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Antonia Fraser

Author of Marie Antoinette: The Journey

83+ Works 22,603 Members 327 Reviews 71 Favorited

About the Author

Antonia Fraser is the author of numerous internationally bestselling biographies, including "The Six Wives of Henry VIII" and "Cromwell: Our Chief of Men". (Publisher Provided)
Image credit: Antonia Fraser en 2022

Series

Works by Antonia Fraser

Marie Antoinette: The Journey (2001) 3,620 copies, 64 reviews
Mary Queen of Scots (1969) 3,193 copies, 29 reviews
The Six Wives of Henry VIII (1992) 2,516 copies, 41 reviews
The Weaker Vessel (1984) 1,407 copies, 7 reviews
The Warrior Queens (1988) 1,392 copies, 14 reviews
Cromwell, Our Chief of Men (1973) 1,297 copies, 10 reviews
The Lives of the Kings and Queens of England (1975) — Editor & Introduction — 1,249 copies, 9 reviews
King Charles II (1979) — Editor — 879 copies, 9 reviews
Quiet as a Nun (1977) 382 copies, 18 reviews
Must You Go?: My Life with Harold Pinter (2010) 378 copies, 13 reviews
Oxford Blood (1985) 261 copies, 2 reviews
A Splash of Red (1981) 218 copies, 6 reviews
The Pleasure of Reading (1992) — Editor — 205 copies, 8 reviews
The Wild Island (1978) 198 copies, 2 reviews
Your Royal Hostage (1987) 192 copies, 2 reviews
Love Letters: An Illustrated Anthology (1976) — Editor — 188 copies, 1 review
The Cavalier Case (1990) 181 copies, 4 reviews
King James VI of Scotland, I of England (1974) 177 copies, 2 reviews
Cool Repentance (1982) 160 copies, 1 review
Jemima Shore's First Case and Other Stories (1986) 140 copies, 2 reviews
My History: A Memoir of Growing Up (2015) 137 copies, 2 reviews
Political Death (1996) 123 copies, 1 review
Jemima Shore at the Sunny Grave (1991) 110 copies, 2 reviews
Scottish Love Poems: A Personal Anthology (1975) — Editor — 99 copies, 1 review
The Stuarts (2000) — Editor — 90 copies
Robin Hood (1971) 80 copies, 1 review
Lady Caroline Lamb: A Free Spirit (2023) 73 copies, 1 review
The Houses of Hanover and Saxe-Coburg-Gotha (2000) — Editor — 65 copies, 1 review
A history of toys (1966) 56 copies, 1 review
Dolls (1973) 49 copies, 1 review
The Life and Times of Queen Anne (1972) — Editor — 47 copies, 1 review
King Charles II : Part Two (1979) 30 copies
King Charles II : Part One (1979) 28 copies
Heroes & Heroines (1980) — Editor — 27 copies, 1 review
Oxford and Oxfordshire in Verse (1982) — Editor — 16 copies
Mary, Queen of Scots: An Anthology of Poetry (1981) — Editor & Introduction — 13 copies
Jemima Shore Investigates (1983) — Introduction — 12 copies
Jemima Shore on the Case (2006) 10 copies, 1 review
Patchwork Pieces (2024) 2 copies
Cromwell, Volume 2 (1973) 2 copies, 1 review
Cromwell, Volume 1 (1973) 1 copy, 1 review
Jemima Shore Investigates [1983 TV Series] (1983) — Creator — 1 copy
Boots {story} (1986) 1 copy
Puppen 1 copy
No title 1 copy
How to write : memoir & biographies (2008) — Introduction — 1 copy

