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Susan Palwick

Author of The Necessary Beggar

35+ Works 985 Members 48 Reviews 3 Favorited

About the Author

Includes the names: Susan Palwick, Susan Palwick Ph.D

Image credit: Alec Ausbrooks

Works by Susan Palwick

The Necessary Beggar (2005) 329 copies, 11 reviews
Flying in Place (1992) 177 copies, 9 reviews
Shelter (2007) 155 copies, 5 reviews
The Fate of Mice (2007) 118 copies, 7 reviews
Mending the Moon (2013) 64 copies, 2 reviews
All Worlds are Real: Short Fictions (2019) 35 copies, 2 reviews
Recoveries (2018) 15 copies, 3 reviews
The Fate of Mice (2007) 13 copies, 1 review
Homecoming: A Tor.Com Original (2013) 12 copies, 2 reviews
Forever Magazine Issue 1 (2015) — Contributor — 10 copies, 1 review
Ever After {short story} (1987) 7 copies, 1 review
The Long View: A Tor.com Original (2022) 6 copies, 2 reviews

Associated Works

Ruby Slippers, Golden Tears (1995) — Contributor — 1,015 copies, 13 reviews
The Living Dead (2008) — Contributor — 991 copies, 22 reviews
The Year's Best Science Fiction: Eighteenth Annual Collection (2001) — Contributor — 503 copies, 2 reviews
Sisters of the Revolution: A Feminist Speculative Fiction Anthology (2015) — Contributor — 340 copies, 8 reviews
The Year's Best Fantasy and Horror: First Annual Collection (1986) — Contributor — 332 copies, 6 reviews
The Best American Science Fiction and Fantasy 2015 (2015) — Contributor — 299 copies, 10 reviews
The Year's Best Fantasy and Horror: Fifteenth Annual Collection (2002) — Contributor — 276 copies, 4 reviews
The Armless Maiden: And Other Tales for Childhood's Survivors (1995) — Contributor — 256 copies, 4 reviews
The Urban Fantasy Anthology (2011) — Contributor — 222 copies, 4 reviews
The Year's Best Science Fiction: Thirty-Second Annual Collection (2015) — Contributor — 203 copies, 8 reviews
The Year's Best Science Fiction: Fifth Annual Collection (1988) — Author — 203 copies, 2 reviews
Future on Fire (1991) — Contributor — 203 copies, 5 reviews
The Best Science Fiction and Fantasy of the Year Volume Two (2008) — Contributor — 175 copies, 4 reviews
Running with the Pack (2010) — Contributor — 163 copies, 7 reviews
The Best American Science Fiction and Fantasy 2023 (2023) — Contributor — 159 copies, 5 reviews
Lightspeed: Year One (2011) — Contributor — 156 copies, 1 review
Starlight 1 (1996) — Contributor — 140 copies, 3 reviews
Not of Woman Born (1999) — Contributor — 134 copies, 2 reviews
The Horns of Elfland (1997) — Contributor — 133 copies, 2 reviews
Starlight 3 (2001) — Contributor — 115 copies
The Best of Pulphouse: The Hardback Magazine (1991) — Contributor — 101 copies
Science Fiction: The Best of the Year, 2006 Edition (2006) — Contributor — 100 copies, 3 reviews
New Magics (2004) — Contributor — 93 copies, 3 reviews
Isaac Asimov's Vampires (1996) — Contributor — 77 copies, 2 reviews
Virtuous Vampires (1996) — Contributor — 58 copies
The Best American Science Fiction and Fantasy 2025 (2025) — Contributor — 56 copies, 1 review
The Year's Best Fantasy Stories: 14 (1988) — Contributor — 53 copies
Xanadu 3 (1995) — Contributor — 44 copies, 2 reviews
Walls of Fear (1990) — Contributor — 35 copies
Spirits of Christmas (1989) — Contributor — 34 copies
The Alchemy of Stars: Rhysling Award Winners Showcase (2005) — Contributor — 31 copies
Great Tales of Madness and the Macabre (1990) — Contributor — 27 copies, 2 reviews
Clarkesworld: Year Eight (2016) — Contributor — 21 copies
Clarkesworld: Issue 096 (September 2014) (2014) — Contributor, some editions — 16 copies, 2 reviews
Asimov's Science Fiction: Vol. 29, No. 1 [January 2005] (2005) — Contributor — 13 copies
Asimov's Science Fiction: Vol. 24, No. 5 [May 2000] (2000) — Contributor — 11 copies, 2 reviews
Clarkesworld: Issue 091 (April 2014) (2014) — Contributor — 11 copies, 1 review
Asimov's Science Fiction: Vol. 38, No. 9 [September 2014] (2014) — Contributor — 10 copies, 1 review
Narrative Power: Encounters, Celebrations, Struggles (2010) — Contributor — 10 copies, 1 review
Lightspeed Magazine, Issue 8 • January 2011 (2011) — Contributor — 8 copies
Lightspeed Magazine, Issue 83 • April 2017 (2017) — Contributor — 7 copies, 1 review
The Year's Best Fantasy: Volume Two (2023) — Contributor — 7 copies
Clarkesworld: Issue 158 (November 2019) (2019) — Interviewed — 5 copies, 1 review
Ghosttide: Tales of Horror, Dark Fantasy, Suspense (1992) — Contributor — 5 copies
Tor.com Short Fiction: March/April 2022 (2022) — Contributor — 4 copies
Lightspeed Magazine, Issue 145 • June 2022 (2022) — Contributor — 4 copies, 1 review
Lightspeed Magazine, Issue 87 • August 2017 (2017) — Contributor — 3 copies
Already Among Us (2012) — Contributor — 2 copies

