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Antonia Fraser

Author of Marie Antoinette: The Journey

83+ Works 22,547 Members 327 Reviews 71 Favorited

About the Author

Antonia Fraser is the author of numerous internationally bestselling biographies, including "The Six Wives of Henry VIII" and "Cromwell: Our Chief of Men". (Publisher Provided)
Image credit: Antonia Fraser en 2022

Series

Works by Antonia Fraser

Marie Antoinette: The Journey (2001) 3,619 copies, 64 reviews
Mary Queen of Scots (1969) 3,180 copies, 29 reviews
The Six Wives of Henry VIII (1992) 2,509 copies, 41 reviews
The Weaker Vessel (1984) 1,403 copies, 7 reviews
The Warrior Queens (1988) 1,384 copies, 14 reviews
Cromwell, Our Chief of Men (1973) 1,291 copies, 10 reviews
The Lives of the Kings and Queens of England (1975) — Editor & Introduction — 1,243 copies, 9 reviews
King Charles II (1979) — Editor — 876 copies, 9 reviews
Quiet as a Nun (1977) 382 copies, 18 reviews
Must You Go?: My Life with Harold Pinter (2010) 379 copies, 13 reviews
Oxford Blood (1985) 262 copies, 2 reviews
A Splash of Red (1981) 217 copies, 6 reviews
The Pleasure of Reading (1992) — Editor — 205 copies, 8 reviews
The Wild Island (1978) 196 copies, 2 reviews
Your Royal Hostage (1987) 192 copies, 2 reviews
Love Letters: An Illustrated Anthology (1976) — Editor — 188 copies, 1 review
The Cavalier Case (1990) 180 copies, 4 reviews
King James VI of Scotland, I of England (1974) 178 copies, 2 reviews
Cool Repentance (1982) 160 copies, 1 review
Jemima Shore's First Case and Other Stories (1986) 139 copies, 2 reviews
My History: A Memoir of Growing Up (2015) 137 copies, 2 reviews
Political Death (1996) 123 copies, 1 review
Jemima Shore at the Sunny Grave (1991) 110 copies, 2 reviews
Scottish Love Poems: A Personal Anthology (1975) — Editor — 99 copies, 1 review
The Stuarts (2000) — Editor — 89 copies
Robin Hood (1971) 78 copies, 1 review
Lady Caroline Lamb: A Free Spirit (2023) 73 copies, 1 review
The Houses of Hanover and Saxe-Coburg-Gotha (2000) — Editor — 65 copies, 1 review
A history of toys (1966) 56 copies, 1 review
Dolls (1973) 49 copies, 1 review
The Life and Times of Queen Anne (1972) — Editor — 48 copies, 1 review
King Charles II : Part Two (1979) 30 copies
King Charles II : Part One (1979) 28 copies
Heroes & Heroines (1980) — Editor — 27 copies, 1 review
Oxford and Oxfordshire in Verse (1982) — Editor — 16 copies
Mary, Queen of Scots: An Anthology of Poetry (1981) — Editor & Introduction — 13 copies
Jemima Shore Investigates (1983) — Introduction — 12 copies
Jemima Shore on the Case (2006) 10 copies, 1 review
Patchwork Pieces (2024) 2 copies
Cromwell, Volume 2 (1973) 2 copies, 1 review
Cromwell, Volume 1 (1973) 1 copy, 1 review
Jemima Shore Investigates [1983 TV Series] (1983) — Creator — 1 copy
Boots {story} (1986) 1 copy
Puppen 1 copy
No title 1 copy
How to write : memoir & biographies (2008) — Introduction — 1 copy

