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J. R. R. Tolkien (1892–1973)

Author of The Hobbit

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About the Author

A writer of fantasies, Tolkien, a professor of language and literature at Oxford University, was always intrigued by early English and the imaginative use of language. In his greatest story, the trilogy The Lord of the Rings (1954--56), Tolkien invented a language with vocabulary, grammar, syntax, show more even poetry of its own. Though readers have created various possible allegorical interpretations, Tolkien has said: "It is not about anything but itself. (Certainly it has no allegorical intentions, general, particular or topical, moral, religious or political.)" In The Adventures of Tom Bombadil (1962), Tolkien tells the story of the "master of wood, water, and hill," a jolly teller of tales and singer of songs, one of the multitude of characters in his romance, saga, epic, or fairy tales about his country of the Hobbits. Tolkien was also a formidable medieval scholar, as evidenced by his work, Beowulf: The Monster and the Critics (1936) and his edition of Anciene Wisse: English Text of the Anciene Riwle. Among his works published posthumously, are The Legend of Sigurd and Gudrún and The Fall of Arthur, which was edited by his son, Christopher. In 2013, his title, TheHobbit (Movie Tie-In) made The New York Times Best Seller List. (Bowker Author Biography) show less

Includes the names: Tolkin D., 托爾金, J R Tolkien, J R L Tolken, JRRR Tolkien, J.R. Tolkein, J.R.R. Tokien, Tolkein J R R, R R J Tolkien, J.R.R. Tolkin, J.R. Tolkien , John R Tolkien, J.R.R. Tolkien, J.R.R. Tokkien, Dž R R Tolkin, J.R.R. Tolkien, J.R.R. Tolkein, J.R.R. Tolkien, J.R.R. Tolkein, J.R.R. Tolkienn, J. R. R. Tolken, DZON R.R. TOLKIN, Tolkin Dzh. R.R., J. R. R. Tolkien, J. R. R. Tilkien, Tolkien J. R. R., John Ronald Reuel, John R. R. Tolkien, Д.Р. Толкин, J.R.R. トールキン, ג'.ר.ר טולקין, John Ronald R. Tolkien, Tolkin Dzhon Ronald Ruel, Дж.Р.Р. Толкин, Џ. Р. Р. Толкин, Д. Р. Р. Толкин, Џ. Р. Р. Тодкин, John Ronald Reuel Tolkien, Jhon Ronald revel tolkien, Τζ. Ρ.Ρ. Τόλκιν, Дж. Р.Р. Толкин, John Ronald Reuel Tolkien, Tζ. Ρ. Ρ. Τόλκιν, Дж. Р. Р Толкин, J. R. R.; Tolkien Tolkien, Dzhon Ronald Ruel Tolkien, Τζ. Ρ. Ρ. Τόλκιν, Дж.Р.Р. Толкиен, Д. Р. Р. Толкиен, ДЖ. Р. Р. Толкин, ג׳. ר. ר. טולקין, Дж. Р. Р. Толкин, Дж. Р. Р. Толкін, Дж. Р. Р. Толкин, Джон Р Р Толкин, ג'.ר.ר טולקין, Джон Р. Р. Толкин, Джон Р. Р. Толкин, J.r.r Science Fiction) Tolkien, ג'. ר. ר. טולקין, Джон Р. Р. Толкиен, J.R.R....Author Foreword Tolkien, J.R.R.] Dz. R.R. [Tolkien Tolkin, J. r. r Science Fiction) Tolkien, Tolkien J. R. R. John Ronald Reuel, J. R. R.; J. R. R. Tolkien Tolkien, ג'ון רונלד רעואל טולקין, Джон Роналд Руел Толкін, Джон Роналд Руэл Толкин, Джон Роналд Рузл Толкин, ג’ון רונלד רעואל טולקין, Джон Рональд Руэл Толкин, Джон Рональд Руел Толкін, Толкин Джон Роналд Рейел, J.R.R. Tolkien; J. R. R. Tolkien; J R R Tolkien, ג'ון רונלד רעואל טולקין, Джон Рональд Руэл Толкиен, Philologe Mythenforscher Tolkien, Schriftsteller,, J.R.R. (John Ronald Reuel) Tolkien, 1892-1973, tr., J. R. R.(edited from MS. Corpus Christi College Ca, ჯონ რონალდ რუელ ტოლკინი, J. R. R.; J.R.R. Tolkien (Author); Christopher Tolkien (Edited by) Tolkien

Also includes: Tolkien John (2), Tolkien (1)

Disambiguation Notice:

Please do not combine this page with the John Tolkien author page. If any works by J. R. R. Tolkien appear on that page, they should be aliased to this one.
Also please don't combine it with the page of Christopher Tolkien, even though he edited a lot of his father's works posthumously.

