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Jonathan Swift (1667–1745)

Author of Gulliver's Travels

1,097+ Works 45,355 Members 483 Reviews 88 Favorited

About the Author

Apparently doomed to an obscure Anglican parsonage in Laracor, Ireland, even after he had written his anonymous masterpiece, A Tale of a Tub (c.1696), Swift turned a political mission to England from the Irish Protestant clergy into an avenue to prominence as the chief propagandist for the Tory show more government. His exhilaration at achieving importance in his forties appears engagingly in his Journal to Stella (1710--13), addressed to Esther Johnson, a young protegee for whom Swift felt more warmth than for anyone else in his long life. At the death of Queen Anne and the fall of the Tories in 1714, Swift became dean of St. Patrick's Cathedral, Dublin. In Ireland, which he considered exile from a life of power and intellectual activity in London, Swift found time to defend his oppressed compatriots, sometimes in such contraband essays as his Drapier's Letters (1724), and sometimes in such short mordant pieces as the famous A Modest Proposal (1729); and there he wrote perhaps the greatest work of his time, Gulliver's Travels (1726). Using his characteristic device of the persona (a developed and sometimes satirized narrator, such as the anonymous hack writer of A Tale of a Tub or Isaac Bickerstaff in Predictions for the Ensuing Year, who exposes an astrologer), Swift created the hero Gulliver, who in the first instance stands for the bluff, decent, average Englishman and in the second, humanity in general. Gulliver is a full and powerful vision of a human being in a world in which violent passions, intellectual pride, and external chaos can degrade him or her---to animalism, in Swift's most horrifying images---but in which humans do have scope to act, guided by the Classical-Christian tradition. Gulliver's Travels has been an immensely successful children's book (although Swift did not care much for children), so widely popular through the world for its imagination, wit, fun, freshness, vigor, and narrative skill that its hero is in many languages a common proper noun. Perhaps as a consequence, its meaning has been the subject of continuing dispute, and its author has been called everything from sentimental to mad. Swift died in Dublin and was buried next to his beloved "Stella." (Bowker Author Biography) show less
Disambiguation Notice:

Please be careful not to mistakenly combine full versions and abridged versions of Jonathan Swift's works.

