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Samuel Johnson (1) (1709–1784)

Author of Rasselas

For other authors named Samuel Johnson, see the disambiguation page.

492+ Works 9,520 Members 126 Reviews 43 Favorited

About the Author

Samuel Johnson was born in 1709, in Lichfield, England. The son of a bookseller, Johnson briefly attended Pembroke College, Oxford, taught school, worked for a printer, and opened a boarding academy with his wife's money before that failed. Moving to London in 1737, Johnson scratched out a living show more from writing. He regularly contributed articles and moral essays to journals, including the Gentleman's Magazine, the Adventurer, and the Idler, and became known for his poems and satires in imitation of Juvenal. Between 1750 and 1752, he produced the Rambler almost single-handedly. In 1755 Johnson published Dictionary of the English Language, which secured his place in contemporary literary circles. Johnson wrote Rasselas in a week in 1759, trying to earn money to visit his dying mother. He also wrote a widely-read edition of Shakespeare's plays, as well as Journey to the Western Isles of Scotland and Lives of the Poets. Johnson's writing was so thoughtful, powerful, and influential that he was considered a singular authority on all things literary. His stature attracted the attention of James Boswell, whose biography, Life of Johnson, provides much of what we know about its subject. Johnson died in 1784. (Bowker Author Biography) show less

Series

Works by Samuel Johnson

Rasselas (1759) 1,970 copies, 33 reviews
A Journey to the Western Islands of Scotland (1775) 479 copies, 9 reviews
A Dictionary of the English Language (1755) 343 copies, 15 reviews
Rasselas; poems, and selected prose (1958) 324 copies, 1 review
Lives of the English poets (1779) 323 copies, 6 reviews
Johnson's Dictionary: A Modern Selection (1974) 290 copies, 3 reviews
Selected Writings (Penguin Classics) (1968) 235 copies, 2 reviews
Selected Essays (Penguin Classics) (2003) 191 copies, 2 reviews
The Rambler [all] (1953) 128 copies, 3 reviews
A Johnson Reader (1964) 90 copies
The Complete English Poems (1971) 86 copies
Preface to Shakespeare (1985) 66 copies
Dr Johnson's Dictionary (2004) 54 copies, 1 review
Life of Richard Savage (1971) 50 copies, 1 review
Consolation in the Face of Death (1944) 44 copies, 1 review
The Idler (2000) 40 copies
Johnson on Shakespeare (1908) 39 copies
Lives of the Poets, Volume 1 (1912) 37 copies, 1 review
A Johnson Sampler (Nonpareil Book) (2002) 35 copies, 1 review
Prose and poetry (1951) 29 copies
Prayers and meditations (2008) 27 copies
Dr. Johnson's Prayers (1980) 18 copies
The Poems of Samuel Johnson (1941) 18 copies
The false alarm (2012) 9 copies
Ensayos literarios (2015) 8 copies
Selected letters of Samuel Johnson (1979) 7 copies, 1 review
Viaje a las islas occidentales de Escocia (2007) 7 copies, 2 reviews
The vulture (1970) 7 copies
Arte de la biografía — Contributor — 3 copies
Two satires 3 copies
The adventurer 3 copies
Rasselas and Essays (1967) 3 copies
Páginas Escolhidas (2014) 3 copies
Dr Johnson said... (1988) 3 copies
The Literary Magazine ... (1978) 2 copies, 1 review
Works (8 vols.) 2 copies
Know thyself (1992) 2 copies
Selected writings of Samuel Johnson (1949) — Author — 2 copies
Londres (2004) 1 copy
The Rambler. In 6 volumes. 1 copy, 1 review
Dementimaskinen (1990) 1 copy
Essays 1 copy
Life of Pope 1 copy
Historia Studiorum 1 copy, 1 review
Sententies 1 copy
Il viandante (2019) 1 copy
Works (2 vols.) (1854) 1 copy
Papers from the Idler (1921) 1 copy