Series

Works by J. R. R. Tolkien

The Hobbit (1937) — Author; Cover designer, some editions — 106,916 copies, 1,292 reviews
The Fellowship of the Ring (1954) — Author — 63,451 copies, 568 reviews
The Lord of the Rings (1954) 56,745 copies, 494 reviews
The Two Towers (1954) — Author — 56,051 copies, 353 reviews
The Return of the King (1955) 54,415 copies, 332 reviews
The Silmarillion (1977) — Author — 40,791 copies, 306 reviews
The Children of Húrin (2007) 13,158 copies, 149 reviews
Unfinished Tales of Númenor and Middle-Earth (1980) 12,483 copies, 58 reviews
The Hobbit / The Lord of the Rings (1937) 10,535 copies, 62 reviews
The Book of Lost Tales, Part One (1983) 6,504 copies, 29 reviews
The Book of Lost Tales, Part Two (1984) 4,427 copies, 13 reviews
The Tolkien Reader (1966) 4,144 copies, 22 reviews
Letters From Father Christmas (1976) 3,742 copies, 74 reviews
The Letters of J. R. R. Tolkien (1981) 3,029 copies, 19 reviews
The Lays of Beleriand (1985) 2,890 copies, 13 reviews
The Legend of Sigurd and Gudrún (2009) 2,870 copies, 30 reviews
Smith of Wootton Major / Farmer Giles of Ham (1949) 2,796 copies, 17 reviews
Roverandom (1925) 2,794 copies, 34 reviews
Beren and Lúthien (1917) 2,767 copies, 35 reviews
The Fall of Gondolin (1917) 2,581 copies, 25 reviews
The Lost Road and Other Writings (1987) 2,255 copies, 8 reviews
The Annotated Hobbit (1988) — Cover artist, some editions; Illustrator, some editions — 2,139 copies, 20 reviews
Farmer Giles of Ham (1949) 2,130 copies, 27 reviews
Beowulf: A Translation and Commentary, Together with Sellic Spell (2014) — Translator; Contributor — 2,090 copies, 17 reviews
The Return of the Shadow (1988) 1,868 copies, 6 reviews
The Treason of Isengard (1989) 1,759 copies, 6 reviews
Tales from the Perilous Realm (2008) 1,693 copies, 13 reviews
The War of the Ring (1990) 1,616 copies, 5 reviews
The Fall of Arthur (1937) 1,511 copies, 22 reviews
Bilbo's Last Song (1974) 1,338 copies, 15 reviews
Morgoth's Ring: The Later Silmarillion, Part One (1993) 1,222 copies, 4 reviews
Sauron Defeated (1992) 1,203 copies, 7 reviews
Smith of Wootton Major (1967) 1,168 copies, 21 reviews
The Monsters and the Critics (1983) 933 copies, 7 reviews
The Story of Kullervo (2015) 918 copies, 31 reviews
Mr. Bliss (1936) 848 copies, 10 reviews
Tolkien's World: Paintings of Middle-Earth (1992) 809 copies, 5 reviews
The History of Middle-earth, Part One (1983) 773 copies, 1 review
The History of the Lord of the Rings (1988) 709 copies, 2 reviews
Pictures by J.R.R. Tolkien (1979) 666 copies, 4 reviews
A Tolkien Miscellany (2002) 621 copies, 6 reviews
Tree and Leaf (1947) 617 copies, 4 reviews
The Lord of the Rings: Appendices (1966) 476 copies, 4 reviews
Hobbitvs Ille: The Latin Hobbit (1937) 438 copies, 1 review
The Hobbit (BBC dramatization) (1968) — Author — 425 copies, 11 reviews
The History of The Hobbit: One-Volume Edition (2007) 412 copies, 5 reviews
The Lord of the Rings (BBC Dramatization) (1979) 362 copies, 8 reviews
Leaf by Niggle (1945) 309 copies, 7 reviews
Unfinished Tales : I. The First Age (1980) 293 copies, 1 review
Poems and Stories (1980) 262 copies, 3 reviews
The Hobbit (Part 1 of 2) (1991) 251 copies, 1 review
Unfinished Tales : II. The Second Age (1901) 229 copies, 1 review
The Lord of the Rings (Millennium Edition) (1999) 226 copies, 1 review
Smith of Wootton Major: Extended Edition (1967) 214 copies, 2 reviews
The Hobbit {unspecified video recording} (2015) 180 copies, 5 reviews
