Jim Morrison (1943–1971)
Author of Wilderness: The Lost Writings of Jim Morrison, Volume 1
About the Author
Jim Morrison was the lead singer, composer, and lyricist for The Doors until his death in 1971. Several books of his poems were published posthumously
Image credit: Ian Burt
Series
Works by Jim Morrison
The Collected Works of Jim Morrison: Poetry, Journals, Transcripts, and Lyrics (1996) 93 copies, 4 reviews
A zenének vége : Jim Morrison versei és dalszövegei Hobo (Földes László) fordításában (1999) 3 copies
Τα νέα πλάσματα 2 copies
Abismos 2 copies
People are Strange 1 copy
Señores y nuevas criaturas 1 copy
Poemas I 1 copy
Poemas II 1 copy
Sueños Esmeralda 1 copy
Očividec 1 copy
Black Book 1 copy
Vizije 1 copy
The end americka molitva 1 copy
Morrison por ele mesmo 1 copy
Associated Works
Tagged
Common Knowledge
- Canonical name
- Morrison, Jim
- Legal name
- Morrison, James Douglas
- Birthdate
- 1943-12-08
- Date of death
- 1971-07-03
- Gender
- male
- Education
- St. Petersburg Junior College
Florida State University
University of California, Los Angeles (BA | 1965 | Theater Arts) - Occupations
- singer
- Organizations
- The Doors
- Awards and honors
- Rock and Roll Hall of Fame (1993)
- Relationships
- Manzarek, Ray (bandmate)
Densmore, John (bandmate)
Krieger, Robby (bandmate)
Hopkins, Jerry (biographer)
Sugarman, Danny (friend, biographer)
Kennealy, Patricia (lover, wife?) - Cause of death
- heart failure
- Nationality
- USA
- Birthplace
- Melbourne, Florida, USA
- Places of residence
- Melbourne, Florida, USA
Venice, California, USA
Paris, France
San Diego, California, USA
Alameda, California, USA
Alexandria, Virginia, USA (show all 8)
Clearwater, Florida, USA
Los Angeles, California, USA - Place of death
- Paris, France
- Burial location
- Cimetière du Père-Lachaise, Paris, France
- Associated Place (for map)
- USA
Members
Reviews
The blues rock band's first album, featuring "Break on Through" and "Light My Fire."
3/4 (Good).
It's inconsistent, but it's the archetype of a genre. If you're in the mood for classic rock that sounds like it's fighting depression with drugs and alcohol, this is your album.
3/4 (Good).
It's inconsistent, but it's the archetype of a genre. If you're in the mood for classic rock that sounds like it's fighting depression with drugs and alcohol, this is your album.
2015 Reading Challenge #06: A book written by someone under 30. Jim Morrison murió cuando tenía tan solo 27 años (1971) y los poemas aquí publicados suponen una recopilación de textos y apuntes escritos a lo largo de su vida.
¿Tal vez hay que estar drogado con ácido para poder apreciar esto?
Esta es una clara representación de lo que puede hacer un nombre. Lo que de mano de cualquier otro hubiese sido tachado como malo, en Jim Morrison es alabado como genialidad. C'est la vie. show less
¿Tal vez hay que estar drogado con ácido para poder apreciar esto?
"Todos se unen ahora en un lamento
por la muerte de mi falo,
una lengua de conocimiento
en la noche emplumada,
los muchachos enloquecen su cabeza
y sufren,
sacrifico mi falo
en el altar
del silencio." show more
Esta es una clara representación de lo que puede hacer un nombre. Lo que de mano de cualquier otro hubiese sido tachado como malo, en Jim Morrison es alabado como genialidad. C'est la vie. show less
Eternal and Powerfully Visionary
I think that Jim Morrison had an approach to poetry that was not unlike the ancient Oriental method described by Wei T'ai in the 11th century; "Poetry presents the thing in order to covey the feeling. It should be precise about the thing and reticent about the feeling, for as soon as the mind responds and connects with the thing the feeling shows in words; this is how poetry enters deeply into us. If the poet presents directly feelings which overwhelm him, and show more keeps nothing back to linger as an aftertaste, he stirs us superficially; he cannot start the hands and feet involuntarily waving and tapping in time, far less strengthen morality and refine culture, set heaven and earth in motion and call up spirits!"