Works by Jonathan Swift

Gulliver's Travels (1726) — Author — 20,909 copies, 191 reviews
Gulliver's Travels (Penguin Classics) (2003) 4,532 copies, 66 reviews
Gulliver's Travels: Lilliput and Brobdingnag (1726) 1,589 copies, 14 reviews
A Modest Proposal [essay] (1729) 1,530 copies, 53 reviews
A Modest Proposal and Other Satirical Works (1729) — Author — 1,479 copies, 20 reviews
Gulliver's Travels (1726) 1,251 copies, 16 reviews
Gulliver's Travels and Other Writings (1981) 982 copies, 5 reviews
Gulliver's Travels [Norton Critical Edition] (1726) 918 copies, 6 reviews
A Tale of A Tub (1704) — Author — 609 copies, 13 reviews
Gulliver's Travels 548 copies, 4 reviews
Gulliver's Travels [Dover Thrift Editions] (1996) 511 copies, 2 reviews
A Tale of a Tub and Other Works (1704) 451 copies, 4 reviews
Gulliver's Travels (Classic Starts) (2006) 359 copies, 2 reviews
Britannica Great Books: Swift and Sterne (1726) 309 copies, 1 review
Directions to Servants (Hesperus Classics) (1745) 229 copies, 2 reviews
The Portable Swift (1948) 219 copies
Gulliver's Travels / A Modest Proposal (2005) 169 copies, 1 review
Gulliver's travels; and other writings (1960) 156 copies, 1 review
Gulliver's Travels: A Voyage to Lilliput (1977) 153 copies, 1 review
Complete Poems (1983) 134 copies
The Annotated Gulliver's Travels (1980) 114 copies, 1 review
Gulliver's Travels and Other Writings (1960) 113 copies, 1 review
Gulliver's Adventures in Lilliput (1993) 109 copies, 1 review
Journal to Stella (1766) 97 copies, 1 review
The Battle of the Books (1992) 80 copies, 1 review
Children's Classics: Gulliver's Travels (1993) 75 copies, 1 review
Satires and Personal Writings (1932) 69 copies, 1 review
Selected Prose and Poetry (1959) 61 copies
A Modest Proposal and Other Prose (2004) 59 copies, 1 review
A Tale of a Tub and the Battle of the Books (1704) — Author — 57 copies
THE WORKS OF JONATHAN SWIFT (2019) 50 copies
Gulliver in Lilliput (2010) — Original Story — 49 copies, 2 reviews
Gulliver's Travels and Other Writings (1958) 49 copies, 1 review
The works of Dr. Jonathan Swift (1965) 47 copies, 1 review
A Modest Proposal and Other Satires (2007) 38 copies, 1 review
Gulliver's Travels [Penguin Readers] (2000) 35 copies, 6 reviews
Polite Conversation (Hesperus Classics) (2007) — Author — 33 copies
The Intelligencer (1992) 32 copies
Arte De La Mentira Politica,El Ne (1993) 32 copies, 1 review
Gulliver's Travels (1960) — Author — 29 copies, 1 review
Una modesta proposta e altre satire (1729) 25 copies, 1 review
Gulliver in Lilliput [Macmillan Readers] (2008) 24 copies, 1 review
Gulliver's Travels [adapted - Saddleback Illustrated Classics] (2010) — Original Author — 22 copies
Poetical works (1967) 22 copies
Opere scelte (1983) 20 copies
Gulliver's Travels 20 copies, 2 reviews
The Battle of the Books (2014) 17 copies
Premier voyage de Gulliver (1997) — Author — 16 copies, 1 review
Irlantilaisia pamfletteja (1991) 15 copies
The Drapier's Letters (1935) 15 copies
A Voyage to Brobdingnag (1991) — Author — 15 copies
Gullivers Reisen (1987) — Author — 15 copies
Lo spogliatoio della signora e altre poesie (1977) — Author — 10 copies
Poems 9 copies
Gulliver's Travels (1945) 9 copies