Ringens värld : en samlingsvolym ... (1976) 167 copies, 1 review
Sprookjes van Tolkien (1974) 159 copies, 2 reviews
Faërie (1978) 134 copies, 1 review
Poems from The Hobbit (1999) 119 copies, 1 review
The Tolkien Treasury (2015) 112 copies, 1 review
Poems from the "Lord of the Rings" (1994) 111 copies, 1 review
Tree and Leaf: Including the Poem Mythopoeia (1988) 103 copies, 2 reviews
The Hobbit {abridged audio recording} (1974) 99 copies, 2 reviews
The Hobbit: A 3-D Pop-Up Adventure (1999) 92 copies, 1 review
Beowulf and the Critics (2002) 91 copies, 2 reviews
Feanors Fluch (1991) 84 copies, 1 review
Das Tolkien Lesebuch (1991) 76 copies
The Lord of the Rings (Mind's Eye Version) (1979) 74 copies, 4 reviews
Poems (1993) 46 copies
Raiders of Cardolan (1988) 36 copies
Le silmarillion, tome 2 (1982) 35 copies, 1 review
The Hobbit (Part 2 of 2) (2000) 35 copies, 1 review
The Tolkien Diary 1992 (1991) 34 copies
Le silmarillion, tome 1 (1980) 32 copies
The Two Towers {American dramatization} (2002) 32 copies, 1 review
A Rare Recording of J.R.R. Tolkien (1980) — Author; Narrator — 30 copies, 2 reviews
The Old English Exodus (1981) 26 copies, 1 review
A Middle English Vocabulary (2016) 22 copies
The Hobbit Birthday Book (1991) 22 copies
Oliphaunt (1989) 19 copies
Der Herr der Ringe (2002) 17 copies, 1 review
The Silmarillion, Vol. 1 {audiobook} (1998) 16 copies, 1 review
The Silmarillion, Vol. 2 {audiobook} (1998) 16 copies, 1 review
Lieder der Hobbits, 3 Bde. (1996) 15 copies
The Silmarillion, Vol. 3 {audiobook} (1998) 14 copies, 1 review
A Tolkien Book of Days (1992) 13 copies
Tolkien Calendar 2022 (2021) 12 copies
The Tolkien 2001 Desk Diary (2000) 12 copies
Tolkien Calendar 2023 (2022) 11 copies
Tolkien Calendar 2010 (2009) 10 copies
Annals of the Kings and Rulers (2001) 9 copies, 1 review
Tolkien Calendar 2017 (2016) 9 copies
Tolkien Calendar 2021 (2020) 9 copies
Tolkien Address Book (1992) 8 copies
Tolkien Calendar 1993 (1992) 7 copies
Worte wie Märchen (1992) 7 copies
J. R. R. Tolkien, der Mythenschöpfer (1984) — Author — 7 copies
The Two Towers 6 copies
J.R.R. Tolkien: A Biography 5 copies, 1 review
Songs for the Philologists (1936) 4 copies, 1 review
Du conte de fées (2022) 4 copies
Les étymologies (2009) 4 copies
Bilbos adressbok (1994) 3 copies
Kullervo története (2016) 2 copies
Tolkien Calendar 2026 (2025) 2 copies
The Tale of Gondolin — Author — 2 copies
Despre Basme (2024) 2 copies
The Hobbit Trading Cards (1993) 2 copies
Angles and Britons — Author — 2 copies
Hobbit Box Set 2 copies
Tolkien Dateless Diary (1992) 2 copies
The Hobbit Calendar 1976 (1975) 2 copies
Mythopoeia 2 copies
Две крепости 1 copy, 1 review
Again 1 copy
John R. R. Tolkien. Selected Works (2004) 1 copy, 1 review
The Hobbit 1 copy
Hobit 1 copy
Pad Numenora 1 copy
Cartas de Papá Noel 2 (1994) 1 copy
Le due torri 1 copy
Athrabeth Finrod ah Andreth 1 copy, 1 review
Book of Jonah (2011) 1 copy
Tolkien dzieciom (1994) 1 copy
Básně I 1 copy
2000 1 copy
Thror's Map 1 copy
The Last Song Journal (2002) 1 copy
lo hobbit 1 copy
The Stone Troll [poem] 1 copy, 1 review
Hobbit Poster (1997) 1 copy
The Trolls 1 copy
Osanwe-Kenta 1 copy
Básně III 1 copy
Básně II 1 copy
The Hobbit Deluxe (2025) 1 copy
Dvě věže 1 copy
Le due torri 1 copy
貝倫與露西恩 (2020) 1 copy
Tolkien Calendar 2022 (2021) 1 copy
Tolkien Calendar 2020 (2019) 1 copy
Voices of Poetry (2013) 1 copy
Silmerillinn (2000) 1 copy