Associated Works

The Franchise Affair (1948) — Introduction, some editions — 2,362 copies, 90 reviews
Framley Parsonage (1861) — Introduction, some editions — 2,064 copies, 47 reviews
A Woman's Eye (1991) — Contributor — 297 copies, 3 reviews
Marie Antoinette [2006 film] (2006) — Original book — 262 copies, 1 review
Women on the Case (1996) — Contributor — 228 copies
Masterpieces of Mystery and Suspense (1988) — Contributor — 218 copies, 2 reviews
What Might Have Been : Leading Historians on Twelve 'What Ifs' of History (2004) — Contributor — 197 copies, 6 reviews
The life and times of Henry VIII (1972) — Editor; Introduction — 184 copies
The Virago Book of Ghost Stories (2006) — Contributor — 152 copies, 2 reviews
The World's Greatest Detective Stories (1985) — Contributor — 140 copies, 2 reviews
Women of Mystery (1992) — Contributor — 135 copies, 1 review
The Life and Times of Charles II (1972) — General Editor — 134 copies, 2 reviews
The Middle Ages (2000) — Editor — 125 copies
The Clans of the Scottish Highlands: The Costumes of the Clans (1980) — Foreword — 118 copies, 2 reviews
The Virago Book of Ghost Stories, Volume 2 (1991) — Contributor — 107 copies, 3 reviews
Murder Most Scottish (1999) — Contributor — 104 copies, 1 review
The Big Book of Female Detectives (2018) — Contributor — 102 copies, 1 review
Dior by Dior (2007) — some editions — 84 copies, 1 review
Crime Through Time II (1998) — Introduction — 82 copies, 1 review
Midsummer Nights (2009) — Contributor — 80 copies, 1 review
2nd Culprit : A Crime Writers' Association Annual (1993) — Contributor — 68 copies, 1 review
The Life and Times of Charles I (1972) — Introduction, some editions — 65 copies
1st Culprit : A Crime Writers' Association Annual (1992) — Contributor — 64 copies
A Century of British Mystery and Suspense (2000) — Contributor — 61 copies
The Life and Times of Mary Tudor (1974) — Editor — 43 copies
Great Tales of Crime and Detection (1992) — Contributor — 43 copies
A Guide to Tudor and Jacobean Portraits (2008) — Foreword, some editions — 42 copies
Mysterious Pleasures (2003) — Contributor — 40 copies, 2 reviews
Great Commanders of the Early Modern World, 1583–1865 (2011) — Contributor — 30 copies
Women of Mystery - Book 3 (1998) 25 copies
The Life and Times of Edward I (1981) — Introduction, some editions — 25 copies
Murder Most Divine: Ecclesiastical Tales of Unholy Crimes (2000) — Contributor — 25 copies
The Mammoth Book of Movie Detectives and Screen Crimes (1998) — Contributor — 24 copies, 1 review
Great Murder Mysteries (1985) — Contributor — 23 copies
The Mammoth Book of Modern Crime Stories (1987) — Contributor — 21 copies
Crime Waves 1 (1991) — Contributor — 14 copies
The Man Who ... (1992) — Contributor — 14 copies, 1 review
John Creasey's Crime Collection : 1985 (1985) — Contributor — 14 copies
Murder Most Sacred (1989) — Contributor — 13 copies
Death on Wheels (1999) — Contributor — 12 copies
Ladykillers : Crime Stories by Women (1987) — Contributor — 11 copies
English Crime Stories of Today (1993) — Author — 10 copies
Winter's Crimes 10 (1978) — Contributor — 9 copies
Dangerous Ladies (1992) — Contributor — 8 copies
The Year's Best Mystery and Suspense Stories, 1990 (1990) — Contributor — 7 copies
John Creasey's Crime Collection : 1990 (1990) — Contributor — 7 copies
Winter's Crimes 15 (1983) 6 copies
John Creasey's Crime Collection : 1989 (1989) — Contributor — 6 copies
John Creasey's Crime Collection : 1987 (1987) — Contributor — 6 copies
John Creasey's Crime Collection : 1982 (1982) — Contributor — 5 copies
Factotum, no. 18, March 1984 (1984) — Contributor — 1 copy

Tagged

16th century (169) 17th century (350) 18th century (117) biography (2,238) Britain (178) British (172) British history (483) England (700) English History (390) European History (153) fiction (284) France (401) French History (180) French Revolution (145) Henry VIII (145) history (3,460) Marie Antoinette (124) Mary Queen of Scots (136) monarchy (127) mystery (398) non-fiction (1,501) read (146) royalty (386) Scotland (283) to-read (953) Tudor (120) Tudors (115) UK (108) women (308) women's history (158)

