Jonathan Swift (1667–1745)
Author of Gulliver's Travels
About the Author
Apparently doomed to an obscure Anglican parsonage in Laracor, Ireland, even after he had written his anonymous masterpiece, A Tale of a Tub (c.1696), Swift turned a political mission to England from the Irish Protestant clergy into an avenue to prominence as the chief propagandist for the Tory show more government. His exhilaration at achieving importance in his forties appears engagingly in his Journal to Stella (1710--13), addressed to Esther Johnson, a young protegee for whom Swift felt more warmth than for anyone else in his long life. At the death of Queen Anne and the fall of the Tories in 1714, Swift became dean of St. Patrick's Cathedral, Dublin. In Ireland, which he considered exile from a life of power and intellectual activity in London, Swift found time to defend his oppressed compatriots, sometimes in such contraband essays as his Drapier's Letters (1724), and sometimes in such short mordant pieces as the famous A Modest Proposal (1729); and there he wrote perhaps the greatest work of his time, Gulliver's Travels (1726). Using his characteristic device of the persona (a developed and sometimes satirized narrator, such as the anonymous hack writer of A Tale of a Tub or Isaac Bickerstaff in Predictions for the Ensuing Year, who exposes an astrologer), Swift created the hero Gulliver, who in the first instance stands for the bluff, decent, average Englishman and in the second, humanity in general. Gulliver is a full and powerful vision of a human being in a world in which violent passions, intellectual pride, and external chaos can degrade him or her---to animalism, in Swift's most horrifying images---but in which humans do have scope to act, guided by the Classical-Christian tradition. Gulliver's Travels has been an immensely successful children's book (although Swift did not care much for children), so widely popular through the world for its imagination, wit, fun, freshness, vigor, and narrative skill that its hero is in many languages a common proper noun. Perhaps as a consequence, its meaning has been the subject of continuing dispute, and its author has been called everything from sentimental to mad. Swift died in Dublin and was buried next to his beloved "Stella." (Bowker Author Biography) show less
Disambiguation Notice:
Please be careful not to mistakenly combine full versions and abridged versions of Jonathan Swift's works.
Works by Jonathan Swift
Memoirs of the Extraordinary Life, Works, and Discoveries of Martinus Scriblerus (1741) 201 copies, 6 reviews
The Adventure Collection: Treasure Island, The Jungle Book, Gulliver's Travels, White Fang, The Merry Adventures of Robin (2012) 71 copies
Gulliver's Travels: and Alexander Pope's Verses on Gulliver's Travels (Everyman's Library CLASSICS) (2009) 58 copies
Gulliver's Travels [Pagemaster Classic Series - Adapted by Andrew Borkowski] (1994) — Original Author — 36 copies
Gulliver's Travels: A Story about the Value of Peace [abridged - Chick-fil-A] (2004) — Original Story — 34 copies
Gulliver's Travels Into Several Remote Nations of the World (Hallmark Children's Classics) (1937) 29 copies
Gulliver's Travels: A Tale of a Tub / Battle of the Books, Etc. (Oxford Standard Edition) (1933) 26 copies
Grolier Classics: Gulliver's Travels, Autobiography of Cellini, Decline and Fall of the Roman Empire, Aeneid (1956) 15 copies
Gulliver's Travels, an account of the Four Voyages in Several Remote Nations of the World, Junior Heritage Edition; wood engravings by Fritz Eichenberg; (1940) 13 copies
Reading & Training : Jonathan Swift : Gulliver's travels [book + sound recording] (2008) — Writer — 12 copies
Gulliver's travels. Part III : A voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan (1998) 11 copies
Poems 9 copies
English Political Writings 1711-1714: 'The Conduct of the Allies' and Other Works (The Cambridge Edition of the Works of Jonathan Swift) (2008) 7 copies
A Complete Collection of Genteel and Ingenious Conversation, in Three Dialogues (For Her Own Good: A Series of Conduct Books) (1996) 7 copies, 1 review
GULLIVER'S TRAVELS Easton Press 7 copies
Miscellanies 6 copies
Gullivers Reisen. Münchhausen. Das Gespenst von Canterbury. Drei Geschichten in einem Band (1997) 5 copies
Gulliver's Travels: 3100 Headwords: Further Voyages (Oxford Progressive English Readers) (1995) 5 copies
Een bescheiden voorstel om te voorkomen dat kinderen van arme mensen in Ierland hun ouders of vaderland tot last zijn, en om hen in een maatschappelijke behoefte te laten voorzien… (1996) 5 copies, 1 review
Respektlose Schriften 5 copies
