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Dino Buzzati (1906–1972)

Author of The Tartar Steppe

244+ Works 8,189 Members 198 Reviews 34 Favorited

About the Author

Born in Belluno in the region of Veneto, in northern Italy, Dino Buzzati received his law degree from the University of Milan, but never practiced law. Beginning in 1928, he worked as an editor and journalist for the Milanese daily newspaper Il Corriere della Sera. His first work of fiction, show more Barnabo delle montagne (Barnaby of the Mountains) (1933), established Buzzati as an inventive writer who evoked the mysteries of ordinary life. Buzzati never linked himself to any literary movement or style, preferring to seek the fantastic and the extraordinary in his often commonplace characters and locales. A talented short story writer, Buzzati published most of his short fiction in Sessanta Racconti (1958), which was partially translated into English as Catastrophe. Here, Buzzati increasingly employs urban settings where machines, instead of quasi-mythical monstrous beings, populate a supernatural world. Buzzati died in 1972. (Bowker Author Biography) show less
Image credit: Dino Buzzati in Rome, 19th July 1958

Series

Works by Dino Buzzati

The Tartar Steppe (1940) 3,163 copies, 73 reviews
The Bears' Famous Invasion of Sicily (1945) — Author — 677 copies, 19 reviews
A Love Affair (1963) 474 copies, 17 reviews
Il colombre e altri racconti (1966) 430 copies, 5 reviews
Sessanta racconti (1994) — Author — 333 copies, 7 reviews
La boutique del mistero (1968) 330 copies, 7 reviews
Poem Strip (1969) 258 copies, 11 reviews
Il segreto del bosco vecchio (1935) 231 copies, 7 reviews
The Singularity (2024) 180 copies, 1 review
Catastrophe and Other Stories (1965) 138 copies, 4 reviews
Barnabo delle montagne (1995) 116 copies, 6 reviews
The Bewitched Bourgeois: Fifty Stories (1948) 114 copies, 1 review
Il crollo della Baliverna (1978) 104 copies, 2 reviews
Larger than Life (1960) — Author — 93 copies, 2 reviews
L'opera completa di Bosch (1992) 87 copies, 1 review
The Seven Messengers (1982) 78 copies, 2 reviews
Siren: A Selection from Dino Buzzati (1984) 58 copies, 1 review
Paura alla Scala (1980) 52 copies, 1 review
Il reggimento parte all'alba (1985) 45 copies, 1 review
Le rêve de l'escalier (1992) 43 copies, 1 review
I misteri d'Italia (1978) 37 copies, 4 reviews
Siamo spiacenti di (1980) 35 copies, 1 review
Il meglio dei racconti (1989) 33 copies
Cronache terrestri (1972) 26 copies
Bestiario (1991) 25 copies
In quel preciso momento (1963) 25 copies, 1 review
Bosch (1994) 22 copies
Romanzi e racconti (1982) 19 copies
I miracoli di Val Morel (2012) 19 copies, 2 reviews
Opere scelte (1998) 19 copies
Nouvelles inquiètes (2006) 17 copies
Siete plantas (2018) 14 copies, 1 review
Qualcosa era successo e altri racconti (1900) 13 copies, 1 review
Nouvelles Oubliees (2009) 11 copies
Poema a fumetti (2017) 11 copies, 1 review
Lettere a Brambilla (1988) 11 copies
Novelle del novecento: an anthology (1966) — Contributor — 11 copies
Teatro (2006) 11 copies
Le storie dipinte (2013) 10 copies
Le cronache fantastiche (2003) 7 copies
Cronache nere (1989) 7 copies
Naquele Exato Momento (2004) 6 copies
Montagnes de verre (1991) 5 copies, 1 review
I capolavori (2005) 5 copies
The Time Machine (1954) 5 copies
I dispiaceri del re (2014) 4 copies
Poemat w obrazkach (2019) 4 copies
Oeuvres de Dino Buzzati (1995) 4 copies
Lascia o raddoppia: racconti (1993) 4 copies, 1 review
Tanriyi Gören Köpek (2015) 4 copies
Il golf (2013) 3 copies
Tanrı görmüş köpek (1995) 3 copies
il libro delle pipe (2024) 3 copies
Pronto ! moderne Italiaanse verhalen (1993) 3 copies, 1 review
石の幻影―短編集 (1998) 2 copies
Parole e colori 2 copies
El arma secreta 2 copies
Con il papa in terrasanta (2014) 2 copies
L'uccisione del drago (1973) 2 copies
Oeuvres : Tome 2 (2006) 2 copies
Due poemetti 2 copies
La fine del borghese (1968) 2 copies
Tam O Anda (2018) 1 copy
Le poesie 1 copy
Siamo Spiacenti Di... (1996) 1 copy
Incubi 1 copy
I topi (2017) 1 copy
Poème bulles (1970) 1 copy
Nouvelles des cimes (2024) 1 copy
Zagadka Ctarogo Lesa (2025) 1 copy
Veľmi nás mrzí, že (2025) 1 copy
Tatar©œknen (2024) 1 copy
Cronache fantastiche (2024) 1 copy
Buzzati Dino 1 copy
La Nuit (CD audio) (2001) 1 copy
Nouvelles (Buzzati) (2011) 1 copy
Gerundio 1 copy
The Siren (1859) 1 copy
Orphi und Eura (1970) 1 copy
Das alte Hotel (1958) 1 copy
L’Arme secrète 1 copy, 1 review
La spada (2016) 1 copy

