Caitlin Flanagan
Author of To Hell with All That: Loving and Loathing Our Inner Housewife
About the Author
Caitlin Flanagan is a former high school teacher who became a writer; she has been on staff at The Atlantic, The New Yorker; and the Wall Street Journal. A winner of the National Magazine Award, she has also written for Time; O, The Oprah Magazine; the New York Times; and the Los Angeles Times. She show more lives in Los Angeles with her husband and two sons. show less
Image credit: Caitlin Flanagan (right) with Ruth Andrew Ellenson
at the 2007 LA Times Festival of Books
Copyright © 2007 Ron Hogan
at the 2007 LA Times Festival of Books
Copyright © 2007 Ron Hogan
Works by Caitlin Flanagan
Associated Works
Tagged
Common Knowledge
- Birthdate
- 1961
- Gender
- female
- Education
- University of Virginia
- Occupations
- teacher
journalist - Organizations
- The New Yorker
The Atlantic - Nationality
- USA
- Places of residence
- Los Angeles, California, USA
- Associated Place (for map)
- California, USA
Members
Reviews
Well, ah, I had read and enjoyed some of Flanagan's writing in the New Yorker and the Atlantic, so somewhere along the line I must have seen that she had written and book, and added it to the "gift list" that I share on Google Docs with my parents. So that's why my Dad said, very skeptically, "is this really the book you wanted?" when I opened it.
Well it is the book I wanted, I suppose, and to hell with what anyone thinks. It was funny and thought-provoking, albeit "counter-revolutionary" show more as I kept saying to my baffled Marxist brother. It is counter-revolutionary, in a sense, though; Flanagan seems to want to roll back the clock to a pre-feminist age. I found myself wondering what the women at Feministing -- whom I admire -- would make of these essays, and whether it's possible to agree with both of them, or if that makes you a hypocrite or something. Oh well. A better read than many more highly vaunted pieces of cultural criticism, to be sure. show less
Well it is the book I wanted, I suppose, and to hell with what anyone thinks. It was funny and thought-provoking, albeit "counter-revolutionary" show more as I kept saying to my baffled Marxist brother. It is counter-revolutionary, in a sense, though; Flanagan seems to want to roll back the clock to a pre-feminist age. I found myself wondering what the women at Feministing -- whom I admire -- would make of these essays, and whether it's possible to agree with both of them, or if that makes you a hypocrite or something. Oh well. A better read than many more highly vaunted pieces of cultural criticism, to be sure. show less
Caitlin Flanagan writes about motherhood without the sentimentality. In this book she covers every aspect of modern womanhood from overblown wedding ceremonies to the difficult decision to work outside the home. She writes about her twins' nanny, and she writes about Martha Stewart. She sees through the BS.
And she's funny. She willingly self-deprecates in the name of writing the truth.
It's true that this book is really an essay collection cum memoir, but it's nonetheless super enjoyable. If show more we're going to figure out the modern family, we need voices like hers. show less
And she's funny. She willingly self-deprecates in the name of writing the truth.
It's true that this book is really an essay collection cum memoir, but it's nonetheless super enjoyable. If show more we're going to figure out the modern family, we need voices like hers. show less
Girl Land is not a place that exists in physical space; it’s a place in time. Girl Land is the time between childhood and womanhood, when girls turn inward, write in diaries, and dream of romance. Teen girls need protection during this time; protection from the cruel world, from boys, from the internet. They need a strong father in their lives to provide this protection, yet divorce makes it common that a girl grows up without her father present in the house to protect her from boys. show more Modern life is destroying Girl Land. Rather than turning inward and writing in a diary, the modern teenage girl is posting her every mood and deed onto Twitter and Facebook. Worse, she is giving oral sex to boys and thinking she is still a virgin. Refusing to allow the girl internet access in her bedroom is the best gift the parents can give her, because this will protect her from the cold, cruel world.
I found Flanagan’s stand rather at odds with modern thought. Rather than teaching girls to be strong and independent, she wants them to rely on their fathers to protect them. Now don’t get me wrong; I’m all for keeping both parents present in the girl’s life! But I don’t feel that having the father absent from the dwelling is necessarily worse for girls than it is for boys, and I don’t feel that the couple has to be heterosexual to raise a healthy girl. Nor do I think that denying ‘net access in the privacy of a girl’s bedroom will keep her from seeing the wrong things; most modern phones will allow her to see all the wrong places anyway.