Associated Works

The Franchise Affair (1948) — Introduction, some editions — 2,360 copies, 90 reviews
Framley Parsonage (1861) — Introduction, some editions — 2,057 copies, 47 reviews
A Woman's Eye (1991) — Contributor — 296 copies, 3 reviews
Marie Antoinette [2006 film] (2006) — Original book — 260 copies, 1 review
Women on the Case (1996) — Contributor — 228 copies
Masterpieces of Mystery and Suspense (1988) — Contributor — 217 copies, 2 reviews
What Might Have Been : Leading Historians on Twelve 'What Ifs' of History (2004) — Contributor — 197 copies, 6 reviews
The life and times of Henry VIII (1972) — Editor; Introduction — 185 copies
The Virago Book of Ghost Stories (2006) — Contributor — 150 copies, 2 reviews
The World's Greatest Detective Stories (1985) — Contributor — 140 copies, 2 reviews
Women of Mystery (1992) — Contributor — 135 copies, 1 review
The Life and Times of Charles II (1972) — General Editor — 134 copies, 2 reviews
The Middle Ages (2000) — Editor — 125 copies
The Clans of the Scottish Highlands: The Costumes of the Clans (1980) — Foreword — 116 copies, 2 reviews
The Virago Book of Ghost Stories, Volume 2 (1991) — Contributor — 107 copies, 3 reviews
Murder Most Scottish (1999) — Contributor — 104 copies, 1 review
The Big Book of Female Detectives (2018) — Contributor — 102 copies, 1 review
Dior by Dior (2007) — some editions — 83 copies, 1 review
Crime Through Time II (1998) — Introduction — 82 copies, 1 review
Midsummer Nights (2009) — Contributor — 79 copies, 1 review
2nd Culprit : A Crime Writers' Association Annual (1993) — Contributor — 68 copies, 1 review
The Life and Times of Charles I (1972) — Introduction, some editions — 66 copies
1st Culprit : A Crime Writers' Association Annual (1992) — Contributor — 63 copies
A Century of British Mystery and Suspense (2000) — Contributor — 61 copies
The Life and Times of Mary Tudor (1974) — Editor — 44 copies
Great Tales of Crime and Detection (1992) — Contributor — 43 copies
A Guide to Tudor and Jacobean Portraits (2008) — Foreword, some editions — 42 copies
Mysterious Pleasures (2003) — Contributor — 40 copies, 2 reviews
Great Commanders of the Early Modern World, 1583–1865 (2011) — Contributor — 29 copies
The Life and Times of Edward I (1981) — Introduction, some editions — 26 copies
Women of Mystery - Book 3 (1998) 25 copies
Murder Most Divine: Ecclesiastical Tales of Unholy Crimes (2000) — Contributor — 25 copies
The Mammoth Book of Movie Detectives and Screen Crimes (1998) — Contributor — 24 copies, 1 review
Great Murder Mysteries (1985) — Contributor — 23 copies
The Mammoth Book of Modern Crime Stories (1987) — Contributor — 21 copies
Crime Waves 1 (1991) — Contributor — 14 copies
The Man Who ... (1992) — Contributor — 14 copies, 1 review
John Creasey's Crime Collection : 1985 (1985) — Contributor — 14 copies
Murder Most Sacred (1989) — Contributor — 13 copies
Ladykillers : Crime Stories by Women (1987) — Contributor — 11 copies
English Crime Stories of Today (1993) — Author — 11 copies
Death on Wheels (1999) — Contributor — 10 copies
Winter's Crimes 10 (1978) — Contributor — 9 copies
Dangerous Ladies (1992) — Contributor — 8 copies
The Year's Best Mystery and Suspense Stories, 1990 (1990) — Contributor — 7 copies
John Creasey's Crime Collection : 1990 (1990) — Contributor — 7 copies
Winter's Crimes 15 (1983) 6 copies
John Creasey's Crime Collection : 1989 (1989) — Contributor — 6 copies
John Creasey's Crime Collection : 1987 (1987) — Contributor — 6 copies
John Creasey's Crime Collection : 1982 (1982) — Contributor — 5 copies
Factotum, no. 18, March 1984 (1984) — Contributor — 1 copy

Tagged

16th century (169) 17th century (350) 18th century (117) biography (2,238) Britain (178) British (172) British history (483) England (700) English History (390) European History (153) fiction (284) France (401) French History (180) French Revolution (145) Henry VIII (145) history (3,460) Marie Antoinette (124) Mary Queen of Scots (136) monarchy (127) mystery (398) non-fiction (1,501) read (146) royalty (386) Scotland (283) to-read (953) Tudor (120) Tudors (115) UK (108) women (308) women's history (158)