Associated Works

Sir Gawain and the Green Knight (1380) — Translator, some editions — 9,224 copies, 107 reviews
The Hobbit: Graphic Novel (1991) — Story — 4,434 copies, 61 reviews
The Atlas of Middle-Earth: Revised Edition (1991) — Illustrator — 1,875 copies, 17 reviews
The Atlas of Middle-Earth (1981) — Creator — 1,155 copies, 10 reviews
Beowulf: A Verse Translation [Norton Critical Edition] (2000) — Contributor — 1,033 copies, 9 reviews
J.R.R. Tolkien: Artist and Illustrator (1995) — Illustrator — 683 copies, 5 reviews
Masterpieces of Terror and the Supernatural (1985) — Contributor — 601 copies, 3 reviews
The Art of the Hobbit by J.R.R. Tolkien (2011) — Illustrator — 484 copies, 5 reviews
The Art of The Lord of the Rings by J.R.R. Tolkien (2015) — Illustrator — 476 copies, 8 reviews
Atlas Of Middle-Earth (1981) — Illustrator — 445 copies, 3 reviews
Tolkien: Maker of Middle-earth (2018) 416 copies, 2 reviews
Beowulf: A Prose Translation [Norton Critical Edition, 1st ed.] (1975) — Contributor — 410 copies, 2 reviews
The Hobbit [1977 TV movie] (1977) — Original book — 314 copies, 3 reviews
The Lord of the Rings [1978 film] (1978) — Original novel — 287 copies
The Literary Cat (1977) — Contributor — 256 copies
The Golden Treasury of Children's Literature Set (1972) — Contributor — 244 copies, 4 reviews
Fourteenth Century Verse and Prose (1921) — Glossary, some editions — 225 copies
The Big Book of Classic Fantasy (2019) — Contributor — 222 copies, 3 reviews
Ancrene Wisse: Guide for Anchoresses (1963) — Editor, some editions — 206 copies, 6 reviews
Essays Presented to Charles Williams (1947) 196 copies, 2 reviews
The Fantastic Imagination (1977) — Contributor — 165 copies, 1 review
The Young Magicians (1969) — Contributor — 151 copies, 3 reviews
An Anthology of Beowulf Criticism (1963) — Contributor — 137 copies
Tales Before Narnia: The Roots of Modern Fantasy and Science Fiction (2008) — Contributor — 126 copies, 3 reviews
The Return of the King [1980 TV movie] (1980) — Original book — 118 copies, 2 reviews
Tolkien: Treasures (2018) — Illustrator — 118 copies, 4 reviews
J.R.R. Tolkien: Master of Fantasy (Lerner Biographies) (1992) — Associated Name — 99 copies, 3 reviews
The Prentice Hall Anthology of Science Fiction and Fantasy (2000) — Contributor — 99 copies, 2 reviews
Over the Rainbow Tales of Fantasy and Imagination (1983) — Contributor — 76 copies
The Random House Book of Fantasy Stories (1963) — Contributor — 72 copies
Sir Orfeo (1330) — Translator, some editions — 64 copies, 1 review
Tolkien Studies, Volume I (2004) — Contributor — 45 copies
Tolkien Studies, Volume II (2005) — Contributor — 38 copies
Tolkien Studies, Volume III (2006) — Contributor — 34 copies
Doomed to Die: An A–Z of Death in Tolkien (2015) — Inspiration — 32 copies, 2 reviews
Readings on J. R. R. Tolkien (2000) — Contributor — 29 copies, 1 review
Tolkien Studies, Volume IV (2007) — Contributor — 26 copies
The Best of Both Worlds: An Anthology of Stories for All Ages (1968) — Contributor — 25 copies, 1 review
Tolkien Studies, Volume V (2008) — Contributor — 25 copies
Kingdoms of Sorcery: An Anthology of Adult Fantasy (1976) — Contributor — 24 copies
Masters of British Literature, Volume A (2007) — Contributor — 21 copies
The Collected Vinyar Tengwar Vol. 3 (2011) — Contributor, some editions — 19 copies
Tolkien Studies, Volume VII (2010) — Contributor — 17 copies, 1 review
Singing Juniors (1953) — Contributor, some editions — 17 copies
Poems of Magic and Spells (1960) — Contributor — 16 copies
Clés pour le Seigneur des Anneaux de J.R.R. Tolkien (2002) — Contributor — 14 copies
Tolkien Studies, Volume VI (2009) — Contributor — 13 copies
Tolkien Calendar 2004 (2003) — Author — 13 copies
Bifrost n°76 Special Tolkien (2014) — Contributor — 11 copies
Pearl and Sir Orfeo: Unabridged (1997) — Translator — 10 copies
Tolkien 2002 Calendar With Poster (2001) — Author — 9 copies
Tolkien Calendar 2003: The Two Towers (2002) — Author — 8 copies
Das Hobbit-Buch (1988) — Author — 7 copies
Tolkien Diary 2009 (2008) — Author — 7 copies
Tolkien Diary 2010 (2009) — Author — 7 copies
Cricket Magazine, Vol. 3, No. 8, April 1976 (1976) — Contributor — 3 copies
Lord of the Rings: At Dawn in Rivendell (2003) — Composer — 2 copies
Leeds University verse, 1914-24 — Contributor — 1 copy

Tagged

20th century (1,839) adventure (4,049) British (1,707) British literature (1,687) classic (4,955) classics (4,409) dwarves (1,658) elves (2,312) English literature (1,592) epic (2,251) epic fantasy (1,915) fantasy (67,325) fantasy fiction (1,597) fiction (34,451) high fantasy (2,027) hobbits (3,202) Inklings (1,711) J.R.R. Tolkien (3,147) literature (4,121) Lord of the Rings (9,182) magic (2,001) Middle Earth (11,280) novel (3,367) own (1,985) poetry (1,649) read (5,010) series (2,310) sff (1,726) to-read (10,029) Tolkien (20,376)

Common Knowledge

Canonical name
Tolkien, J. R. R.
Legal name
Tolkien, John Ronald Reuel
Other names
Beren
Ronald
Birthdate
1892-01-03
Date of death
1973-09-02
Gender
male
Education
Exeter College, Oxford (BA|1915|MA|1919)
King Edward's School, Birmingham, England, UK
St. Philip's School, Birmingham, England, UK
Occupations
professor (English)
reader (English)
poet
philologist
fantasy writer
writer (show all 10)
novelist
translator
soldier
artist
Organizations
Oxford University (Merton Professor of English Language and Literature, 1945-59)
Oxford University (Rawlinson and Bosworth Professor of Anglo-Saxon, 1925-45)
Oxford University (Leverhulme Research Fellow, 1934-36)
Merton College, Oxford University (Emeritus Fellow)
Pembroke College, Oxford University (Fellow)
University of Leeds (Reader in English; Professor of English Language) (show all 10)
Tolkien Society (Honorary President in perpetuo)
Oxford English Dictionary
Lancashire Fusiliers (Lieutenant, 1915-1918)
Inklings
Awards and honors
Order of the British Empire (Commander ∙ 1972)
Royal Society of Literature (Fellow, 1957)
Benson Medal (1967)
SF Hall Of Fame (2013)
Gandalf Award (Grand Master of Fantasy ∙ 1974)
Bog & Idé-prisen (2002) (show all 14)
Sir Israel Gollancz Memorial Lecturer, British Academy (1936)
Andrew Lang Lecturer, University of St. Andrews, Fife (1939)
W. P. Ker Lecturer, University of Glasgow (1953)
O'Donnell Lecturer, Oxford University (1955)
Skeat prize (1914)
Honorary D. Litt (National University Of Ireland ∙ 1954)
Oxford University (Honorary D. Litt ∙ 1972)
Honorary Doctorate (University of Liège ∙ 1954)
Relationships
Tolkien, Christopher (son)
Tolkien, John (son)
Tolkien, Simon (grandson)
Tolkien, Michael (grandson)
Tolkien, Priscilla (daughter)
Tolkien, Hilary (brother) (show all 15)
Tolkien, Tracy (granddaughter-in-law)
Tolkien, Baillie (daughter-in-law)
Mitchell, Bruce (student)
Bliss, Alan (student)
D'Ardenne, S. R. T. O. (student)
Burchfield, R. W. (student)
Auden, W. H. (student)
Sisam, Kenneth (tutor)
Tolkien, Edith (wife)
Short biography
John Ronald Reuel Tolkien (3 January 1892 – 2 September 1973) was an English writer, poet, philologist, and academic. He was the author of the high fantasy works The Hobbit and The Lord of the Rings.

