfuls: Sensational Tales of Terror (2014) — Contributor — 590 copies, 1 review
Little Women [1994 film] (1994) — Author — 587 copies, 9 reviews
The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 523 copies, 4 reviews
Great Short Stories by American Women (1996) — Contributor — 457 copies, 5 reviews
The Fireside Book of Christmas Stories (1945) — Contributor — 335 copies, 3 reviews
The Phantom of the Opera and Other Gothic Tales (2018) — Contributor — 311 copies, 1 review
The Treasure Chest (My Book House) (1932) — Contributor — 298 copies, 1 review
Little Women [2019 film] (2019) — Original book — 291 copies, 5 reviews
The Snow Queen and Other Winter Tales (2015) — Contributor — 240 copies, 1 review
The Big Book of Classic Fantasy (2019) — Contributor — 224 copies, 3 reviews
The Best Christmas Stories Ever [Apple Classics] (1991) — Contributor — 208 copies, 1 review
The American Transcendentalists: Essential Writings (2006) — Contributor — 207 copies
Stories About Boys and Girls (1938) — Contributor — 207 copies, 2 reviews
Little Women [novelization] (1994) 197 copies, 1 review
The Civil War: The Second Year Told By Those Who Lived It (2012) — Contributor — 194 copies, 1 review
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 179 copies
Classic American Short Stories [Barnes & Noble Leatherbound Classics] (2001) — Contributor — 175 copies, 1 review
Little Women: A BabyLit Playtime Primer (2016) — Contributor — 168 copies, 1 review
The Children's Treasury: Best Loved Stories and Poems from Around the World (1987) — Contributor — 164 copies, 2 reviews
Life in the Iron Mills [Bedford Cultural Editions] (1997) — Contributor — 161 copies, 2 reviews
A Literary Christmas: An Anthology (2013) — Contributor — 159 copies, 5 reviews
Murder & Other Acts of Literature (1997) — Contributor — 157 copies, 2 reviews
Witches' Brew (2002) — Contributor — 139 copies
Into the Mummy's Tomb (2001) — Contributor — 127 copies
The Penguin Book of Women's Humour (1996) — Contributor — 124 copies
The Lifted Veil: Women's 19th Century Stories (2005) — Contributor — 116 copies
The Inheritance [1997 TV movie] (1997) — Author — 112 copies
Best Loved Books for Young Readers 06 (1868) 101 copies, 2 reviews
The American Fantasy Tradition (2002) — Contributor — 95 copies, 2 reviews
Told Under the Christmas Tree (1941) — Contributor — 94 copies, 3 reviews
Best in Children's Books 11 (1958) 91 copies
Little Women [adapted - Oxford Bookworms] (2000) — Author — 86 copies, 8 reviews
American Christmas Stories (2021) — Contributor — 84 copies
Little Women (DK Eyewitness Classics) (1999) 77 copies, 1 review
Little Women [1949 film] (1949) — Original novel — 77 copies, 1 review
Little Women [1933 film] (1933) — Author — 75 copies
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
The Best American Mystery Stories of the 19th Century (2014) — Contributor — 69 copies, 1 review
The Vintage Book of American Women Writers (2011) — Contributor — 66 copies
Weird Horror Short Stories (Gothic Fantasy) (2022) — Contributor — 61 copies
Revenge: Short Stories by Women Writers (1990) — Contributor — 54 copies
366 Goodnight Stories (1983) — Contributor — 50 copies
The Junior Classics Volume 06: Old-Fashioned Tales (1912) — Contributor — 50 copies
The Virago Book of Such Devoted Sisters (1993) — Contributor — 45 copies
Best Loved Short Stories of Nineteenth Century America (2003) — Contributor — 42 copies
An Old-Fashioned Thanksgiving [2008 TV movie] (2008) — Author — 38 copies
Rediscoveries: American Short Stories by Women, 1832-1916 (1994) — Contributor — 36 copies
Deadlier: 100 of the Best Crime Stories Written by Women (2017) — Contributor — 31 copies
A Treasury of Old-Fashioned Christmas Stories (2006) — Contributor — 30 copies
Little Women [2017 TV miniseries] (2017) — Original novel — 28 copies, 1 review
American Gothic: An Anthology 1787–1916 (1999) — Contributor — 27 copies
Open the Door (1965) — Contributor — 25 copies
The Female Hypnotist: Stories from the Victorian and Edwardian Eras (2025) — Contributor — 24 copies, 13 reviews
Bronson Alcott's Fruitlands (1975) — Contributor — 23 copies
A Fireside Book of Yuletide Tales (1948) — Contributor — 22 copies, 1 review
Dracula’s Brethren (Collins Chillers) (2017) — Contributor — 20 copies, 1 review
Best of Women's Short Stories, Volume 3 (2007) — Contributor — 15 copies, 2 reviews
Little Women [1978 TV movie] (1978) — Author — 14 copies
Little Men [1998 film] (1998) — Author — 13 copies
Penguin Christmas Classics (2016) 13 copies
The Wimbourne Book of Victorian Ghost Stories: Volume 2 (2018) — Contributor — 12 copies
Little Women [2018 movie] (2018) — Author — 12 copies
More Favorite Stories of Christmas Past (v. 2) (2008) — Contributor — 8 copies, 2 reviews
Home for Christmas: Stories to Warm the Heart (1998) — Contributor — 8 copies
Favorite Stories of Christmas Past (2007) — Contributor — 8 copies
The Christmas Box (2001) — Contributor — 7 copies
Ancient Egyptian Supernatural Tales (2017) — Contributor — 7 copies
Little Men [1940 film] (1940) — Author — 6 copies
Classic Women's Literature (2001) — Contributor — 5 copies
Twelve Stories of Christmas (2020) — Contributor — 5 copies
Cricket Magazine, Vol. 2, No. 3, November 1974 (1974) — Contributor — 5 copies
Little Women [1958 TV movie] — Author — 1 copy
Little Men [1934 film] (1934) — Author — 1 copy
Christmas Short Works Collection 2025 (2025) — Contributor — 1 copy
Women's Short Stories (Vol 2) (2000) — Contributor — 1 copy
The Best of America: Seven Classic Short Stories (2012) — Contributor — 1 copy
Aquellas mujercitas (1974) 1 copy

