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F. Bordewijk (1884–1965)

Author of Character

96+ Works 1,915 Members 30 Reviews 11 Favorited

About the Author

Image credit: Ferdinand Bordewijk

Series

Works by F. Bordewijk

Character (1938) 557 copies, 13 reviews
Blokken ; Knorrende beesten ; Bint (1949) 226 copies, 2 reviews
Bint (1934) 137 copies, 5 reviews
Rood paleis (1936) 69 copies, 1 review
Noorderlicht (1948) 63 copies, 1 review
Fantastische vertellingen (1981) 53 copies, 1 review
Blokken (1931) 42 copies
Bij gaslicht (1947) 35 copies
Apollyon (1977) 35 copies
Tien verhalen (1956) 34 copies
Bloesemtak (1981) 31 copies
De wingerdrank (1978) 29 copies, 1 review
Tijding van ver (1961) 28 copies
De laatste eer (1935) 28 copies
De doopvont : roman (1983) 25 copies
Huissens een climacterium (1982) 19 copies
Het eiberschild (1979) 18 copies
De fruitkar (1984) 17 copies
Een onmiskenbare verwantschap : brieven 1944-1965 (2011) — Author — 16 copies, 1 review
Dreverhaven en Katadreuffe (1928) 13 copies, 1 review
Knorrende beesten (1931) 13 copies
Eiken van Dodona (1941) 12 copies
Veuve Vesuvius 12 copies, 1 review
Kritisch proza (1982) 6 copies
Verzamelde verhalen (1984) 6 copies
De aktentas (2019) 4 copies
Paddestoelen (1916) 4 copies, 1 review
De korenharp 4 copies
De joodse cel (1919) 3 copies
Nagelaten documenten (2007) 3 copies
Verzameld werk 3 copies
Vijf kleine verhalen (1983) 2 copies
Eet meer mensenvlees (2026) 2 copies
De zwoeger 1 copy
Straatnamen 1 copy
Dames 1 copy

Associated Works

Gaspard de la Nuit (1842) — Introduction, some editions — 193 copies, 3 reviews
De Nederlandse en Vlaamse literatuur vanaf 1880 in 250 verhalen (2005) — Contributor — 79 copies, 2 reviews
De Nederlandse en Vlaamse literatuur vanaf 1880 in 60 lange verhalen (2006) — Contributor — 43 copies, 2 reviews
Voor wie dit leest : proza en poëzie van 1920 tot heden (1959) — Contributor — 25 copies
Character [1997 film] (1997) — original novel — 14 copies
Moderne Nederlandse verhalen (1959) — Contributor — 10 copies, 1 review
Kristal : letterkundige productie — Contributor, some editions — 1 copy
De Gemeenschap (augustus 1934) — Contributor — 1 copy
In vijfhonderd woorden : een vijftal korte verhalen (1949) — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Bordewijk, F.
Legal name
Bordewijk, Ferdinand
Other names
Ven, Ton
Mandeau, Emile
Birthdate
1884-10-10
Date of death
1965-04-28
Gender
male
Education
University of Leiden
Occupations
writer
legal adviser
literary reviewer
law teacher
advocate
Organizations
Ereraad voor Letterkunde (President)
Handelsschool in Rotterdam
Awards and honors
Constantijn Huygensprijs (1957)
P.C. Hooftprijs (1953)
Relationships
Funke-Bordewijk, N. (daughter)
Bordewijk-Roepman, Johanna (wife)
Short biography
Ferdinand (voluit: Ferdinand Johan Wilhelm Christiaan Karel Emiel Bordewijk; de voornamen zijn op 13 maart 1919 bij beschikking van de arrondissementsrechtbank in Den Haag gewijzigd in Ferdinand) wordt geboren op 10 oktober 1884 in Amsterdam. Aan het Hoge Westeinde, een school met een ouderwetse tucht, wordt hij leerling op het gymnasium. Hij studeert rechten in Leiden en promoveert in 1912 tot doctor. Een jaar later wordt hij beëdigd als advocaat en gaat hij werken bij een advocatenkantoor in Rotterdam. In 1914 trouwt Bordewijk met Johanna S.H. Roepman. Uit dit huwelijk worden een dochter en een zoon geboren. Zijn echtgenote krijgt bekendheid als componiste van orkest- en koorwerken, beiaardmuziek en de opera Rotonde. Onder het pseudoniem Ton Ven maakt hij in 1916 zijn debuut als schrijver met de gedichtenbundel Paddestoelen. Van 1918 tot 1920 doceert Bordewijk handelsrecht aan de Handelsschool in Rotterdam. Bij een bombardement in maart 1945 worden al zijn bezittingen vernield en verhuist de familie tijdelijk naar Leiden. Uiteindelijk wordt een woning gevonden in Scheveningen. Van 1946 tot 1955 schrijft Bordewijk literaire kritieken in het Utrechts Nieuwsblad. In 1947 wordt hij voorzitter van de Ereraad voor Letterkunde, die oordeelt over het gedrag van schrijvers in WO II. Collaborateurs worden veroordeeld tot een publicatieverbod. Vanaf 1949 werkt Bordewijk voor de gemeente als juridisch adviseur mee aan diverse saneringsprojecten. In 1953 ontvangt hij de PC. Hooftprijs en een jaar later wordt hij benoemd tot Officier in de Orde van Oranje Nassau. In 1957 ontvangt Bordewijk de Constantijn Huygensprijs voor zijn totale oeuvre. In 1965 overlijdt hij op tachtigjarige leeftijd in Den Haag.
Cause of death
pneumonia
Nationality
Netherlands
Birthplace
Amsterdam, Netherlands
Places of residence
Rotterdam, The Netherlands
Leiden, The Netherlands
Scheveningen, The Netherlands
Place of death
The Hague, The Netherlands
Burial location
Oud Eik en Duinen, The Hague, The Netherlands
Associated Place (for map)
The Netherlands