Morrison mentions this of poetry in an interview; "Listen, real poetry doesn't say anything, it just ticks off the possibilities. Opens all doors. You can walk through any one that suits you.. . . and that's why poetry appeals to me so much - because it's so eternal. As long as there are people, they can remember words and combinations of words. Nothing else can survive a holocaust but poetry and songs. No one can remember an entire novel. No one can describe a film, a piece of sculpture, a painting, but so long as there are human beings, songs and poetry can continue.
If my poetry aims to achieve anything, It's to deliver people from the limited ways in which they see and feel."
Morrison has remained an influence on my work for over 20 years now-I remember classes in Graduate school in which his poems or name would come up and it was always in a disregarding fashion, yet his books of poetry have been among the highest sellers of all time in that genre (and continue to be). Morrison was Blakean in poetic sensibility and Nietzschian in philosophy which is a terrifying combination if you think about it-he sought to be rid of the 'Mind Forged Manacles' that Blake spoke of and also desired a 'World as a will to power and nothing more' as Nietzsche mentions.
There is something of the eternal and the powerfully visionary about Morrison's work that remains- he was and also is a controversial figure, a poet that attempted to re-create the theater of Artaud in a way that would inform later performers like Alice Cooper and Marilyn Manson. I think that Morrison's contribution to modern poetry was much more significant than he is currently being given credit for in the Academy.
* Notes about Morrison regarding his poetry by the Poet Michael McClure; " One of the things I like about this biography is that it shows that Jim knew himself to be a poet. That was the basis of my friendship and brotherhood with him,-I know of no better poet of Jim's generation. Few poets have been such public figures or entertainers (perhaps Mayakovsky in Russia in the twenties and thirties) and none have had so brief or so powerful a career." show less
I think that Jim Morrison had an approach to poetry that was not unlike the ancient Oriental method described by Wei T'ai in the 11th century; "Poetry presents the thing in order to covey the feeling. It should be precise about the thing and reticent about the feeling, for as soon as the mind responds and connects with the thing the feeling shows in words; this is how poetry enters deeply into us. If the poet presents directly feelings which overwhelm him, and show more keeps nothing back to linger as an aftertaste, he stirs us superficially; he cannot start the hands and feet involuntarily waving and tapping in time, far less strengthen morality and refine culture, set heaven and earth in motion and call up spirits!"
Morrison mentions this of poetry in an interview; "Listen, real poetry doesn't say anything, it just ticks off the possibilities. Opens all doors. You can walk through any one that suits you.. . . and that's why poetry appeals to me so much - because it's so eternal. As long as there are people, they can remember words and combinations of words. Nothing else can survive a holocaust but poetry and songs. No one can remember an entire novel. No one can describe a film, a piece of sculpture, a painting, but so long as there are human beings, songs and poetry can continue.
If my poetry aims to achieve anything, It's to deliver people from the limited ways in which they see and feel."
Morrison has remained an influence on my work for over 20 years now-I remember classes in Graduate school in which his poems or name would come up and it was always in a disregarding fashion, yet his books of poetry have been among the highest sellers of all time in that genre (and continue to be). Morrison was Blakean in poetic sensibility and Nietzschian in philosophy which is a terrifying combination if you think about it-he sought to be rid of the 'Mind Forged Manacles' that Blake spoke of and also desired a 'World as a will to power and nothing more' as Nietzsche mentions.
There is something of the eternal and the powerfully visionary about Morrison's work that remains- he was and also is a controversial figure, a poet that attempted to re-create the theater of Artaud in a way that would inform later performers like Alice Cooper and Marilyn Manson. I think that Morrison's contribution to modern poetry was much more significant than he is currently being given credit for in the Academy.
* Notes about Morrison regarding his poetry by the Poet Michael McClure; " One of the things I like about this biography is that it shows that Jim knew himself to be a poet. That was the basis of my friendship and brotherhood with him,-I know of no better poet of Jim's generation. Few poets have been such public figures or entertainers (perhaps Mayakovsky in Russia in the twenties and thirties) and none have had so brief or so powerful a career." show less
Eternal and Powerfully Visionary
I think that Jim Morrison had an approach to poetry that was not unlike the ancient Oriental method described by Wei T'ai in the 11th century; "Poetry presents the thing in order to covey the feeling. It should be precise about the thing and reticent about the feeling, for as soon as the mind responds and connects with the thing the feeling shows in words; this is how poetry enters deeply into us. If the poet presents directly feelings which overwhelm him, and show more keeps nothing back to linger as an aftertaste, he stirs us superficially; he cannot start the hands and feet involuntarily waving and tapping in time, far less strengthen morality and refine culture, set heaven and earth in motion and call up spirits!"
