Dino Buzzati (1906–1972)
Author of The Tartar Steppe
About the Author
Born in Belluno in the region of Veneto, in northern Italy, Dino Buzzati received his law degree from the University of Milan, but never practiced law. Beginning in 1928, he worked as an editor and journalist for the Milanese daily newspaper Il Corriere della Sera. His first work of fiction, show more Barnabo delle montagne (Barnaby of the Mountains) (1933), established Buzzati as an inventive writer who evoked the mysteries of ordinary life. Buzzati never linked himself to any literary movement or style, preferring to seek the fantastic and the extraordinary in his often commonplace characters and locales. A talented short story writer, Buzzati published most of his short fiction in Sessanta Racconti (1958), which was partially translated into English as Catastrophe. Here, Buzzati increasingly employs urban settings where machines, instead of quasi-mythical monstrous beings, populate a supernatural world. Buzzati died in 1972. (Bowker Author Biography) show less
Image credit: Dino Buzzati in Rome, 19th July 1958
Series
Works by Dino Buzzati
Die Maschine des Aldo Christofari und andere phantastische Erzählungen. ( Phantastische Bibliothek, 157). (1996) 9 copies
The Bears' Famous Invasion of Sicily (Alma Junior Classics): Reader's Companion by Lemony Snicket (Alma Classics) (2017) 5 copies
Sieben Erzählungen 4 copies
Parole e colori 2 copies
La Vénus d'Ille et autres nouvelles fantastiques: avec un groupement thématique « Objets inanimés, avez-vous donc une âme ? » (2021) — Author — 2 copies
El arma secreta 2 copies
Hieronymus Bosch 2 copies
Le Veston Ensorcelé Et Autres Nouvelles Inquiétantes. Gautier, Poe, Maupassant, Buzzati, Matheson, Bordage (Oeuvres & Thèmes (138): Le Veston ensorcele et autres nouvelles… (2018) 2 copies, 1 review
Il giornale segreto 2 copies
Due poemetti 2 copies
Gruaja me flatra 2 copies
Per grazia ricevuta 2 copies
Schlachtschiff Tod 2 copies
Fin dramatique d'un musicien célèbre: Le manteau: Petite promenade: Les fenêtres: La fin du bourgeois (1992) 1 copy
Sieben Erzählungen 1 copy
Le poesie 1 copy
Crimini e misteri 1 copy
Incubi 1 copy
Historias del amanecer 1 copy
Il grande ritratto 1 copy
The End of the World 1 copy
Veći od života 1 copy
Zvláštnosti lásky 1 copy
Bàrnabo d'es mountanhes 1 copy
NETËT E VËSHTIRA 1 copy
RËNIA E SHENJTORIT 1 copy
O Homem da Montanha 1 copy
Aldous Huxley - Il sorriso della Gioconda | August W. Derleth - La signora Lannisfree | - Lettera noiosa — Author — 1 copy
1: La fine del borghese 1 copy
Buzzati Dino 1 copy
The Colomber [short story] 1 copy
Esmeralda : collages 1 copy
Gerundio 1 copy
L'altare (in Il colombre) 1 copy
L'uomo che andrà in America 1 copy
L'ascensore (in Il colombre) 1 copy
Week-end (in Il colombre) 1 copy
Poème bulles 1 copy
L'ubiquo (in Il colombre) 1 copy
L'umiltà (in Il colombre) 1 copy
L'uovo (in Il colombre) 1 copy
Schiavo (in Il colombre) 1 copy
Teddy boys (in Il colombre) 1 copy
Il conto (in Il colombre) 1 copy
I sorpassi (in Il colombre) 1 copy
E se? (in Il colombre) 1 copy
Dolce notte (in Il colombre) 1 copy
Ferrovia soprelevata. Racconto musicale in sei episodi. II edizione. Premessa di Piero Chiara. (1960) 1 copy
Jago (in Il colombre) 1 copy
Il vento (in Il colombre) 1 copy
Il giardino (in Il colombre) 1 copy
Racconti e romanzi 1 copy
Cuentos de Dino Buzzati 1 copy
Il mago (in Il colombre) 1 copy
Il logorio (in Il colombre) 1 copy
Associated Works
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 511 copies, 4 reviews
The Art of the Tale: An International Anthology of Short Stories (1986) — Contributor — 381 copies, 3 reviews
Italy: A Traveler's Literary Companion (Traveler's Literary Companions) (2003) — Contributor — 49 copies
Italien erzählt : elf Erzählungen — Author — 6 copies