Members

Reviews

33 reviews
I no longer recall where I read that this is an unjustifiably neglected great book. Wherever it may have been, I am in complete agreement. I had never heard of the author nor of the book and now need to investigate Bordewijk (1884-1965) further. The book was written in 1938 and takes place in Rotterdam in the decade or two after the end of World War One. The novel follows Katadreuffe, born out of wedlock to an unusually determined self-denying woman who refuses to marry the man who fathered show more her son or to accept any assistance from him, her circumstances notwithstanding. The father, Dreverhaven, is a bailiff, responsible for enforcing debts, especially among the poor, and he is a creature out of Dickens. Indeed, the work as a whole has more than a whiff of Dickens. Katadreuffe grows up, intent on becoming a lawyer despite enormous obstacles, and he is a unusually self-disciplined, even fanatical, young man. Although father and son have few interactions, the novel fully justifies its subtitle: “a novel of son and father.” Character is, indeed, aptly titled and one is inescapably drawn to reflect on its manifestations in Katadreuffe and in his parents. It is, I think, really an extended meditation on the way character manifests itself in people and what it means. The leave-taking between son and father at the end of the novel is particularly noteworthy and in view of all that has preceded it, is an especially powerful scene. In addition, Bordewijk’s depiction of Rotterdam and of the small cast of characters is unsparing and poignant. Although not without its issues, I highly recommend the book. show less
½
De beste roman die ik tot nu toe van Bordewijk las. Meesterlijke combinatie van licht surrealisme, Nieuwe Zakelijkheid en een diep inzicht in de menselijke psyche, dat alles gespannen om een plot waarin twee krachtige karakters vlammend op elkaar toe razen.
Ton Ven is a pseudonym of the Dutch author F. Bordewijk (1884–1965). Jade, jaspis en de jitterbug. Wijsheid en schoonheid uit het leven van baron Van Stralen op rijm is a small volume of poetry of mainly free verse. Several poems are interconnected through the fictive character baron Van Stralen. The tone of all poems is very light and humorous, making me laugh out loud several times.
½
I have a confession to make. Back in high school, I did love reading (I have always loved reading). But like any other teenager, I hated being told what to do. Or what to read. So when I had to read a whole list of books for my Dutch class, I think I read maybe half of them, if that. I bluffed my way through my oral exam about literature, and that was that. A couple of years back I realized that I might not like other to tell me what a classic work of literature is, but if a book is show more considered a classic by many people over a long period, it could actually mean that the book was pretty good. I only ever tested this out with English literature though, and kind of kept skipping Dutch books (I still read mainly English because I like British and American writers better). I did start collecting Dutch classics like 'Max Havelaar', 'Camera Obscura' and 'De donkere kamer van Damocles', but I still never read them. After discovering a whole pile of my husbands Dutch books from high school (from his mandatory reading for Dutch), I figured, maybe I need to start doing my homework and read that list of Dutch classics.
So, 'Bint' is the first book I started. A short work (76 pages in my version) from the thirties by F. Bordewijk about school principal Mr. Bint who has decided to bring back discipline to the school. He has made himself unpopular in the town by doing so, and there won't be any new students. There is only year 4 and 5 kids left (juniors and seniors in high school). The story is told through the eyes of Van Bree, a temporary teacher in Dutch, replacing one that has been chased away by class 4D. 4D is Bint's special class, a collection of unruly kids who need the discipline he offers and follow his short and concise orders no matter what. The book describes the one year Van Bree teaches 4D and three other year 4 classes (the flowers, the browns and the greys, he calls them, 4D is the hell).
The language used in the book takes some getting used to. It is almost as if descriptions are only half written down, a lot more is implied than said. Of course there is a lot more going on than just the main story, why else would it be selected for Dutch class? It is a dystopia about discipline and mindlessly following orders, written around the time of the rise of fascism (1934). It is also about the leaders dispatching orders, and their strength. And it's about resisting discipline (and the futility of resistance, because the goal is unclear, the leaders of the resistance disappear and life goes on like before). At least, that is what I made of it, and I have no Dutch teacher to correct or grade my work ;) (I think, who knows who will comment). I enjoyed the book, and give it four out of five stars.
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Statistics

Works
96
Also by
13
Members
1,915
Popularity
#13,437
Rating
½ 3.7
Reviews
30
ISBNs
116
Languages
9
Favorited
11

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