Jonathan Swift Selections (1924) 8 copies
A Selection of Poems (1948) 7 copies, 1 review
Sátiras y aforismos (2004) 7 copies
Best of Swift (1967) 6 copies
Gulliver's travels : a voyage to Lilliput (1864) 6 copies, 2 reviews
Les Voyages de Gulliver - De Laputa au Japon (2020) — Author — 6 copies
Miscellanies 6 copies
Il leone non mangia la vera vergine (1993) 6 copies, 1 review
Gullivers Reisen (1991) 5 copies
Gulliver chez les géants (1982) 5 copies
Viagens de Gulliver - Colecao Reencontro (2011) 5 copies, 1 review
Gulliver, viaje a Liliput. (2011) 4 copies, 1 review
Gulliverova putovanja (2004) 4 copies
Ausgewählte Werke (1982) 4 copies
Journal de Holyhead (2002) 4 copies
Gullivers Reisen (2011) — Author — 4 copies
Gulliver's travels (2004) 4 copies
Satiren. (1979) 4 copies
El cuento de un tonel (1979) 4 copies
Gulliver's travels (2020) 3 copies
viajes de Gulliver (2016) 3 copies
Los viajes de Gulliver (2013) 3 copies
Libelli (1990) 3 copies
Gullivers reiser (1975) 3 copies
Los viajes de Gulliver (2018) 3 copies
Celtic Poets (2012) 3 copies
Panfletos Satiricos (1999) 3 copies
Contro il libero pensiero (2013) 3 copies, 1 review
Gulliver in Lilliput (1913) 3 copies
Gulliver's Travels [adapted - Saddleback Classics] (2001) — Original Author — 3 copies
Gulliver's Travel (abridged audio) (1984) — Author — 3 copies
Il decano e Vanessa (1991) 3 copies
Scritti satirici e polemici (1988) — Author — 3 copies
Opere 3 copies
Title Not Supplied (2005) 3 copies
Gedanken und Essays. o.A. (1940) 2 copies
Miscellanies. 2 copies
Gulliver's Travels (1993) 2 copies
Escritos Subversivos (2016) 2 copies
Gullivers Reisen Zu Mehreren Völkern Der Welt, (1971) — Author — 2 copies
Gullivers rejser, første bind 2 copies, 2 reviews
Gulliver lendaval saarel (2007) 2 copies, 1 review
Le Voyage de Gulliver (2003) 2 copies
A Fábula de um Barril (2019) 2 copies
Viatge a Laputa 2 copies
Gulliver's Travels + free Audiobook (2020) 2 copies, 1 review
Beteja e librave 2 copies, 1 review
Gulliver's Travels [Puffin Classics] — Author — 2 copies, 1 review
ARTE DE LA MENTIRA, EL (2013) 2 copies
Gulliver en el pais de los enanos (1952) — Author — 2 copies
Sententies (1963) 2 copies
Robin Hood (2002) 2 copies
Gulliver újabb utazásai (2007) 2 copies
Mütevazi Bir Öneri (2022) 1 copy
Los Viajes de Gulliver (1999) 1 copy
Los viajes de Gulliver (1998) 1 copy
Los Viajes De Gulliver (1995) 1 copy
Los viajes de Gulliver (1998) 1 copy
LOS VIAJES DE GULLIVER (2021) 1 copy
GULLIVER`IN GEZILERI 1 copy, 1 review
GULLIVEROVE CESTY (1954) 1 copy, 1 review
LOS VIAJES DE GULLIVER (2006) 1 copy, 1 review
Gulliver Lilliputban (2001) 1 copy
Gulliver hiiglaste juures. Reisid 2. (2007) 1 copy, 1 review
Gulliver Liliputimaal 1 copy, 1 review
The Works of Swift (1932) 1 copy
Gulliver's Travels & A Modest Proposal (2011) — Author — 1 copy
Select Letters (1926) 1 copy
Gullivers resor, del 2 (2020) — Author — 1 copy
Güliver'in Gezileri (2011) 1 copy
Gülliver'in Gezileri (2021) 1 copy
Le Conte du tonneau (1992) 1 copy
Pensamentos 1 copy
Los viajes de Gulliver — Author — 1 copy
Satiren 1 copy
I viaggi di gulliver 2 (1993) 1 copy
Essays 1 copy
L'humour combattant (2015) 1 copy