Common Knowledge

Canonical name
Fraser, Antonia
Legal name
Fraser, Antonia Margaret Caroline
Other names
Fraser, Lady Antonia
Pinter, Lady Antonia
Pakenham, Antonia Margaret Caroline (birth)
Birthdate
1932-08-27
Gender
female
Education
Lady Margaret Hall, Oxford University (BA ∙ 1953 ∙ History)
Dragon School, Oxford
St. Mary's School, Ascot
Occupations
historian
crime writer
aristocrat
biographer
Organizations
Weidenfeld & Nicholson
British Crime Writers Association
Sir Walter Scott Club
English PEN
Royal Stuart Society
Awards and honors
Companion of Honour (2018)
Order of the British Empire (Dame Commander, 2011)
Royal Society of Literature (Fellow, 2003)
Order of the British Empire (Commander, 1999)
Norton Medlicott Medal (2000)
St. Louis Literary Award (1996) (show all 7)
Wolfson History Prize (1984)
Relationships
Pakenham, Frank, 7th Earl of Longford (father)
Longford, Elizabeth (mother)
Pinter, Harold (second husband)
Fraser, Flora (daughter)
Billington, Rachel (sister)
Pakenham, Thomas Francis Dermot, 8th Earl of Longford (brother) (show all 15)
Kazantzis, Judith (sister)
Fraser-Cavassoni, Natasha (daughter)
Fraser, Rebecca (daughter)
Pakenham, Valerie (sister-in-law)
Powell, Lady Violet (aunt)
Pakenham, Edward (uncle)
Fraser, Sir Hugh (first husband) m.1956-1977
Clive, Mary (aunt)
Lamb, Lady Pansy (aunt)
Short biography
Lady Antonia Fraser, née Pakenham, was born in London to an aristocratic English family. Her mother was the distinguished biography Elizabeth Longford. She was educated at the Dragon School in Oxford, St. Mary's School, Ascot, and Oxford University. She is the author of major historical biographies, including Mary, Queen of Scots (1969), The Weaker Vessel (1984) and The Wives of Henry VIII (1996), as well as a popular mystery series featuring British television personality and investigative journalist Jemima Shore. She is a past chairman of the British Crime Writers Association. Lady Antonia married her second husband, the late Harold Pinter, in 1980, and is sometimes known as Lady Antonia Pinter. She was made a Dame Commander of the Order of the British Empire in 2011.
Nationality
UK
Birthplace
London, England, UK
Places of residence
London, England, UK
Map Location
England, UK

Members

Discussions

BRITISH AUTHOR CHALLENGE JUNE - FRASER & CONRAD in 75 Books Challenge for 2016 (December 2016)

Reviews

356 reviews
I loved this book, even though it is absolutely tragic. The author does an excellent job at the end of depicting the misogyny of the times by contrasting the authorities' treatment of Marie Antionette and King Louis XVI - or is it just lingering scraps of respect for a king being demonstrated, when no such scraps existed for this "enemy alien" queen?
The great danger for a biographer is to become too fond of her subject. I can't help but feel that that happened to Antonia Fraser here.

There is no question but that the future King Charles II had a difficult upbringing -- caught up while still a teenager in the Civil War, with his father executed when he was 18, leaving Charles a king in exile, trying to find a way to survive with no money and no real friends and no obvious prospects, Then, suddenly, restored to the throne as he entered his show more thirties. A less resilient man would have surely become far more neurotic, likely seeing threats everywhere. Charles, instead, became a courageous, affable, personally tolerant man.

He was also lazy, a determined liar, a cheat, and a man with little willingness to plan for the future. And, at a time when Louis XIV of France was threatening to take over Europe, he largely aided and abetted the efforts -- a failing that would leave his successors fighting against Louis for a third of a century.