Biblioteca Basica Salvat libro RTV numero 012:Viajes de gulliver (numerado 1 en interior cubierta) (1969) 4 copies
The Collected Works of Jonathan Swift: The Complete Works PergamonMedia (Highlights of World Literature) (2009) 4 copies
Călătoriile lui Gulliver 4 copies
Gullivers travels 4 copies
Los viajes de Gulliver 4 copies
I magnifici 7 capolavori della letteratura irlandese (eNewton Classici) (Italian Edition) (2013) 4 copies
Irish Political Writings after 1725: A Modest Proposal and Other Works (The Cambridge Edition of the Works of Jonathan Swift) (2018) 4 copies
Selected essays ... Decorated with engravings on wood by Jon Farleigh. Edited by R. Ellis Roberts 4 copies
GULLIVER'S TRAVELS INTO SEVERAL REMOTE NATIONS OF THE WORLD, ARRANGED IN THREE PARTS FROM THE ORIGINAL OF JONATHAN SWIFT. (1930) 4 copies
I viaggi di Gulliver. Vol. II 3 copies
Gulliver bei den Riesen 3 copies
The Prose Works of Jonathan Swift, D.D. - Volume 03 Swift's Writings on Religion and the Church - Volume 1 (2012) 3 copies
Complete Works of Jonathan Swift 3 copies
Gullivers Reisen: Überarbeitete Altfassung (Klassiker bei Null Papier) (German Edition) (2013) 3 copies
The Prose Works of Jonathan Swift, D.D. - Volume 09 Contributions to The Tatler, The Examiner, The Spectator, and The Intelligencer (2012) 3 copies
The Annotated Gulliver’s Travels… Edited, with a biographical introduction and notes by Isaac Asimov. (1980) 3 copies
The British Essayists: Tatler Vol 2 3 copies
Gulliver's Travels Into Several Remote Nations of the World. Introduction By John F. Ross (1966) 3 copies
Junior Classics Gulliver`s Travels 3 copies
Gulliver Travels Part 2 - into Several Remote Nations of the World : Complete and Unabridged with Extensive Notes (2013) 3 copies
Gulliver's Travels and other stories 3 copies
The Prose Works of Jonathan Swift, D.D. - Volume 04 Swift's Writings on Religion and the Church - Volume 2 (2012) 3 copies
Opere 3 copies
Gulliver's Travels (Tales for Children from Many Lands): A Voyage to Lilliput, & A Voyage to Brobdingnag (2004) 3 copies
Jonathan Swift - A Selection Of His Works: Gulliver's Travels; A Tale Of A Tub; The Battle of The Books; A Modest Proposal; Poems (1969) 2 copies
Résolutions pour quand je vieillirai et autres pensées sur divers sujets (Folio Sagesses) (French Edition) (2018) 2 copies
Die goldenen Kinderbuch-Klassiker. Ein Domino-Buch. Gullivers Reisen 3. Gulliver oder Die Reise nach Brobdingnag Teil 1. (1993) 2 copies
Gullivers Reisen in ferne Länder 2 copies
Gulliver az óriások között 2 copies
Jonathan Swift's Word-book : a vocabulary compiled for Esther Johnson and copied in her own hand (2017) 2 copies
Selections from the Journal to Stella, A Tale of a Tub, Personal Letters and Gulliver's Travels (1901) 2 copies
When I Come to be Old 2 copies
Miscellanies. 2 copies
SELECTED POEMS OF JONATHAN SWIFT 2 copies
THE WORKS OF JONATHAN SWIFT Blacks Readers Service Hardcover 1932 [Hardcover] Jonathan Swift 2 copies
Una modesta proposició 2 copies
Gulliver's Travels abridged version: A Genesis Curriculum Rainbow Reader (Indigo Series) (2015) 2 copies
LOS VIAJES DE GULLIVER 2 copies
Padres e hijos: Una humilde propuesta / El club de los parricidas y un crimen más (Calambur Narrativa) (1991) 2 copies
Poetry and prose 2 copies
La cuestión de Irlanda: (selección de artículos sobre Irlanda) = Irish tracts (Erasmo) (Spanish Edition) (1982) 2 copies
La cuestion de Irlanda: (seleccion de articulos sobre Irlanda) = Irish tracts (Erasmo) (1982) 2 copies
The Poems of Jonathan Swift 2 copies
Viatge a Laputa 2 copies
Verses on the death of Dr. Swift. Occasioned by reading the following maxim in Rochfoucault. Written by himself; Nov. 1731. (2010) 2 copies
Swift's Polite Conversation. With introduction, notes and extensive commentary by Eric Partridge 2 copies
Gulliver's Travels Into Several Remote Nations of the World: a New Edition, Edited for Young Readers (1894) 2 copies
GULIVER'S TRAVELS 2 copies
Gulliver's travels in Lilliput and Brobdingnag. From the story by Dean Swift. [Stories old and new.] (1915) 2 copies
Ein bescheidener Vorschlag, wie man verhindern kann, daß die Kinder der Armen ihren Eltern oder dem Lande zur Last fallen und andere Satiren. (1975) 2 copies
Miscellanies. The last volume 2 copies
Satyre als medicijn, Jonathan Swift 2 copies
The British Essayists: Tatler Vol 3 2 copies
Gulliver's Travels (Collector's Library) by Swift, Jonathan (March 1, 2011) Hardcover New (1700) 1 copy
Szatírák és röpiratok 1 copy
gulliver travels in lilliput 1 copy
Bd. 3. Gullivers Reisen 1 copy
VIAGENS DE GULLIVER 1 copy
Bd. 2. Politische Schriften 1 copy