Tagged

19th century (1,732) Alcott (533) American (722) American literature (1,378) children (703) children's (1,500) children's fiction (427) children's literature (807) Civil War (654) classic (3,462) classic literature (399) classics (3,764) coming of age (471) ebook (518) family (1,072) fiction (8,691) historical fiction (903) Kindle (530) literature (1,291) Louisa May Alcott (629) New England (473) novel (853) own (400) read (854) romance (583) short stories (467) sisters (619) to-read (2,608) YA (522) young adult (908)

Common Knowledge

Canonical name
Alcott, Louisa May
Other names
Barnard, A. M.
Birthdate
1832-11-29
Date of death
1888-03-06
Gender
female
Education
homeschooled
Occupations
novelist
nurse
seamstress
teacher
governess
Organizations
Transcendentalism
Agent
Zachary Shuster Harmsworth (estate)
Relationships
Alcott, Amos Bronson (father)
Alcott, Abigail May (mother)
Short biography
Louisa May Alcott (November 29, 1832 – March 6, 1888) was an American novelist, short story writer and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Raised in New England by her transcendentalist parents, Abigail May and Amos Bronson Alcott, she grew up among many of the well-known intellectuals of the day, such as Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, and Henry Wadsworth Longfellow.

Alcott's family suffered from financial difficulties, and while she worked to help support the family from an early age, she also sought an outlet in writing. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard, under which she wrote novels for young adults that focused on spies and revenge.

Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts, and is loosely based on Alcott's childhood experiences with her three sisters, Abigail May Alcott Nieriker, Elizabeth Sewall Alcott, and Anna Alcott Pratt. The novel was well-received at the time and is still popular today among both children and adults. It has been adapted many times to the stage, film, and television.

Alcott was an abolitionist and a feminist and remained unmarried throughout her life. All her life she was active in such reform movements as temperance and women's suffrage. She died from a stroke, two days after her father died, in Boston on March 6, 1888.
Cause of death
stroke
Nationality
USA
Birthplace
Germantown, Pennsylvania, USA
Places of residence
Germantown, Pennsylvania, USA
Concord, Massachusetts, USA
Boston, Massachusetts, USA
Utopian Fruitlands Community, Harvard, Massachusetts, USA (1843-1844)
Place of death
Boston, Massachusetts, USA
Burial location
Sleepy Hollow Cemetery, Concord, Massachusetts, USA (Authors' Ridge)
Associated Place (for map)
Massachusetts, USA

Members

Discussions

Jo in Little Women in Geeks who love the Classics (May 2024)
Found: Help me please- Name that Book in Name that Book (March 2023)
Newbie question about series editing in Book talk (June 2018)
Louisa May Alcott in Tattered but still lovely (February 2018)
Alcott favorites? in Tattered but still lovely (November 2014)

Reviews

1,533 reviews
A humane and solidly written story by Alcott, briefly looking back at her experience as a nurse in the American Civil War, and clearly serving a contemporary post-war didactic purpose two decades or so on that we would be expect from an abolitionist and a feminist - the care of indigent veterans.

After all, these veterans were often forced into penury in their old age from injuries sustained as men with lives far from the south to meet the activist needs of her class although there is no sign show more of guilt or shame on her part for driving the process that led to their condition.