Associated Works

William Shakespeare: The Complete Works (1623) — Editor, some editions; Contributor, some editions — 35,764 copies, 179 reviews
The Norton Anthology of English Literature, Volume 1 (1962) — Contributor — 2,478 copies, 8 reviews
Paradise Lost [Norton Critical Edition] (1667) — Contributor, some editions — 2,439 copies, 15 reviews
The Art of the Personal Essay (1994) — Contributor — 1,529 copies, 11 reviews
The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Contributor — 1,473 copies, 9 reviews
The Best Poems of the English Language: From Chaucer Through Robert Frost (2004) — Contributor — 1,251 copies, 3 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,017 copies, 7 reviews
The Complete Works of Horace [Latin] (1963) — Translator, some editions — 837 copies, 9 reviews
Prefaces and Prologues to Famous Books (2004) — Contributor — 622 copies, 2 reviews
English Poetry, Volume II: From Collins to Fitzgerald (1910) — Contributor — 585 copies, 1 review
English Essays: From Sir Philip Sidney to Macaulay (1969) — Contributor — 575 copies, 2 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 500 copies, 2 reviews
The Rag and Bone Shop of the Heart: A Poetry Anthology (1992) — Contributor — 441 copies, 4 reviews
Critical Theory Since Plato (1971) — Contributor, some editions — 436 copies, 3 reviews
The Poems of Alexander Pope (1966) — Editor, some editions — 286 copies, 1 review
Criticism: Major Statements (1964) — Contributor — 237 copies
Eighteenth-Century English Literature (1969) — Author — 195 copies, 1 review
The Norton Book of Travel (1987) — Contributor — 122 copies, 1 review
The Norton Book of Friendship (1991) — Contributor — 104 copies
Major British Writers, Volumes I and II (1959) — Contributor — 101 copies, 1 review
Shorter novels of the eighteenth century (1967) — Contributor — 94 copies, 3 reviews
The plays of William Shakespeare (1995) — Editor, some editions — 80 copies, 2 reviews
The Dramatic Works of William Shakespeare (1835) — Editor, some editions — 78 copies, 1 review
An Introduction to Poetry (1968) — Contributor — 73 copies, 1 review
Eighteenth Century Plays (1972) — Contributor — 71 copies, 1 review
Shakespeare: Othello (1971) — Contributor — 45 copies
Spring: A Spiritual Biography of the Season (2006) — Contributor — 38 copies, 1 review
Classic Essays in English (1961) — Contributor — 23 copies
Masters of British Literature, Volume A (2007) — Contributor — 21 copies
Great Narrative Essays (1968) — Contributor — 19 copies
Oxford and Oxfordshire in Verse (1982) — Contributor — 16 copies
The Problem of Style (1966) — Contributor — 11 copies, 1 review
Words, words, and words about dictionaries (1963) — Contributor — 10 copies
Englische Essays aus drei Jahrhunderten (1973) — Contributor — 9 copies
Love & Marriage — Contributor — 3 copies

Tagged

18th century (483) 18th century literature (67) biography (336) British (116) British literature (99) classic (63) classics (73) dictionaries (56) dictionary (152) English (104) English literature (328) essays (333) fiction (330) Folio Society (75) Hebrides (69) history (159) Johnson (117) language (62) letters (64) literary criticism (122) literature (373) memoir (58) non-fiction (264) novel (75) poetry (341) reference (152) Samuel Johnson (362) Scotland (225) to-read (272) travel (299)

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Reviews

149 reviews
Thoughts on Johnson

• He's a consummate self-mythologist, a sesquipedalian showman/showoff who knows what's expected of him. Boswell calls a certain mountain "immense". Johnson: 'No; it is no more than a considerable protruberance.' You can just hear him enunciating "protruberance" with fathomless scorn.
• His hilarious, self-aware egotism. On emigration to America: "To a man of mere animal life, you can urge no argument against going to America, but that it will be some time before he show more will get the earth to produce. But a man of my intellectual enjoyment will not easily go and immerse himself and his posterity for ages in barbarism." [note: Johnson had no posterity other than letters].
• He "maintained the superiority of Homer" (over Virgil). I agree.
• His thoroughgoing contempt for "Ossian" and all believers in the phony Celtic bard is a joy. No flies on Samuel J!
• His relish in mansplaining. "He this morning explained to us all the operation of coining, and, at night, all the operation of brewing, so very clearly, that Mr M'Queen said, when he heard the first, he thought he had been bred in the Mint; when he heard the second, that he had been bred a brewer."
• Certainly the oddest passage in either book, Johnson's thoughts on clean and unclean fabrics and dreams of keeping a harem (in Boswell):
All animal substances are less cleanly than vegetables. Wool, of which flannel is made, is an animal substance; flannel therefore is not so cleanly as linen. I remember I used to think tar dirty; but when I knew it to be only a preparation of the juice of the pine, I thought so no longer. It is not disagreeable to have the gum that oozes from a plumb-tree upon your fingers, because it is vegetable, but if you have any candle-grease, any tallow upon your fingers, you are uneasy till you rub it off. I have often thought, that, if I kept a seraglio, the ladies should all wear linen gowns, or cotton — I mean stuffs made of vegetable substances. I would have no silk; you cannot tell when it is clean: it will be very nasty before it is perceived to be so. Linen detects its own dirtiness.
• His social conscience is in perplexing conflict with his Toryism. He says it is "a problem for politicians" that "those who procure the immediate necessaries of life" (i.e. labourers, workers in general) are the worst paid. He can't agree with raising their wages, because this would increase prices, and lamely suggests that they should be given charity when times are good (he doesn't say what should be done when charity is lacking).
• Johnson is arguably on the spectrum in terms of his near-eidetic textual memory/facility for quotation. It's hard to tell sometimes if his lack of affect is real or affected, but I think it's the latter.