Associated Works

The Norton Anthology of English Literature, Volume 1 (1962) — Contributor — 2,464 copies, 8 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,011 copies, 7 reviews
English Essays: From Sir Philip Sidney to Macaulay (1969) — Contributor — 570 copies, 2 reviews
The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 520 copies, 4 reviews
Castle in the Sky [1986 film] (1986) — Original book — 502 copies, 9 reviews
Literature: The Human Experience (2006) — Contributor — 367 copies
Stories That Never Grow Old (1938) — Contributor — 232 copies, 5 reviews
The Penguin Book of Irish Verse (1970) — Contributor — 224 copies
Eighteenth-Century English Literature (1969) — Author — 193 copies, 1 review
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 175 copies
The Penguin Book of Irish Fiction (1999) — Contributor — 169 copies
The Faber Book of Beasts (1997) — Contributor — 168 copies, 1 review
The Road to Science Fiction #1: From Gilgamesh to Wells (1977) — Contributor — 167 copies, 1 review
The Book of Love (1998) — Contributor — 151 copies
The World of Mathematics, Volume 4 (1956) — Contributor — 148 copies, 1 review
Eight Modern Essayists (Second Edition) (1965) — Contributor, some editions — 126 copies, 1 review
The Utopia Reader (1999) — Contributor — 125 copies, 1 review
The Norton Book of Travel (1987) — Contributor — 118 copies, 1 review
The Norton Book of Friendship (1991) — Contributor — 104 copies
Best in Children's Books 08 (1958) 102 copies
Major British Writers, Volumes I and II (1959) — Contributor — 97 copies, 1 review
Gulliver's Travels [2010 film] (2010) — Original book — 97 copies, 1 review
World's Great Adventure Stories (1929) — Contributor — 83 copies
100 Eternal Masterpieces of Literature, Volume 2 (2021) — Contributor — 80 copies
Gulliver's Travels [1996 TV miniseries] (1996) — Original novel — 73 copies, 6 reviews
An Introduction to Poetry (1968) — Contributor — 72 copies, 1 review
The Junior Classics Volume 05: Stories That Never Grow Old (1912) — Contributor — 69 copies, 1 review
Lost Worlds Short Stories (Gothic Fantasy) (2017) — Contributor — 65 copies
Faber Book of Ballads (1965) — Contributor — 58 copies, 1 review
Alien Invasion Short Stories (2018) — Contributor — 53 copies
Gulliver's Travels [1939 film] (1939) — Original book — 50 copies, 3 reviews
Writing Politics: An Anthology (2020) — Contributor — 46 copies
Famous and Curious Animal Stories (1982) — Contributor — 36 copies, 2 reviews
Modern Arthurian Literature (1992) — Contributor — 33 copies
Patterns of Exposition, Alternate Edition (1976) — Contributor — 31 copies
A Book of Essays (1963) — Contributor — 27 copies
The 3 Worlds of Gulliver [1960 film] (1960) — Original book — 27 copies
Documents in English History (1974) — Contributor — 26 copies
The World's Greatest Books Volume 08 Fiction (2004) — Contributor — 24 copies
Classic Essays in English (1961) — Contributor — 23 copies
Gulliver's Travels (1962) 23 copies
The World of Law, Volume II : The Law as Literature (1965) — Contributor — 22 copies
The Lucky Bag: Classic Irish Children's Stories (1984) — Contributor — 22 copies, 1 review
Great English Short Stories (1930) — Contributor — 21 copies, 1 review
Masters of British Literature, Volume A (2007) — Contributor — 21 copies
Britannica Great Books: Swift, Voltaire, Diderot (1993) — Contributor — 18 copies
Law in Action: An Anthology of the Law in Literature (1947) — Contributor — 15 copies
Science fiction through the ages 1 (1966) — Contributor, some editions — 14 copies
The Problem of Style (1966) — Contributor — 11 copies, 1 review
Englische Essays aus drei Jahrhunderten (1973) — Contributor — 9 copies
One Thousand Years of Laughter: An Anthology a Classic Comic Prose (2002) — Contributor, some editions — 9 copies, 2 reviews
De la conversation (1995) — Author, some editions — 7 copies
Recueil Universel - Les voyages de Gulliver (2017) — Author — 3 copies
30 Eternal Masterpieces of Humorous Stories (2017) — Contributor — 3 copies
Gulliver's Travels (TreeTops Classics) (2008) — Original work — 3 copies
Piirakkasota; valikoima huumoria — Contributor — 3 copies
Humor from Around the World (1952) — Contributor — 3 copies, 1 review
Love & Marriage — Contributor — 3 copies
Bukcase I (2005) 1 copy
Gulliver's Travels Beyond the Moon [1965 film] (1965) — Original characters — 1 copy

Tagged

1001 books (173) 18th century (948) adventure (561) British (269) British literature (393) classic (1,198) classic literature (202) classics (1,402) ebook (190) English (204) English literature (566) essays (267) fantasy (1,114) fiction (3,692) humor (294) Ireland (198) Irish (166) Irish literature (249) Jonathan Swift (186) Kindle (172) literature (1,265) novel (575) poetry (229) politics (174) read (292) satire (1,757) Swift (196) to-read (1,241) travel (212) unread (190)

Common Knowledge

Canonical name
Swift, Jonathan
Legal name
Swift, Jonathan
Other names
Bickerstaff, Isaac
Birthdate
1667-11-30
Date of death
1745-10-19
Gender
male
Education
Kilkenny School
Trinity College, Dublin (BA|1686, "by speciali gratia"|D.Div|1702)
University of Oxford (MA|1692)
Occupations
clergyman
poet
writer
dean (St. Patrick's Cathedral, Dublin, Ireland)
secretary
editor
Organizations
Scriblerus Club
Kit-Cat Club
Relationships
Sheridan, Thomas (godson, friend)
Pope, Alexander (friend)
Godwin, Francis (great-great uncle)
Pilkington, Laetitia (friend)
Short biography
Jonathan Swift (30 November 1667 – 19 October 1745) was an Anglo-Irish satirist, essayist, political pamphleteer (first for the Whigs, then for the Tories), poet and cleric who became Dean of St Patrick's Cathedral, Dublin, hence his common sobriquet, "Dean Swift".

