Leonie Frieda
Author of Catherine de Medici: Renaissance Queen of France
About the Author
Swedish by birth and educated in Britain, Germany, and France, Leonie Frieda speaks five languages. Her research on Catherine de Medici has taken her to Paris, Florence, and Rome, as well as the chateaux of the Loire
Image credit: Leonie Frieda
Works by Leonie Frieda
Tagged
Common Knowledge
- Birthdate
- 1956
- Gender
- female
- Occupations
- translator
writer - Nationality
- Sweden
- Birthplace
- Sweden
- Places of residence
- London, England, UK
- Associated Place (for map)
- England, UK
Members
Reviews
It's hard to like this woman. Admire, her, yes, fear her, definitely, but she is not necessarily in the likeable" category. The author does an incredible job, though, into historical research: Catherine's early life was full of pomp and glory, and when she was found marriageable to the Dauphin, later Henri II, she is very well portrayed as a scared, uncertain young woman. Her marital relations are not helped by the fact that she cannot conceive (shades of Marie Antoinette and Louis XIV), nor show more that Henri II still has active relations with his mistress, Diane de Poitiers. She is in the court of Francois I, and his various adventures, including turning two of his sons over as hostages to live as prisoners in several regions of Spain, are very well detailed.
Leonie Frieda does an excellent job of bringing the times and main influences in Catherine's life to the printed page. There are endnotes as well as asterisks that detail some immediate knowledge. Ms. Frieda discusses some of the rumors of the time (did Catherine really create a peephole in the floor of her bedroom to find out what her husband and his mistress were doing? Was the St. Bartholomew's Day massacre really as bloody as thought, and how much did Catherine have to do with it?) and where their truths really lie. Catherine de Medici was a very, very powerful woman brought up to be her husband's Queen. When that plan falls, she creates a Plan B that includes a mistress, 10 pregnancies, and later her husband's gruesome death. Her ability to rule through her sons, since being able to rule in her own right was denied her, was remarkable for its time.
The conclusion of this book states that one cannot judge her by the morals and standards of the 21st century, and discusses her faults and her blinders. Which is all fair and good judgment; it is simply hard to fathom the mind-set that allows the planned assassination of one's religious rivals, now in modern Western civilization. But in wartime, which encompassed much of "her" reign, many niceties go out the window such as the respect for human life. And in so many ways, our culture of dangerous "war zones" in US cities is a bit of a reflection on the Renaissance; how she managed to live past her husband's death and arrange for the next kings of France is a tribute. Would I have liked her? Probably not. Would I have shared a glass of wine and some delicious dessert with her, to discuss art and spectacles and the needs of a ruler? You bet your sweet bippie I would. show less
Leonie Frieda does an excellent job of bringing the times and main influences in Catherine's life to the printed page. There are endnotes as well as asterisks that detail some immediate knowledge. Ms. Frieda discusses some of the rumors of the time (did Catherine really create a peephole in the floor of her bedroom to find out what her husband and his mistress were doing? Was the St. Bartholomew's Day massacre really as bloody as thought, and how much did Catherine have to do with it?) and where their truths really lie. Catherine de Medici was a very, very powerful woman brought up to be her husband's Queen. When that plan falls, she creates a Plan B that includes a mistress, 10 pregnancies, and later her husband's gruesome death. Her ability to rule through her sons, since being able to rule in her own right was denied her, was remarkable for its time.
The conclusion of this book states that one cannot judge her by the morals and standards of the 21st century, and discusses her faults and her blinders. Which is all fair and good judgment; it is simply hard to fathom the mind-set that allows the planned assassination of one's religious rivals, now in modern Western civilization. But in wartime, which encompassed much of "her" reign, many niceties go out the window such as the respect for human life. And in so many ways, our culture of dangerous "war zones" in US cities is a bit of a reflection on the Renaissance; how she managed to live past her husband's death and arrange for the next kings of France is a tribute. Would I have liked her? Probably not. Would I have shared a glass of wine and some delicious dessert with her, to discuss art and spectacles and the needs of a ruler? You bet your sweet bippie I would. show less
no mother in history has done more to prom ote her children at whatever cost to herself, themselves & their times'
By sally tarbox on 24 Nov. 2011
Format: Paperback
Brilliantly researched yet always readable biography, Frieda takes us from Catherine's inauspicious start as 'orphan of Florence' to a marriage where she always played second fiddle to her husband's mistress, Diane de Poitiers.