Gulliver’s Travels into Several Remote Nations of the World: with original color illustrations by Arthur Rackham (2019) 1 copy
Los Viajes De Gulliver II 1 copy
Los Viajes De Gulliver I 1 copy
Works of Jonathan Swift 1 copy
Путешествия Гулливера 1 copy
The Golden Story Book 1 copy
VOYAGES DE GULLIVER 1 copy
Guliwer w krainie Liliputów 1 copy
A Tale of a Tub 1 copy
Gulliver's Travels Into Several Remote Regions of the World in Words of One Syllables 1 copy, 1 review
La favola della botte 1 copy
Scritti satirici e polemici 1 copy
גוליבר : מסעיו ועלילותיו 1 copy
SWIFT-VOLTAIRE-DIDEROT 1 copy
গালিভারের ভ্রমণ কথা 1 copy
Culliver's Travels 1 copy
Letters written by the late Jonathan Swift, and several of his friends from the year 1703 to 1740 1 copy
Gulliver's Travels 1 copy
Travels of Lemuel Gulliver 1 copy
A Modest Proposal and Other Works by Jonathan Swift (Unexpurgated Edition) (Halcyon Classics) (2009) 1 copy
বামনের দেশ 1 copy
Gulliver's Stories 1 copy
Gulliver'S Travels - 1 copy
Voyages de Gulliver 1 copy
Les Voyages extraordinaires de Gulliver: un roman de littérature jeunesse de Jonathan Swift (2022) 1 copy
Poetical Works 1 copy
Τα ταξίδια του Γκιούλιβερ 1 copy
Gulliver's travels into several remote nations of the world. By: Jonathan Swift and ill. Arthur Rackham (2017) 1 copy
Antique Rare Gulliver's Travel's by Dean Swift (1895) Vintage Hardcover Book [Hardcover] Unknown 1 copy
Gulliver bei den Zwergen 1 copy
By Jonathan Swift - Writings of Jonathan Swift (Norton Critical Edition): 1st (first) Edition (1972) 1 copy
Udhëtimet e Guliverit 1 copy
গালিভারের ভ্রমণকথা 1 copy
Výbor z díla 1 copy
Gulliver Ressuscite, Parts 1-2: Ou Les Voyages, Campagnes Et Aventures Extraordinaires (1787) (French Edition) (2009) 1 copy
Swift's Gulliver's Travels 1 copy
Gulliver?s travels 1 copy
The Works of Jonathan Swift 1 copy
Stella's Birth-Days 1 copy
Viajens de Gulliver 1 copy
Gulliver's Travels (JKL Classics): By Jonathan Swift – Illustrated + Unabridged + Active Contents 1 copy
Camchuairt Ghuilivéir 1 copy
Shorter Prose Works 1 copy
Gulliver's Bird Book 1 copy
FÁBULAS ENCANTADAS 1 copy
Gullivers Reisen. Alle Bände 1 copy
The place of the damn'd 1 copy
Viajes de Gulliver 1 copy
The Portable Swift 1 copy
Gulliver's Travels (Illustrated): The 1726 Classic Edition with Original Illustrations (Kindle) 1 copy
Uputstva posluzi 1 copy
Gulliver történetei 1 copy
Swift's select works 1 copy
Gulliver a Lilliput 1 copy
Gulliver du k©ư 1 copy
Gulliver du ký 1 copy
Gulliers Travels 1 copy
Gullivers Travels 1 copy
Cuoc phieu luu Gulliver 1 copy
Gullivers reiser 1 copy
VIAJES DE GUILLIVER (17) 1 copy
Gulliver's Voyages 1 copy
Gulliver se reise 1 copy
A Beautiful Young Nymph Going to Bed. ... to Which Are Added Strephon and Chloe. and Cassinus and Peter. (2010) 1 copy
Human Ordure, Botanically Considered. The First Essay, of the Kind, Ever Published in the World. (2018) 1 copy
La mécanique de l'esprit 1 copy
The Spectator 1 copy
Cuento de un tonel 1 copy
Satire scelte 1 copy
Poetry & prose 1 copy
Gulliver în ţara piticilor 1 copy
Podróże Guliwera 1 copy
Aboliamo il cristianesimo! 1 copy
La storia di Gulliver 1 copy
The Works of Dr. Jonathan Swift, Dean of St. Patrick's, Dublin, Vol. 4 (Classic Reprint) (2017) 1 copy
The works of Dean Swift : embracing Gulliver's travels, Tale of a tub, Battle of the books, etc. 1 copy
Gulliver's Travels, etc 1 copy
Gulliver en Liliput 1 copy
Podróże Guliwera 1 copy
Gullivers Reisen. Alle Bände 1 copy
Gulliver's Travel & Other Writing History — Author — 1 copy
Desire and Possession. 1 copy
Swift's Works 1 copy
A Treatise on Good Manners and Good Breeding (The Complete Harvard Classics, Vol. 27) (KINDLE) 1 copy
Humble proposition suivie de Proposition pour la généralisation des produits irlandais (2002) 1 copy
Letters and journals of Jonathan Swift. Selected and edited with a commentary and notes, by Stanley Lane-Poole. (1885) 1 copy
Gulliver's Travels In Plain and Simple English (A Modern Translation and the Original Version) (2012) 1 copy
Justice and Lawyers 1 copy
Mährchen von der Tonne Eine neue Übersetzung mit Erläuterungen von dem Verfasser der Briefe eines reisenden Franzosen (1986) 1 copy
Gullivers Reisen. Nach alten Ausg. neu erzählt von Franz Taucher u. mit zahlreichen Ill. von Lajos von Horvath (1947) 1 copy
Directions to Servants and Miscellaneous Pieces, 1733-1742 (The Prose Writings of Jonathan Swift, Vol. 13) (1973) 1 copy
Gullivers rejser 1-2 1 copy
Stella's Birth-Days : Poems 1 copy
Gullivers Travels. 1 copy
Gullivers Rejser 1 og 2 1 copy
Lo spogliatoio della signora 1 copy
Gulliver’s Travels, etc. 1 copy
Three Sermons 1 copy
The Battle of the Books. Extracted from Selections from Swift edited by Sir Henry Craik (1912) 1 copy