He served as the Rawlinson and Bosworth Professor of Anglo-Saxon and Fellow of Pembroke College, Oxford, from 1925 to 1945 and Merton Professor of English Language and Literature and Fellow of Merton College, Oxford, from 1945 to 1959. He was at one time a close friend of C. S. Lewis—they were both members of the informal literary discussion group known as the Inklings. Tolkien was appointed a Commander of the Order of the British Empire by Queen Elizabeth II on 28 March 1972.

After Tolkien's death, his son Christopher published a series of works based on his father's extensive notes and unpublished manuscripts, including The Silmarillion. These, together with The Hobbit and The Lord of the Rings, form a connected body of tales, poems, fictional histories, invented languages, and literary essays about a fantasy world called Arda and Middle-earth[b] within it. Between 1951 and 1955, Tolkien applied the term legendarium to the larger part of these writings.

While many other authors had published works of fantasy before Tolkien, the great success of The Hobbit and The Lord of the Rings led directly to a popular resurgence of the genre. This has caused Tolkien to be popularly identified as the "father" of modern fantasy literature or, more precisely, of high fantasy. In 2008, The Times ranked him sixth on a list of "The 50 greatest British writers since 1945". Forbes ranked him the fifth top-earning "dead celebrity" in 2009.
Cause of death
bleeding ulcer and chest infection
Nationality
UK
Birthplace
Bloemfontein, Orange Free State
Places of residence
Oxford, Oxfordshire, England, UK
West Midlands, England, UK
Leeds, Yorkshire, England, UK
Bournemouth, Dorset, England, UK
Bloemfontein, South Africa
Birmingham, Warwickshire, England, UK
Place of death
Bournemouth, Dorset, England, UK
Burial location
Wolvercote Cemetery, Oxford, Oxfordshire, England, UK
Map Location
England, UK
Disambiguation notice
Please do not combine this page with the John Tolkien author page. If any works by J. R. R. Tolkien appear on that page, they should be aliased to this one.
Also please don't combine it with the page of Christopher Tolkien, even though he edited a lot of his father's works posthumously.

Members

Discussions

Hobbit LE in Folio Society Devotees (February 2025)
Lord of the Rings LE 2022 in Folio Society Devotees (November 2024)
The Tolkien Thread (4) in Folio Society Devotees (November 2024)
Tolkien Lord of the Rings DLE in Easton Press Collectors (September 2024)
OT - Tolkien Interview of 22 March 1968 with The Daily Telegraph in Folio Society Devotees (September 2024)
Smaug’s wealth in Tolkien Lovers (June 2024)
Lord of the Rings LE Copy No.1 on eBay UK in Folio Society Devotees (July 2023)
Book Discussion: The Silmarillion in The Green Dragon (April 2023)
LoTR Limited Edition in Folio Society Devotees (April 2023)
OT: New The Silmarillion 2022 Illustrated Deluxe edition in Folio Society Devotees (November 2022)
OT - New Edition of LoTR with Tolkien illustrations in Folio Society Devotees (October 2022)
Interesting Tolkien-related links in Council of Elrond (September 2022)
The Tolkien Thread (3) in Folio Society Devotees (May 2022)
New Tolkien Book in Council of Elrond (March 2022)
J.R.R. Tolkien in Legacy Libraries (February 2022)
History of Lord of the Rings Returns in Easton Press Collectors (October 2021)
wishlist: LotR illustrated DLE in Easton Press Collectors (October 2021)
New Tolkien discovery in Council of Elrond (August 2021)
Lord of the Rings Group Read in 2019 Category Challenge (April 2021)
Silmarillion read-through in Council of Elrond (February 2021)
New Hobbit audiobook? in Council of Elrond (December 2020)
Did Clark Ashton Smith read Tolkien? in Council of Elrond (March 2020)
New website for Tolkien research; new book in Council of Elrond (March 2017)
The Tolkien Thread (2) in Folio Society Devotees (July 2015)
The Tolkien Thread in Folio Society Devotees (August 2014)
about test in Brightcopy Test Group (July 2013)
Group Read: The Hobbit (Spoiler-free thread) in Hogwarts Express (April 2013)
The Hobbit - Book vs. Movie (Spoilers Expected) in The Green Dragon (February 2013)
Silmarillion in Book talk (December 2012)
Gene Wolfe's tribute to Tolkien in Political Conservatives (June 2011)
Tolkein and Lewis in Friends of Jack (C.S. Lewis) (January 2010)
Fellowship of the Ring discussion, chapters 7-9 in Hogwarts Express (September 2008)
Fellowship of the Ring discussion, chapters 4-6 in Hogwarts Express (September 2008)