And there were the mistresses, and the bastards. This is not me getting holier-than-Charles. English kings had had bastard children before -- Henry I was said to have some three dozen illegitimate children, and Edward IV kept a rotating stable of three mistresses. Charles was relatively restrained; he usually had only one woman-on-the-side at a time. But Henry and Edward hadn't raised their mistresses to the upper peerage -- hadn't even done particularly much for their children. Charles made several of his mistresses duchesses, and their children dukes. This represented a big strain on an over-extended treasury, and it didn't really do anyone any good. It also did long-term damage to the House of Lords. Had Charles just given them a few manors and made them gentry, the kids would still have been ahead of the game and England would have had a lot more money for useful projects.

And Charles's treatment of Scotland and Ireland was simply bad, forcing the Duke of Lauderdale on the former and trying to use the latter as a source of money and land when there just wasn't any available. Having spent time in Scotland at the beginning of his exile, he clearly wanted as little as possible to do with it thereafter.

But Charles's worst failing regarded the succession. Charles had no legitimate children, so his heir was his brother, the future James II. Who was Catholic, which was bad enough, but who was also (much, much worse) Ye Standard Stuart -- i.e. very stupid, very bigoted, and very convinced that he was neither and that he had the divine right of kings. James was, predictably, overthrown three years after Charles II died. Charles could have prevented it -- Parliament had repeatedly tried to take up Exclusion, to try to keep James off the throne, and Charles had prorogued or dissolved the parliament, and taken a subsidy from Louis XIV, to prevent Exclusion from happening. Maybe Charles's tricks would have been worth it had James II been a better man -- but, remember, James was overthrown in 1688, and the very Exclusion law that Charles had opposed became a major part of the Glorious Revolution of 1688-1689. The Glorious Revolution was unquestionably good -- a second Magna Carta, in a way. But Charles could have brought much of it about without the bloodshed, if he'd been willing to do the work.

There are good things about him -- e.g. he founded the Royal Society (a fact that Fraser perhaps under-plays -- at least, it seems so to me as someone with scientific training). And his faults don't change the fact that Charles was mostly loved by the people, and came to look even better in hindsight, given that his successors were the tyrant James II, the dour William III, the neurotic Anne, and the lumpish George I. But, remember, Charles could have short-cut around all that agony. And this book never really addresses his failure to do so.

There are other ways in which this book is too prone to accept the common opinion. Take the oldest of Charles's illegitimate sons, who eventually became the Duke of Monmouth. Monmouth opposed Charles's pro-James policies (in other words, was on the right side of history), was pushed into rebellion against James II in 1685, and was defeated and executed. Fraser takes the view that Monmouth was a handsome, shallow, useless tool of others. It is certainly true that he was manipulated into his rebellion. But, prior to that, he had undertaken useful military reforms, and had crushed a Scottish rebellion at Bothwell Bridge with both firmness and leniency. I've read three different studies of Monmouth's life and rebellion, and every one of them finds him to have been a better man than Fraser makes him.

Charles II was a very good man during the first half of his life -- the years of adversity. He lost much of that virtue in his years of prosperity. And Fraser never seems to notice the change.
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I've somehow never got around to reading any of her biographies or historical writings, so the image of Lady Antonia Fraser that sticks in my mind tends to be the one I picked up in childhood, of her adding a touch of glamour to BBC2 panel shows otherwise populated mostly by ageing male actors and (ex-)comedians. This anthology obviously owes something to that playful side of her public persona, but its real roots seem to be in the work she did researching her Mary Queen of Scots biography, show more which came out about five years before this. There's one poem by Mary herself in the book (in Fraser's own translation from the French), as well as poems attributed to her ancestor James I and her son James VI.

The title of the anthology raises two obvious questions, both of which Fraser deals with by simple editorial fiat: a poem is Scottish/a love poem if I say it is. Which is probably as good a test as any other, but it doesn't make it easy to work out whether there is any kind of common thread we can pick out. Anyway, it's billed as "a personal anthology", and it is quite fun to see some of the interesting juxtapositions she sets up by putting (say) Hugh MacDiarmid's twentieth century "synthetic Scots" next to a Border ballad or to Lord Byron's Regency standard English.