Common Knowledge

Canonical name
Fraser, Antonia
Legal name
Fraser, Antonia Margaret Caroline
Other names
Fraser, Lady Antonia
Pinter, Lady Antonia
Pakenham, Antonia Margaret Caroline (birth)
Birthdate
1932-08-27
Gender
female
Education
Lady Margaret Hall, Oxford University (BA ∙ 1953 ∙ History)
Dragon School, Oxford
St. Mary's School, Ascot
Occupations
historian
crime writer
aristocrat
biographer
Organizations
Weidenfeld & Nicholson
British Crime Writers Association
Sir Walter Scott Club
English PEN
Royal Stuart Society
Awards and honors
Companion of Honour (2018)
Order of the British Empire (Dame Commander, 2011)
Royal Society of Literature (Fellow, 2003)
Order of the British Empire (Commander, 1999)
Norton Medlicott Medal (2000)
St. Louis Literary Award (1996) (show all 7)
Wolfson History Prize (1984)
Relationships
Pakenham, Frank, 7th Earl of Longford (father)
Longford, Elizabeth (mother)
Pinter, Harold (second husband)
Fraser, Flora (daughter)
Billington, Rachel (sister)
Pakenham, Thomas Francis Dermot, 8th Earl of Longford (brother) (show all 15)
Kazantzis, Judith (sister)
Fraser-Cavassoni, Natasha (daughter)
Fraser, Rebecca (daughter)
Pakenham, Valerie (sister-in-law)
Powell, Lady Violet (aunt)
Pakenham, Edward (uncle)
Fraser, Sir Hugh (first husband) m.1956-1977
Clive, Mary (aunt)
Lamb, Lady Pansy (aunt)
Short biography
Lady Antonia Fraser, née Pakenham, was born in London to an aristocratic English family. Her mother was the distinguished biography Elizabeth Longford. She was educated at the Dragon School in Oxford, St. Mary's School, Ascot, and Oxford University. She is the author of major historical biographies, including Mary, Queen of Scots (1969), The Weaker Vessel (1984) and The Wives of Henry VIII (1996), as well as a popular mystery series featuring British television personality and investigative journalist Jemima Shore. She is a past chairman of the British Crime Writers Association. Lady Antonia married her second husband, the late Harold Pinter, in 1980, and is sometimes known as Lady Antonia Pinter. She was made a Dame Commander of the Order of the British Empire in 2011.
Nationality
UK
Birthplace
London, England, UK
Places of residence
London, England, UK
Map Location
England, UK

Members

Discussions

BRITISH AUTHOR CHALLENGE JUNE - FRASER & CONRAD in 75 Books Challenge for 2016 (December 2016)

Reviews

356 reviews
The life and death of Mary Stuart remains one of the most movingly tragic life stories I know. More than fifty-five years after publication, and forty years after I picked up a copy at a library sale but only now got around to reading, Antonia Fraser’s biography is apparently still the best “life and times” for the general reader. Fraser provides a readable narrative, covering Mary’s mistakes yet remaining overall sympathetic. As far as I can tell, she also did an impressive amount show more of research, resulting in a detailed narrative that runs 555 pages without counting an appendix, notes, and index. That makes for a thick book, perhaps one reason it took me so long to set aside the time to read it. And even now, I’ll confess I skimmed her discussion of the casket letters, crucial though they are to how one views Mary. I took in enough of Fraser’s discussion to trust her conclusion at the end of the chapter.
Fraser presents Mary as an attractive personality. She had barely been born when her father died, making her queen of Scotland. Her actual reign was brief, though, starting when she returned, still a teenager, as the widowed dowager queen of France. It did not go well, but what are you to do if you are destined by birth to rule an ungovernable country?
Perhaps Mary’s worst blunder was when she escaped her Scottish imprisonment and fled to England rather than France. This presented her cousin Elizabeth with an intractable problem whose solution seems inevitable in retrospect. For Many was, in addition to being the deposed queen of Scotland and the dowager queen of France, the next in line to the throne of England. A fatal complication was that Mary was Catholic. Thus, in the eyes of all the English who clung to the old faith, she—and not the excommunicated Elizabeth— already was the legitimate queen. As long as Mary remained alive, she was thus a factor in every plot to assassinate Elizabeth.
This led to framing a law that made not only assassins but also those in whose name they concocted their plots guilty of treason. Clearly, the law was meant to bring the downfall of only one person, leading to a trial that Fraser calls “one of the strangest judicial proceedings in the history of the British Isles.”
In a chapter entitled “The Uses of Adversity,” Fraser describes how Mary’s character was deepened by the long years of captivity in ways typical of the long line of imprisoned philosopher-monarchs. She also shows how Mary ensured that the death she knew she could not escape would fit the pattern of “the classic Christian manner of martyrdom and triumph.”
To that extent, Mary won. Her execution remains a blot on Elizabeth’s reputation. Meanwhile, as Fraser points out, all subsequent British monarchs, beginning with Mary’s son James, have descended from her, not Elizabeth.
My only reservation about Fraser’s portrayal of this remarkable person is that Mary comes off as more modern than the times in which she lived. She is clearly Fraser’s kind of Catholic — tolerant, discrete, yet unwavering. Fraser’s sympathy for Mary makes not only Elizabeth but even more so Scottish reformer John Knox inimical to her. Perhaps Fraser has accurately depicted Mary (she presents her case convincingly). But it’s also true that biographies inform us not only about their subjects but also about their authors.
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I finished Fraser's truly awful Warrior Queens today. She jumps back and forth between time periods constantly, keeps trying to relate every woman she writes about to Boudica and her legend, is in love with her own lame terminology, and dedicates a lot of ink to speculation. I can't even say that I trust her research since in chapter 14 she calls Pocahontas "a member of the Sioux tribe": I don't have words enough to say how wrong this statement is.*