Le desert des Tartares, Dino Buzzati;: Analyse critique (Profil d'une euvre, 40) (1973) — Contributor — 3 copies
Crónicas de Italia — Contributor — 2 copies
Der Zauberspiegel. Phantastische Erzählungen der Weltliteratur — Contributor — 2 copies
構造と美文 山尾悠子偏愛アンソロジー — Contributor — 1 copy
Antaeus No. 34, Summer 1979 — Contributor — 1 copy
S-Fマガジン 1966年04月号 (通巻80号) — Contributor; Illustrator — 1 copy
Tagged
Common Knowledge
- Canonical name
- Buzzati, Dino
- Legal name
- Buzzati-Traverso, Dino
- Birthdate
- 1906-10-14
- Date of death
- 1972-01-28
- Gender
- male
- Education
- University of Milan
- Occupations
- journalist
novelist
short story writer
poet
painter - Organizations
- Corriere della Sera
- Awards and honors
- Mario Massai Prize (1970)
All'Amalia Prize (1970)
Paese Sera Prize (1969)
Premio Strega (1958)
Premio Napoli (1954)
Gargano Prize (1951) - Relationships
- Buzzati-Traverso, Adriano (brother)
- Short biography
- Dino Buzzati Traverso nasce nel 1906 vicino Belluno, da una famiglia dell'agiata borghesia: il padre insegna Diritto internazionale all'Università di Pavia, la madre, veneziana, è sorella dello scrittore Dino Mantovani, assai noto nell'ultimo Ottocento. La villa bellunese è il fulcro della sua infanzia e l'origine dell'universo fanta-reale dello scrittore, con la sua suggestiva biblioteca, il granaio misteriosamente abitato dallo spirito di un antico fattore.
Frequenta il liceo classico Parini di Milano e si laurea in Giurisprudenza con una tesi su La natura giuridica del Concordato.
Compie il servizio militare come ufficiale di complemento e, nel 1928, entra, come cronista, al «Corriere della Sera», giornale che non abbandonerà fino alla fine dei suoi giorni. Nel 1933 pubblica il suo primo romanzo Bàrnabo delle montagne, racconto lungo che racchiude quelli che saranno i temi cari alla sua poetica. Due anni dopo viene dato alla stampa Il segreto del Bosco Vecchio favola vagamente allegorica che passa quasi inosservata, dato il difficile momento politico europeo. Nel 1939, il giornale lo manda in Etiopia, come inviato speciale: un anno più tardi, Buzzati pubblica quello che viene considerato il suo capolavoro narrativo: Il deserto dei Tartari. Quello stesso anno si imbarca come corrispondente di guerra.
Nel 1942 pubblica I sette messaggeri, una raccolta di novelle che comprende Sette piani, angosciante viaggio all'interno della decadenza fisica e della morte, presagio di quella che sarà la sua stessa fine. È la volta, nel 1945, della favola per bambini La famosa invasione degli orsi in Sicilia e de Il libro delle pipe dopo i quali, per ben quindici anni, Dino Buzzati scriverà solo racconti, opere letterarie, libretti teatrali, divagazioni diaristiche (per citarne alcuni: Paura alla Scala, Il crollo della Baliverna, con cui vincerà il premio Napoli, ex aequo con Cardarelli; Ferrovia sopraelevata, racconto musicale in sei episodi; In quel preciso momento).
Nel 1958 vince il Premio Strega con il libro Sessanta racconti. Nel 1960 pubblica Il grande ritratto, esperimento di romanzo fantascientifico, non molto riuscito dal punto di vista letterario, ma importante dal punto di vista tematico, poiché segna l'inizio dell'esplorazione di un nuovo tema: quello della femminilità, fino a quel momento avulso dalle opere dello scrittore o, quantomeno, marginale. Sembra il preludio del romanzo che Buzzati pubblicherà tre anni dopo, nel 1963: Un amore. Forse vagamente autobiografico, certamente diverso dalle altre opere, oggetto di critiche severe e da parte dei suoi detrattori e da qualche suo lettore: come Antonio Dorigo, il protagonista della vicenda, che incontra l'amore a cinquant'anni, Dino Buzzati prenderà moglie in età alquanto avanzata, a sessant'anni.
Nel 1965 esce Il capitano Pic e altre poesie, prima esperienza poetica di Buzzati.