Thoughts on Boswell

• B loves to play the humble amanuensis, but he uses this cover to get in plenty of cheeky digs at his friend. The relationship is much more bilateral than it seems. They're really partners masquerading as idol and idolator. We're charmed to learn that J calls B "Bozzy".
• You sense that Boz takes a quiet pleasure in Johnson's rare slip-ups. One Pennington, an army man, tells them of the notorious fidelity of the Arabs to those under their protection:
Johnson: Why, sir, I can see no superiour virtue in this. A serjeant and twelve men, who are my guard, will die, rather than that I shall be robbed.
Pennington: But the soldiers are compelled to do this, by fear of punishment.
Johnson: Well, sir, the Arabs are compelled by the fear of infamy.
Pennington: The soldiers have the same fear of infamy, and the fear of punishment besides; so have less virtue, because they act less voluntarily.
• One night he gets absolutely wankered: "we were cordial, and merry to a high degree; but of what passed I have no recollection, with any accuracy." The teetotal Johnson wakes him at noon the next day, laughs at him, and gives him the hair of the dog.
• His occasional plugs for his "forthcoming life of Dr Johnson" are quite endearing. B's ambition is never much disguised.

Thoughts on Boswell on Johnson (or, per B, "the transit of Johnson over the Caledonian hemisphere")

• Boswell's mission is maximal — he isn't satisfied if he lets a single moment go unrecorded. "Much has thus been irrecoverably lost" he laments, by his having ceased keeping a scrupulous journal at the tail-end of their trip. Johnson is notably thanatophobic, and it's as if Boswell sees his writings not just as a memorial of the great man, but as a way of actually keeping him alive, somehow postponing the inevitable. There's a desperation about Boswell's biography; he writes like a man trapped in a drowning automobile. It's hard to look away.
• Boswell is at heart a romantic. "It was like enchantment" he says of a day spent in cultivated company at a remote army fort, "my warm imagination jumped from the barren sands to the splendid dinner and brilliant company..." Johnson plays the rationalist, but you sense that one of Boswell's main attractions for him is as an outlet for, or reflection of, his own romantic heart. Boswell's life-writing drinks deep from this contrast, and hints or warns how dangerous the beguiling Boswellian romanticism is, if it becomes policy and not just art.
• Even when he (B) is in the right, Boswell makes allowances for Johnson: "I think Dr Johnson mistaken [...] but so great a mind as his cannot be moved by inferior objects: an elephant does not run and skip like lesser animals."
• By portraying his subject in this pointillist fashion, Boswell is able to excavate the real Johnson, deeply concealed beneath layers of bluster and blubber.