Avoid this one at all costs.


*Seriously, show more it's like saying Eleanor of Aquitaine was Polish. show less
½
[Lady] Antonia Fraser, married to the playwright Harold Pinter (now deceased) and so forming a formidable intellectual household, is a popular narrative historian who is always highly readable and never patronising. She entertains as she educates and never talks down to her reader.

In this book, she looks at a theme rather than a period, centring the story of warrior queens in reality and in legend initially on a tale familar to the British, Boadicea (or Boudicca if you prefer), but extending show more her analysis to a series of strong women in history who meet her criteria.

She moves effortlessly from first century AD Britain to such interesting characters as Zenobia of Palmyra, Matilda (or Maud) who fought for the throne of England with Stephen, Tamara of Georgia, Isabella of Castile and many others through to a comparison with Mrs Thatcher.

She does not neglect other continents with chapters both on Jinga of the Ndongo in Africa and the Rani of Jhansi in the British Raj. She allows comparison and contrast - political successes like Elizabeth I with noble failures like Matilda of Tuscany and complete failures like Louise of Prussia.

Fraser is one of those writers who might be called feminist if the term had not been destroyed as a positive one by a generation of grievance specialists and moral fanatics who sit as part of that exercise in group-think that purports to be the Western Left.

She is to be regarded as a strong voice for the female point of view without a collapse into ideology. She sits alongside Simone de Beauvoir, Camille Paglia and, in my view, Virginie Despentes as someone who gives voice to women and makes men stop, think and, when necessary, change.

Above all, she is an excellent historian. I cannot think of one occasion where I felt I had to dispute a judgement she makes on the evidence placed before her. She thinks in the round, able to see how her narrative relates to culture and society then and now (1988 in this case).

When she points out the sometimes absurd manner in which a largely male culture has reconstructed these women - often too positively it might be said because of the chivalric impulse or the will to believe in a 'queen' or 'goddess'- she does so without moralising.

It has some useful insights into male absurdity and is more useful in pointing out that women are capable of anything (should they choose to want to do anything) than all the dull or shrill tracts thrown at men in outrage or bitterness.

I will be gifting this book to my daughter as an exemplar of good writing and sound historical sense but it is not just a feel-good book for women (which I hope it will be), it is also a book that any man can profit from reading. I recommend it on that basis alone.
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The great danger for a biographer is to become too fond of her subject. I can't help but feel that that happened to Antonia Fraser here.

There is no question but that the future King Charles II had a difficult upbringing -- caught up while still a teenager in the Civil War, with his father executed when he was 18, leaving Charles a king in exile, trying to find a way to survive with no money and no real friends and no obvious prospects, Then, suddenly, restored to the throne as he entered his show more thirties. A less resilient man would have surely become far more neurotic, likely seeing threats everywhere. Charles, instead, became a courageous, affable, personally tolerant man.