A fianco dell'attività giornalistica e letteraria del grande scrittore, ebbe un certo rilievo quella pittorica: autore di bozzetti e di dipinti vari, Buzzati partecipa a numerose mostre, dichiarando di considerare la pittura non come un hobby ma come il proprio mestiere. In un discorso autoironico, pubblicato nel catalogo della galleria d'arte Cavalletto, nel 1968, afferma che «Dipingere e scrivere per me sono in fondo la stessa cosa. Che dipinga o scriva, io perseguo il medesimo scopo, che è quello di raccontare delle storie». Con Poema a fumetti vincerà il premio Paese Sera, nel 1970. Nel 1971 raccoglie in un volume alcuni fra i suoi elzeviri, intitolandolo Le notti difficili. Mentre già lo assedia la terribile malattia che lo porterà alla morte il 28 Gennaio del 1972. - Cause of death
- cancer
- Nationality
- Italy
- Birthplace
- San Pellegrino, Italy
- Places of residence
- San Pellegrino, Italy (birthplace)
- Place of death
- Milan, Italy
- Map Location
- Italy
Members
Discussions
Group Read, August 2016: The Tartar Steppe in 1001 Books to read before you die (August 2016)
Reviews
It seems to me, fantasy should be as close as possible to journalism. The right word is not "banalizing", although in fact a little of this is involved. Rather, I mean that the effectiveness of a fantastic story will depend on its being told in the most simple and practical terms
Italian author Dino Buzzati is best-known for his existentialist novel “The Tartar Steppe” and for his short stories which skirt the genres of horror, fantasy, science-fiction and what we would today call show more “magical realism”. Buzzati was also a journalist for Corriere della Sera. In 1965 this newspaper commissioned him as ‘special correspondent’ to research a series about paranormal phenomena in Italy. The fantastical was part and parcel of his fiction and he dedicated himself to this assignment with gusto, traversing the Bel Paese to meet a motley crew of mediums, visionaries, mystics, witches and folk healers.
These pieces, alongside other works by Buzzati in the same vein, were later published in book form as “Misteri d’Italia” or Mysteries of Italy. They certainly form an intriguing collection. On the one hand, Buzzati is an involved narrator, personally participating in spiritualist sessions and exorcisms, and staying up to hunt ghosts in his childhood home. Being the novelist that he is, he can also conjure a chilling atmosphere or convey a character with the slightest of means. On the other hand, Buzzati adopts an objective stance, neither compelling us to believe the otherwordly events he describes nor dismissing outright the possibility of the existence of the supernatural. If at all, a trace of scepticism can only be felt in the occasional subtle irony or burst of dark humour. The words Buzzati reserves for his friend (and would-be occultist) Beonio Brocchieri could equally be applied to him:
Ha compiuto numerosi viaggi, tenendosi ugualmente lontano dai fanatici che interpretano ogni fenomeno come rivelazione di potenza sovraumana, quanto da coloro che vivono nel continuo terrore di "essere fatti fessi" e cio’ che esce dalle loro possibilita' di razionale comprensione lo eliminano tout court dicendo che sono tutte ciurmerie.
Reading this collection, one gets the impression that ultimately the truth or otherwise of the paranormal experiences described is not particularly relevant. What is more significant is the fact that there are people who choose to believe in such phenomena. For Buzzati this is intrinsically tied to a way of life which, even back in the 60s, was already slowly disappearing. Unsurprisingly, these pieces are shot through with a sense of nostalgia. Italy as the young Buzzati had known it was succumbing to modernity and its ghosts were, slowly but surely, being laid to rest.
https://endsoftheword.blogspot.com/2018/08/i-misteri-ditalia-dino-buzzatis.html show less
Italian author Dino Buzzati is best-known for his existentialist novel “The Tartar Steppe” and for his short stories which skirt the genres of horror, fantasy, science-fiction and what we would today call show more “magical realism”. Buzzati was also a journalist for Corriere della Sera. In 1965 this newspaper commissioned him as ‘special correspondent’ to research a series about paranormal phenomena in Italy. The fantastical was part and parcel of his fiction and he dedicated himself to this assignment with gusto, traversing the Bel Paese to meet a motley crew of mediums, visionaries, mystics, witches and folk healers.