I just don’t think that putting a teenage girl in a cocoon is the best way to prepare her for adult life. If going through adolescence is as traumatic as Flanagan says it is, girls need to be given the tools to deal with it, not hidden in fluffy pink womb. Oddly, given that she has sons, the author ignores teenaged boys in this world. Shouldn’t boys be brought up to respect girls and not rape, rather than laying the burden of avoiding rape on the girls? There is something very old fashioned in this book’s message, and I don’t mean that in the good way. show less
I found Flanagan’s stand rather at odds with modern thought. Rather than teaching girls to be strong and independent, she wants them to rely on their fathers to protect them. Now don’t get me wrong; I’m all for keeping both parents present in the girl’s life! But I don’t feel that having the father absent from the dwelling is necessarily worse for girls than it is for boys, and I don’t feel that the couple has to be heterosexual to raise a healthy girl. Nor do I think that denying ‘net access in the privacy of a girl’s bedroom will keep her from seeing the wrong things; most modern phones will allow her to see all the wrong places anyway.
I just don’t think that putting a teenage girl in a cocoon is the best way to prepare her for adult life. If going through adolescence is as traumatic as Flanagan says it is, girls need to be given the tools to deal with it, not hidden in fluffy pink womb. Oddly, given that she has sons, the author ignores teenaged boys in this world. Shouldn’t boys be brought up to respect girls and not rape, rather than laying the burden of avoiding rape on the girls? There is something very old fashioned in this book’s message, and I don’t mean that in the good way. show less
To He** with this Book...What an Irksome Read
The description on Amazon says that "Flanagan's take on why modern mothers are conflicted about their roles is witty and well researched." I can't say that I agree...I'd say that Flannagan's take on why modern mothers are conflicted is, well...conflicted itself. For me, the title: To Hell With All that: Loving and Loathing Our Inner Housewife was about the most interesting and exciting thing about Flannagan's book. It serves to draw you in and show more makes you think you are in for something different and interesting, sadly this feeling doesn't extend beyond the title page. Hell With All that: Loving and Loathing Our Inner Housewife is ten chapters of loosely related information that sounds promising, but never pay off. They ramble along allowing a glimpse into Flanagan's very pampered and privileged version of stay-at-home motherhood that left me shaking my head and wondering what the heck was the point she really wanted to make here.
Originally she quit her teaching gig to write a novel, and when she couldn't successfully do that she decided to have kids instead. The premise here seems to be that since she was failing at writing a novel and couldn't bring herself to just go back to teaching, she'd have kids because that would give her an "excuse" to not have to worry about the novel or deal with the feelings that failure held for her...it'd be OK if she found some measure of success as a parent. She might not have turned out a novel, but she DID squeeze out a kid...the logic is unfathomable. In reading the first few chapters, I didn't get the feeling that she wanted to be a mother, I got the sense that being a mother was a means to the end of continuing to stay at home...an excuse not to go back to work or find something else more meaningful to do with her time. Not all mothers (I might even say MOST) come to the decision to have children like this...it's either planned or it just happens...we don't think to ourselves...hmmmmmmm, I'm bored with my job or I've not been successful enough at what I really wanted to do and rather than admit that and find something else to do with my life, I think I'll have a kid and let my husband support me so I can continue stay at home. Can you tell I was irritated by this book?!
Additionally, she says in several places in the book that she doesn't believe that there is a "better" when it comes to being a stay-at-home mom or a working mother, but the entire book seems to be a pat on the back for her decision to stay at home with her kids, but not REALLY stay at home with them...she's got a nanny to do the boring, menial part of parenting, a maid, a gardener, and even an organizer by the end of the book...she's not really raising those kids herself, she's got an entire support staff (and bully for those who can afford it or know they need it and thus use it)...but I don't feel it's right to pat yourself on the back for being a stay-at-home mom while you spend about as much time with your kids as most working parents do.
I was less than half way through the book when I began to realize that this book wasn't making a point, it was just another well-to-do white woman bemoaning how hard it is to be a wife and mother (either of the working or stay-at-home variety) while going on and on about her nanny, her maid and her organizer and how hard it is to organize the little tikes schedule of activities while still maintaining a sense of self...not all of us can afford those expensive classes and extracurricular activities for our kids. On the one hand she bemoans over scheduling kids but does it herself...she says for her staying at home with the kids is the best choice, but once she's published she spends time mocking other stay-at-home moms with two working mothers (the cool girls of the motherhood world, whom she desperately wanted to be "in" with)...basically she wanted the best of both worlds and luckily for her, her husband (who is rarely mentioned in the book outside of being the provider and wallet in the Flannagan family) can afford to make this a reality for her, so she never has to make those touch choices that most of the rest of us HAVE to make.