He was also lazy, a determined liar, a cheat, and a man with little willingness to plan for the future. And, at a time when Louis XIV of France was threatening to take over Europe, he largely aided and abetted the efforts -- a failing that would leave his successors fighting against Louis for a third of a century.

And there were the mistresses, and the bastards. This is not me getting holier-than-Charles. English kings had had bastard children before -- Henry I was said to have some three dozen illegitimate children, and Edward IV kept a rotating stable of three mistresses. Charles was relatively restrained; he usually had only one woman-on-the-side at a time. But Henry and Edward hadn't raised their mistresses to the upper peerage -- hadn't even done particularly much for their children. Charles made several of his mistresses duchesses, and their children dukes. This represented a big strain on an over-extended treasury, and it didn't really do anyone any good. It also did long-term damage to the House of Lords. Had Charles just given them a few manors and made them gentry, the kids would still have been ahead of the game and England would have had a lot more money for useful projects.

And Charles's treatment of Scotland and Ireland was simply bad, forcing the Duke of Lauderdale on the former and trying to use the latter as a source of money and land when there just wasn't any available. Having spent time in Scotland at the beginning of his exile, he clearly wanted as little as possible to do with it thereafter.

But Charles's worst failing regarded the succession. Charles had no legitimate children, so his heir was his brother, the future James II. Who was Catholic, which was bad enough, but who was also (much, much worse) Ye Standard Stuart -- i.e. very stupid, very bigoted, and very convinced that he was neither and that he had the divine right of kings. James was, predictably, overthrown three years after Charles II died. Charles could have prevented it -- Parliament had repeatedly tried to take up Exclusion, to try to keep James off the throne, and Charles had prorogued or dissolved the parliament, and taken a subsidy from Louis XIV, to prevent Exclusion from happening. Maybe Charles's tricks would have been worth it had James II been a better man -- but, remember, James was overthrown in 1688, and the very Exclusion law that Charles had opposed became a major part of the Glorious Revolution of 1688-1689. The Glorious Revolution was unquestionably good -- a second Magna Carta, in a way. But Charles could have brought much of it about without the bloodshed, if he'd been willing to do the work.

There are good things about him -- e.g. he founded the Royal Society (a fact that Fraser perhaps under-plays -- at least, it seems so to me as someone with scientific training). And his faults don't change the fact that Charles was mostly loved by the people, and came to look even better in hindsight, given that his successors were the tyrant James II, the dour William III, the neurotic Anne, and the lumpish George I. But, remember, Charles could have short-cut around all that agony. And this book never really addresses his failure to do so.

There are other ways in which this book is too prone to accept the common opinion. Take the oldest of Charles's illegitimate sons, who eventually became the Duke of Monmouth. Monmouth opposed Charles's pro-James policies (in other words, was on the right side of history), was pushed into rebellion against James II in 1685, and was defeated and executed. Fraser takes the view that Monmouth was a handsome, shallow, useless tool of others. It is certainly true that he was manipulated into his rebellion. But, prior to that, he had undertaken useful military reforms, and had crushed a Scottish rebellion at Bothwell Bridge with both firmness and leniency. I've read three different studies of Monmouth's life and rebellion, and every one of them finds him to have been a better man than Fraser makes him.

Charles II was a very good man during the first half of his life -- the years of adversity. He lost much of that virtue in his years of prosperity. And Fraser never seems to notice the change.
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Associated Authors