These pieces, alongside other works by Buzzati in the same vein, were later published in book form as “Misteri d’Italia” or Mysteries of Italy. They certainly form an intriguing collection. On the one hand, Buzzati is an involved narrator, personally participating in spiritualist sessions and exorcisms, and staying up to hunt ghosts in his childhood home. Being the novelist that he is, he can also conjure a chilling atmosphere or convey a character with the slightest of means. On the other hand, Buzzati adopts an objective stance, neither compelling us to believe the otherwordly events he describes nor dismissing outright the possibility of the existence of the supernatural. If at all, a trace of scepticism can only be felt in the occasional subtle irony or burst of dark humour. The words Buzzati reserves for his friend (and would-be occultist) Beonio Brocchieri could equally be applied to him:
Ha compiuto numerosi viaggi, tenendosi ugualmente lontano dai fanatici che interpretano ogni fenomeno come rivelazione di potenza sovraumana, quanto da coloro che vivono nel continuo terrore di "essere fatti fessi" e cio’ che esce dalle loro possibilita' di razionale comprensione lo eliminano tout court dicendo che sono tutte ciurmerie.
Reading this collection, one gets the impression that ultimately the truth or otherwise of the paranormal experiences described is not particularly relevant. What is more significant is the fact that there are people who choose to believe in such phenomena. For Buzzati this is intrinsically tied to a way of life which, even back in the 60s, was already slowly disappearing. Unsurprisingly, these pieces are shot through with a sense of nostalgia. Italy as the young Buzzati had known it was succumbing to modernity and its ghosts were, slowly but surely, being laid to rest.
https://endsoftheword.blogspot.com/2018/08/i-misteri-ditalia-dino-buzzatis.html show less
This book has some of the most depressing, biting passages about aging and lost time that I've ever read. Every 50 pages or so, Buzzati takes a break from the story to weave in a lyrical paragraph or two that grips you by the throat and tells you that you and everyone you know is speeding towards an inevitable death. The blurb on Goodread says this book is often compared to Kafka's The Castle. To me it's a superficial comparison between two novels with existential themes about monolithic show more buildings. Whereas Kafka always leavens his darkness with black humor, Buzzati's vision is relentlessly melancholy.
The obvious questions when one reads this book is "what is the fort/steppe really?" I'm biased against books that are overtly symbolic. Buzzati's writing invites all kinds of allegorical interpretations, but he's careful enough never to let on any easy answers. I found myself thinking about all the ways that people waste time, waiting on turns of fortune that never come, or dreams never to be realized. The question I'm left with is: Is the fort a gutter for lost souls fleeing from life? Or are we all living in a fort of our own making, searching the horizon for a source of meaning that will never come? show less
The obvious questions when one reads this book is "what is the fort/steppe really?" I'm biased against books that are overtly symbolic. Buzzati's writing invites all kinds of allegorical interpretations, but he's careful enough never to let on any easy answers. I found myself thinking about all the ways that people waste time, waiting on turns of fortune that never come, or dreams never to be realized. The question I'm left with is: Is the fort a gutter for lost souls fleeing from life? Or are we all living in a fort of our own making, searching the horizon for a source of meaning that will never come? show less
Chi sono i Tartari? L'alter ego di ciò che desideriamo ma che siamo troppo pavidi per andare a cercarcelo da soli. E allora meglio far passare gli anni, i migliori anni della nostra vita, chiusi nella nostra personale Fortezzsa Bastiani, per accorgerci che al momento dell'azione l'unica cosa che possiamo ancora fare è morire con dignità.
Un capolavoro.
Un capolavoro.
I'm rapidly becoming a huge fan of Dino Buzzati's fiction, and Restless Nights is an excellent introduction to his stories in translation. Buzzati's unique outlook has echoes of Jorge Luis Borges, but Buzzati is his own man, and treats his subjects with considerably more compassion and sympathy than characters typically receive at the hands of the more cerebral Borges. Buzzati loves to throw emotional and philosophical conundrums at his protagonists, and the joy of reading his stories arises show more from the charming and creative resolutions that he devises for his challenging plots. Most of these pieces are quite short, but as with Borges, they are so well executed that there is no need for excess verbiage - Buzzati has tuned his stories perfectly, and delivers the goods elegantly, entertainingly, and (one might even say) ecstatically. show less
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Awards
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Statistics
- Works
- 243
- Also by
- 30
- Members
- 8,133
- Popularity
- #2,973
- Rating
- 4.0
- Reviews
- 197
- ISBNs
- 538
- Languages
- 29
- Favorited
- 34






