Tagged

2007 (9) 2009 (7) anthology (7) child abuse (7) collection (10) ebook (36) family (7) fantasy (75) fiction (117) ghosts (11) goodreads (10) horror (8) Humble Bundle (7) immigration (7) Kindle (12) Nevada (7) not free sf reader (7) novel (14) own (7) read (11) science fiction (112) sf (50) sf stories (7) sff (24) short stories (56) short story (11) speculative fiction (7) to-read (102) unread (21) year's best (9)

Common Knowledge

Birthdate
1961
Gender
female
Education
Princeton University
Yale University
Clarion West (1985)
Occupations
professor
Awards and honors
Nevada Writers Hall of Fame (2023)
Agent
Kay McCauley
Nationality
USA
Birthplace
New York, New York, USA
Associated Place (for map)
New York, USA

Members

Reviews

65 reviews
Superb collection of original fascinating tales, focused around Death in various guises, from awareness of mortality through loss of pets and loved ones, suicide and fear. Not exactly pleasant reading but very cleverly done. A superb re-working of Cinderella, but also many other forms, from featuring non-human points of view, the undead, and more traditional tales. Loved every single story which is very unusual for such a collection.

An author to look out for.
'Shelter' was first published in 2007 and I have no memory of how it ended up on my to-read list. I bought a second-hand copy off eBay, then ignored it for a while as it smelled a bit odd. There is no mention in the blurb of a plague, so I was deeply disconcerted that the novel begins with a scene of an 8 year old girl quarantined in hospital suffering from a pandemic virus named, I shit you not, CV. This virus also spreads in the air and causes a serious post-viral syndrome in many who show more recover from it. None of that is particularly sibylline except the name CV, I guess. The opening chapter was a flashback and thankfully the vast majority of the novel plays out long after the pandemic ended. I am in no mood for pandemic sci-fi right now, thanks. 'Shelter' earned its alternate history tag with these two paragraphs from page 112, which left me gobsmacked:

Meredith survived, as most people who weathered the virus did, because her family was wealthy enough to afford round-the-clock, individual medical care, teams of doctors to track the progress of CV in her system and treat its various manifestations as quickly as possible. The pandemic was relatively limited in the United States, thanks largely to Preston's swift recognition of the dire nature of his illness. Because he had called the Bio-containment Unit as soon as he had, everyone who had been on the company jet back from Africa, and all of their contacts since landing, were promptly isolated, at MacroCorp's expense. A few dozen people died - the pilot and several flight attendants, and various people they'd kissed, spoken to, or visited since landing - but at least so far, Preston's foresight seemed to have prevented a major outbreak in the US.