On the contrary, it was clearly a just war in her eyes though accepted as awful (she is truly honest about that). Her recompense is a 'progressive' one, to repay the debt with housing in old age to which she clearly hopes her readers will contribute funds. But should we stop there?

The story, though it hangs together well enough (she is a good writer, no one can doubt that), is sentimental and somewhat matronising without any questioning of the situation of which she writes with humane care - up to a point.

After all, does she consider how the equally indigent and caring mother of the children that the old fellow looks after will now earn the money to feed her children when he is happily housed? No ... no mention of that. The urban poor are left to fend for themselves.

This is the middle class woman concerned to tie up loose ends from the results of her own and her class's 'moral warfare', those pervasive progressive demands from abolitionism to neo-conservatism where men die for the moral ambitions of others which is so very American.

Yet it remains humane in intent, if blind to social conditions in the round, and, of course, it is better for veterans to be looked after rather than abandoned as they so very often are. Our problem is that Alcott is a good but blind person, both caring within her limits and uncaring from ignorance.

To the thinking person, it may leave a lingering bad taste in the mouth when it becomes clear that moral pressure from their 'betters' and often conscription (forced labour) took so many northern working class males from familes that needed their support.

The war ended their chance to create families of their own, caused the loss of their ability to carry on a trade and then pauperised them without any subsequent assistance. Alcott's heroine turns up as saviour at the end of two or more decades of misery in which no questions were asked.

The America of the Gilded Age was not to be alone in this and we have still not come to terms with the outrageous immorality of moral crusades under such circumstances where you enslave and destroy lives in order to free others ... and destroy them too.

Questions are rarely asked of such things, especially the precise 'cui bono' of any war of 'liberation'.
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1/13/2019 review
I love this book so much. I read it and think, "Louisa May Alcott gets me." She understands the shy girls, the tomboys, the pretty girls, the artists. And she understands that each girl is more than the category she is lumped to; that's why the March girls are so relatable. I've always considered myself a pretty even mix of Jo and Beth, but I don't think I've ever cried over any character as much as I have Beth. The waterworks get off to a blubbery start when Mr. Lawrence show more gives Beth the little piano, and after that the tears will come out for any reason whatsoever. It's a relief to be done with this book, really, because I'm rather tired of crying. I don't think I've ever read a book that parallels my life so exquisitely, both inwardly and outwardly.

11/24/2010 review, 5 stars
At the end of the movie Little Women, while under the umbrella Professor Bhaer tells Jo that reading her book was like "looking into her soul." This line is not in the book, but describes perfectly the way I felt while reading this novel.

I started reading this book when I was in 9th grade for an English project. I never made it through the novel, but would pick it up every few years or so and read a few chapters. I decided to give it another chance now because it's one of the many books that as an English major, I feel like I should have read and loved long ago. Upon completion, I have come to the conclusion that it is the best American novel ever written, and while I am sad that I wouldn't partake of its goodness while still a teenager, there are lessons in this book for little women of every stage of life.

The first thing that drew me into the novel was the strong, distinct characters I found in the March girls. Mrs. March is the kind of mother everyone wants to have and that every girl wants to be—wise, loving, tender-hearted, with a bit of fire underneath it all. If I didn't have a mother of my own to turn to, I would turn to this novel for advice. Mrs. March has an answer for everything—she has weathered all kinds of storms and she learns from all of her experiences. This book is a domestic bible that American girls are sorely lacking today.

Meg has what many people would call "oldest-sibling syndrome." She likes to be in charge, but she also naturally and lovingly takes care of her younger sisters. She goes along with Jo's games for as long as she can, but there is always that "mature" streak that keeps her from being too childish. She follows in her mother's footsteps to the letter; and yet, she still has her faults. Her vanity gets the best of her at times, but she always makes it through her little problems and emerges a better woman for it. Her loving heart and gentle ways always overcome her desire for money and pretty dresses.

Jo is a lot like Meg in many respects; her biggest desire is to take care of those she loves, particularly Beth. At times she demonstrates Meg's matronly air when she is around her younger sisters. However, the similarities stop there. While Meg loves being fashionable and pretty, all Jo cares about is being comfortable and having fun. She is very ambitious and independent. She is full of fire and spunk and despite the messes and scrapes she gets herself into, people can't help but love her the way she is, for she does try very hard to be good.

Beth is the little angel of the family. She lived her life for others and her biggest joy in life was to be with her Jo and her beloved mother and father. It didn't take much to make Beth happy, but her family loved and took care of her more than they did anyone else, except perhaps "that Laurence boy." She may not have had the feminine strength that her mother and sisters had, but her strength was the strength of angels: she brought peace and happiness wherever she went.