Miscellanies. Vol. 1, 6 1 copy
LOS VIAJES DE GULLIVER II 1 copy
LOS VIAJES DE GULLIVER I 1 copy
The Works of the Rev. Jonathan Swift, D.D. ...: With Notes, Historical and Critical Volume 1 (2015) 1 copy
Gulliver's travels into several remote nations of the world, (Immortal masterpieces of literature [vol. 10]) (1937) 1 copy
Modeste proposition 1 copy
GULLIVER CUCELER ULKESINDE 1 copy
Gullivers Reisen 1 copy
The conduct of the allies and of the late ministry, in beginning and carrying on the present war 1 copy
Los viajes de Gulliver 1 copy
Pensamentos 1 copy
I Viaggi di Gulliver 1 copy
LOS VIAJES DE GULLIVER 1 copy
Los viajes de Gulliver — Author — 1 copy
Swift Jonathan 1 copy
Satiren 1 copy
Gulliver . Viaje a Liliput 1 copy
Jonathan Swift 1 copy
The Battle of the Books and Other Short Pieces: (Dr. Jonathan Swift Classics Collection) (2015) — Author — 1 copy
Gulliver's Travels. Based on Jonathan Swift's Immortal Tale. Based on Paramount's Motion Picture (1939) 1 copy
Voyage de Gulliver 1 copy
Los viajes de Gulliver (Con notas y completo): y "Una modesta proposición" (anotado por Álvaro Díaz) (Spanish Edition) (2014) 1 copy
Gulliver's voyage to Lilliput, by Jonathan Swift, in the corresponding style of Pitman's shorthand 1 copy
Le Gulliver des enfants, ou Aventures les plus curieuses de ce voyageu...Ouvrage orné de... vignettes... dessinées et gravées par Pauquet 1 copy, 1 review
Essays 1 copy
Penguin Great Ideas : A Tale of A Tub: Written by Jonathan Swift, 2004 Edition, (New Ed) Publisher: Penguin [Paperback] (2004) 1 copy
Swift oeuvres 1 copy
A proposal for correcting the English tongue, polite conversation, etc (The prose works of Jonathan Swift) (1957) 1 copy
I quattro viaggi di Gulliver 1 copy
Associated Works
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,011 copies, 7 reviews
The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 520 copies, 4 reviews
The Graphic Canon, Vol. 1: From the Epic of Gilgamesh to Shakespeare to Dangerous Liaisons (2012) — Contributor — 300 copies, 7 reviews
The Sophisticated Cat: A Gathering of Stories, Poems, and Miscellaneous Writings About Cats (1992) — Contributor — 112 copies, 1 review
The Graphic Canon of Children's Literature: The World's Greatest Kids' Lit as Comics and Visuals (2014) — Contributor — 101 copies, 1 review
The Junior Classics Volume 05: Stories That Never Grow Old (1912) — Contributor — 69 copies, 1 review
The World of Law, Volumes I-II: The Law in Literature, The Law as Literature (1960) — Contributor — 54 copies
Children's Classic Compendium: Jungle Book / Rip Van Winkle / Guilliver's Travels (1999) — Author — 40 copies
Out of the Best Books: An Anthology of Literature, Vol. 4: The World Around Us (1968) — Contributor — 28 copies
Oogst Der Tijden. keur uit de werken van schrijvers en dichters aller volken en eeuwen (1940) — Contributor — 12 copies
English Verse: Volume 3: The Eighteenth Century: Swift to Crabbe (Penguin English Verse) (1995) — Contributor — 11 copies
One Thousand Years of Laughter: An Anthology a Classic Comic Prose (2002) — Contributor, some editions — 9 copies, 2 reviews
A voyage to Cacklogallinia, with a description of the religion, policy, customs and manners of that country (1727) — attributed author, some editions — 7 copies, 2 reviews
Edexcel Poetry Anthology for Advanced subsidiary and advanced GCE examinations in English Literature (2000) — Contributor, some editions — 6 copies
Fantastic Imaginings: A Journey Through 3500 Years of Imaginative Writing, Comprising Fantasy, Horror, and Science Fiction (2012) — Contributor — 4 copies
Piirakkasota; valikoima huumoria — Contributor — 3 copies
Love & Marriage — Contributor — 3 copies
Lilliput Magazine. November - December 1952. Vol. 31 no. 6. Issue no. 186. — Contributor — 1 copy
A Voyage to the Country of the Houyhnhnms — Author — 1 copy
Tagged
Common Knowledge
- Canonical name
- Swift, Jonathan
- Legal name
- Swift, Jonathan
- Other names
- Bickerstaff, Isaac
- Birthdate
- 1667-11-30
- Date of death
- 1745-10-19
- Gender
- male
- Education
- Kilkenny School
Trinity College, Dublin (BA|1686, "by speciali gratia"|D.Div|1702)
University of Oxford (MA|1692) - Occupations
- clergyman
poet
writer
dean (St. Patrick's Cathedral, Dublin, Ireland)
secretary
editor - Organizations
- Scriblerus Club
Kit-Cat Club - Relationships
- Sheridan, Thomas (godson, friend)
Pope, Alexander (friend)
Godwin, Francis (great-great uncle)
Pilkington, Laetitia (friend) - Short biography
- Jonathan Swift (30 November 1667 – 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St Patrick's Cathedral, Dublin, hence his common sobriquet, "Dean Swift".