Swift is remembered for works such as A Tale of a Tub (1704), An Argument Against Abolishing Christianity (1712), Gulliver's Travels (1726), and A Modest Proposal (1729). He is regarded by the Encyclopædia Britannica as the foremost prose satirist in the English language, and is less well known for his poetry. He originally published all of his works under pseudonyms – such as Lemuel Gulliver, Isaac Bickerstaff, M. B. Drapier – or anonymously. He was a master of two styles of satire, the Horatian and Juvenalian styles.

His deadpan, ironic writing style, particularly in A Modest Proposal, has led to such satire being subsequently termed "Swiftian".
Nationality
Kingdom of Ireland
Birthplace
Dublin, Kingdom of Ireland
Places of residence
Dublin, County Dublin, Ireland
Surrey, England, UK
London, Middlesex, England, UK
Trim, County Meath, Ireland
Place of death
Dublin, County Dublin, Ireland
Burial location
St. Patrick's Cathedral, Dublin, Ireland
Map Location
Ireland
Disambiguation notice
Please be careful not to mistakenly combine full versions and abridged versions of Jonathan Swift's works.

Members

Discussions

Gulliver's Travels in George Macy devotees (June 2023)
Heritage Press Gulliver's Travels in George Macy devotees (August 2022)

Reviews

557 reviews
Quem lê pela primeira vez a versão original de Viagens de Gulliver, tendo como pano de fundo uma vaga lembrança de adaptações infantis, espanta-se ao constatar que tem nas mãos um dos textos mais amargos do cânone ocidental. Como observa George Orwell no prefácio incluído nesta edição, o livro de Jonathan Swift, apesar de todo o seu ressentimento e misantropia, é uma obra deliciosa, que permite vários níveis de leitura. É primeiro um livro de viagens - ou melhor, uma sátira show more aos livros de viagens, tal como Dom Quixote é, entre outras coisas, uma sátira aos romances de cavalaria; para as crianças, é uma história de aventuras, cheia das criaturas fantásticas e do humor escatológico de que tanto gostam; e é um dos marcos iniciais da ficção científica. Entretanto, o que mais fascina o leitor maduro nessa obra publicada pela primeira vez em 1726 é o olhar implacável que seu autor volta sobre o homem, suas instituições, seu apego irracional ao poder e ao ouro, e sua insistência em prolongar a vida mesmo quando esta só proporciona sofrimento. Esta edição de Viagens de Gulliver foi organizada pelo professor Robert DeMaria Jr., também responsável pelo texto de introdução e pelas notas, e conta com imagens preciosas, como reproduções da folha de rosto e do frontispício da primeira edição da obra-prima de Jonathan Swift, além de mapas das diferentes terras citadas no romance, inestimáveis para a leitura. show less
My partial reactions to reading this collection of masterful irony and satire in 1996. Spoilers follow.

