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Vachel Lindsay (1879–1931)

Author of The Little Turtle

50+ Works 674 Members 10 Reviews 2 Favorited

About the Author

From Springfield, Illinois, Lindsay studied at Hiram College, the Chicago Art Institute, and the New York Art School, turning to poetry only after he had no success as an artist. The appeal of Vachel Lindsay's poetry is, first and foremost, one of sound. Many of his poems are meant to be chanted show more aloud, intoned, or sung. The poet was a phenomenon in his day, who became famous for the recitation of his poems. He preached a gospel of beauty expressed in almost primitive cadences. His early art studies under Robert Henri gave him the ability to illustrate his own poems, and he developed an elaborate theory of art that has gone largely ignored. Among his best-known works are "General William Booth Enters Heaven", published in Poetry Magazine in 1913, and "The Congo" (1914). (Bowker Author Biography) show less
Image credit: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Works by Vachel Lindsay

The Little Turtle (2006) 168 copies
The Congo and Other Poems (1992) 122 copies, 4 reviews
Collected Poems (1925) — Illustrator, some editions — 69 copies, 2 reviews
Johnny Appleseed and Other Poems (1930) 26 copies, 1 review
The Chinese nightingale, and other poems (2005) 11 copies, 1 review
Selected Poems of Vachel Lindsay (1963) — Author — 8 copies
Every Soul Is a Circus (1929) — Illustrator, some editions — 4 copies, 1 review
The Candle in the Cabin (1926) — Illustrator, some editions — 3 copies
The Village Magazine (1925) 1 copy

Associated Works

One Hundred and One Famous Poems (1916) — Contributor, some editions — 2,316 copies, 21 reviews
Sing a Song of Popcorn: Every Child's Book of Poems (1988) — Contributor — 1,176 copies, 27 reviews
The Best Loved Poems of Jacqueline Kennedy-Onassis (2001) — Contributor — 621 copies, 11 reviews
A Pocket Book of Modern Verse (1954) — Contributor, some editions — 484 copies, 3 reviews
The Rag and Bone Shop of the Heart: A Poetry Anthology (1992) — Contributor — 439 copies, 4 reviews
Modern American and Modern British Poetry (1919) — Contributor — 333 copies, 4 reviews
American Movie Critics: From the Silents Until Now (2006) — Contributor — 311 copies, 1 review
Modern American Poetry (1962) — Contributor — 192 copies, 1 review
American Religious Poems: An Anthology (2006) — Contributor — 185 copies, 2 reviews
American Wits: An Anthology of Light Verse (2003) — Contributor — 146 copies, 3 reviews
A Comprehensive Anthology of American Poetry (1929) — Contributor — 138 copies, 2 reviews
Poems of Early Childhood (Childcraft) (1923) — Contributor — 134 copies, 1 review
The Standard Book of British and American Verse (1932) — Contributor — 129 copies, 1 review
Great Modern Reading (1943) — Contributor — 115 copies, 3 reviews
Twentieth Century American Poetry (1944) — Contributor — 109 copies, 2 reviews
Storytelling and Other Poems (1949) — Contributor — 99 copies, 2 reviews
Film: A Montage of Theories (1966) — Contributor — 96 copies
The American Mercury Reader (1979) — Contributor — 85 copies, 1 review
The Everyman Anthology of Poetry for Children (1994) — Contributor — 79 copies
Modern English Readings (1942) — Contributor — 60 copies
When Dark Comes Dancing: A Bedtime Poetry Book (1983) — Contributor — 58 copies, 1 review
Waifs and Strays (1917) — Afterword — 49 copies
A Quarto of Modern Literature (1935) — Contributor — 43 copies
The Little Big Book for Grandmothers, revised edition (2009) — Contributor — 26 copies
100 Story Poems (Hardcover with Dust Jacket) (1951) — Contributor — 19 copies
William Jennings Bryan and the campaign of 1896 (1953) — Contributor — 14 copies
Spring World, Awake: Stories, Poems, and Essays (1970) — Contributor — 9 copies
Themes in American Literature (1972) — Contributor — 5 copies
Round about Eight: Poems for Today (1972) — Contributor — 2 copies

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Reviews

10 reviews
In progress

I subscribe to Academy of American Poets service where they send to my email a poem a day. Upon receiving this one today (August 2,2025) I was taken by the irrepressible rhythm and chant of it, and its perfect flight of imagination with surprising insight.

Meeting Ourselves by Vachel Lindsay

We met ourselves as we came back
As we hiked the trail from the north.
Our foot-prints mixed in the rainy path
Coming back and going forth.
The prints of my comrade’s hob-nailed shoes
And my tramp show more shoes mixed in the rain.
We had climbed for days and days to the North
And this was the sum of our gain:
We met ourselves as we came back,
And were happy in mist and rain.
Our old souls and our new souls
Met to salute and explain—
That a day shall be as a thousand years,
And a thousand years as a day.
The powers of a thousand dreaming skies
As we shouted along the trail of surprise
Were gathered in our play:
The purple skies of the South and the North,
The crimson skies of the South and the North,
Of tomorrow and yesterday.

Turns out this poem was published in the 1920s and was written for "precocious children twelve or fifty years of age." I'm 66 now and cannot be precocious child, unless one can be belatedly precocious in one's second childhood. It's the kind of poem I could learn by heart and, at some odd opportunity, lift a line or two to sum up the occasion or to rally prevailing emotions. I rushed to find where I could read more and was again delighted when I read the book's title.

I am going to have a lot of fun with this one. Yeah, "poetry" and "fun," imagine!
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The poems are often musical in nature, often meant to be sung. They sometimes come across as collegiate cheers and other times as lullabies. The ethnic stereotypes are dated and might raise an eyebrow. The ethnic caricatures often take away from the poems in which they feature. I'm not sure the America portrayed within these pages ever existed; it most certainly no longer does.
This poet uses words to beat you around the head with a stick. His ideas are the ideological Christian-pacifist of the early 1900s. Women and the "savage peoples" are the idyll of nature. I felt most of the poems about "savage peoples" were patronizing.
There is much to be said for dismissing this poem as too racist to read. However, if you can get through that, it has one redeeming feature which is the use of African American and jazz rhythms and tunes as an underlying score for the poem. There is a recording of Lindsay reading it, so we know exactly how he intended to it to be read.

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