Obviously, if you think of Scottish love poems you think of Robert Burns, and he is reasonably well-represented in the selection, with a mix of familiar and less familiar pieces, but it's very interesting to see how much else there is, from the early 15th century right down to Liz Lochhead, still in her twenties when this first came out. Some very well-known names, but also a lot who were new to me.

Fraser has fun dividing the topic of "Love" into semi-serious subheadings, from "Wooings" to "Old loves". She fits in a few poems that are about "other" kinds of love (mother-child, for instance), and there are a few instances of suspicious avoidance of gendered pronouns to offset all those gung-ho ballads about demon lovers carrying their ladies off across the moors on horseback. Plenty that's witty, a certain amount that's sentimental, and quite a lot that's simply miserable — more or less what you would hope to find. Not all that much apart from Burns that's straightforwardly erotic (and none of Burns's really bawdy stuff), however.

Unusually for a poetry book, I can think of a real, practical use for this anthology: it's going to be in my backpack next time I'm invited to a Burns supper, for those moments when someone says "Does anyone want to read a Scottish poem that isn't by Burns?"
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½
Marie Antoinette did not say "Let them eat cake" nor she was promiscuous or spent all the money in luxury more than anybody else in the royal court or her private society, nor she was illiterate or had ADHD. What she was was a smart woman who had her education delayed from her mother, the mighty Maria Teresa of Austria, not being her main concern, she was incredibly sympathetic to everyone in any social class making her understand the complaints of the common people, she had a remakable show more maternal instinct making her a better mother than most queens, she was a people pleaser surprising everybody who ended up knowing her, she never escaped from France when she had the opportunity when the result would be leaving her husband and/or children, she never had anything but love for France her brothers and sisters abroad, she had a great sense of duty so even though her husband couldn't perform for the first seven years of their marriage she waited and waited and tried to get involved in politics the last few years of her life even though she was never interested. For all these virtues she was the political tool of her mother and older brother (Joseph II emperor of Austria), and the scapegoat for the problems of France and the opportunists who wanted her death long before the revolution. She did nothing but suffer humiliations and torture for the last four years of her life, and even though this remakable book makes you care for everything that's happening Marie Antoinette is always in the background, until the last three chapters where you can't feel anything but empathy for this woman who had her destiny already set by France and disgust for this world knowing full well that when we talk about "politics" in the dinner table with the family or friends is nothing more than gossip and charitable reforms that we happened to believe in, knowing full well that to actually talk about politics we need to understand complex structural reasons from a anthropological, philosophical, historical and cultural perspective of the contemporary problems that haunt us every day, but God knows we haven't change. Anyway this book is incredible, please read it. Bye.

Her was an uncommon story but did not begin with an uncommon situation. Where she was exceptionally unlucky was to be shunted off to France in order the cement a Habsburg-Bourbon teatry, entered into after the Seven Years War, which reversed traditional alliances. Yet this treaty was purely one of convenience for the great ones involved; it carried with it neither the hearts not the minds of the French court. She was, after all, l'Autrichienne long before she appeared in France.
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Associated Authors