Reviews

4,779 reviews
"One who passed in and came at length out of the echoing tunnel, beheld a plain, a great circle, somewhat hollowed like a vast shallow bowl… Once it had been green and filled with avenues, and groves of fruitful trees, watered by streams that flowed from the mountains to a lake. But no green thing grew there in the latter days of Saruman. The roads were paved with stone-flags, dark and hard…" (pg. 191)

As the three volumes of The Lord of the Rings can be considered one long book, it is show more hard to write a review of its second volume, The Two Towers, that says anything new from what I said in my review of the first. Consequently, this review should properly be considered an extension of my first, as those points also apply here.

As with Fellowship, The Two Towers is a great imaginative adventure though lacking in deeper literary presence, and it struggles to escape the shadow of the films (with the films generally displaying better storytelling decisions). The world-building is excellent (there's a reason 'Tolkien-esque' has become a byword for it), with Rohan in particular being brought to life. There's plenty of merry singing still, which is good news for the three or four people in the world who like it, but in general it's more restrained than Fellowship, which is good news for the rest of us.

The action is drier in Two Towers, perhaps because we're not following a band of heroes into intimate skirmishes anymore, as with the Fellowship in Moria, but instead armies on plains and in castles. The Battle of Helm's Deep is a disappointment; this is particularly glaring as it was done so well on film, but even without that reference point I imagine I would be puzzled by how it develops in Tolkien's story. The build-up to the battle lacks foreboding, the siege lacks tension, and the cavalry that rides in to save the day is led by some random rather than by Éomer. The pace is just off, and the battle is dealt with rather quickly (I remember this disappointment vividly from when I first read the book as a teenager around 2004). Surprisingly, so is Saruman's fall. The awakening of the Ents is an engaging storyline (you can mark that one for the books over the films) but ironically – considering it's Treebeard – it seems hasty. "Night lies over Isengard," Treebeard declares, only a hundred pages in to the story (pg. 103).

Of course, the dramatic ebb and flow of The Two Towers would seem disorienting to fans of the films, because the films' storyboarding begins to diverge markedly from Tolkien's. Whereas Fellowship was a linear quest adventure following one group of characters and was followed very faithfully by its film adaptation, The Two Towers has seen the Fellowship broken and scattered. Most notably, Part One of the book deals with the 'War' (Aragorn, Rohan, Helm's Deep, Gandalf, etc.) and Part Two focuses solely on Frodo and Sam's journey towards Mordor. The film's concurrent approach retains pace and focus, and is undoubtedly better for its medium (though, arguably, it could be better for the book too). Both parts of the book end deep into what fans of the films would consider to be The Return of the King's domain (Pippin looking into the Palantír ends Part One, whereas it opens the third film, while the battle against Shelob ends Part Two).

I don't say this to grumble as an uncultured film fan, as was the case when I read the book as a teenager. Instead, I would make the argument now that Tolkien's storyboarding decisions rob some key scenes of their power, and I'd like to think I'd have made this observation even if there weren't already films for comparison to highlight the matter. In particular, the Redemption of Boromir, who dies nobly as a sort of Horatius at the Bridge while protecting the hobbits from the Uruk-hai attack, is anti-climactic in print. This scene, delivered impressively at the end of the Fellowship film, is in the first few pages of the first chapter of the Two Towers book. It jars, both in pace and emotion, even if the underlying idea is compelling.

And this, ultimately, is the key point to make when reviewing Tolkien's The Lord of the Rings, even if I made the same point in my Fellowship review: these are impressive underlying ideas, and the fact that the films delivered them better is not a mark against Tolkien, but a credit to his imagination. Boromir's tragic redemption, Gandalf being reborn, Théoden being reborn (so to speak), the desperate stand at Helm's Deep, the march of the Ents, the introduction of Gollum: these are all great feats of storytelling, any one of which would make a lesser writer's reputation. As with the first book, many of the great lines from the screen come from Tolkien, not the screenwriters, even if the screenplays are great at repurposing some of them (the slow-talking Ents getting no further than 'Good Morning' being one good example (pg. 94)).

There are some oddities (Sauron says 'dainty' when speaking to Pippin through the Palantír (pg. 242), which probably embarrassed the Dark Lord when he played the conversation back to himself), but it's a question of priorities. You wouldn't complain about getting a splinter from a chest filled with treasures, and even though my review has focused on the flaws, it's only because that stuff emerges more readily when you're reading, while the good stuff quietly works its magic in the background. For example, I had something to say about the plainness of some of Tolkien's writing, particularly in the second part of the book when Frodo and Sam are travelling. Tolkien seems to spend paragraphs just to move them (and Gollum) another non-descript kilometre. But then, in their parting from Faramir, Gondor's captain gestures to the landscape – "On your west is an edge where the land falls into the great vales, sometimes suddenly and sheer, sometimes in long hillsides" (pg. 377) – and you can believe it. And I realised, rather shamefacedly, what a land Tolkien has prepared for us to roam in.