From the television news, when she was well enough to tell her father to vanish from the screen so that she could watch it, Meredith learned of the fate of thousands of Preston's African employees, one of whom had evidently infected him during a plant tour. Without access to isolation, they didn't survive. The virus spread so easily, especially in countries where people still spoke to each other most often in person, rather than by phone or the Net. Neither did vast numbers of their relatives and friends. The ill soon swelled into the tens of thousands, a complex web of human relationships ensuring that by the time the epidemic ended, much of Africa and large pockets of Asia and South America, already ravaged by HIV, would be further decimated.


There is so much in there that now seems horribly unrealistic. (Quite apart from the lazy treatment of Africa like a country rather than a continent. Where did this flight take off from, Africa Airport?) Imagine a super-rich American businessman reporting his own illness then paying for his employees to quarantine! Imagine the US authorities tracing all their contacts and isolating them! Imagine dozens dying of a pandemic virus in the US rather than 439,830 as of 3rd February 2021!

I am not blaming Susan Palwick for failing to predict in 2007 that incompetent neo-nationalist demogogues would let many thousands more people die in the US and UK than countries with ostensibly much weaker health systems. I just assumed this was a completely alternate universe, in which climate change was mostly under control and Gaia worship a normal part of American culture. It evidently wasn't intended as a utopia, though. Three major themes are mental illness, personhood, and medical surveillance. The structure of the book reminded me somewhat of The Untamed, as it initially plunges you straight into dramatic events without explaining who anyone is - a major character dies on page 26. There follows the main substance of the book, consisting of two massive flashbacks in which each protagonist more or less recounts their life to date.

The two protagonists, Meredith and Roberta, have very different backgrounds yet their lives are significantly intertwined. Both experience tragedy, moral dilemmas, and mental illness. However Meredith is rich, white, and privileged while Roberta is not, which makes their experiences very different. Meredith struggles to conceal her problems from the media, but remains largely in control of how she is treated. Roberta is diagnosed with 'excessive altruism', considered a mental illness, and puts up with intrusive surveillance in order to avoid having her brain wiped. One result of the CV pandemic is a modified form of the virus can be used to wipe people's memories, personality, and knowledge. It is widely used as a punishment for criminals and a treatment for mental illness, including in children. In parallel, there is a debate about whether AIs are people and entitled to the rights of a person. In the middle of this are the few able to save their memories in the cloud and exist as uploaded personalities after death. I appreciated the thoughtful way these issues were examined, including sadly realistic details like people ending up homeless post-brainwipe.

'Shelter' is an interesting examination of privilege and inequality, via a small cast of characters whose lives are recounted in great detail. I think it could have been a little shorter. The sequences in a nursery school were very tense but somewhat repetitive, for instance. It reads as meandering and considered sci-fi with horror overtones, that slowly builds up detailed characterisation of the flawed yet sympathetic protagonists. The two twists at the end were a little too neat and one was easy to predict from the start. The conclusion wasn't really as important as the journey there, however. 'Shelter' wanders through domestic settings in an unusual alternate universe, conveying thoughtful insights about how we treat AI and each other via interpersonal drama.
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Brilliant. Language, world-building, suspense, and charm. Engaging characters, even if just a little too simplistic. Themes not subtle - but still interesting & provocative. More like Literature than traditional SF, and yet not a difficult read at all. I would think it would be more widely enjoyed than the number of shelvings here indicates - and I will be looking for more by Palwick. I have already enjoyed her short stories in [b:The Fate of Mice|768119|The Fate of Mice|Susan show more Palwick|http://photo.goodreads.com/books/1328840317s/768119.jpg|754183]. show less
This book is a slipstream-paranormal romance. Do not be deceived, as I was, by the science fiction tags on LT and the comparisons on the jacket to The Dispossessed and Stranger in a Strange Land. As romances go, this is a very good one. There is a well-built alien culture, a lot of interesting characters, and a great deal about what it's like to be refugees. I was certainly interested while I was reading it and didn't realize it was a romance until close to the end. Since I generally don't show more like romances, that alone would give the book high marks. However, I found the end very disappointing, and I would not recommend this book to science fiction fans or folks who are looking for a new Le Guin. show less

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Works
35
Also by
57
Members
985
Popularity
#26,139
Rating
½ 3.8
Reviews
48
ISBNs
29
Languages
2
Favorited
3

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