Associated Works

The Weird: A Compendium of Strange and Dark Stories (2011) — Contributor — 968 copies, 22 reviews
The Science Fiction Century (1997) — Contributor — 585 copies, 5 reviews
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 513 copies, 4 reviews
The Art of the Tale: An International Anthology of Short Stories (1986) — Contributor — 381 copies, 3 reviews
Sudden Fiction International: Sixty Short-Short Stories (1989) — Contributor — 227 copies, 1 review
The Penguin Book of Italian Short Stories (2019) — Contributor — 204 copies, 3 reviews
Mystery Stories: An Intriguing Collection (1996) — Contributor — 100 copies
Found in Translation (2018) — Contributor, some editions — 63 copies
The Road to Science Fiction #6: Around The World (1998) — Contributor — 49 copies
One World of Literature (1992) — Contributor — 27 copies
Relatos italianos del siglo XX (1974) — Contributor — 16 copies, 1 review
Italiaanse verhalen (1961) — Contributor — 10 copies, 1 review
Modern Italian Short Stories (1954) — Contributor — 7 copies
Italien erzählt : elf Erzählungen — Author — 6 copies
Racconti di cinema (2014) — Contributor — 5 copies
The Literary Short Story (2007) — Contributor — 2 copies
Crónicas de Italia — Contributor — 2 copies
Humor fra Italien — Author, some editions — 2 copies, 1 review
Antaeus No. 34, Summer 1979 — Contributor — 1 copy
Opowieści Niesamowite Z Języka Włoskiego (2023) — Contributor — 1 copy
S-Fマガジン 1966年04月号 (通巻80号) — Contributor; Illustrator — 1 copy

Tagged

Common Knowledge

Canonical name
Buzzati, Dino
Legal name
Buzzati-Traverso, Dino
Birthdate
1906-10-14
Date of death
1972-01-28
Gender
male
Education
University of Milan
Occupations
journalist
novelist
short story writer
poet
painter
Organizations
Corriere della Sera
Awards and honors
Mario Massai Prize (1970)
All'Amalia Prize (1970)
Paese Sera Prize (1969)
Premio Strega (1958)
Premio Napoli (1954)
Gargano Prize (1951)
Relationships
Buzzati-Traverso, Adriano (brother)
Short biography
Dino Buzzati Traverso nasce nel 1906 vicino Belluno, da una famiglia dell'agiata borghesia: il padre insegna Diritto internazionale all'Università di Pavia, la madre, veneziana, è sorella dello scrittore Dino Mantovani, assai noto nell'ultimo Ottocento. La villa bellunese è il fulcro della sua infanzia e l'origine dell'universo fanta-reale dello scrittore, con la sua suggestiva biblioteca, il granaio misteriosamente abitato dallo spirito di un antico fattore.
Frequenta il liceo classico Parini di Milano e si laurea in Giurisprudenza con una tesi su La natura giuridica del Concordato.