Swift is remembered for works such as A Tale of a Tub (1704), An Argument Against Abolishing Christianity (1712), Gulliver's Travels (1726), and A Modest Proposal (1729). He is regarded by the Encyclopædia Britannica as the foremost prose satirist in the English language, and is less well known for his poetry. He originally published all of his works under pseudonyms – such as Lemuel Gulliver, Isaac Bickerstaff, M. B. Drapier – or anonymously. He was a master of two styles of satire, the Horatian and Juvenalian styles.
His deadpan, ironic writing style, particularly in A Modest Proposal, has led to such satire being subsequently termed "Swiftian". - Nationality
- Kingdom of Ireland
- Birthplace
- Dublin, Kingdom of Ireland
- Places of residence
- Dublin, County Dublin, Ireland
Surrey, England, UK
London, Middlesex, England, UK
Trim, County Meath, Ireland - Place of death
- Dublin, County Dublin, Ireland
- Burial location
- St. Patrick's Cathedral, Dublin, Ireland
- Map Location
- Ireland
- Disambiguation notice
- Please be careful not to mistakenly combine full versions and abridged versions of Jonathan Swift's works.
Members
Discussions
Gulliver's Travels in George Macy devotees (June 2023)
Heritage Press Gulliver's Travels in George Macy devotees (August 2022)
Reviews
Quem lê pela primeira vez a versão original de Viagens de Gulliver, tendo como pano de fundo uma vaga lembrança de adaptações infantis, espanta-se ao constatar que tem nas mãos um dos textos mais amargos do cânone ocidental. Como observa George Orwell no prefácio incluído nesta edição, o livro de Jonathan Swift, apesar de todo o seu ressentimento e misantropia, é uma obra deliciosa, que permite vários níveis de leitura. É primeiro um livro de viagens - ou melhor, uma sátira show more aos livros de viagens, tal como Dom Quixote é, entre outras coisas, uma sátira aos romances de cavalaria; para as crianças, é uma história de aventuras, cheia das criaturas fantásticas e do humor escatológico de que tanto gostam; e é um dos marcos iniciais da ficção científica. Entretanto, o que mais fascina o leitor maduro nessa obra publicada pela primeira vez em 1726 é o olhar implacável que seu autor volta sobre o homem, suas instituições, seu apego irracional ao poder e ao ouro, e sua insistência em prolongar a vida mesmo quando esta só proporciona sofrimento. Esta edição de Viagens de Gulliver foi organizada pelo professor Robert DeMaria Jr., também responsável pelo texto de introdução e pelas notas, e conta com imagens preciosas, como reproduções da folha de rosto e do frontispício da primeira edição da obra-prima de Jonathan Swift, além de mapas das diferentes terras citadas no romance, inestimáveis para a leitura. show less
My partial reactions to reading this collection of masterful irony and satire in 1996. Spoilers follow.
I enjoyed reading this cranky, misanthropic satire of superior wit and irony. The adventures in Lilliput didn’t interest me since they seemed the most time-bound, satire-wise of any in the novel; however, I did enjoy Gulliver urinating on the Lilliputian palace to put out a fire. What an image! The disgust Gulliver feels for the physical presence of the giant Brobdingnags foreshadows the show more disgust many an sf hero was to feel for the human body after altered perceptions done to changes in size or mentation. Swift’s misogyny (typical of early English literature) is particularly present in Gulliver’s hints that Brobdingnagian women use him for sexual stimulation. (Of course this novel stands as one of the great predecessors to all those stories of miniature people.) In the land of those giants, Swift has Gulliver ironically claim that Brobdingnagian charges of injustice, imperialism, venal politics, violence (Swift also attacks England having a standing army), are based in ignorance (they despise “mystery, refinement, and intrigue”), the lack of political science, and their isolation. However, he also admits to avoiding some questions to put England in the best light. I found the last half of the novel the most enjoyable, particularly Book 3. The Laputians (Swfit gives a bogus philology to a word derived from a Spanish profanity) are an intensely silly lot of abstract philosophers. Obsessed with music and geometric shapes – they eat food carved in geometric shapes and the forms of musical instruments – they are incapable of actually using geometry to build fit structures. (Swift was satirizing the current vogue for abstract theories of geometry and the music of the spheres.) The Laputians are so given over to their useless speculations that they have physically deviated from normal humans. One eye is turned inward, one eye outward. They have to be prompted by “flappers” to speak or listen since they are so immersed in theorizing and the collision of the Earth with a comet. Another symptom of the sterileness of their conduct since theories only really advance knowledge if communicated. Interestingly, they are concerned with the sun’s death (predicted by contemporary physics) . The latter idea was ridiculed by Swift but sounds prescient to modern readers. Newton himself said he could not absolutely predict that the Earth would not collide with the sun – another worry of the Laputuans. As with the Brobdingnagian king being horrified at the killing ability of gunpowder, Swift also shows the downside of technology with the Flying Island of the Laputuans used to quell rebellions. The Laputans are also quite fond of modernity (something Swift was opposed to) in the sense of despising old methods of agriculture and architecture. Unfortunately, their substitute methods are woefully inadequate and the country squalid. In the spirit of true revolutionaries (particularly the political ones that were to follow Swift), their failures only spur them on. I especially the bizarre schemes the Laputans work on (a satire of the Royal Academy): to use spiders to produce a spiderweb substitute for silk, a machine to produce books by randomly jumbling their order (and thus saving the trouble of writing books) and then the combinations edited (this could be the possible inspiration for Borges’ “The Library of Babel”), replacing language with physical objects to symbolize things, learning via ingestion of written mathematical formulae. Other Laputan schemes involve taxing men according to their professed number of lovers; women would be taxed according to their opinions of their beauty and fashion sense, detection of treason by examination of stool. Book 3 also features a unique feature of English-language literature: an attack on lawyers. Swift also deals with the old theme of immortality in his Struldbruggs. They are immortals with all the disadvantages and infirmities of old age. The part of the novel that can best be said to be proto-science fiction is Book 4 with its attack on humans delivered explicitly and implicitly by another sentient lifeform – here the Houyhnhums are intelligent horses Swift was quite fond of horses. In their land, humans are bestial “yahoos” (Swift invented the word) while Houyhnhums are morally, politically, and physically perfect – a model to which humans are found sadly wanting. Lawyers come in for a long attack. Women’s desire for luxuries is blamed on what Swift sees as an unhealthy appetite for foreign goods by Irish and English societies. The lifestyle of English nobles is depicted as idle and vapid. Disgust is expressed at the dirty, lewd, disease-ridden lives of the Yahoos. (Gulliver increasingly begins to identify with the Houyhnhums and is horrified when a young female yahoo wants to mate with him.) There is much talk of Yahoo excrement. Houyhnhum sex is purely procreational. Gulliver comes to live the Houyhnhums and is horrified to be expelled from their rational society. He finds his return to the world of man odious. He can barely tolerate the presence of his formerly beloved family much less have sex with his wife. This realistic psychological portrayal of identification by a human with a non-human society and alienation upon his return foreshadows some sf stories.