Other gleanings

• Johnson: "I was told at Aberdeen that the people learned from Cromwell’s soldiers to make shoes and plant kail." Make shoes and plant kail is surely the 18th century "chew bubble gum and kick ass."
• Boswell: "Every man should keep minutes of whatever he reads. Every circumstance of his studies should be recorded; what books he has consulted; how much of them he has read; at what times; how often the same authors; and what opinions he has formed of them, at different periods of his life. Such an account would much illustrate the history of his mind."
• On Skye, B tells us, they join with the locals in "a dance which [...] the emigration from Sky has occasioned. They call it 'America'. Each of the couples, after the common involutions and evolutions, successively whirls round in a circle, till all are in motion; and the dance seems intended to shew how emigration catches, till a whole neighbourhood is set afloat."
• J's accurate etiology of sea-legs. Boswell: "I felt still the motion of the sea. Dr Johnson said, it was not in imagination [J's rationalism again], but a continuation of motion on the fluids, like that of the sea itself after the storm is over."
• J's impromptu satirical "Meditation on a Pudding" is a highlight.
• I can empathise with Johnson being mistaken (by a half-deaf laird) for a Johnston.
• Insular J’s slander of the Chinese:
Boswell: You yourself, sir, have never seen, till now, any thing but your own native island.
Johnson: But, sir, by seeing London, I have seen as much of life as the world can shew.
Boswell: You have not seen Pekin.
Johnson: What is Pekin? Ten thousand Londoners would drive all the people of Pekin: they would drive them like deer.
• B describes a letter from Garrick as being "as agreeable as a pineapple in a desert".
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I started reading the Works of Samuel Johnson 14 years ago and it took me two years to read this one, but I only have two more volumes to go! Volume 10 continues one of my favorite seasons of Dr. Johnson's work, his Lives of the English Poets. Part historian, part literary critic, part comedian, and always just a little bit catty, Johnson sheds light on all of the 17th and 18th century poets you know and many many many that you have never heard of. This volume ends with his novella-length show more journey into the life of the very colorful poet Richard Savage, a work he first published anonymously in 1744, one year after Savage's death. Do yourself a favor and at least read the wikipedia page about Savage, but bonus points if you find yourself a public domain copy of Johnson's truly memorable look at his friend's life. show less
Savage was a mediocre poet and contemporary of Johnson, who published this biography of Savage in 1744, soon after the poet's death. The information about Savage's life has to have come mostly from himself, supplied over the course of long conversations in the tavern. The reader might expect a biography of a poet, especially from this time period, to be romanticized and dull. But this is Johnson, and he lists Savage's commendations on one hand, then relays the many more faults of the man show more with the other.
Savage was born to a woman of aristocracy, but his father was one of several possibilities. From her immediate rejection of her baby, along with her openness as to her promiscuous behavior, and if it's to be believed, her attempt to sell the boy into slavery, she was mentally unhinged, which gave Savage a horrible start in life. Revenge against her became a huge part of his adult life. Once he began writing, exposing her treatment towards him made it's way into just about everything he published, including a widely distributed poem entitled The Bastard and even a birthday poem to Queen Anne, in which he wrote:

Two fathers join'd to rob my claim of one!
My mother too thought fit to have no son!

When Savage wrote, it was for one of two reasons-immediate money or revenge. He drank heavily and there are several instances given where he threatened to publish a reputation-ruining poem unless given the money he demanded. His image of himself was much grander than his reputation as a poet or person, and this led to his incessantly hitting up friends for money without any feeling that he was expected to pay it back. He pushed people to do favors for him, leading one to say that they had spoken to the King on his behalf, and had been promised that Savage would be the next Poet Laureate, a supposed promise that Savage relied on heavily. When another poet was named Laureate, Savage named himself "Volunteer Laureate" and published under this title for a time, even though he was confronted by the actual Laureate.

About halfway through this book, which is the length of a novella, I began to wonder if this was a parody because Savage is so self-absorbed, such an unbelievable leech, that I wondered if I was reading fiction. Nope, it's real. Then I wondered if Johnson had actually liked him at all, as each reason or excuse for Savage's oafish behavior is countered immediately with how the man went on, in any given situation, to make things so much worse. This is superb. The combination of Savage's ability to stomp on everyone's charitable intentions and Johnson's ability to write about his friend with a critical eye is a very entertaining read. Recommended!
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½
This novella is ostensibly a tale about an Ethiopian prince, Rasselas, who, chafing under the boredom of the life of luxury he leads in the Happy Valley, contrives to escape with two companions, his sister Nekayeh, and a man named Imlac. In fact this is a vehicle for Johnson's exploring various philosophical ideas, in particular around the sources of and how to seek happiness in life, including who in society has or might achieve happiness and how, whether through living a good life or not, show more and what that means. There are some interesting pithy aphorisms arising from their conversations with each other and with other characters, including with a philosopher-astronomer who believes he has the personal power to move the sun and planets. Quite amusing and interesting. show less

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Associated Authors

James Boswell Author, Contributor
J.P. Hardy Editor
François Quesnai Contributor
George Whitefield Contributor
Voltaire Contributor
Joseph Butler Contributor
David Hume Contributor
Edward Gibbon Contributor
Henry Fielding Contributor
John Toland Contributor
Adam Smith Contributor
Tacitus Contributor
Diogenes Laërtius Contributor
Plutarch Contributor
Lytton Strachey Contributor
Marcel Schwob Contributor
Peter Levi Editor
John Wain Editor
W. J. Bate Editor
H. R. Woudhuysen Editor, introduction, notes
Wim Tigges Translator
Patrick Tull Narrator
William Daniell Illustrator
Arthur Waugh Introduction
Fanny Burney Contributor
Fritz Kredel Cover designer
Mrs. Piozzi Contributor
Oliver Lundquist Cover designer
Joshua Reynolds Cover artist
R. T. Davies Contributor
Henry Morley Introduction

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Rating
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Reviews
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ISBNs
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Languages
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Favorited
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