Compie il servizio militare come ufficiale di complemento e, nel 1928, entra, come cronista, al «Corriere della Sera», giornale che non abbandonerà fino alla fine dei suoi giorni. Nel 1933 pubblica il suo primo romanzo Bàrnabo delle montagne, racconto lungo che racchiude quelli che saranno i temi cari alla sua poetica. Due anni dopo viene dato alla stampa Il segreto del Bosco Vecchio favola vagamente allegorica che passa quasi inosservata, dato il difficile momento politico europeo. Nel 1939, il giornale lo manda in Etiopia, come inviato speciale: un anno più tardi, Buzzati pubblica quello che viene considerato il suo capolavoro narrativo: Il deserto dei Tartari. Quello stesso anno si imbarca come corrispondente di guerra.

Nel 1942 pubblica I sette messaggeri, una raccolta di novelle che comprende Sette piani, angosciante viaggio all'interno della decadenza fisica e della morte, presagio di quella che sarà la sua stessa fine. È la volta, nel 1945, della favola per bambini La famosa invasione degli orsi in Sicilia e de Il libro delle pipe dopo i quali, per ben quindici anni, Dino Buzzati scriverà solo racconti, opere letterarie, libretti teatrali, divagazioni diaristiche (per citarne alcuni: Paura alla Scala, Il crollo della Baliverna, con cui vincerà il premio Napoli, ex aequo con Cardarelli; Ferrovia sopraelevata, racconto musicale in sei episodi; In quel preciso momento).

Nel 1958 vince il Premio Strega con il libro Sessanta racconti. Nel 1960 pubblica Il grande ritratto, esperimento di romanzo fantascientifico, non molto riuscito dal punto di vista letterario, ma importante dal punto di vista tematico, poiché segna l'inizio dell'esplorazione di un nuovo tema: quello della femminilità, fino a quel momento avulso dalle opere dello scrittore o, quantomeno, marginale. Sembra il preludio del romanzo che Buzzati pubblicherà tre anni dopo, nel 1963: Un amore. Forse vagamente autobiografico, certamente diverso dalle altre opere, oggetto di critiche severe e da parte dei suoi detrattori e da qualche suo lettore: come Antonio Dorigo, il protagonista della vicenda, che incontra l'amore a cinquant'anni, Dino Buzzati prenderà moglie in età alquanto avanzata, a sessant'anni.

Nel 1965 esce Il capitano Pic e altre poesie, prima esperienza poetica di Buzzati.

A fianco dell'attività giornalistica e letteraria del grande scrittore, ebbe un certo rilievo quella pittorica: autore di bozzetti e di dipinti vari, Buzzati partecipa a numerose mostre, dichiarando di considerare la pittura non come un hobby ma come il proprio mestiere. In un discorso autoironico, pubblicato nel catalogo della galleria d'arte Cavalletto, nel 1968, afferma che «Dipingere e scrivere per me sono in fondo la stessa cosa. Che dipinga o scriva, io perseguo il medesimo scopo, che è quello di raccontare delle storie». Con Poema a fumetti vincerà il premio Paese Sera, nel 1970. Nel 1971 raccoglie in un volume alcuni fra i suoi elzeviri, intitolandolo Le notti difficili. Mentre già lo assedia la terribile malattia che lo porterà alla morte il 28 Gennaio del 1972.
Cause of death
cancer
Nationality
Italy
Birthplace
San Pellegrino, Italy
Places of residence
San Pellegrino, Italy (birthplace)
Place of death
Milan, Italy
Map Location
Italy