Other contents are:
“A Tale of a Tub"
“The Battle of the Books"
“The Bickerstaff Papers”
“The Tatler, No. CCXXX"
“The Examiner, No. 14"
“An Argument against Abolishing Christianity"
“The Drapier’s First Letter"
“The Intelligencer, No. IX"
“A Modest Proposal” show less
I enjoyed reading this cranky, misanthropic satire of superior wit and irony. The adventures in Lilliput didn’t interest me since they seemed the most time-bound, satire-wise of any in the novel; however, I did enjoy Gulliver urinating on the Lilliputian palace to put out a fire. What an image! The disgust Gulliver feels for the physical presence of the giant Brobdingnags foreshadows the show more disgust many an sf hero was to feel for the human body after altered perceptions done to changes in size or mentation. Swift’s misogyny (typical of early English literature) is particularly present in Gulliver’s hints that Brobdingnagian women use him for sexual stimulation. (Of course this novel stands as one of the great predecessors to all those stories of miniature people.) In the land of those giants, Swift has Gulliver ironically claim that Brobdingnagian charges of injustice, imperialism, venal politics, violence (Swift also attacks England having a standing army), are based in ignorance (they despise “mystery, refinement, and intrigue”), the lack of political science, and their isolation. However, he also admits to avoiding some questions to put England in the best light. I found the last half of the novel the most enjoyable, particularly Book 3. The Laputians (Swfit gives a bogus philology to a word derived from a Spanish profanity) are an intensely silly lot of abstract philosophers. Obsessed with music and geometric shapes – they eat food carved in geometric shapes and the forms of musical instruments – they are incapable of actually using geometry to build fit structures. (Swift was satirizing the current vogue for abstract theories of geometry and the music of the spheres.) The Laputians are so given over to their useless speculations that they have physically deviated from normal humans. One eye is turned inward, one eye outward. They have to be prompted by “flappers” to speak or listen since they are so immersed in theorizing and the collision of the Earth with a comet. Another symptom of the sterileness of their conduct since theories only really advance knowledge if communicated. Interestingly, they are concerned with the sun’s death (predicted by contemporary physics) . The latter idea was ridiculed by Swift but sounds prescient to modern readers. Newton himself said he could not absolutely predict that the Earth would not collide with the sun – another worry of the Laputuans. As with the Brobdingnagian king being horrified at the killing ability of gunpowder, Swift also shows the downside of technology with the Flying Island of the Laputuans used to quell rebellions. The Laputans are also quite fond of modernity (something Swift was opposed to) in the sense of despising old methods of agriculture and architecture. Unfortunately, their substitute methods are woefully inadequate and the country squalid. In the spirit of true revolutionaries (particularly the political ones that were to follow Swift), their failures only spur them on. I especially the bizarre schemes the Laputans work on (a satire of the Royal Academy): to use spiders to produce a spiderweb substitute for silk, a machine to produce books by randomly jumbling their order (and thus saving the trouble of writing books) and then the combinations edited (this could be the possible inspiration for Borges’ “The Library of Babel”), replacing language with physical objects to symbolize things, learning via ingestion of written mathematical formulae. Other Laputan schemes involve taxing men according to their professed number of lovers; women would be taxed according to their opinions of their beauty and fashion sense, detection of treason by examination of stool. Book 3 also features a unique feature of English-language literature: an attack on lawyers. Swift also deals with the old theme of immortality in his Struldbruggs. They are immortals with all the disadvantages and infirmities of old age. The part of the novel that can best be said to be proto-science fiction is Book 4 with its attack on humans delivered explicitly and implicitly by another sentient lifeform – here the Houyhnhums are intelligent horses Swift was quite fond of horses. In their land, humans are bestial “yahoos” (Swift invented the word) while Houyhnhums are morally, politically, and physically perfect – a model to which humans are found sadly wanting. Lawyers come in for a long attack. Women’s desire for luxuries is blamed on what Swift sees as an unhealthy appetite for foreign goods by Irish and English societies. The lifestyle of English nobles is depicted as idle and vapid. Disgust is expressed at the dirty, lewd, disease-ridden lives of the Yahoos. (Gulliver increasingly begins to identify with the Houyhnhums and is horrified when a young female yahoo wants to mate with him.) There is much talk of Yahoo excrement. Houyhnhum sex is purely procreational. Gulliver comes to live the Houyhnhums and is horrified to be expelled from their rational society. He finds his return to the world of man odious. He can barely tolerate the presence of his formerly beloved family much less have sex with his wife. This realistic psychological portrayal of identification by a human with a non-human society and alienation upon his return foreshadows some sf stories.