I enjoyed reading this cranky, misanthropic satire of superior wit and irony. The adventures in Lilliput didn’t interest me since they seemed the most time-bound, satire-wise of any in the novel; however, I did enjoy Gulliver urinating on the Lilliputian palace to put out a fire. What an image! The disgust Gulliver feels for the physical presence of the giant Brobdingnags foreshadows the show more disgust many an sf hero was to feel for the human body after altered perceptions done to changes in size or mentation. Swift’s misogyny (typical of early English literature) is particularly present in Gulliver’s hints that Brobdingnagian women use him for sexual stimulation. (Of course this novel stands as one of the great predecessors to all those stories of miniature people.) In the land of those giants, Swift has Gulliver ironically claim that Brobdingnagian charges of injustice, imperialism, venal politics, violence (Swift also attacks England having a standing army), are based in ignorance (they despise “mystery, refinement, and intrigue”), the lack of political science, and their isolation. However, he also admits to avoiding some questions to put England in the best light. I found the last half of the novel the most enjoyable, particularly Book 3. The Laputians (Swfit gives a bogus philology to a word derived from a Spanish profanity) are an intensely silly lot of abstract philosophers. Obsessed with music and geometric shapes – they eat food carved in geometric shapes and the forms of musical instruments – they are incapable of actually using geometry to build fit structures. (Swift was satirizing the current vogue for abstract theories of geometry and the music of the spheres.) The Laputians are so given over to their useless speculations that they have physically deviated from normal humans. One eye is turned inward, one eye outward. They have to be prompted by “flappers” to speak or listen since they are so immersed in theorizing and the collision of the Earth with a comet. Another symptom of the sterileness of their conduct since theories only really advance knowledge if communicated. Interestingly, they are concerned with the sun’s death (predicted by contemporary physics) . The latter idea was ridiculed by Swift but sounds prescient to modern readers. Newton himself said he could not absolutely predict that the Earth would not collide with the sun – another worry of the Laputuans. As with the Brobdingnagian king being horrified at the killing ability of gunpowder, Swift also shows the downside of technology with the Flying Island of the Laputuans used to quell rebellions. The Laputans are also quite fond of modernity (something Swift was opposed to) in the sense of despising old methods of agriculture and architecture. Unfortunately, their substitute methods are woefully inadequate and the country squalid. In the spirit of true revolutionaries (particularly the political ones that were to follow Swift), their failures only spur them on. I especially the bizarre schemes the Laputans work on (a satire of the Royal Academy): to use spiders to produce a spiderweb substitute for silk, a machine to produce books by randomly jumbling their order (and thus saving the trouble of writing books) and then the combinations edited (this could be the possible inspiration for Borges’ “The Library of Babel”), replacing language with physical objects to symbolize things, learning via ingestion of written mathematical formulae. Other Laputan schemes involve taxing men according to their professed number of lovers; women would be taxed according to their opinions of their beauty and fashion sense, detection of treason by examination of stool. Book 3 also features a unique feature of English-language literature: an attack on lawyers. Swift also deals with the old theme of immortality in his Struldbruggs. They are immortals with all the disadvantages and infirmities of old age. The part of the novel that can best be said to be proto-science fiction is Book 4 with its attack on humans delivered explicitly and implicitly by another sentient lifeform – here the Houyhnhums are intelligent horses Swift was quite fond of horses. In their land, humans are bestial “yahoos” (Swift invented the word) while Houyhnhums are morally, politically, and physically perfect – a model to which humans are found sadly wanting. Lawyers come in for a long attack. Women’s desire for luxuries is blamed on what Swift sees as an unhealthy appetite for foreign goods by Irish and English societies. The lifestyle of English nobles is depicted as idle and vapid. Disgust is expressed at the dirty, lewd, disease-ridden lives of the Yahoos. (Gulliver increasingly begins to identify with the Houyhnhums and is horrified when a young female yahoo wants to mate with him.) There is much talk of Yahoo excrement. Houyhnhum sex is purely procreational. Gulliver comes to live the Houyhnhums and is horrified to be expelled from their rational society. He finds his return to the world of man odious. He can barely tolerate the presence of his formerly beloved family much less have sex with his wife. This realistic psychological portrayal of identification by a human with a non-human society and alienation upon his return foreshadows some sf stories.

Other contents are:

“A Tale of a Tub"

“The Battle of the Books"

“The Bickerstaff Papers”

“The Tatler, No. CCXXX"

“The Examiner, No. 14"

“An Argument against Abolishing Christianity"

“The Drapier’s First Letter"

“The Intelligencer, No. IX"

“A Modest Proposal”
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Reading A Modest Proposal as someone from Ireland felt different than I expected. I had heard about the essay before, mostly that it was “shocking” and “satirical” but I wasn’t prepared for how unsettled it would make me. The idea itself is horrifying, yet Swift presents it so calmly, so logically, that for a split second you almost follow his reasoning.

What makes the essay powerful isn’t just the outrage. It’s the restraint. Swift never breaks character. He never tells you show more directly that he’s angry. Instead, he forces you to feel the cruelty of a system that treated Irish people as economic burdens rather than human beings. Reading it as an Irish person, I couldn’t help but feel a quiet heaviness. This wasn’t just satire it was written out of real suffering in this country’s history.