"They walked on in silence for a while, passing like grey and green shadows under the old trees, their feet making no sound; above them many birds sang, and the sun glistened on the polished roof of dark leaves in the evergreen woods of Ithilien." (pg. 347)
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[The Return of the King] is my least favorite of the books; it is easily the least focused. Be careful, that is a matter of the books as compared to each other. Tolkien exists outside literatures typical realms. But the last book in the series actually highlights some weaknesses that could be overlooked in the earlier books because the surrounding material was so superior. Here, at the end of the matter, Tolkien exposes himself a bit.

First –
[The Return of the King] – who needs a king? I show more mean, come on, these are the same countries of men who have repeatedly exposed their weakness to evil and greed. Now, a man appears with an historically important sword and some claims about his lineage, and everyone melts. And I’m not sure that Middle Earth is going to be safe and free of trouble under the reign of men – at least, not these men. Don’t get your mithril shirt in a bunch, Strider is an impressive man, one who I’d follow. Only Faramir rivals him in terms of judgment, leadership, and skill. But Strider is the more impressive iteration of Aragorn’s personalities. The élan and mystery is lost when he begins to prance about. And Faramir, while the more sensitive and understanding, lets that quality devolve into weakness too often. I’d just as soon see Gandalf or Galadriel unite the world and lead. For that matter, Samwise, who becomes the Shire potentate, would be a fine unified leader. I just don’t trust that the time of men has come in Middle Earth – and Tolkien has exposed himself here with his over emphasis on the men and the king story. Remember, it was the Fellowship that saved the world, and the man in the group was the one who first put the Fellowship in danger. I would have been okay with less men and more elves or wizards or dwarves.

Second –
Where are the ladies? When Eowyn finally quits listening to all of the men in her life, all trying to protect her from being who she is, well, she kicks some Ring Wraith patootie. And Eowyn is really the only strong female character who has any real place in the story, save Galadriel. You have to look into the appendices before you find much about Arwen, save a couple of conversations and some vague references in [The Fellowship]. Why wasn’t there a female in the Fellowship? Tolkien overlooked the ladies in all of the books, but exposes himself by writing such a wonderful passage with Eowyn in the Battle of the Pelennor Fields, making it clear that there should have been more strong women along the way.

Finally –
For all of Tolkien’s gearing his characters up for battle, there is a pretty significant lack of battles in the books. The Battle of the Pelennor Fields and the Battle of Helms Deep are really the only ones. There are others that he skims through, and a bunch that he recounts through a character’s eyes after the fact. Couple that with the number of times that someone blows their horn or mounts a horse or grabs a shield and sword, and you start to feel a little cheated. Tolkien spends far too much time preparing for battle and not enough time in it – a little balance is needed. The same phenomenon appears when Tolkien begins peeling everyone off and having the characters saying goodbye. They say goodbye over dinner, then over breakfast, then on their horses, and then someone comes back and does it again.

[The Lord of the Rings] consumes you, sucks you in and won’t let you go, and that’s a good thing. The few criticisms I’ve offered are in the way of wanting more, wanting the experience to be perfect. But there are a rare few set of tales that can so capture your imagination; Tolkien was a master, if a little obsessive.

Bottom Line: Perhaps it is a melancholy for the way things began in Middle Earth, but, even with a new king, that world is a lesser place without Gandalf and the Elves and Frodo – maybe that’s why it’s hard to like this final chapter as much as the beginning.

4 bones!!!!!
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2021 review:

I've returned to Middle-earth (once again, after a six-year absence, in winter).

This time round I did what I have long desired, and outlined the whole damn book. I can now report that Fellowship has five-act structure (I suspect the individual books also have five-act structure, but don't quote me on that). All this pedantry helped me understand the shape of this novel and the operation of five-act structure itself, which can be opaque to those of us who have learned to write show more novels as if they were films. (The interminable chapters at Rivendell are themselves the third act. Lothlórien is not an afterthought, but integral to the denouement of the story.)

I admired the construction of each chapter and how Tolkien avoids writing an episodic story by continually looking backward or forward. In countless scenes, the characters are looking back at landscapes they've crossed, or listening to Aragorn describe the trek they're about to make in loving geological detail. This attention to setting knits each section of the story to those before and after and grounds the characters in their journey; we have a visceral sense of distance crossed, time passed, vistas we will never see again.

The attention to landscape also supports the guiding themes of the novel - the inevitability of change and loss, and our possible responses to it. I have more thoughts that I hope to get down about reading this novel during a long moment when time has gone melty and fear (of death, change, loss of power) is the presiding mood. Suffice it to say, there's something almost Daoist about the narrative's insistence on the inevitability of conflict and the generative nature of loss, smallness, refusal of power (though of course Tolkien's guiding theology is Christian, of a distinctly non-American bent).

There are so many passages here that sound uncanny echoes of our present world, though Tolkien's reliance on and propagation of racist and classist tropes continuously undercut the themes of his story. A recent podcast episode on Orientalism in fantasy fiction made me frantically scribble MORIA~ZIONISM? on the envelope I was using as a bookmark. It's hard not to read Aragorn's fated restoration, a counterpoint to lost kingdoms and failing magic, as conservative wish-fulfillment. Yet my speculation that the Dunlanders represent a Celtic remnant only led to the discovery that Tolkien favored Irish independence - the politics of Middle-earth are incoherent in the way that most stories about Dark Lords are bound to be.