Morrison mentions this of poetry in an interview; "Listen, real poetry doesn't say anything, it just ticks off the possibilities. Opens all doors. You can walk through any one that suits you.. . . and that's why poetry appeals to me so much - because it's so eternal. As long as there are people, they can remember words and combinations of words. Nothing else can survive a holocaust but poetry and songs. No one can remember an entire novel. No one can describe a film, a piece of sculpture, a painting, but so long as there are human beings, songs and poetry can continue.
If my poetry aims to achieve anything, It's to deliver people from the limited ways in which they see and feel."
Morrison has remained an influence on my work for over 20 years now-I remember classes in Graduate school in which his poems or name would come up and it was always in a disregarding fashion, yet his books of poetry have been among the highest sellers of all time in that genre (and continue to be). Morrison was Blakean in poetic sensibility and Nietzschian in philosophy which is a terrifying combination if you think about it-he sought to be rid of the 'Mind Forged Manacles' that Blake spoke of and also desired a 'World as a will to power and nothing more' as Nietzsche mentions.
There is something of the eternal and the powerfully visionary about Morrison's work that remains- he was and also is a controversial figure, a poet that attempted to re-create the theater of Artaud in a way that would inform later performers like Alice Cooper and Marilyn Manson. I think that Morrison's contribution to modern poetry was much more significant than he is currently being given credit for in the Academy.
* Notes about Morrison regarding his poetry by the Poet Michael McClure; " One of the things I like about this biography is that it shows that Jim knew himself to be a poet. That was the basis of my friendship and brotherhood with him,-I know of no better poet of Jim's generation. Few poets have been such public figures or entertainers (perhaps Mayakovsky in Russia in the twenties and thirties) and none have had so brief or so powerful a career." show less
I think that Jim Morrison had an approach to poetry that was not unlike the ancient Oriental method described by Wei T'ai in the 11th century; "Poetry presents the thing in order to covey the feeling. It should be precise about the thing and reticent about the feeling, for as soon as the mind responds and connects with the thing the feeling shows in words; this is how poetry enters deeply into us. If the poet presents directly feelings which overwhelm him, and show more keeps nothing back to linger as an aftertaste, he stirs us superficially; he cannot start the hands and feet involuntarily waving and tapping in time, far less strengthen morality and refine culture, set heaven and earth in motion and call up spirits!"
Morrison mentions this of poetry in an interview; "Listen, real poetry doesn't say anything, it just ticks off the possibilities. Opens all doors. You can walk through any one that suits you.. . . and that's why poetry appeals to me so much - because it's so eternal. As long as there are people, they can remember words and combinations of words. Nothing else can survive a holocaust but poetry and songs. No one can remember an entire novel. No one can describe a film, a piece of sculpture, a painting, but so long as there are human beings, songs and poetry can continue.
If my poetry aims to achieve anything, It's to deliver people from the limited ways in which they see and feel."
Morrison has remained an influence on my work for over 20 years now-I remember classes in Graduate school in which his poems or name would come up and it was always in a disregarding fashion, yet his books of poetry have been among the highest sellers of all time in that genre (and continue to be). Morrison was Blakean in poetic sensibility and Nietzschian in philosophy which is a terrifying combination if you think about it-he sought to be rid of the 'Mind Forged Manacles' that Blake spoke of and also desired a 'World as a will to power and nothing more' as Nietzsche mentions.
There is something of the eternal and the powerfully visionary about Morrison's work that remains- he was and also is a controversial figure, a poet that attempted to re-create the theater of Artaud in a way that would inform later performers like Alice Cooper and Marilyn Manson. I think that Morrison's contribution to modern poetry was much more significant than he is currently being given credit for in the Academy.
* Notes about Morrison regarding his poetry by the Poet Michael McClure; " One of the things I like about this biography is that it shows that Jim knew himself to be a poet. That was the basis of my friendship and brotherhood with him,-I know of no better poet of Jim's generation. Few poets have been such public figures or entertainers (perhaps Mayakovsky in Russia in the twenties and thirties) and none have had so brief or so powerful a career." show less
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- Works
- 66
- Also by
- 6
- Members
- 3,137
- Popularity
- #8,136
- Rating
- 3.8
- Reviews
- 55
- ISBNs
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