And Amy becomes a bit of all of her sisters. She tries to imitate Beth's love for everyone and everything, and she has a bit of Jo's fire, which is balanced out by Meg's gentleness. She becomes a fashionable woman, but, like Meg, she learns that true happiness doesn't come from money, but from love and family.

As Jo learns early on in her writing career, "morals don't sell." However, she learns later on that people respond to the simple truths and lessons of her stories. This may seem contradictory, but in this contradictory lies yet another lesson: human beings don't like to be preached to, but each heart responds to true principles such as love, faith, morality, and hard work. Modern-day Americans may dub Alcott's novel as preachy and therefore unrealistic, but she (or he) who takes the time to learn with the March sisters what brings true happiness—family, love, hard work, faith, service, and generosity (not money, leisure, freedom, and greed)—will feel in her (or his) heart the truth of everything Mr. and Mrs. March teach their children. At the end of the novel when the growing family is celebrating Marmie's 60th birthday, it isn't the rich husband Amy married or the beautiful house that Jo turned into a school that made Mrs. March say to her girls, "I never can wish you a greater happiness than this!" It was baby Beth that Amy held in her arms, it was her adopted sons playing with Jo's boys, it was the family that surrounded her on that perfect day that caused her heart to overflow with joy.

This book rings true to me in more than just its moral lessons, however. I, too, grew up in a house of 4 girls, a mother who worked hard and put her children before everything she wanted, a father who may have been gone a lot but who loved his girls greatly and who was adored by his girls in turn, and a boy who wasn't an adopted brother but rather one of flesh and blood. We didn't have a lot of money growing up either, and while we all went through our stages of wants for various things, we had our set of adventures, scrapes, and triumphs. I see bits of me and my sisters in each of the March girls, and I see the love and wisdom of my parents in Mr. and Mrs. March, which makes the characters all the more dear to me. Some day we will have a family gathering just like the Marches have whenever they can, and I just know my mom will practically shout, "I never can wish you a greater happiness than this!"

I hope that everyone would take the time to read this book, for it is full of life lessons, bittersweet moments, joyous triumphs, sorrowful trials, and funny anecdotes. In short, it is a book about life. We can all be as happy as the March family if we just abide by their desires to live for others and to live for love.
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If you're a fan of the sensation fiction of Wilkie Collins or Mary Elizabeth Braddon, you need to read Louisa May Alcott's contributions to the genre under the name A.M. Barnard. She writes the most wild stories, and I cannot decide if it is because she's an American writer and she can get away with more, or if this is just her style. That being said, this novel wasn't actually published during her lifetime, so it was still too shocking for an 19th century American readership.

"A Long Fatal show more Love Chase" was written 2 years before "Little Woman" was published. This novel is occupied with some of the same themes that make an appearance in her shorter sensation stories: primarily, the struggle of power between man and woman. I read another review that interpreted this story as a romance, and the chase as an erotic foreplay. I would strongly disagree. The chase in this book is not part of the romantic appeal, it is the desperate flight of a woman away from an evil man who she was romantically connected to. She remembers times she was happy and longs to go back to that innocence, but she chooses the difficult path and runs. He stalks her throughout the entire continent and her flight is for personal autonomy as much as it is for morality. He calls for her to submit to his will and then "he'll be her slave." I believe that Alcott is pointing out the utter stupidity of this patriarchal rhetoric.

Rosamond was an interesting heroine who climbs out windows, walks along roofs, and flees across the continent. She was very capable, and I loved the unlikely female friendships she develops along the way. Tempest is a typical sociopathic sensation villain and I hated him. Alcott connects him to the Mephistopheles from his first appearance, and that satanic imagery continues throughout the rest of the story to be contrasted with the pure priest character introduced in the second half of the book. This allegory seems to be the focus of the story more than capturing a type of "realism."

This book is quite the page-turner. It does get repetitive due to the structure of the book, but it is such a quick read and it kept me on the edge of my seat. The suspense never lets up once it gets going. Now I have to track down the rest of Alcott's sensation fiction because, although it has a lot of the sensation tropes, it still manages to feel like it's doing something different.
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Ah, Little Women. I did not quite realize it when I read you many years ago, but I am the Jo of my family. Tomboyish, hot-tempered, geeky. Unladylike, swearing, opinionated. Clumsy--I would be the one to burn my dress, spill things on me, and not be asked to dance. I love books more than socializing. And I have three wonderful sisters.

This book is a charming return to my childhood, and I had the treat of viewing it through the lens of life experiences this time around. I didn't understand show more Jo's romantic choices when I was young, but I completely understand now. I would have done the same thing. I won't spoil you if you haven't read it already, but if you have, which Marsh sister are you? show less

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