I got pretty teary when Galadriel gives Sam his box of earth. May 2021 be the year when a beautiful woman promises us that someday we will return home, however unfamiliar that place may be, and plant a garden.

2015 review:

This is a good book to read every five years in the heart of winter.

I've read LotR too many times to count, but this time it felt like a wholly new book. I appreciated the clarity of the prose and Tolkien's deftness at creating suspense, horror, and wonder. Middle-earth and its inhabitants are painted in very few strokes and thus have the vividness of dreams.

(For that reason, the eternal fan dithering about Balrog wings and Legolas' hair color totally misses the point—you, the reader, decide what color Legolas' hair is. As a younger person, I absolutely read these novels with a fannish impatience, wanting to know details that are beyond the scope of Tolkien's prose. Now I have learned to be patient and trust my own imagination.)

(But just to be clear, Balrogs definitely do not have wings.)

Once more, the Shire was awesome and charming. I love how it is simply and unequivocally a pre-industrial England that never was (and which certainly does not belong in this quasi-medieval world). I suspect that Pippin may be an Oxford undergraduate. I have an image of him and Merry boating on the Isis and eating cucumber sandwiches.

December 2009 review:

This was, I think, my first time actually reading LotR directly after The Hobbit. It was a weird experience! The first half of Fellowship really is still in the world of The Hobbit, which reflects the experiences of the hobbits themselves, but also of course is the legacy of Tolkien's writing process. In many ways he used the actual process of creating the novel to structure the novel.

Some thoughts, from the point-of-view of someone who has read this book way too many times:

Everything set in the Shire is just totally awesome and charming. This allows the Shire to be a tangible presence through the rest of the novel. Bilbo is also a great character - Tolkien took the last scene of The Hobbit where Bilbo composes his first poem, and just ran with it.

Everything from Frodo's departure until Bree feels very episodic and Hobbit-y. Which does work, but I'm still not sure about Tom Bombadil. Tom Bombadil stops the novel. He knows this. He laughs in the face of plot. Would it have been better for Tolkien to have put something else there? Not sure. Tom Bombadil is the first one to tell them stories about the past, and it's there that Frodo has his dream of Tol Eressea. So Tolkien thought he was important to the larger whole at least, even once the novel had grown past his initial conception of The Hobbit II.

Aragorn is a lot of fun. I like how he can converse at the level of the hobbits and of the Elves. People who complain about Arwen being a non-character need to go back and reread Aragorn telling the story of Luthien and Beren. There is so much emotion on the page there.

Moria is awesome but in some ways has nothing to do with the larger story, besides a convenient place to kill Gandalf. We learn a bunch about Dwarves that is interesting if you've read The Hobbit but will never come up again. But that's Lord of the Rings for you. Soon after that we hear the Amroth and Nimrodel story which is cool and sad but also unrelated to anything, except to illustrate that Bad Things Happen To Elves.

I believe it was Peter Jackson who said in the film commentary that if you were writing Lord of the Rings as an original screenplay you would never put in Lothlorien and Galadriel. This shows that screenwriting is a silly business, because everything of importance in Fellowship pretty much happens in Lothlorien. Okay, slight exaggeration, but it's there that we really understand what the Ring is and what it will do to Middle-earth, and get our first metaphorical glimpse at the ship that will bear Frodo and Galadriel away at the end. Once Frodo offers Galadriel the Ring and is refused, he is set on his course to Mordor.

I also really liked the fording of the river Nimrodel to signal their entrance into Lothlorien - a symbol of purification that I hadn't noticed before.

This used to be my favorite book of the trilogy, but of course Tolkien never wanted it split up as a trilogy, and rereading it I can't help but look forward to the more substantial, less Tom Bombadil-y bits that come later!
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This is the first book I've read in 2020, the year I have the goal of reading longer books and those that intimidate me. I've read the Hobbit twice, once in fifth grade and then again last year, and I think it's a fun story, but I've never read the Lord of the Rings and haven't read much high fantasy.

I read this front to back, including the foreward and prologue - this made me very concerned that this book would be incredibly dry. It is noted that the trilogy is an attempt at "a really long show more story that would hold the attention of readers." Thankfully the meat of the story is usually not very dry.

I feel it reads well going into it thinking it will read like a DnD campaign rather than a "typical" novel - there are long journeys, battles, moments of rest, and I can imagine the successes, twists and turns, and failures as being controlled by a roll of the dice. (I'm not sure how typical this is for fantasy.)

There are slow moments, a lot of songs, and a lot of names of places and people, but I really enjoyed the importance of nature and the merging of human-like beings with the natural world.

Maybe it's just my current priorities in life that have colored my reading, but there were strong themes of stewardship of the land and immersion into nature. Nature is neither good nor evil in this text, rather it's shaped by the people around it. When nurtured and tended to such as Tom Bombadil and Galadriel have done, the land is abundant and nuturing back. In other regions, there is no steward for the land, and it is wild and is neither kind nor harsh.

The corrupt and imperialistc forces destory the natural world. Sam has visions of trees being felled in the Shire and smoke pouring out from a new brick building and he wishes to be home to protect it. Sam is also the character who is gifted soil with which he can garden when his journey is over. (And presumably rebuild.)

I wasn't really expecting the strength of this message of the goodness of working with the land to create bounty rather than its neglect and/or exploitation for one's personal power and gain. This message was a nice surprise because it isn't very well conveyed in the movies.

Overall, a different type of reading experience, but I enjoyed it.
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