Victoria Gray Editor & Preface
Frances Heasman Contributor
John Burke Contributor
Neville Green Director
Brian Farnham Director
Jasper Ridley Contributor
Jeanette Winterson Contributor
Neville Williams Contributor
John Gillingham Contributor
John Clarke Contributor
Anthony Cheetham Contributor
Peter Earle Contributor
J. P. Brooker-Little Heraldic Consultant
Maurice Ashley Contributor
Cynthia Finch Garner Genealogical Tables
Richard Luckett Contributor
Michael Foot Contributor
Ronald Harwood Contributor
Candia McWilliam Contributor
Robert Burchfield Contributor
Rana Kabbani Contributor
Paul Sayer Contributor
Margaret Atwood Contributor
Simon Gray Contributor
Alan Hollinghurst Contributor
Emma Tennant Contributor
Carol Ann Duffy Contributor
Germaine Greer Contributor
Judith Kerr Contributor
Philip Ziegler Contributor
Sue Townsend Contributor
John Mortimer Contributor
Sally Beauman Contributor
Jane Gardam Contributor
Melvyn Bragg Contributor
Brian Moore Contributor
Jan Morris Contributor
Edna O'Brien Contributor
Buchi Emecheta Contributor
Doris Lessing Contributor
John Carey Contributor
Roger McGough Contributor
Tom Stoppard Contributor
Hermione Lee Contributor
Stephen Spender Contributor
John Fowles Contributor
A. S. Byatt Contributor
J. G. Ballard Contributor
Gita Mehta Contributor
Wendy Cope Contributor
Ruth Rendell Contributor
Katie Lester Illustrator
Elizabeth Harbour Illustrator
Jeff Fisher Illustrator
Benoit Jacques Illustrator
Debbie Lush Illustrator
Paul Leith Illustrator
Liz Pyle Illustrator
Frances Tee Illustrator
Leo Duff Illustrator
Andrew Kulman Illustrator
Peter Till Illustrator
Rosemary Woods Illustrator
Richard Parent Illustrator
Jane Human Illustrator
David Holmes Illustrator
Andrzej Dudziński Illustrator
Ian Pollock Illustrator
Karen Ludlow Illustrator
Andrew Davidson Illustrator
Catherine Cookson Contributor
Chloë Cheese Illustrator
Janet Woolley Illustrator
Kim Marsland Illustrator
Christopher Brown Illustrator
Simon Hornby Foreword
Irene von Treskow Illustrator
Dan Fern Illustrator
Chris Corr Illustrator
Pui Yee Lau Illustrator
Ashley Potter Illustrator
Joan Smith Contributor
Dovrat Ben-Nahum Illustrator
Toby Morrison Illustrator
Carolyn Gowdy Illustrator
Louise Brierly Illustrator
Andrew Mockett Illustrator
John Foxx Illustrator
Clifford Harper Illustrator
Marion Deuchars Illustrator
Zafer Baren Illustrator
Brian Cairns Illustrator
Rebecca Fraser Illustrator
Emily Berry Contributor
Kamila Shamsie Contributor
Tom Wells Contributor
Rory Stewart Contributor
Katie Waldegrave Contributor
James Hurdis Contributor
Flora Powell-Jones Collaborator
Laurence Binyon Contributor
William Bell Scott Contributor
Max Beerbohm Contributor
Matthew Arnold Contributor
Siegfried Sassoon Contributor
Graham Greene Contributor
Anne Ridler Contributor
John Betjeman Contributor
David Gascoyne Contributor
Andrew Young Contributor
Louis MacNeice Contributor
Thomas Brown Contributor
John Wain Contributor
John Crowe Ransom Contributor
Arthur Hugh Clough Contributor
Robert Southey Contributor
Robert Bridges Contributor
A. L. Rowse Contributor
W. H. Auden Contributor
Thomas Tickell Contributor
William Wordsworth Contributor
Richard Corbet Contributor
William Morris Contributor
Samuel Johnson Contributor
Hilaire Belloc Contributor
George Wither Contributor
Thomas Warton Contributor
Sally Purcell Contributor
E. J. Scovell Contributor
John Heath-Stubbs Contributor
Alexander Pope Contributor
Edward Thomas Contributor
Simon Brett Contributor
Tim Aspinall Contributor
Dave Humphries Contributor
Peter Draperm Contributor
Anthony Skene Contributor
macaulaypauline Contributor
Max Arthur Contributor
Kathryn Hughes Contributor
Martin O'Neill Illustrator
Alexander Masters Contributor
Mark Le Fanu Contributor
Peter Cole Tuturial
Tony Benn Contributor
Philip Oltermann Series editor
Nadia May Narrator
Roy Strong Introduction
Reginald Piggott Illustrator
Paola Mazzarelli Translator
Margareta Eklöf Translator
Paula Scher Cover designer
David Des Granges Cover artist
Patrick Mortemore Cover designer
Tom Hallman Cover artist
Roser Berdagué Translator

Statistics

Works
83
Also by
58
Members
22,603
Popularity
#937
Rating
3.8
Reviews
327
ISBNs
657
Languages
15
Favorited
71

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