Victoria Gray Editor & Preface
Frances Heasman Contributor
John Burke Contributor
Neville Green Director
Brian Farnham Director
Jasper Ridley Contributor
Jeanette Winterson Contributor
Neville Williams Contributor
John Gillingham Contributor
John Clarke Contributor
Anthony Cheetham Contributor
Peter Earle Contributor
J. P. Brooker-Little Heraldic Consultant
Maurice Ashley Contributor
Cynthia Finch Garner Genealogical Tables
Richard Luckett Contributor
Michael Foot Contributor
Ronald Harwood Contributor
Candia McWilliam Contributor
Robert Burchfield Contributor
Rana Kabbani Contributor
Paul Sayer Contributor
Margaret Atwood Contributor
Simon Gray Contributor
Alan Hollinghurst Contributor
Emma Tennant Contributor
Carol Ann Duffy Contributor
Germaine Greer Contributor
Judith Kerr Contributor
Philip Ziegler Contributor
Sue Townsend Contributor
John Mortimer Contributor
Sally Beauman Contributor
Jane Gardam Contributor
Melvyn Bragg Contributor
Brian Moore Contributor
Jan Morris Contributor
Edna O'Brien Contributor
Buchi Emecheta Contributor
Doris Lessing Contributor
John Carey Contributor
Roger McGough Contributor
Tom Stoppard Contributor
Hermione Lee Contributor
Stephen Spender Contributor
John Fowles Contributor
A. S. Byatt Contributor
J. G. Ballard Contributor
Gita Mehta Contributor
Wendy Cope Contributor
Ruth Rendell Contributor
Katie Lester Illustrator
Elizabeth Harbour Illustrator
Jeff Fisher Illustrator
Benoit Jacques Illustrator
Debbie Lush Illustrator
Paul Leith Illustrator
Liz Pyle Illustrator
Frances Tee Illustrator
Leo Duff Illustrator
Andrew Kulman Illustrator
Peter Till Illustrator
Rosemary Woods Illustrator
Richard Parent Illustrator
Jane Human Illustrator
David Holmes Illustrator
Andrzej Dudziński Illustrator
Ian Pollock Illustrator
Karen Ludlow Illustrator
Andrew Davidson Illustrator
Catherine Cookson Contributor
Chloë Cheese Illustrator
Janet Woolley Illustrator
Kim Marsland Illustrator
Christopher Brown Illustrator
Simon Hornby Foreword
Irene von Treskow Illustrator
Dan Fern Illustrator
Chris Corr Illustrator
Pui Yee Lau Illustrator
Ashley Potter Illustrator
Joan Smith Contributor
Dovrat Ben-Nahum Illustrator
Toby Morrison Illustrator
Carolyn Gowdy Illustrator
Louise Brierly Illustrator
Andrew Mockett Illustrator
John Foxx Illustrator
Clifford Harper Illustrator
Marion Deuchars Illustrator
Zafer Baren Illustrator
Brian Cairns Illustrator
Rebecca Fraser Illustrator
Emily Berry Contributor
Kamila Shamsie Contributor
Tom Wells Contributor
Rory Stewart Contributor
Katie Waldegrave Contributor
James Hurdis Contributor
Flora Powell-Jones Collaborator
Laurence Binyon Contributor
William Bell Scott Contributor
Max Beerbohm Contributor
Matthew Arnold Contributor
Siegfried Sassoon Contributor
Graham Greene Contributor
Anne Ridler Contributor
John Betjeman Contributor
David Gascoyne Contributor
Andrew Young Contributor
Louis MacNeice Contributor
Thomas Brown Contributor
John Wain Contributor
John Crowe Ransom Contributor
Arthur Hugh Clough Contributor
Robert Southey Contributor
Robert Bridges Contributor
A. L. Rowse Contributor
W. H. Auden Contributor
Thomas Tickell Contributor
William Wordsworth Contributor
Richard Corbet Contributor
William Morris Contributor
Samuel Johnson Contributor
Hilaire Belloc Contributor
George Wither Contributor
Thomas Warton Contributor
Sally Purcell Contributor
E. J. Scovell Contributor
John Heath-Stubbs Contributor
Alexander Pope Contributor
Edward Thomas Contributor
Simon Brett Contributor
Tim Aspinall Contributor
Dave Humphries Contributor
Peter Draperm Contributor
Anthony Skene Contributor
macaulaypauline Contributor
Max Arthur Contributor
Kathryn Hughes Contributor
Martin O'Neill Illustrator
Alexander Masters Contributor
Mark Le Fanu Contributor
Peter Cole Tuturial
Tony Benn Contributor
Philip Oltermann Series editor
Nadia May Narrator
Roy Strong Introduction
Reginald Piggott Illustrator
Paola Mazzarelli Translator
Margareta Eklöf Translator
Paula Scher Cover designer
David Des Granges Cover artist
Patrick Mortemore Cover designer
Tom Hallman Cover artist
Roser Berdagué Translator

Statistics

Works
83
Also by
58
Members
22,547
Popularity
#942
Rating
3.8
Reviews
327
ISBNs
657
Languages
15
Favorited
71

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