A lot of Irish people have been affected by the housing crisis and it’s impossible to live in Ireland today and not be aware of it. You see it in news headlines, conversations, and the constant talk about rent prices, especially in places like Dublin. What struck me while reading Swift was how familiar the language felt. Discussions about housing often revolve around markets, supply, demand, and investment. Those conversations matter, but they can sometimes feel detached from the reality that people are simply trying to find a place to live.

Swift exaggerates economic thinking to an extreme, reducing children to numbers and profit margins, but his point feels painfully clear. When human lives are discussed only in terms of cost and efficiency, something deeply important is lost. The comparison isn’t about equating situations; today’s Ireland is not 18th-century Ireland. But emotionally, the essay made me more aware of how easily suffering can be normalized when it’s framed as a financial issue.

What I appreciated most about A Modest Proposal is that it didn’t just inform me it made me uncomfortable in a way that felt necessary. It pushed me to think about how societies justify inequality and how quickly compassion can be overshadowed by practicality. As someone from Ireland, that reflection feels personal, even if the events Swift wrote about happened centuries ago.

In the end, the essay lingers. It’s not enjoyable in a traditional sense, but it’s powerful. It reminds me that literature can act as both a mirror and a warning reflecting our past while quietly asking what we might be overlooking in the present.
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It is remarkable that a book published nearly 300 years ago is still not merely readable but entertaining. Swift's satire of contemporary politics remains both of these. Other than some words which can be understood by context ('hanger' for sword), the language is our language.

His Gulliver is no intellectual but he is not stupid. He comes across as eminently likeable - a bit of a chancer perhaps but with no malice in him whatsoever. His responses are never naive but they are those of a man show more who wants to see the best in a situation and in people.

He starts off at least without doubts as to his own culture, civilisation and status in life. He defers to his 'betters' out of principle as well as necessity. All he wants to do is earn a pot to feed his family back home and to do so through honest labour.

He is a free-booting English adventurer of the old type, a mentality to be crushed in stages by the Victorian home, the welfare state and general wokery. Swift's lack of preciousness about bodily functions is refreshing. Swift criticises his own kind through a good and decent example of it.

Of course, the contemporary political references are now only for antiquarians. The satire, however, is directed at far more than the contingent foibles and failures of early eighteenth century society and politics. It is directed at the human condition itself.

The Grand Academy of Lagado remains, for example, a brutal satire on the political projectors and think tank wonks of today as much as then. I am afraid I recognised the Laputans as direct ancestors of many Futurist acquaintances with their existential fears and confused reasoning.

Swift is above all a humanist. Today's reader will be surprised at his contemporary designation as a High Tory since his analyses of our species and of society lead time and time again to quite radical conclusions more associated with the modern intelligent Left (not that much of that remains).

His 'conservatism' lies only in the recognition that, whatever he may wish humanity to be, humanity is as it is and so these follies and foibles must continue regardless of the ambitions of the 'projectors' - and so it has proved 300 years later. Plus ca change.

We all know the stories of Lilliput (Gulliver as giant) and Brobdingnag (Gulliver as tiny) but the tales of the isles to the east of Japan (including Laputa) and of the land of the Houyhnhms and Yahoos are worth the extra effort. The book becomes sadder as it proceeds and is not for children.

The first two parts are rollicking satires of human and lordly pretension with enough incident, even if bowdlerised (such as Gulliver peeing on a palace fire in Liiliput), to entertain children. The third and fourth begin to show much more of the self-delusion and cruelty of our species.

Gulliver has a form of mental breakdown during his fourth voyage in which his identification with intelligent horses, who behave like model noble Romans who farmed their plots before the Republic tore itself apart, makes it impossible for him to live easily as a human afterwards.

Indeed, his alienation from his own kind (including his family) seems to turn towards psychosis. Set against Christian and classical ideals, he sees us, 150 years before Darwin, as a form of jumped up Hobbesian brute. He yearns, in effect, to become a human horse, to become an 'ideal'.

Thus we see the fate of all highly intelligent good-hearted intellectuals faced with social reality - you either have a moan (and that is what the eminently sane Swift does in this book) or you go mad. Swift allows himself the luxury of a safe and vicarious insanity through Lemuel Gulliver.