Other contents are:
“A Tale of a Tub"
“The Battle of the Books"
“The Bickerstaff Papers”
“The Tatler, No. CCXXX"
“The Examiner, No. 14"
“An Argument against Abolishing Christianity"
“The Drapier’s First Letter"
“The Intelligencer, No. IX"
“A Modest Proposal” show less
Reading A Modest Proposal as someone from Ireland felt different than I expected. I had heard about the essay before, mostly that it was “shocking” and “satirical” but I wasn’t prepared for how unsettled it would make me. The idea itself is horrifying, yet Swift presents it so calmly, so logically, that for a split second you almost follow his reasoning.
What makes the essay powerful isn’t just the outrage. It’s the restraint. Swift never breaks character. He never tells you show more directly that he’s angry. Instead, he forces you to feel the cruelty of a system that treated Irish people as economic burdens rather than human beings. Reading it as an Irish person, I couldn’t help but feel a quiet heaviness. This wasn’t just satire it was written out of real suffering in this country’s history.
A lot of Irish people have been affected by the housing crisis and it’s impossible to live in Ireland today and not be aware of it. You see it in news headlines, conversations, and the constant talk about rent prices, especially in places like Dublin. What struck me while reading Swift was how familiar the language felt. Discussions about housing often revolve around markets, supply, demand, and investment. Those conversations matter, but they can sometimes feel detached from the reality that people are simply trying to find a place to live.
Swift exaggerates economic thinking to an extreme, reducing children to numbers and profit margins, but his point feels painfully clear. When human lives are discussed only in terms of cost and efficiency, something deeply important is lost. The comparison isn’t about equating situations; today’s Ireland is not 18th-century Ireland. But emotionally, the essay made me more aware of how easily suffering can be normalized when it’s framed as a financial issue.
What I appreciated most about A Modest Proposal is that it didn’t just inform me it made me uncomfortable in a way that felt necessary. It pushed me to think about how societies justify inequality and how quickly compassion can be overshadowed by practicality. As someone from Ireland, that reflection feels personal, even if the events Swift wrote about happened centuries ago.
In the end, the essay lingers. It’s not enjoyable in a traditional sense, but it’s powerful. It reminds me that literature can act as both a mirror and a warning reflecting our past while quietly asking what we might be overlooking in the present. show less
What makes the essay powerful isn’t just the outrage. It’s the restraint. Swift never breaks character. He never tells you show more directly that he’s angry. Instead, he forces you to feel the cruelty of a system that treated Irish people as economic burdens rather than human beings. Reading it as an Irish person, I couldn’t help but feel a quiet heaviness. This wasn’t just satire it was written out of real suffering in this country’s history.
A lot of Irish people have been affected by the housing crisis and it’s impossible to live in Ireland today and not be aware of it. You see it in news headlines, conversations, and the constant talk about rent prices, especially in places like Dublin. What struck me while reading Swift was how familiar the language felt. Discussions about housing often revolve around markets, supply, demand, and investment. Those conversations matter, but they can sometimes feel detached from the reality that people are simply trying to find a place to live.
Swift exaggerates economic thinking to an extreme, reducing children to numbers and profit margins, but his point feels painfully clear. When human lives are discussed only in terms of cost and efficiency, something deeply important is lost. The comparison isn’t about equating situations; today’s Ireland is not 18th-century Ireland. But emotionally, the essay made me more aware of how easily suffering can be normalized when it’s framed as a financial issue.
What I appreciated most about A Modest Proposal is that it didn’t just inform me it made me uncomfortable in a way that felt necessary. It pushed me to think about how societies justify inequality and how quickly compassion can be overshadowed by practicality. As someone from Ireland, that reflection feels personal, even if the events Swift wrote about happened centuries ago.
In the end, the essay lingers. It’s not enjoyable in a traditional sense, but it’s powerful. It reminds me that literature can act as both a mirror and a warning reflecting our past while quietly asking what we might be overlooking in the present. show less
It is remarkable that a book published nearly 300 years ago is still not merely readable but entertaining. Swift's satire of contemporary politics remains both of these. Other than some words which can be understood by context ('hanger' for sword), the language is our language.
His Gulliver is no intellectual but he is not stupid. He comes across as eminently likeable - a bit of a chancer perhaps but with no malice in him whatsoever. His responses are never naive but they are those of a man show more who wants to see the best in a situation and in people.
He starts off at least without doubts as to his own culture, civilisation and status in life. He defers to his 'betters' out of principle as well as necessity. All he wants to do is earn a pot to feed his family back home and to do so through honest labour.
He is a free-booting English adventurer of the old type, a mentality to be crushed in stages by the Victorian home, the welfare state and general wokery. Swift's lack of preciousness about bodily functions is refreshing. Swift criticises his own kind through a good and decent example of it.
Of course, the contemporary political references are now only for antiquarians. The satire, however, is directed at far more than the contingent foibles and failures of early eighteenth century society and politics. It is directed at the human condition itself.