Members

Discussions

Group Read, August 2016: The Tartar Steppe in 1001 Books to read before you die (August 2016)

Reviews

217 reviews
This book deals with the futility of a life wasted away in waiting for a glory that is illusive and forever out of reach. Ofttimes in life, the wait for a certain epoch in time - realization of which might give purpose to a seemingly meaningless existence - becomes the purpose of life in itself. The eternal waiting steals from us the awareness of beauty in the mundane. We have unknowingly locked ourselves in the fortress of our minds as we wait in vain for an imaginary enemy to arrive that show more would legitimize our deliberations and efforts in abstaining ourselves from the outer world. However the occasional melancholic bursts of realization dawns on us, making us question the waiting, pangs of remorse that we have missed out on so much in life that the world had to offer.

“At night in the barrack rooms the beams where the packs hang, the rifle-racks, the very doors, even the fine heavy walnut furniture in the colonel’s room, all the timber in the Fort, including the oldest bits, creaked in the darkness. Sometimes there were sharp cracks like pistol shots. It seemed as if something were actually flying apart. A man would wake in his bunk and strain his ears. But he could hear nothing except other creakings whispering in the night.
This is the time when an obstinate lament from life reawakens in the old beams. Many, many years ago in happier times there had been a surge of heat and youthful strength and clusters of buds sprang from the boughs. Then the tree had been cut down. And now it is spring and in each of its dismembered parts there still awakens a pulse of life, an infinitely weaker pulse. Once there were leaves and flowers; now only a dim memory, enough to make a cracking noise and then it is over until the next year.”


It is often too late in life that we realize that we have lived a life in self-imposed exile.
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Amo demais o filme do Zurlini que se baseou nesse livro, talvez por tê-lo visto primeiro e Zurlini ser o mais absoluto mestre de sua arte eu não consiga com que Buzzatti o equipare em termos de linguagem.
Dito isso, ainda acho o livro imenso, com uma veia sisifica contendo o absurdismo de Camus, o que é a vida senão esse eterno esperar por algo que não vem, essa falta que não se preenche, essa espera absurda e desigual.
When the magically curious Poema a fumetti (A poem in comic strips) was published in 1969, the Italian master of the fantastic and metaphysical fiction, writer and painter Dino Buzzati was sixty-three years old. It is an unexpected but incontestable entry for the first ever "graphic novel", if we accept the terminology imposed by North American publishing.

At the time of publication, the format confounded critics, who by and large knew no better than to obtusely condemn Buzzati's show more "experiment". It didn't seem serious enough to them. It was demeaning to literature to enclose it into sequential images, bubbles and squares such as were usually seen around Donald Duck and Diabolik. And, it struck some as sort of obscene. In short, the critical reception was uncomprehending and cold, but the book sold very well.

The visual, literary, political and autobiographical references of this relatively short and incredibly rich work would take a tome to expound, beginning with Buzzati's life, and what follows are the broadest of strokes. Buzzati's imagination wedded pictures to words from the earliest age, so the question of origin of the idea for a literary story told in pictures is moot. His final decision and choice of the topic, however, had crystallised more than ten years before publication, in the aftermath of a shattering and revelatory love affair, thanks to which Buzzati, by his own testimony, had discovered love for the first time, "at the threshold of old age". The woman in question had been much younger than Buzzati, as was his wife, whom he met and married some years later. The erotic longing, despair and infinite regret that infuse Poema a fumetti are clearly autobiographical.

The plot is taken from the myth of Orpheus and Eurydice, here called Orfi and Eura, and translated to the 1960s Milan. Pop singer Orfi sees one night his beloved Eura disappear into the grounds of a mysterious house, which turns out to be the gateway to Hades. Desperate, he follows and looks for her among the dead (who "live" their death not that differently from how the living live life), beguiles the spirits with his music and song of what they have lost, and almost snatches Eura away… except that she refuses to follow him, telling him it's useless, that another great law reigns in Death, and that they would meet again some day. This is the major departure from the myth, making Eura a positive, independent agent, different from the wholly passive and passively lost Eurydice.