This dark side of the book is seldom noted either because our attention is caught by the rollicking fun of the first two parts or we stand back and enjoy the satire without thinking that it is actually directed at our very core, perhaps at our 'original sin' of simply being what we are.

The edition I used cannot easily be found on Goodreads (it is a 1960s Harper Perennial Edition from the US with an excellent short academic introduction and no cuts) but any reasonable modern edition will do. A knowledge of early modern history and culture helps but is not necessary.
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Associated Authors

Claude Rawson Contributor, Editor
Ian Higgins Contributor, Editor
John Arbuthnot Contributor
John Gay Contributor
Pauline Francis Retold by
Michael West Adaptor
D.K. Swan Adaptor
Michael R Hague Illustrator
Flix Illustrator
Homer Author
E. R. Cruz Illustrator
M. Dodge Holmes Introduction
Arthur Rackham Illustrator
Joan B. Williams Illustrator
John F. Ross Introduction
Pablo Marcos Illustrator
Samuel Holt Monk Contributor
Thomas Sheridan Contributor
Kathleen Williams Contributor
William Wotton Contributor
Alexander Pope Contributor
Edmund Curll Contributor
Nigel Dennis Contributor
William Frost Contributor
Martin Price Contributor
A. E. Dyson Contributor
Robert M. Adams Contributor
Jay Arnold Levine Contributor
Norman O. Brown Contributor
Allan Bloom Contributor
Derek Mahon Editor, Contributor
Angus Ross Editor
Aldren Watson Illustrator
Gennadii Spirin Illustrator
D. H. Lawrence Contributor
Marcus Walsh Contributor
Jenny Mezciems Contributor
George Orwell Contributor
Penelope Wilson Contributor
Samuel Johnson Contributor
W. B. Yeats Contributor
F. R. Leavis Contributor
Irvin Ehrenpreis Contributor
Hugh Kenner Contributor
Ronald S. Crane Contributor
S. J. Connolly Contributor
André Breton Contributor
Henry Fielding Contributor
Penko Gelev Illustrator
S. D. Schindler Illustrator
Cyd Moore Illustrator
Joe Ewers Illustrator
Sir Walter Scott Introduction
Libico Maraja Illustrator
Paul Echegoyen Illustrator
Ted Danson Narrator
J. H. Kuiper Cover designer
Robert B. Heilman Introduction
Theo Sontrop Translator
Michael Foot Introduction
Ugo Dèttore Translator, Editor
Carlo Formichi Translator
R. Canaider Illustrator
Fabio Pedone Translator
Ugo Dèttore Translator
Hans Baltzer Illustrator
R. M. Powers Illustrator
Peter Dennis Illustrator
Paul Syrier Translator
Michael Seidel Introduction
Gabriele Santini Illustrator
Peter Quennell Introduction
Jean Grandville Illustrator
Edward Bawden Illustrator
Roland Arnold Translator
W. A. Dwiggins Illustrator
Josef Hegenbarth Illustrator
Walter Scott Foreword
A. E. Jackson Cover artist
J. A. Hollo Translator
Maxwell Geismar Introduction
Dieter Mehl Afterword
Neville Jason Narrator
Christa Schuenke Translator
Jon Corbino Illustrator
Milo Winter Illustrator
Leonard Weisgard Illustrator
Franz Kottenkamp Translator
Richard Powers Cover artist
Anton Christian Illustrator
Attilio Brilli Foreword, Editor
R.G. Mossa Illustrator
Maria Luisa Astaldi Introduction
Grandville Illustrator
Samuli S. Translator
Leonard Baskin Illustrator
Franco Marucci Translator
Carole Fabricant Introduction
Salvatore Rosati Translator
Bruno Armellin Translator
William Hogarth Cover artist
Carl Van Doren Editor, Introduction
Mart Kempers Illustrator
Peter Ackroyd Foreword
Ben Ray Redman Introduction
Mara Cover artist
Ismael Attrache Translator
Pat Rogers Editor
Bernard Chesnel Notes et carnet de lecture
Edwin J. Prittie Illustrator
Jacques Pons Translator
Derek Sellen Adapted by

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