Overall, I felt that each chapter would have made a fine stand alone essay without the inclusion of all the personal information and what she perceived as the difficulties of motherhood. Taken as a whole, this book never make a point and I found it to be personally irksome to read, Hell With All that: Loving and Loathing Our Inner Housewife is a jumble of individual points and rambling personal exposition that never coalesces into a cohesive or satisfying whole. I wound up giving it two stars...I just couldn't see my way to three stars. Sure it was humorous and interesting for what it is, but it doesn't really go very far in making a cohesive point about why modern mothers are conflicted about their roles, it's clear that Flannagan IS conflicted herself and is unable to discern WHY that is exactly. In the end, I was more annoyed than entertained or informed. show less
The description on Amazon says that "Flanagan's take on why modern mothers are conflicted about their roles is witty and well researched." I can't say that I agree...I'd say that Flannagan's take on why modern mothers are conflicted is, well...conflicted itself. For me, the title: To Hell With All that: Loving and Loathing Our Inner Housewife was about the most interesting and exciting thing about Flannagan's book. It serves to draw you in and show more makes you think you are in for something different and interesting, sadly this feeling doesn't extend beyond the title page. Hell With All that: Loving and Loathing Our Inner Housewife is ten chapters of loosely related information that sounds promising, but never pay off. They ramble along allowing a glimpse into Flanagan's very pampered and privileged version of stay-at-home motherhood that left me shaking my head and wondering what the heck was the point she really wanted to make here.
Originally she quit her teaching gig to write a novel, and when she couldn't successfully do that she decided to have kids instead. The premise here seems to be that since she was failing at writing a novel and couldn't bring herself to just go back to teaching, she'd have kids because that would give her an "excuse" to not have to worry about the novel or deal with the feelings that failure held for her...it'd be OK if she found some measure of success as a parent. She might not have turned out a novel, but she DID squeeze out a kid...the logic is unfathomable. In reading the first few chapters, I didn't get the feeling that she wanted to be a mother, I got the sense that being a mother was a means to the end of continuing to stay at home...an excuse not to go back to work or find something else more meaningful to do with her time. Not all mothers (I might even say MOST) come to the decision to have children like this...it's either planned or it just happens...we don't think to ourselves...hmmmmmmm, I'm bored with my job or I've not been successful enough at what I really wanted to do and rather than admit that and find something else to do with my life, I think I'll have a kid and let my husband support me so I can continue stay at home. Can you tell I was irritated by this book?!
Additionally, she says in several places in the book that she doesn't believe that there is a "better" when it comes to being a stay-at-home mom or a working mother, but the entire book seems to be a pat on the back for her decision to stay at home with her kids, but not REALLY stay at home with them...she's got a nanny to do the boring, menial part of parenting, a maid, a gardener, and even an organizer by the end of the book...she's not really raising those kids herself, she's got an entire support staff (and bully for those who can afford it or know they need it and thus use it)...but I don't feel it's right to pat yourself on the back for being a stay-at-home mom while you spend about as much time with your kids as most working parents do.
I was less than half way through the book when I began to realize that this book wasn't making a point, it was just another well-to-do white woman bemoaning how hard it is to be a wife and mother (either of the working or stay-at-home variety) while going on and on about her nanny, her maid and her organizer and how hard it is to organize the little tikes schedule of activities while still maintaining a sense of self...not all of us can afford those expensive classes and extracurricular activities for our kids. On the one hand she bemoans over scheduling kids but does it herself...she says for her staying at home with the kids is the best choice, but once she's published she spends time mocking other stay-at-home moms with two working mothers (the cool girls of the motherhood world, whom she desperately wanted to be "in" with)...basically she wanted the best of both worlds and luckily for her, her husband (who is rarely mentioned in the book outside of being the provider and wallet in the Flannagan family) can afford to make this a reality for her, so she never has to make those touch choices that most of the rest of us HAVE to make.
Overall, I felt that each chapter would have made a fine stand alone essay without the inclusion of all the personal information and what she perceived as the difficulties of motherhood. Taken as a whole, this book never make a point and I found it to be personally irksome to read, Hell With All that: Loving and Loathing Our Inner Housewife is a jumble of individual points and rambling personal exposition that never coalesces into a cohesive or satisfying whole. I wound up giving it two stars...I just couldn't see my way to three stars. Sure it was humorous and interesting for what it is, but it doesn't really go very far in making a cohesive point about why modern mothers are conflicted about their roles, it's clear that Flannagan IS conflicted herself and is unable to discern WHY that is exactly. In the end, I was more annoyed than entertained or informed. show less
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- Rating
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