The story really takes off after Catherine becomes a widow comparatively early. With the heir still a show more child, Catherine assumes regency...and from then on her life seems to be composed largely of coping with the endless and complex discord of 16th century Europe. Wars between principalities; the lead up to (and horrible consequences of) the Wars of Religion; efforts to keep the papacy on side; dynastic marriages; political factions and towards the end her sons (an unpromising lot) plotting against each other. Frieda's skill here lies in keeping it all (relatively) comprehensible and readable.
I was left feeling that Catherine was a most pragmatic and unsentimental woman; notably when she sent her daughter Margot to her marital chamber as the St Bartholomew's Day Massacre was beginning ('My mother replied that, God willing, I would come to no harm, but in any case I must go for fear of wakening their suspicions') and yet in her impossible situation could she have done much better?
Very interesting read show less
By sally tarbox on 24 Nov. 2011
Format: Paperback
Brilliantly researched yet always readable biography, Frieda takes us from Catherine's inauspicious start as 'orphan of Florence' to a marriage where she always played second fiddle to her husband's mistress, Diane de Poitiers.
The story really takes off after Catherine becomes a widow comparatively early. With the heir still a show more child, Catherine assumes regency...and from then on her life seems to be composed largely of coping with the endless and complex discord of 16th century Europe. Wars between principalities; the lead up to (and horrible consequences of) the Wars of Religion; efforts to keep the papacy on side; dynastic marriages; political factions and towards the end her sons (an unpromising lot) plotting against each other. Frieda's skill here lies in keeping it all (relatively) comprehensible and readable.
I was left feeling that Catherine was a most pragmatic and unsentimental woman; notably when she sent her daughter Margot to her marital chamber as the St Bartholomew's Day Massacre was beginning ('My mother replied that, God willing, I would come to no harm, but in any case I must go for fear of wakening their suspicions') and yet in her impossible situation could she have done much better?
Very interesting read show less
One thing I can say after reading this - Catherine had seen a LOT of shit. Like so many women in her time - and before that time, and after that time - she was seen as a power-hungry bitch, and so on and so forth. Any history buff is well aware how women with power often got the shaft in history due to a patriarchal/macho mind-set.
I do not claim that Catherine did nothing wrong. Back then, sometimes you just had to stab someone in the back or get stabbed yourself, or have to do something show more questionable to satisfy the political majority. I do not envy Catherine or her life, but this was nonetheless a fascinating biography with plenty of history factoids which should please any history/biography buff. show less
I do not claim that Catherine did nothing wrong. Back then, sometimes you just had to stab someone in the back or get stabbed yourself, or have to do something show more questionable to satisfy the political majority. I do not envy Catherine or her life, but this was nonetheless a fascinating biography with plenty of history factoids which should please any history/biography buff. show less
Henry VIII of England, Charles V of the Empire, Suleiman the Magnificent of the Ottomans, and Francis I of France all were young men who came to their thrones at about the same time. Henry VIII and Francis I, in particular, had a lot in common; both had slightly controversial claims to the throne, both were fond of the ladies, and both sought military glory with indifferent success. Author Leonie Frieda describes Francis in her subtitle as “The Maker of Modern France”, but doesn’t show more present a lot of evidence for that characterization; he was a patron of the arts, persuading Da Vinci to spend his last years in France, but he also kept using a medieval style of warfare, resulting in a narrow victory at Marignano and a disastrous defeat at Pavia. He doesn’t seem to have been particularly interested in governing, preferring hunting, travel, and women; one courtier commented “Alexander the Great attended to women after attending to business; Francis I attends to business after attending to women”. Contemporaries speculated that this did him in, from syphilis; when he died at age 53 the embalmers described him as “rotten inside” but Frieda considers this unlikely.
Frieda has lively, conversational writing style and I found this an easy read. There are maps of France, the Empire, and Italy; genealogical charts for France and the Empire, and a list of principal characters; plates illustrating most of them; endnotes and a copious bibliography. show less
Frieda has lively, conversational writing style and I found this an easy read. There are maps of France, the Empire, and Italy; genealogical charts for France and the Empire, and a list of principal characters; plates illustrating most of them; endnotes and a copious bibliography. show less
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Statistics
- Works
- 3
- Members
- 1,327
- Popularity
- #19,380
- Rating
- 3.6
- Reviews
- 32
- ISBNs
- 31
- Languages
- 5