(The reason for this departure, I think, is that Buzzati HAD to abide by the truth of the experience he was conveying. The girl ditched him. Love abandoned him. I can't help wondering what Buzzati's output would have looked like had he known Eros for as long as he had known Thanatos. Oh, he certainly knew, as he wrote to a friend, what it meant to "go to bed with a woman", but it is interesting that his protagonists' main relationships are always with their own and others' death. The joy of living in Buzzati is concentrated in his magnificent appreciation of nature and animals, most poignantly, that of mountains.)

A little on the visual style of the book. Buzzati collected images all his life. He drew and painted in different styles. For Poema a fumetti he adopted a collagistic and "sampling" approach. Some images were drawn from life, including models, such as the young friend who posed for Orfi (Buzzati's wife posed for Eura, a detail which was discreetly overlooked at publication), but others were references to famous illustrations or illustrators, reworkings of photographs, homages to other artists, and concoctions in various styles of the day, influenced by Pop Art and the commercial fumetti. Buzzati's references (according to Lorenzo Vigano) include the image of a hanged man from a medical atlas, architectural plans of buildings in Milano, Salvador Dali's Lobster telephone, photographs of Irving Klaw (famous for his Bettie Page and striptease photos), Caspar David Friedrich, the German Romantic painter, Arthur Rackham, famous illustrator of fairy tales, Otto Greiner, a Symbolist painter, F. W. Murnau, the director of Nosferatu, Wilhelm Busch, German humorist and cartoonist, the creator of Max und Moritz, Hans Bellmer, of the famous quartered Doll, Fellini etc. etc. etc.

This mix creates a strangely dreamlike, surrealist atmosphere, as these diverse visual signals tug at memory and elicit streams of associations. Reading the Poema a fumetti is like lucid dreaming, with eyes open.
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Well, I'll say it straight out with no apologies or shame. This book made me cry. It is not a heroic tale in the ordinary sense of the word. It would be more apt to say it is the story of everyman. An ordinary man trying to find meaning in his life. A man of decency and dreams. I know the book hit me hard due to the point I'm at in my life and my quiet struggles. Others might find the story and the man who is the focus of the story boring and irrelevant. I understand that but stand firmly show more with the man and his ultimate dignity. A story well told, a simple life shared with beauty, and a book I am not likely to forget. show less

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Associated Authors

Mario Soldati Contributor
Vitaliano Brancati Contributor
Carlo Cassola Contributor
Elio Vittorini Translator
Nino Palumbo Contributor
Giuseppe Dessi Contributor
Natalia Ginzburg Contributor
Giorgio Bassani Contributor
Cesare Pavese Contributor
Alberto Moravia Contributor
Giuseppe Cassieri Contributor
Luigi Davi Contributor
Italo Calvino Contributor
Luigi Santucci Contributor
Lawrence Venuti Translator
脇 功 翻訳
Alberico Sala Introduction
Stuart C. Hood Translator
Esther Benítez Translator
Wendla Lipsius Übersetzer
Michel Arnaud Translator
D. Ouwendijk Translator
Percy Eckstein Übersetzer
Lemony Snicket Introduction
Bernard Chesnel Carnet de lecture
Frances Lobb Translator
Ingrid Parigi Translator
Anna Conterno Translator
Mercedes Corral Translator
Judith Landry Translator
Michel Breitman Translator
Max J. Friedländer Introduction
Henry Reed Translator
Mario Cochi Translator
Christiane Cochi Translator
Stéphanie Laporte Translator, Preface
Leena Rantanen Translator

Statistics

Works
244
Also by
30
Members
8,189
Popularity
#2,955
Rating
4.0
Reviews
198
ISBNs
538
Languages
29
Favorited
34

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