The Grand Academy of Lagado remains, for example, a brutal satire on the political projectors and think tank wonks of today as much as then. I am afraid I recognised the Laputans as direct ancestors of many Futurist acquaintances with their existential fears and confused reasoning.
Swift is above all a humanist. Today's reader will be surprised at his contemporary designation as a High Tory since his analyses of our species and of society lead time and time again to quite radical conclusions more associated with the modern intelligent Left (not that much of that remains).
His 'conservatism' lies only in the recognition that, whatever he may wish humanity to be, humanity is as it is and so these follies and foibles must continue regardless of the ambitions of the 'projectors' - and so it has proved 300 years later. Plus ca change.
We all know the stories of Lilliput (Gulliver as giant) and Brobdingnag (Gulliver as tiny) but the tales of the isles to the east of Japan (including Laputa) and of the land of the Houyhnhms and Yahoos are worth the extra effort. The book becomes sadder as it proceeds and is not for children.
The first two parts are rollicking satires of human and lordly pretension with enough incident, even if bowdlerised (such as Gulliver peeing on a palace fire in Liiliput), to entertain children. The third and fourth begin to show much more of the self-delusion and cruelty of our species.
Gulliver has a form of mental breakdown during his fourth voyage in which his identification with intelligent horses, who behave like model noble Romans who farmed their plots before the Republic tore itself apart, makes it impossible for him to live easily as a human afterwards.
Indeed, his alienation from his own kind (including his family) seems to turn towards psychosis. Set against Christian and classical ideals, he sees us, 150 years before Darwin, as a form of jumped up Hobbesian brute. He yearns, in effect, to become a human horse, to become an 'ideal'.
Thus we see the fate of all highly intelligent good-hearted intellectuals faced with social reality - you either have a moan (and that is what the eminently sane Swift does in this book) or you go mad. Swift allows himself the luxury of a safe and vicarious insanity through Lemuel Gulliver.
This dark side of the book is seldom noted either because our attention is caught by the rollicking fun of the first two parts or we stand back and enjoy the satire without thinking that it is actually directed at our very core, perhaps at our 'original sin' of simply being what we are.
The edition I used cannot easily be found on Goodreads (it is a 1960s Harper Perennial Edition from the US with an excellent short academic introduction and no cuts) but any reasonable modern edition will do. A knowledge of early modern history and culture helps but is not necessary. show less
His Gulliver is no intellectual but he is not stupid. He comes across as eminently likeable - a bit of a chancer perhaps but with no malice in him whatsoever. His responses are never naive but they are those of a man show more who wants to see the best in a situation and in people.
He starts off at least without doubts as to his own culture, civilisation and status in life. He defers to his 'betters' out of principle as well as necessity. All he wants to do is earn a pot to feed his family back home and to do so through honest labour.
He is a free-booting English adventurer of the old type, a mentality to be crushed in stages by the Victorian home, the welfare state and general wokery. Swift's lack of preciousness about bodily functions is refreshing. Swift criticises his own kind through a good and decent example of it.
Of course, the contemporary political references are now only for antiquarians. The satire, however, is directed at far more than the contingent foibles and failures of early eighteenth century society and politics. It is directed at the human condition itself.
The Grand Academy of Lagado remains, for example, a brutal satire on the political projectors and think tank wonks of today as much as then. I am afraid I recognised the Laputans as direct ancestors of many Futurist acquaintances with their existential fears and confused reasoning.
Swift is above all a humanist. Today's reader will be surprised at his contemporary designation as a High Tory since his analyses of our species and of society lead time and time again to quite radical conclusions more associated with the modern intelligent Left (not that much of that remains).
His 'conservatism' lies only in the recognition that, whatever he may wish humanity to be, humanity is as it is and so these follies and foibles must continue regardless of the ambitions of the 'projectors' - and so it has proved 300 years later. Plus ca change.
We all know the stories of Lilliput (Gulliver as giant) and Brobdingnag (Gulliver as tiny) but the tales of the isles to the east of Japan (including Laputa) and of the land of the Houyhnhms and Yahoos are worth the extra effort. The book becomes sadder as it proceeds and is not for children.
The first two parts are rollicking satires of human and lordly pretension with enough incident, even if bowdlerised (such as Gulliver peeing on a palace fire in Liiliput), to entertain children. The third and fourth begin to show much more of the self-delusion and cruelty of our species.
Gulliver has a form of mental breakdown during his fourth voyage in which his identification with intelligent horses, who behave like model noble Romans who farmed their plots before the Republic tore itself apart, makes it impossible for him to live easily as a human afterwards.
Indeed, his alienation from his own kind (including his family) seems to turn towards psychosis. Set against Christian and classical ideals, he sees us, 150 years before Darwin, as a form of jumped up Hobbesian brute. He yearns, in effect, to become a human horse, to become an 'ideal'.
Thus we see the fate of all highly intelligent good-hearted intellectuals faced with social reality - you either have a moan (and that is what the eminently sane Swift does in this book) or you go mad. Swift allows himself the luxury of a safe and vicarious insanity through Lemuel Gulliver.
This dark side of the book is seldom noted either because our attention is caught by the rollicking fun of the first two parts or we stand back and enjoy the satire without thinking that it is actually directed at our very core, perhaps at our 'original sin' of simply being what we are.
The edition I used cannot easily be found on Goodreads (it is a 1960s Harper Perennial Edition from the US with an excellent short academic introduction and no cuts) but any reasonable modern edition will do. A knowledge of early modern history and culture helps but is not necessary. show less
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